Monthly Archives: May 2015

The Songs from The Hobbit: An Unexpected Journey

Hey there, everyone! Here we are in Middle-earth yet again. I do not know just why, but I have to tell you that I cannot get enough of The Hobbit films at the moment. I just keep circling back to them.

I suppose part of it is that the films are over now. I got to see The Lord of the Rings about six or more years back, and I naturally enjoyed them a great deal. But it was a real treat to see The Hobbit brought to the silver screen. True, the movies do not align precisely with the book, but the overall film version has differences with which I can happily live. So, with the new trilogy at an end, there are no more journeys to Middle-earth to look forward to every year. All good things must come to an end, as they say. *Sigh.*

On a lighter note, I thought that I would highlight the magnificent songs we saw in the first Hobbit film, An Unexpected Journey. If you have been looking at my blog since I first set up shop, then you know I did a post about these songs waaay back in 2013, after An Unexpected Journey was old news (or nearly so). With the films over, I thought I would do another post on those songs which completely captured my imagination in theaters. First up is, naturally, “Blunt the Knives”:

 

The Hobbit: An Unexpected Journey – “Blunt the Knives”

 

This song provides almost endless joy for me. First, I like it because the song really impressed me when I read The Hobbit some years ago. Reading about Bilbo’s hobbit hole being invaded by Dwarves who subsequently clean up his house, a la Disney style, was great fun. When I heard that The Hobbit was being filmed, I hoped this scene would make it into the movie. Oh, rapture, it did!

When the Dwarves start singing as Fili, Kili, and Bifur begin tidying up the dinnerware, I wanted to bounce in my seat like an excited child. But as the scene unfolded and the Dwarves’ acrobatics became more and more complicated and sophisticated, I became enthralled. I think my mouth literally hung open until the end of the song, when I started giggling and laughing (quietly, so that I would not annoy the other movie goers). To this day I watch the Dwarves “Carefully! Carefully!” put away the plates every chance I get.

The next song in the line-up is “Misty Mountains”:

The Hobbit: An Unexpected Journey – “Misty Mountains”

 

“Misty Mountains” is perfect. In The Hobbit, Bilbo literally falls asleep while listening to the Dwarves sing about their stolen hoards of gold and their lost kingdom. Listening to the song in the theater, I thought: “Ooooh, if only I didn’t have to watch the movie, or worry about falling asleep in the theater! I’d go to sleep this instant listening to this, if I could!”

Needless to say, I did not fall asleep. My only complaint is that so little of the song made it to the screen! It is not nearly long enough to lull me to sleep, as it sent Bilbo off to dreamland in Tolkien’s The Hobbit.

By the way, “Blunt the Knives” and “Misty Mountains” were written by Tolkien and are part of The Hobbit. The lyrics have been re-arranged for the film, but otherwise the songs are as found in the book.

The next song in the film is also the last in the theatrical release. Sung by Neil Finn, it is called “Over the Lonely Mountain”:

 

The Hobbit: An Unexpected Journey – “Over the Lonely Mountain” – by Neil Finn

 

This song was a great way to end An Unexpected Journey in this writer’s opinion.   Based on “Misty Mountains,” the song is slow but forceful. Some of the sounds (I am not sure they qualify as notes) in the song are reminiscent of hammers at work in a smith’s forge, recalling a scene early in An Unexpected Journey which showed Thorin Oakenshield at a forge sometime after he and his people had been chased out of the Lonely Mountain and forced to wander Middle-earth, taking whatever work they could find to survive.

The lyrics “some folk we never forget/some kind we never forgive/haven’t seen the back of us yet,” etcetera, drive this parallel home to me. The song seems to be mostly about Thorin, but has hints that other Dwarves of Durin’s line and folk feel the same way about Erebor’s fall. I really do not know what else I can say about this song at the moment. I feel my opinions about it too strongly for words, so I am afraid this paltry praise is all I can give you today, readers.

The last song in this post is also from An Unexpected Journey. If you have the extended edition of that film, then you already know about this song. As for me, I discovered it when I was looking up other videos from The Hobbit films. So, without further ado, here’s “The Man in the Moon Stayed Up Too Late”!!!

 

The Man in the Moon Stayed Up Too Late

 

James Nesbitt apparently wrote the music for this song himself. “The Man in the Moon Stayed Up Too Late,” is actually a song from The Fellowship of the Ring. Trying to distract the crowd when Pippin begins retelling the story of Bilbo’s eleventy-first birthday, Frodo jumps up on a table in the Prancing Pony and begins singing the song, which was written by Bilbo, as it turns out. But his impromptu performance ends in disaster when he tumbles off the table and the Ring “accidently” slips onto his finger and makes him vanish.

In this extended scene from An Unexpected Journey, however, the Dwarves are trying desperately not to lose their minds as they listen to the dulcet music the Elves play for their enjoyment. Nori says he “feels like [he’s] at a funeral!” So Bofur decides there is only one remedy for the situation: he jumps up on a platform between the Dwarves’ dinner tables and starts singing a shortened version of “The Man in the Moon Stayed Up Too Late.”

Now why the Dwarves would all start pelting each other with food, I cannot say, other than to make the Elves and Gandalf – who was trying to make the Elves feel more at ease with their prejudiced guests – uncomfortable. If that was their aim, then they succeeded admirably, though they may have done it simply because they could not stand Elven food, which was not very meat-rich.

Regardless, I enjoy the video because of “The Man in the Moon Stayed Up Too Late.” I enjoyed the song as written in The Fellowship of the Ring, and to hear it being sung is wonderful. Everyone did their best with bringing The Hobbit to life on the silver screen and, while the movies may not be everything we wish they were, they are great fun nonetheless. So, readers, until we meet again –

The Mithril Guardian

(bowing)

At your service!

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“If it’s a fight…”

The Cherokee Trail

“If it is a fight we’re in, I say come out a-fightin’ with your best weapons! Me old father used to say, ‘Never let ‘em get set! Take ‘em off their feet and keep ‘em so!’ It’s you, mum, must do it! Be the great lady you are and he’ll never have the nerve to fire you! Before he gets his wits about him, he’ll be on the stage an’ gone!” – Matty Maginnis in The Cherokee Trail by Louis L’Amour

Spotlight: Ice Age – Sid

Today’s Spotlight! focuses on Sid, the Giant Sloth from the Ice Age films, specifically the first Ice Age movie. (I am not overly fond of the sequel Ice Age movies.)

Sid is presented as an annoying character that his own family cannot stand. In the first film, they get up early and begin migrating south, away from the frozen north, without him. Sid bewails his abandonment temporarily, then proceeds to begin migrating south by himself –

Only to get in trouble with a pair of rhinos.

Manfred the Mammoth and star of the show rescues Sid, who then starts following him around, irritating the already sour-tempered mammoth further by shortening his name to Manny and asking him some very personal questions. But Sid keeps up with Manny despite the growls and threats from the bigger animal. Manny tries his best to shake the bothersome sloth, but no dice.

Not long afterward, the two come upon a woman and her infant son in a freezing river. The woman pushes her baby toward Manny, who pulls the child onto dry land. Knowing her baby is safe; the worn-out woman allows the frigid water to carry her downstream. Sid, impressed by the moment, decides that they should return the infant to his “herd” – a group of humans with a camp on a nearby cliff top.

Manny absolutely refuses to help the human baby, stating he is “still trying to get rid of the last thing [he] saved” – Sid.

But the sloth is persistent, and he tries to return the baby to the humans on his own. That attempt fails miserably, and only the timely arrival of a saber tooth tiger, Diego, prevents the child from becoming a human pancake.

Manny then snatches the baby from the tiger, and Sid states that they are going to return the baby to his herd. Manny reluctantly agrees and the two climb the cliff (by a much safer route than Sid’s) only to find the humans have abandoned their camp in something of a hurry.

Throughout the rest of the film Sid continues to annoy both Manny and Diego. But at the same time he is irritating them, somehow Sid also manages to help his two companions grow. Manny and Diego both learn to forgive their perceived “enemy” – humanity – during the course of the film. But they would not have been prepared to forgive humanity if they had not been traveling with Sid.

Sid has a great many faults. He has so many, in fact, that his own flesh and blood has decided they will be better off without him. But Sid never holds this against them. He laments that his family has decided they can no longer put up with him, but he shrugs it off and keeps going. He later tells Diego, “Ah, you know me. I’m too lazy to hold a grudge.”

Too lazy? Say rather very forgiving. Sid takes a lot of abuse, verbal and physical, from a great many animals. But no matter the threats, indignations, or anger heaped on him, he simply lets it roll off his spirit like water off a duck’s back. He keeps on being his annoying, lovable self, and he never denies friendship to anyone – unless they are trying to eat him. Let’s face it; you cannot forgive someone for continually trying to do that!

I have a lot of work ahead of me with regard to forgiveness. Like most people, I find it hard to forgive. But I am trying, and if it took Manny and Diego a whole movie to let go of their anger, then I think I can learn to be forgiving. It might take me awhile, but I know it is not totally impossible. Ice Age and Sid were both pretty good demonstrations that forgiveness is possible, if we let it be possible.

Until next time!

The Mithril Guardian

Quotable Quotes #7

Choose to Love

Doubt is not a pleasant condition, but certainty is absurd. – Voltaire

Nothing ever becomes real till it is experienced. – John Keats

Happiness and moral duty are inseparably connected. – George Washington

Ignorance is the curse of God; knowledge is the wing wherewith we fly to heaven. – William Shakespeare

I am accustomed to sleep and in my dreams to imagine the same things that lunatics imagine when awake. – René Descartes

Be true to your work, your word, and your friend. – Henry David Thoreau, American author

How far that little candle throws its beams!

So shines a good deed in a naughty world. – William Shakespeare

You can discover more about a person in an hour of play than in a year of conversation. – Plato

Life well spent is long. – Leonardo da Vinci, Italian artist

A leader is a dealer in hope. – Napoleon Bonaparte

The innocent and the beautiful have no enemy but time. – William Butler Yeats, Irish poet

A true friend is the greatest of all blessings, and that which we take the least care of all to acquire. – Francois de la Rochefoucauld

If we did all the things we are capable of, we would literally astound ourselves. – Thomas A. Edison

The Hobbit Film Trilogy: Bard the Bowman

 

Greetings, readers! Today I once again find myself wandering through The Hobbit films. This time, though, the focus is on the most important Man in the films, Bard the Bowman.

Ever since I encountered him in the pages of The Hobbit, I have liked Bard. His sense of justice, his courage, and his compassion all combined to make him a very appealing character. When I heard they were making a film of The Hobbit, one of my first thoughts was: “Yes! That means we get to see Bard on the silver screen! Yahoo!”

Well, we did not get to see him in An Unexpected Journey, but by the middle of The Desolation of Smaug, there he was. He came up on the Dwarves nice and quiet after they had escaped the Wood Elves – and he managed to not only intimidate Dwalin with a well shot arrow but also to startle Kíli, the Company’s only archer!

It takes some work, but Balin eventually convinces him to smuggle the Company into Lake-town. The good old Dwarf’s only mistake is to mention Bard’s wife, who has been dead for some years. But, despite that mistake, Balin gets them passage to Lake-town on Bard’s barge. And Bard, just like in the book, stays true to his word. He gets them safely into Lake-town – though they probably smelled strongly of fish for a few hours after!

And once they are in town, Bard hides the Company in his house, introducing his son Bain and two daughters to them (interestingly, Bard had no daughters in the book, and we only learn about Bain in The Fellowship of the Ring). As the Company prepares to head for the Mountain, Bard hears Thorin’s name mentioned. Recognizing the name, but unable to recall why, he leaves Bain in charge of the household to search for answers…

… and finds he is sheltering the dispossessed King under the Mountain in his home. He also recalls the prophecy which states that, although the King under the Mountain “shall come into his own,” the lake “will shine and burn.” Which means his family and the people of Lake-town are in serious trouble. But, just as in the book, no one heeds Bard’s warnings. He is always predicting all manner of disasters, they say, which never come to pass. Why should this be any different?

Disappointed by his people’s blindness and the determination of Thorin to enter the Mountain no matter what, Bard leaves the Company to be celebrated by the townspeople. He and his children do not see the Company off but remain at home, where Bofur, Fíli, and Óin find them some time later.

At first, Bard will not let them in. “No!” he snaps before Bofur can speak. “I’ve had enough of Dwarves!”

But when he sees Kíli’s condition and learns that no one else will help the four Dwarves, Bard’s compassion overrules his frustration. He lets them into the house once again, and does his best to help them with Kíli’s injury. When the Mountain starts to rumble, however, Bard realizes that Smaug is awake. Though the dragon has not left the Mountain in years, with a Company of Dwarves disturbing his rest, it is all too probable that he will leave his hoard to attack Lake-town.

And with that in mind, Bard unveils the great Black Arrow that has been passed down through his family since the time of his great forefather, the last King of Dale, Girion.

My only issue with the Black Arrow as portrayed in the film was that it was too big. In the book, the black arrow was an ordinary arrow. It was, apparently, made of iron, but otherwise it was an ordinary arrow. Still, before Bard can prepare the Arrow for firing, he is captured by the Master of Lake-town and his servant Alfrid, who are hoping to ruin Bard’s reputation with the Lake Men. Unknown to the Master, however, Bain has hidden the Black Arrow and returned to the house – in time to run into a bunch of Orcs and two Elves.

It is going to be a long night.

Thinking they have removed the last obstacle to their power, the Master and Alfrid congratulate each other on locking Bard up. But in doing so they only succeed in leaving Lake-town largely defenseless when Smaug attacks. Bard, however, manages to escape his cell – proof that you cannot keep a concerned, loving father locked up when his family is in danger. Grabbing a bow and a quiver full of arrows, Bard is the only one to challenge Smaug as the dragon sprays the wooden houses with fire.

As Tauriel and the Dwarves work to get Bard’s children out of the flaming town, Bain spots his father firing on the dragon. He points him out to the others in the boat, and Kíli sees one of his arrows strike the dragon. But Tauriel tells them that though the shot was well aimed, it cannot pierce the dragon’s scales. From where she sits, it appears that Bard is a deader.

That is when Bain sees the boat where he hid the Black Arrow, still afloat and undamaged. Without a word, he jumps out of the boat carrying his sisters, the Dwarves, and their Elven guard. Going to the boat, he grabs the Arrow and climbs up the bell tower to his father.

Bard first chastises his son for coming back to him, then smiles when Bain holds up the Black Arrow. He then has to keep his son safe when Smaug whacks the bell’s tower, taking off the top of the tower and the bell. Bard picks up the Arrow, then finds his bow has snapped.

Smaug lands and begins taunting the “Bowman,” telling him he cannot save his son or anyone else. But Bard has other ideas. Using the remains of his bow, some rope, and his son’s shoulder, Bard nocks the Black Arrow and prepares to take aim. Bain, of course, is very scared about being the rest for the Arrow – especially since his back is to the dragon that wants to eat him! Bard tells his son to “look at me,” in order to keep him calm and still. (Very William Tell – nice job, Peter Jackson!) Bain calms down as Smaug takes another step forward…

And reveals the missing scale in the left side of his chest. Bard takes aim at the space and, as Smaug jumps into the air, fires. The shot is true and Smaug dies – conveniently landing on the Master as he tries to escape Lake-town with a boatload of gold, removing him from the film as well (fare thee well, Stephen Fry).

By dawn, the survivors of Lake-town have reached the lake shore. Bard’s daughters go into the crowd, searching for their father, as Alfrid tries to become the new Master of the Lake Men. Remembering his conduct of the night previous, when he tried to escape the town on the Master’s barge (since they needed to lighten the load to get through a particular channel, the Master tossed him overboard), the Lake Men are not going to just roll over and accept Alfrid as their new Master.

When one woman tells that to Alfrid’s face, he prepares to strike her – only for Bard to stop him. Reunited with his daughters, Bard is acclaimed the hero of Lake-town. The people begin to chant “King Bard! King Bard!” Alfrid, trying to keep himself in a good position, joins in the chanting.

The crowd goes absolutely silent, and Bard shoots him a disgusted look. That is when the people come up with the happy idea of hanging Alfrid from the nearest tree. They grab him, hoist him over their heads, and start off, Alfrid screaming for mercy as they do so.

I was looking forward to what Bard would do in this scene. I knew what he had done in the book, and I was really hoping he would behave in a similar manner in the film.

Peter Jackson did not disappoint me. Bard stops the Lake Men, reminding them that there has been enough death and counseling them to have at least a little mercy for Alfrid. However, a little mercy does not include liking him, as Bard proves when Alfrid tries to lean on him as a friend and Bard dumps him on the ground.

With that matter settled, Bard leads the people to the ruins of Dale, hoping to get them to something resembling shelter, since winter is setting in. But the ruins are little help against the cold, and the Lake Men have few supplies. Bard decides that he will go to Thorin and ask for the recompense he promised the Lake Men, so that they can get about surviving the winter and rebuilding Dale and the Lake-town. Then, just to make sure Alfrid will pull his weight, Bard puts him on guard duty.

In the morning, he discovers that this was a lousy idea. In the night, Alfrid slept, and an army of Wood Elves has taken up residence inside Dale. Not long after making this discovery, Bard meets Thranduil who, perhaps recalling Thorin’s stinging rebuke about how little he helped the Dwarves after Smaug took the Lonely Mountain, has brought supplies for the Lake Men. Bard, in gratitude for Thranduil’s aid to the Lake Men, agrees to help him get his own compensation from Thorin.

However, Bard wants to at least try to get what was promised to his people without a war. He rides up to the front entrance of the Lonely Mountain, which Thorin has had sealed off. There he begs him to remember that he gave his word, that the people of Lake-town have paid dearly for helping him and his Company, and now they need Thorin’s help.

But Thorin’s natural weakness for gold – in the film it is repeatedly called “dragon sickness” – prevents him from feeling any pity or compassion for the people of Lake-town. Nor, for that matter, does he feel any need to repay Bard for his help: first in bringing the Dwarves to Lake-town, then in sheltering Fíli, Kíli, Óin, and Bofur when no one else would.

Aggravated, Bard returns to Thranduil and reluctantly agrees to join the Elven King’s attack on the Lonely Mountain at dawn. Though Bard does not want to go to war with the Dwarves, Thranduil has helped him and his people. They owe the Elven King for that, and Thorin still owes Bard’s people the gold he promised them. He knows he has gotten mixed up in the grudge match between Thranduil and Thorin; he also knows there is no way he can get out of it without him and his people being left to die off slowly throughout the winter.

Gandalf’s arrival only makes matters worse for him. Bard learns from the wizard that an army of Orcs is headed for the Mountain; their leader wants to kill Thorin and he is willing to go through everyone in and around Erebor to do it. The situation is looking grimmer by the second when Bilbo suddenly arrives. He presents Bard, Thranduil, and Gandalf with the Arkenstone, the one treasure in the hoards of Erebor which Thorin desires above all else. Bilbo seems certain that Thorin will hand over the treasure he owes Bard and Thranduil in exchange for the Heart of the Mountain. With a bargaining chip such as this, Bard hopes they have a way of avoiding war with the Dwarves.

But Bilbo’s plan, while not worthless, has the undesired effect of making Thorin even more determined to go to war. This is made apparent when Thorin’s cousin, Dain Ironfoot, arrives with an army of five hundred Dwarves from the Iron Hills. War among the three races is about to commence when the Orcs arrive. Instead of turning against each other, however, the would-be enemies turn to face the Orcs whom they all recognize as a threat greater than their grudges and broken promises.

When Azog sends an Orc battalion into Dale to attack the Lake-town survivors, Bard’s first thoughts are for his people and, most especially, for his son and daughters. He leads his men into battle against the Orcs and still manages to come to the direct defense of his three children. Throughout the rest of the Battle of the Five Armies, Bard holds the Orcs who enter Dale within the ruined city, eventually destroying them all while preserving the lives of his children and most of his people.

Nothing more is mentioned about Bard in the film, unfortunately, but I do know a few details from the book(s) which may interest you, readers. After the Battle of the Five Armies, Bard and his people did receive the recompense from the Dwarves that they were promised.   Dain, who became the new King under the Mountain after Thorin’s death, honored his cousin’s promise to the fullest extent. Bard gave some of the jewels Dain returned to him – emeralds which were heirlooms of his family – to Thranduil in gratitude for his help during the Lake Men’s time of need.

With all this new wealth, Lake-town was rebuilt, and its new Master “was of wiser kind” than the former. Trade between the Woodland realm, Dale, Lake-town, Erebor, and the people to the South resumed – pretty soon, gold was running as thick as the river was deep! The people were all rich beyond imagining. Bard became king of the rebuilt Dale, and Bain succeeded him when his time came. Bain was then succeeded by his own son, Brand, who ruled Dale up to and during the War of the Ring.

A few months prior to the War of the Ring, messengers from Sauron came to Dain and Brand, asking them to find the One Ring, since they were acquainted with Bilbo at one time. Neither the King under the Mountain nor the King of Dale gave Sauron’s messengers a satisfactory answer to this “request.” When the messengers left, they promised retribution if the two kings did nothing to aid Sauron.

The reprisal came during the Fellowship of the Ring’s travails. Dale and the Lonely Mountain were both attacked several times. In one of the final engagements, Dain and Brand were killed where they fought side by side against the Orcs. Thorin III (Thorin Oakenshield was Thorin II) and Bard II, Dain’s and Brand’s sons respectively, then became the King under the Mountain and the King of Dale, after leading the final assault against the Orcs. At the same time Dale and Erebor were under attack, Thranduil’s realm was also assailed a number of times, but each attack was successfully repulsed. With the fall of Sauron, Mirkwood was renamed Eryn Lasgalen (which means ‘wood of green leaves’), and life in the North went back to normal.

But this normal would not have existed if thirteen Dwarves and one Hobbit had not driven the great dragon Smaug out of the Lonely Mountain; and if one Man had not taken aim at the dragon and found his one weak spot. Without Bard, even driving Smaug out of the Mountain would not have been enough. If Smaug had been allowed to remain in Erebor, all the North would have become his domain while he was under Sauron’s control. As Gandalf said at the beginning of The Desolation of Smaug, the dragon had to go, or Middle-earth would pay dearly for his staying under the Mountain.

Well, readers, as you can see I was very pleased with Bard’s portrayal in The Hobbit films. The only thing I would have done differently, had I been filming the movies, is that I would have shown him paying Thranduil for his help, with the mention that he would be the new ruler of Dale henceforward. But maybe the Extended Editions of The Hobbit films will have a scene or two showing us some of what happens to Bard after the Battle of the Five Armies. We shall have to wait and see.  😉

Until next time!

The Mithril Guardian

http://borg.com/2012/08/02/jackson-confirms-division-of-the-hobbit-into-three-films/

http://borg.com/2014/12/18/a-battle-of-two-reviews-examining-peter-jacksons-the-hobbit-the-battle-of-the-five-armies/

http://borg.com/2014/08/02/cloaks-daggers-new-book-offers-unprecedented-access-to-movie-costume-props-and-sets-of-the-hobbit-series

http://borg.com/2013/12/25/movie-review-an-amazing-adventure-awaits-in-the-hobbit-the-desolation-of-smaug/

http://borg.com/2012/12/25/the-hobbit-argo-and-arrow-lead-off-our-list-of-the-best-of-2012/

http://borg.com/2012/12/15/opening-weekend-review-the-hobbit-a-masterpiece-of-fantasy-perfection/

Happy Mother’s Day!

Mothers.  Women we often ignore, or sometimes we plain dislike them. Doubtless, there are mothers out there who bear disliking.  But that has not been my experience.

Oh, I have had fights with my mother, arguments, fallings out, and things of that sort.  Most people have.  But one of the wonderful, wonderful things about a good mother is that she is almost always willing to forgive the spats and annoying disagreements.  Especially if you take out the trash for her or wash up the dishes as part of your apology when she is invariably proved right about whatever it was the two of you disagreed upon.  After all, mothers are the ones with experience in the world.  What her children think is new mother has seen many, many times before.

For that reason, I have included this song below, “The Mom Song,” in honor of mothers all across the globe.  It is not the most flattering song in the world – but it is a mother’s song:

 

Happy Mother’s Day!!

Later,

The Mithril Guardian

Frozen – Let It Go

Let It Go

If you saw a post I wrote some time back which showed off a few of my favorite themes and songs from animated films and TV shows, then you know I enjoyed Disney’s Frozen. The movie has been a big hit, and while it may be getting more hype than it needs right now, it can rightfully find a place among the best movies ever made.

Part of the reason for this is its most popular song, Let It Go, sung by the film’s protagonist, Queen Elsa. Elsa begins to sing Let It Go when she decides not to stifle her cryokinetic powers any longer.  She experiments with her abilities for the first time in years, managing to make herself a huge, magnificent ice palace and a dress of fine frost and ice in a few moments. She declares she is no longer afraid of what she can do and casts her crown aside, choosing a life of hermitage away from others, so she will not hurt them.

Despite the song’s obviously triumphant tone and lyrics, I am skeptical that Elsa actually “threw off” her fear when she ditched her crown. If she had truly stopped being afraid of what she could do, why did Arendelle remain frozen up until Anna sacrificed herself to protect Elsa?

Yes, yes – the easy answer is that it was in the script. But I do not like easy answers with regard to stories; it is a rare tale that has an “easy” solution to a problem. And the “simplicity” of the dilemma is not necessarily related to how well a viewer/listener/reader can comprehend the story. Characters in stories react just like regular humans; when have we EVER made life easy for ourselves?

That is correct: we practically never do.

Elsa may have thought she gave up her fear, but I do not think she did. She gave up her terror of openly using her gifts, but she still viewed said gifts as a “curse,” recalling that the old troll who healed Anna had asked the King whether Elsa was “born with the power or cursed?”

Where Elsa once viewed her abilities as a gift, a power she could use to make her sister (and thereby herself) happy, she now views it only as something she wishes she did not have. Certainly, her bad experience of injuring her younger sister, however unwittingly, is partly to blame for this. But because of the old troll’s warning that “fear will be [her] enemy,” Elsa has grown to fear the power she once loved and controlled with relative ease.

And in this way fear is her enemy. It is not just the fear of her subjects, the Duke of Weselton, and Hans that is a threat to her. The biggest threat is her fear of her abilities. Her powers are so tightly tied to her emotional state that any strong emotion – love, fear, and anger – makes her powers react accordingly.  Love melts the snow, fear freezes her kingdom, and anger allows her to defend herself with the skill of a trained combatant.

So though she stops fearing the use of her powers, Elsa does not lose her fear of herself. She does not lose her fear of being a menace to society and to her own sister. This is why Arendelle remains a frozen kingdom, and only becomes colder and colder as Elsa’s terror mounts. Until Anna reminds her of how to let go of her fear, Elsa is unable to remove the snow and ice smothering her kingdom. Once she learns that she can in fact control her abilities; that they are in fact subject to her and not the other way around, does Elsa truly “Let It Go.”

This does not, in my opinion, make Let It Go any less of a great song. It may be a little premature in its setting in the film, but Elsa’s jubilation is more than somewhat premature! She thinks she is released when actually she is still shackled by her fear. Nevertheless, the song is enjoyable and a great piece of music to listen to when one can find the time.

So, readers, I will “let” you “go” until next time!

Later,

The Mithril Guardian