Miss Le Guin’s works are myriad. She has written A Wrinkle in Time and its sequels, The Earthsea trilogy, and The Lathe of Heaven. The one series which I know best, and that is not saying much, is her Catwings books. It is not saying much because I am missing one of the novels, perhaps two, and so I have lost part of the story.
Voices is the first Le Guin novel I have read in years. It is also the longest Le Guin story I have ever read. What inspired me to pick it up?
That’s a tale in the telling.
Voices takes place in the city of Ansul. From what a reader gathers, Ansul was once rather like Ancient Athens. The capital city of a small nation which was democratic and full of learning, Ansul kept no standing army. They had a merchant fleet but the ships were armed mostly for fighting pirates. Though they had good equipment, Ansul only has the one coast.
So when the Alds from Asudar came storming over Ansul’s land-locked border, the resistance to their invasion was scattered and haphazard. A country which relies on only words and learning to defend itself is not going to do well. This is a fact. Still, Ansul has an extra excuse for their dismal defense. The Alds’ assault was a complete surprise. They had had no forewarning of an attack, let alone an invasion.
The city of Ansul, which was home to the most libraries and their great university, held out against the Alds for a whole year. When it fell, red ruin played out in the streets. The Alds considered any woman walking alone in the streets to be free fodder for rape. As a result, many “siege brats” populate the city in the intervening years. Only old women and children, along with men, can safely go to the market. Any girl over a certain age who goes out alone and undisguised is at risk of being raped.
This would be bad enough for the people of Ansul to bear, but there is more. Their religion is believed by their conquerors to be unholy, and so practice of it is outlawed. Even the mildest gestures can be punished with death. Also the Alds, at the behest of their priests, have invaded Ansul looking for the gateway to their version of Hell. They call this the Night Mouth. And they believe the Night Mouth is somewhere within the city of Ansul.
So after they had control of the city, the Alds wrecked all the libraries. They destroyed the university. Then they went from home to home, building to building, searching for every book they could discover. Considering books to be demonic and full of witchcraft, the Alds would not touch them, so that they would not be defiled by them. Instead they had the citizens of Ansul pile the volumes into carts, then throw these tomes, weighted with stones, into the river and the harbor to drown. They do this because they consider fire sacred, so burning books is the same as elevating them to the sacred.
For seventeen years the Alds have ruled Ansul in this manner. Memer Galva, the Ansul “siege brat” daughter of Decalo Galva, has lived in her grandfather’s house for all those years. A Waylord – that is, a taxman – Memer’s grandfather was taken and tortured for information during the siege. The tortures left him crippled, so that he tires after walking around the ruin that is his house for too long without a rest. He cannot stand up straight and his hands are deformed from the torments he endured.
As a child, Memer discovers a secret room within her grandfather’s house. It is filled with books. Here she plays and, although she does not know how to read, she respects the books in the room. Once she finishes playing she puts the volumes back exactly where they came from on the shelf.
One day, in a righteous fury, Memer enters the room to find comfort. Instead she finds the Waylord – reading a book!
At first, they are both frightened. Then the Waylord relaxes and asks Memer how she got in. Memer describes the method she used to enter. He begins to ask how she could know it, then remembers her dead mother, and the answer becomes obvious.
After a few minutes of silence, the Waylord asks Memer if she wants to learn how to read. From then on, Memer makes nightly trips to the secret room, where the Waylord meets her. Over the years he educates her in history, geography, writing and reading. During these years Memer observes others from the city come to the house, many at night and in secret, with books hidden in their clothes or accessories. These are smuggled to the house in the dead of night, lest those who carry them be drowned or buried alive in the mudflats outside the city. Memer and the Waylord hide these volumes in the secret room.
Eventually, things change dramatically for both Memer and Ansul through the story of Voices. But this is not why yours truly chose to read the novel.
No, what intrigued me right from the start was the blurb on the back of the book. The blurb states that, in conquered Ansul, reading and writing are considered “acts punishable by death” according to the law of the conquering Alds.
I was immediately put in mind of history itself. The barbarians of the past who invaded the Roman Empire, Spain, and other countries always destroyed everything the civilized societies they found there had built. From churches to libraries down to the meanest peasant’s house, all the knowledge, culture, and wonders which the conquered people had built were subject to ruin. Why?
As G.K. Chesterton points out in The Ballad of the White Horse, it is because barbarians of most stripes think that destruction is the greatest power on Earth. The barbarian’s life is marked by futility, selfishness, and despair. For will he not be struck down someday by death as well, the ultimate annihilation?
In the epic poem, Chesterton has King Alfred explain that destruction is far from extraordinary. The very Earth wastes away beneath us at this moment: deserts encroach on arable territories, river banks crumble, rocks are eroded, trees die, and mountains and hills are worn away, whilst others are raised through formerly flat plains. Destruction is part of nature itself. It is nothing special – not in the way the barbarian thinks it is.
What, then, is more powerful than destruction? If annihilation is natural, what can be more powerful than it?
The answer, in the words of “a nameless man” and “A rhymester without home” is this:
“Ere the sad gods that made your gods
Saw their sad sunrise pass,
The White Horse of the White Horse Vale,
That you have left to darken and fail,
Was cut out of the grass.
“Therefore your end is on you,
Is on you and your kings,
Not for a fire in Ely fen,
Not that your gods are nine or ten,
But because it is only Christian men
Guard even heathen things.”
How did the West survive the Dark Ages? How did science progress to the age of “Enlightenment” and beyond? How do we know with such certainty what happened so long ago in Ancient Egypt, Mesopotamia, Athens, Sparta, Rome, Carthage, and lands beyond?
All this is here because “it is only Christian men/Guard even heathen things.” A culture which does not build, which does not learn, which revels only in death, dismemberment, and devastation, is doomed to ruin itself. Though time will one day end, whatever survives to the day when the last man on Earth makes his choice will be there because “it is only Christian men/Guard even heathen things.”
Preservation, not annihilation. Life, not death. These are the powers which war for control of the Earth. This is what is meant by the phrase “light and darkness.” There is no question as to which side will eventually win the conflict. No, there is only one question each man must ask himself:
“Which side will I choose?”
This writer chooses to “guard even heathen things,” rather than to leave “The White Horse of the White Horse Vale/… to darken and fail.” I choose to fight the Long Defeat, and to preserve what I can. To be the hare “who has more heart to run” than the hunter who has “less heart to ride.” I would rather “Go gaily in the dark” and “go singing to [my] shame” than “know what wicked things/Are written on the sky” or “know all evil things/Under the twisted trees.”
That is my choice.
What about you, reader? Which side will you choose? Or, as Mr. Chesterton said:
One of this blogger’s worst fears about Lucasfilm’s decision to dump the now “Legends” timeline is that I was afraid they would throw author Timothy Zahn out with the bathwater. However, this is not the case. If you have kept up with the news for Disney’s TV series Star Wars Rebels, you may have heard a lot of fuss about a new character named Grand Admiral Thrawn. Well, Thrawn is not actually a new character. He is from the Expanded Universe novels and the creation of one Timothy Zahn.
With Thrawn’s reintroduction to the new Star Wars timeline, the bosses at Lucasfilm/Disney decided they needed a book explaining where this Chiss tactical genius came from. And who better to write that book than the man who created Thrawn in the first place? Timothy Zahn’s new Star Wars novel, titled Thrawn, comes out in 2017.
It is sooo good to know my favorite sci-fi writer of the current era is back in the Star Wars business! I thought he was going to be shut out completely, but happily the people running the Star Wars franchise seem to have heard Gibbs’ rule about “wasting good.” Timothy Zahn is back, people!
This brings us, rather neatly, to today’s subject. This is Zahn’s Thrawn trilogy, which he wrote for Lucasbooks in the 1990s. This trilogy consists of Heir to the Empire, Dark Force Rising, and The Last Command. Despite Lucasfilm’s decision to scrap the first Star Wars Expanded Universe timeline, Timothy Zahn’s Star Wars novels are still astounding pieces of literary work. Hopefully they will not go out of print, but I have no idea what plans Lucasbooks has for them.
Before The Force Awakens was even thought of, many Star Wars fans considered Zahn’s Thrawn trilogy to be the last three episodes of the original Star Wars saga. They were so in-depth, so well written, and they answered so many lingering questions that the fans could not help falling head-over-heels in love with them.
And now Star Wars Rebels is picking up on this esteem. While it remains to be seen how much Thrawn in the cartoon will resemble Zahn’s characterization, the fact that he will be in the series at all is exciting. For one thing, it gives us Mara Jade Skywalker fans hope that she will somehow make it into the new timeline!!! Oooh, cross your fingers and hope for the best, readers…!
Okay, fan rant over. Now we go back to the books.
In Heir to the Empire we see Grand Admiral Thrawn, one of the alien Chiss and the only alien in the entire Imperial Fleet, sending TIEs and other Imperial ships out to do reconnaissance on the “Rebels.” They are not really Rebels anymore, in our view, having re-established the Republic. But it is not like the Empire cares about that, right?
Captain Pellaeon, the commander of the Star Destroyer Chimera, is Thrawn’s second-in-command onboard the vessel. While he has his doubts about the Admiral’s ability, Pellaeon knows there is no one else in the military the Empire can turn to at the moment. The Empire’s territory has been drastically reduced and the “Rebel scum” are “taking” that territory through alliances with the local planetary governments. The only powerful leader the Galactic Empire has left is Thrawn.
And he soon proves he is as fearsome, in his own way, as were Vader or the Emperor.
Meanwhile, on the capital world of the New Republic, Luke Skywalker awakens from a dream. In the dream, Obi-Wan Kenobi tells him it is time for him to pass on. Luke feels in his waking mind that this truly makes him the last of the Jedi. But Ben’s kindly old voice remonstrates gently: “Not the last of the old Jedi, Luke. The first of the new.”
Feeling melancholy, Luke goes onto the balcony attached to his room with a mug of hot chocolate and city gazes for a while. He then notices that Leia has become aware of his mood through the Force, made plain when C-3PO arrives with a message from her. Luke kindly tells the droid he is fine and sends him off with a message to Leia, reminding her that in her condition, she should be asleep.
What is Leia’s condition, some of you ask? She is expecting twins! That is her “condition”!
Leia is also missing Han, who is away trying to convince his old smuggler buddies to run legit freight for the New Republic. He even has Wedge Antilles and some Rogue Squadron guys helping him on the mission. But other than the camaraderie from the Rogues, Han has not gotten much out of the jaunt. None of the smugglers are interested in doing “respectable” runs because they figure it is bait to get them captured by the New Republic. And since they do illegal runs into Imperial territory, they do not want to be known for hauling “Rebel” freight.
It is not long after this that Thrawn’s great campaign against the New Republic begins. The Empire’s forces become even more formidable when Thrawn recruits the Dark Jedi Joruus C’baoth to his cause. Through the Force, C’baoth can keep the Imperial fleet officers and crewmen focused and on the alert. Thrawn contends that this was the secret of the Emperor’s power, back when he was alive; something Pellaeon wants to deny – and in fact does deny – but which he knows is actually the truth.
The problem in getting C’baoth’s help is that the guy is a lunatic. A raving madman, he makes the Red Skull seem just this side of good-naturedly goofy. Insane Force-users are dangerous, of course, but this man takes the cake!
And, in his private office, smuggler Talon Karrde is waiting to spring a surprise on one of his crewmen over dinner. The door to his office opens and in walks Mara Jade, eying Karrde as he finishes cutting the main course and starts doling it out. Not long after they have begun eating, he tells her that he wants to start grooming her as his second-in-command for the organization.
Mara is surprised by the offer, seeing how it would benefit Karrde and herself. For the first time in five years, she has a purpose and a home. It is nothing compared to her old life, true… but it is better than scrounging to survive in the dregs of the galaxy, as she has for the previous four and a half years since the Empire died.
Or, more accurately, since the Emperor died.
The Thrawn trilogy is a spectacular adventure, readers. I highly recommend it! If you do not love either Star Wars or Mara Jade and maybe even Thrawn by the end of book one, then I guess nothing about Zahn’s works will satisfy you. If you are already a fan of Star Wars, this trilogy should appeal to you on one level or another. I still love it, and I have reread it many times over the years!
Hey, readers! We regret that we must interrupt this programming with another little piece of criticism aimed at Marvel’s Hierarchy of Seneschals.
Yes, I just called them that. Until they either wake up or are replaced by people who actually know what they are doing, I am not changing that moniker.
Marvel announced that in the next season of their animated series, Avengers Assemble (to be re-titled Avengers: Secret Wars), Jane Foster will debut as “Thor.” Some of you, certainly, see no problem with this. But several other fans, including me, have had problems with this change since it was made in the comics. See the links below to find out how much we dislike it:
While I am not a huge fan of the Prince of Thunder, the fact is that I do like him, and I prefer him as a Prince, that is, a maleheir to the throne of Asgard. Jane Foster is an agreeable character, and I would be excited to see her in the TV series. But I would prefer that she debuted as herself: no superhuman powers, no magic hammers, none of the “new” idiocy with which the writers and their handlers have decided to outfit her.
Jane Foster’s strength was once her “mortality,” her humanity. It would not matter to me if she turned up in the cartoon as a nurse or as an astrophysicist, as she is portrayed in the films. She has carried herself well in both those fields of endeavor; as either of these professions and many others suit her character.
Yet Marvel, in its attempts to stay ahead of the latest fads, decided this was not good enough for her. Someone, somewhere, must have complained about the enchantment on Thor’s hammer, which of course read: “Whosoever holds this hammer, if he be worthy, shall wield the power of Thor.” A lot of people are getting hung up on pronouns such as “he” and “she.” “He” is what they come down against most vehemently nowadays.
To raise Cain (ooh, how gender-specific of me) over such an inconsequential thing is beyond dim-witted. Mjolnir can be wielded by whoever is worthy. That can be a man, a woman, an alien (remember Beta Ray Bill?), or an android (did we all forget Vision that fast?). The inscription is a generic; if a worthy lady had come along and picked up Mjolnir, the only reason Thor would have been astonished was because he is used to lifting the hammer, not sharing it with others.
Thor has been a male character for more than a thousand years, since he was created by the Ancient Norse. And, as others have pointed out, Marvel’s version of Thor has been adored by thousands of girls everywhere right from the get-go. His fan base is not getting any smaller, people, and neither are the crushes on him.
But in an effort to appease the talking heads, Marvel has disregarded the feelings of its fans – you and me – in order to curry favor with the ‘elites.’ Never mind that we are the ones who have supported Marvel all these years, they are determined to continue flogging dead horses in order to receive the praise of people who otherwise sniff condescendingly at them and their medium.
Yes, you read that right. I called this gender-switch for Thor a dead horse. It is a dead horse. It has been a dead horse for decades, but the ‘intelligensia’ is so desperate to keep making money off of it that they insist it is still twitching. People continue to scream about women being oppressed in the United States and Europe because, for instance, they “do not make as much money” as men.
Have a look at these links here, readers, and see if you agree with that assessment:
Women in the U.S. do not know how good they have it. That is the truth.
Why is Marvel so determined to gender-switch characters like Thor and Iron Man when they have real-life stories like these, which are far more important and only a few minutes from their fingertips, to incorporate into their comics? In the 1940s they lampooned Hitler, and in the 1950s and 60s, they bashed the Communists. But in this brave new world, they are suddenly afraid to so much as mention the beasts that burn women in cages for refusing to be sex slaves? Why would they rather have us watching Captain America be “revealed” to be a secret HYDRA operative, when the real HYDRA (better known as ISIS) is out and about in the world beheading and crucifying children?
Do they really think that we are buffoons with such banal interests that our only care is why the inscription on Mjolnir says “he” instead of “person”? More to the point, readers, is this how you want the people running Marvel to think of you? It is not how I want them to think about me, that is for sure!
But apparently they not only believe we are navel-gazing twits, they are extremely eager to shove that belief down our throats – along with the notion that they “have” to do this because their universe has “too few” super heroines.
That is guff spewed by people who do not know what they are talking about, and I can prove it. Below is a roll call of some female Marvel heroines that regularly see – or have regularly seen – combat in the Marvel Universe:
The Invisible Woman/Sue Storm-Richards
Wasp/Janet van Dyne
Scarlet Witch/Wanda Maximoff
Black Widow/Natasha Romanoff
The Blonde Phantom
White Tiger/Ava Ayallah
Crystal of the Inhumans
Medusa, Queen of the Inhumans
Jessica Jones Cage
Black Cat/Felicia Hardy
Shadowcat/Katherine “Kitty” Pryde
Phoenix/Rachel Grey Summers
This is by no means a comprehensive list. Still, if this sample inventory has not made your eyes cross, then you should visit this site: https://en.wikipedia.org/wiki/List_of_Marvel_Comics_characters:_A. It lists many, if not most, of Marvel’s characters. Scanning through it some years ago, I was left wondering why Marvel seemed to be having so much trouble coming up with new male characters, since they were adding more new females than males!
Now what reasonable critic can look at these catalogs and conclude that Marvel has “too few” heroines? Marvel’s heroines have always stood with their male counterparts to face down evil. But the fact is that some of these ladies have been and remain more popular than others. This is natural, and their male compatriots have suffered the same ebb and flow of fan admiration over the years. Some characters are simply more popular than others. This does not negate the existence of the less well-known male heroes, so why do people seem to think the reverse is true when discussing Marvel’s lesser known heroines?
Marvel has no need to gender-swap its male characters. Avengers Assemble is a perfect platform from which to show their less eminent or forgotten heroines and heroes. They could even use the series as a stage to create new heroines, the way Spider-Man and His Amazing Friends did in the 1980s.
This post was published for two reasons, readers. One, I have had a burning desire to tell off the ignorant critics of Marvel Comics for quite some time. If they want to evaluate Marvel’s characters properly, then they should do their research before they open their big, fat mouths. If they are too lazy or indifferent to do that, then they should sit down and shut up, leaving the people who do know and love Marvel’s characters to enjoy them undisturbed.
Second, I wanted to make clear to Marvel just how deeply offended and insulted I am, underscoring my latest letter to them. (BTW, thanks for all the views, Marvel. It is sooo nice of you to drop by! 😉 ) They believe that to keep my patronage they have to turn their fictional universe upside-down and inside out.
That is a perfect way to lose my money, not keep it. The Mainstream Marvel Universe which Stan Lee, Don Heck, Jim Romita, and all the others created is my favorite Marvel playground. And I want that universe, with all its flaws and foibles, back. This does not mean that I want the characters wearing their original costumes and hairstyles. I do not want them using radio and ‘60s slang. I simply want their histories and identities to stay fixed as they were originally conceived and, if possible, built up for the better.
Alternate universe spin-off comics, TV series, and movies are fun (with the exception of the Ultimate Universe). But they are not the universes I benefited from first. That universe – the 616 universe – is the one I love best and will always enjoy more than any other.
If Marvel thinks they have to ruin that world in order to keep my interest, then they have made a grave error. I understand that it is not easy to continue a series that has survived for fifty plus years. That is not the issue. The issue is Marvel’s desire to play patty-cake with people who despise them while using them as a tool. Once they are done, they will discard Marvel like a hot potato – and then what will become of the heroes we care for and the ideals for which they stand?
I do not want to see Marvel destroyed. I want to be able to share it with many more people over the coming years of my life. But I cannot follow a bunch of lemmings over a cliff into the ocean, nor will I allow them to lead others over said precipice into said sea. Not without a fight.
Whether you agree with this article or not, readers, think about what you read in the links embedded here. Learning is not simply memorizing mathematic formulae or deciding how to identify yourself. Education is supposed to teach you to how to think, not what you are to think. As long as you can think for yourself, the Enemy will have a more difficult time catching you.
I prefer not to be caught, and so I prefer to think. It is a whole lot harder to escape a trap than it is to avoid it in the first place.
Okay, I have an apology to make here. In the posts where I talked about the rumors that were circulating prior to Captain America: Civil War’s release, I rather disparaged the character of the Scarlet Witch. I was not exactly nice to some of the other characters either, and for that I also apologize. The movie did much better by its heroes than most of us thought it would. “Anger, fear, aggression – the Dark Side of the Force are they…” Obviously, I need to start practicing some Jedi calm when it comes to checking out rumors of any kind – but especially those found in the Internet mill.
Anyway, without further ado, let us turn our attention to the character that we came together to discuss: Wanda Maximoff, a.k.a. the Scarlet Witch!
Wanda is the first Avenger we see. Sitting at a café table in Lagos, drinking coffee (or tea), she is dressed incognito. After a moment, someone addresses her over the comm. asking her to describe what she sees. Her list of observances is small, and they add up to “a quiet day on a quiet street.”
Then the rest of the Avengers, her teachers, go on to point out what she has missed. Steve goes first, mentioning that there is an ATM up the street. He lets her remember that where there is an ATM, there are also cameras. He then draws her attention to a Jeep further up the street. Wanda says it is “cute.”
Natasha tartly breaks in and points out that the vehicle is cute and bulletproof. “Which means private security, which means more guns, which means more trouble for somebody, probably us,” she adds. When Wanda reminds them of her powers, the Black Widow tells her that “looking over [her] shoulder” has to become “second nature.” Sam lightens the mood by accusing Widow of being paranoid. Natasha turns the tables on him, and Steve reminds his crew that they are looking for Crossbones, not an afternoon chat.
This scene is sweet because it shows Wanda’s position on the team. She is the “greenie” – the new kid on the job. Her abilities are impressive, wonderful, and fascinating. But they are no substitute for training in the arts of observation, close combat, and the other fighting disciplines “normal” people must use. To over-rely on her powers puts her at risk of harm.
Another great thing about this scene is how it reinforces the relationships Wanda has with her teammates. Sam, acting in the capacity of a good friend, takes the sting off of Natasha’s brisk, motherly reprimand. Steve’s gentle questions and quiet prodding easily skid across the thin line between the positions of mentor and trusted father figure. Though Wanda’s connection to Clint is far stronger in that regard, it is impossible not to see the paternal affection with which Steve treats her.
After this brief lesson in observation, Sam and Steve figure out that Crossbones’ target is not the police. It is instead something much bigger – and far more sinister.
Following on Steve and Sam’s heels, Wanda arrives at the IFID building in time to help Cap get inside. Sam helps protect her back as she gets rid of the knockout gas Crossbones and his men, who were possibly HYDRA agents like himself, used to render the employees in the building unconscious.
We then lose track of Wanda until Rumlow tries to blow up Cap and a city bazaar. That is when the Scarlet Witch, who has followed Steve while Sam and Natasha hunt down the bio-weapon, contains the blast with her power. In order to keep the people around them safe from the explosion, Wanda throws the flaming HYDRA agent into the sky, where he can incinerate himself and no one else.
However, she throws him too close to a nearby skyscraper. Also, the bomb vest’s explosive yield is higher than anyone anticipated. Whatever explosives Rumlow used/concocted, they packed more of a bang than TNT (which rates a 1 on the explosive scale) or C4 (which rates something like a 1.4 on the same scale).
So when the bomb goes off, instead of dissipating in midair as a firework display does, it blows out the middle floors of a skyscraper. The blast, which did not look terribly big in the bubble Wanda had around it, vents sudden fury into the building. At least three floors fall victim to Rumlow’s failsafe plan.
Wanda watches in horror along with Steve as the explosion kills twenty-six people. Since he is the leader of the team, Cap takes point on the accident. It is easy for us to see he holds himself responsible for what happened. He leaves Wanda where she is, perhaps feeling that she does not need to get too close a look at the carnage. Even without her mental powers, she has to know that people have died in the blast. And, naturally enough, she blames herself for their deaths.
Now, readers, this explosion is not entirely Wanda’s fault. Sure, she released her hold on the bomb too soon. Yes, she threw the whole concoction too close to the building. But she did notintentionally blow up three center floors of a skyscraper and kill twenty-six people. It was an accident.
But the academic/journalistic complex; which in Age of Ultron would have supported and empathized with Wanda when she was an activist/HYDRA “secret weapon,” is not inclined to cut her the slightest bit of slack now. No, since she is an Avenger, they lay all the blame for the mishap on her. It does not matter to them that her desire was to save lives. Nor are her youth and inexperience factors which they will take into account. All that matters is that she is outside the control of the ‘elites.’ And whatever the ‘elites’ want, their toadies in the media will bend over backwards to get for them.
This is why there is such a large journalistic attack on Wanda throughout the first half of Civil War. As a member of the Avengers, a private police force which goes around hunting HYDRA and its allies, Wanda and her friends have a big, fat political target painted on their collective back. The media, who were wailing and screaming for heroes during Loki’s invasion in The Avengers, does not want them around for such “mundane things” as stopping the theft of a deadly bio weapon. (Gee, I wonder why…?)
Other than when aliens are raining from the sky, the Avengers are, essentially, an advanced, private police firm. Their operation in Lagos had all the hallmarks of a covert operation being run by the NYPD, NCIS, FBI, or some other agency which works in the government alphabet soup. Sam and Cap were out of sight and ready to move, while Wanda and Natasha were the undercover “eyes on the ground.” Their mission in Nigeria was no different than any other stakeout set up by the police –
Except that they were not on the leash of any government on the planet. They had no one telling them, “Do not engage. This attack has to go down so we can ride the diplomatic repercussions since we will never let a crisis (especially one created by us) go to waste.” This is antithetical to the Avengers’ creed which is the belief that every life is important, and crises are to be avoided. The Avengers were there to prevent a disaster – that bio weapon would have killed millions, give or take a few extra hundred thousand, if it had been released. The Avengers stopped it from falling into the wrong hands.
The people killed in Crossbones’ Viking funeral were an unfortunate loss. But their deaths were not the intent of Wanda or her teammates. Many, many more people would have died if Rumlow and his men had escaped with the pathogen. The death toll would also have been higher if Wanda had not contained the initial detonation and tossed the rest skyward.
Readers, we have to keep in mind that the rest of the team is not going to throw live grenades, bombs, or explosives at Wanda and tell her, “Hold the explosion in until it loses power.” That is cruel. Doing that could kill her – or them. This was something she did in a situation which required quick action and swift thinking.
Under the circumstances, Wanda did some very fast calculating. If she had not contained the initial blast, Cap and the bazaar – along with the base of the skyscraper – would have been blown to pieces. Also, given her understanding of conventional explosives, throwing Rumlow sky high should have allowed the detonation to finish in a relatively safe manner. C4 will not vent that much power, and certainly not in the direction of the skyscraper. At most, C4 would have blown out the windows and wrecked a couple of offices, probably only injuring anyone standing in those rooms.
Wanda’s biggest – and only – mistake here was that she did not throw Crossbones in the proper direction. There may be a good reason why she made that mistake. Considering how expansive the explosion which hit the skyscraper was, we can guess that the initial detonation would have been much bigger if Wanda had not contained it. It is not easy to control so large an explosion for very long by normal means. Holding that sort of thing contained with her telekinetic powers would have put a serious strain on Wanda’s mind. As the explosion gained strength, it would have become more and more of an effort for her to keep it bottled up.
If you pull a rubber band to a certain length, readers, it will snap back and sting your fingers. Pull it too far, and the rubber band breaks, stinging your fingers even more than it did previously.
Minds are nothing like a rubber band. They are not elastic; they either hold out or they break. Wanda must have instinctively felt herself coming up on her breaking point, while at the same time she was struggling to get Crossbones’ suicide pyre up where it could not harm anyone else. This is likely the reason she tossed Rumlow too close to the building. She was concentrating very hard on holding the explosion contained. Wanda did her best and held out as long as she could…
But something had to give, and her natural strength is not yet up to the task of containing such a big bang – if it ever will be. Her reasoning for throwing it into the air, far away from everyone around her, was completely sound. She cut her power when she thought it would be safe.
Unfortunately, Wanda was not aware of how big the blast would become when released. And she forgot, or did not realize, that she was holding the blast too close to the skyscraper.
Anyone else in Wanda’s position would be just as horrified by the resulting destruction and loss of life as she is. When we next see Wanda, one month later, she is “moping” in her room and accepting the slavering media’s verdict on what happened in Lagos.
Steve comes in, shuts the TV off, and sits beside her. He knows what the media and the ‘elites’ do not even deign to consider: Wanda will never be able to forget that she threw the explosion in the wrong direction, and this led to the deaths of those twenty-six people in Lagos. She will carry that responsibility with her for the rest of her life. No one can take it from her, even if they or she wanted them to do so. It is her burden to bear – and his.
As he pointed out, he is as responsible as she is. Crossbones distracted him so he would not look for the bomb vest. If he had stayed focused, he could have prevented the explosion altogether. He was sidetracked, and that cost them all – mostly the people in the building who died and Wanda, a kid he is supposed to be protecting and teaching.
But if he can teach her how to win, it is also Steve’s duty to teach her how to lose. Cap knows that wallowing in guilt gets no one anywhere. Not every battle will be a win-win scenario; the initial objective (grab the bio-weapon) may be won while the secondary goal (protect all civilians) is lost. Sometimes it will be the other way around. On really bad days, both objectives may be lost. Combat is not a sure science and it never will be. “This job,” he tells her slowly, “We try to save as many people as we can. Sometimes… that doesn’t mean everybody. If we don’t find a way to live with that then, next time, maybe nobody gets saved.”
This is what Wanda struggles with for the first half of the film. What she has to learn here is that taking responsibility for one’s actions means mourning the mistakes, recognizing them, then picking up and moving on. “Moping” will not bring back those Crossbones killed – because it was Crossbones who pulled the pin. And if she continues to “mope,” then the next time she is needed, she may not be able to save anyone because she will not be focusing on anything but her last failure.
The reason this is such a struggle for Wanda is partly because she is a young girl raised in an age that has an extreme fascination with guilt. Also, youths tend to magnify their problems – even when they think they are not trying to magnify them. Experience is what helps the young grow up, but I do not recall a phrase that said becoming an adult was easy. If it was, everyone would do it, and we know this is unfortunately rarely the case.
Another reason Wanda is struggling has to do with the fact that she is under mental pressure/assault from several directions: Ross, the media, and the Accords are all hammering home the blame factor. In the comics and cartoons, Thunderbolt Ross’ Red Hulk persona had a certain charm. But as his human self, Ross has never been anything short of a raucous bully.
Wanda may sense this about him initially in the film, but what can she do? She lacks what the academy of nihilism likes to call “authority issues.” She trusts all of the authority figures – Steve, Sam, Rhodey, Tony, Clint, and Natasha – in her life. (Vision is smart, but he is a one year old. He has even more to learn than she does.) How can she tell Ross to buzz off? In this one respect, the former General has learned something of value (to him): politicians need only speak to enforce their will on others, rather than scream their throats raw, the way he once did.
As for the media, that is the same problem, but magnified in the hundreds, if not thousands. Many television reporters seem to be under the impression that being a reporter is akin to being ordained by God, the government, or some other entity with above-human powers of insight and understanding. This is the way they treat Wanda in the film. They and the talking heads ask what “right” has she to do what she has done.
They do not care that Wanda was under a lot of strain in that moment and was not focusing on much except keeping the fireworks display contained for as long as possible. They do not care about this because they are the wise ones; they are the ones who understand all higher things and the proper uses of every thing to frame every event. They would never have been there in the first place. That would be the only thing they got right; they do not possess the courage to enter a combat situation as a participant. They would rather watch the situation from afar, after the fact, and carp about the results.
How many of these hacks have telekinesis? How many of them have been in a combat situation? How many of them have had to telekinetically restrain a violent chemical combustion in a crowd of innocent people and, finding the bang is not getting any smaller, thrown it skyward while trying to maintain control of it?
None of them have done that. What is more, none of them would or will ever do that. They think they understand when they have no idea what it takes to have and use such powers in combat for five minutes, let alone for one’s whole life.
But that does not prevent them from pontificating about how such power should be used or maintained. That does not prevent them from making Wanda out to be a bloodthirsty monster. It does not stop them from saying a twenty-odd year old girl, who saw her mistake kill twenty-six people, should be locked up in a prison somewhere as though she was Hannibal Lecter’s niece. These jackals, who have not got enough courage as a group to fill a teaspoon, are picking on a girl with more guts than many people twice her age.
The third barrier Wanda has to clear is the Accords. Ross’ handing the U.N. booklet specifically to her in the Compound is in fact a tactically brilliant move. Not only are the Accords named after her home nation, which she saw destroyed, but she holds herself responsible for the deaths in Lagos. Giving the Accords to her first, Ross probably thinks he has an easy win with Wanda. She is so distressed and confused that she will doubtless be the first to sign up.
Except that Ross, like Zemo, has placed his bets without considering Cap. In this case, he does not know how much influence Steve has over the Avengers. Cap put his trust in the twins (Wanda and Pietro) in South Korea during Age of Ultron. He trusted that they were really interested in saving lives and doing the right thing; that they were actually willing to let go of their desire for revenge and that they would not let him down. It is also very probable that he is the one who offered Wanda a place on his team. Steve has been watching her back, guiding and teaching her, since she joined the Avengers. Of all the voices raised in the debate over the Accords, his is the one Wanda harkens to first and foremost.
Also, Ross has forgotten that Wanda has been taken in by bright speeches and flowery words before. Baron Strucker called for volunteers to be tested for a human enhancement process in Sokovia, and Pietro and Wanda answered the advertisement. Taking the easy path out with Strucker went soooo well last time, didn’t it?
Once bitten, twice shy. Wanda was fooled once. She will not be taken advantage of again so easily.
So Wanda Maximoff, Ross’ oh-so-easy-mark, proves she has more mettle than he guessed. She pushes the Accords away – literally. She does not declare she will never sign them, but neither does she sign on the dotted line as fast as she can. If Steve did so, then Wanda would be inclined to follow him. But he is wary and will not sign, at least not until there are safeguards put in place. And so Wanda follows his lead….
….discovering soon afterward that Steve’s arguments have some very real-life concerns for her. With Cap and Sam abroad to attend Peggy Carter’s funeral, Natasha going to the signing of the Accords, and Rhodey and Tony off somewhere else, Wanda and Vision are left to “mind the house.” Or so she thinks. Later on, Vision admits she is essentially under house arrest until the puppet masters behind the Accords are sure she will not cause them any trouble. It is at this point that she realizes Cap’s fears are well founded.
Up until this moment, Wanda was free to go wherever she wanted whenever she wanted. While it is likely she had company on these prior outings, she has probably been out on her own just as often. And she lived with only Pietro for company from the age of ten. She is naïve and inexperienced in many things, but walking around town alone is not one of them. Now, though, she is being “locked in her room” by Tony Stark at the behest of Ross and the faceless, “silent, deadly men” who give him his orders.
Why? Why is she being interned in her own home? Lagos was a combat situation. She did not perform perfectly in that arena, but how can one equate the accident in Nigeria with running to the store to grab some paprika?
The answer is that the two cannot be equated. They are mutually exclusive events. Contrary to all the yelling on the TV, most people would probably be quite happy to either wave at Wanda or to avoid her out of fear, and that would only happen if they recognized her. It would be an idiot – or a pack of idiots – who would challenge someone with Wanda’s abilities just to show their machismo. All they would be proving was their stupidity and cowardice.
This idea that she is dangerous, however, starts to seep into Wanda’s mind after Vision’s admission. Maybe she is too dangerous to be allowed out. Maybe she is, in fact, a monster.
Into this whirling maelstrom of self-doubt strides Clint a few nights afterward. As I said before, Wanda is not inclined to laugh off the fact that she almost stabbed Hawkeye in the forehead. While she trusts Steve as a father-type guardian, this is even truer of her relationship with Clint. Cap was the first one to believe Wanda and her brother could change. Clint, though, was the first to give her direct guidance when she needed it most. Steve understood her decision to protect her country and save lives. Clint understood her when she was having an emotional meltdown.
Their bond is stronger in this area because Clint is, actually, a father. Steve can “walk with Kings – nor lose the common touch,” but this is one area where Hawkeye has more experience on him. He has handled more childhood crises than any of the other Avengers for the simple reason that it comes with the territory of being a dad. Plus, Clint is practically always self-assured. Without that self-belief, he would never get anywhere.
And if she loses her own self-belief, Wanda will not get anywhere, either. Cap calls Clint to pick up Wanda for the apparent reason that he cannot just go and get her himself. But he might have had another motive for calling Clint. Even if he was not told about their “chat” in Sokovia, Cap still has to sense the fact that the two have a strong rapport. If anyone can get Wanda out of her funk, it is Hawkeye.
And he does, delivering her an ultimatum in the Compound, just as he did in Sokovia. “I need your help, Wanda,” he tells her. “You wanna mope; you can go to high school. You want to make amends, then you get off your ass.”
Though his delivery in this film is markedly different from both the comics and the cartoons, the point Clint makes is no less finely nailed home: either Wanda gets up and helps, or she stays home. Those are the only two options anyone in the Avengers’ line of work has. Do your job, or step aside and let everyone else do theirs.
Wanda does, most certainly, want to make amends for her mistake in Lagos. Wanda also does not want to get left out. And she does want to help Steve – not for the simple reasons that he is her mentor or because he took her in when she had nowhere else to go. She wants to help him because he is her friend.
She also wants out of the Compound. As she told Vision, she cannot control the fear(s) of others. But she can control her own fear. If she lets her apprehension rule her, she will become the monster others believe she is. She will fall to the Dark Side. So it is past time to put her fear aside and get on with her life.
There is no occasion for her to explain that to Vision in the Compound. Maybe she does not yet understand her situation enough to explain it at length. But she knows it, even if she cannot say it in the way I just have. She explained it to Steve in Germany as Hawkeye explained it to her: “It was time to get off my ass.”
Perhaps it is her memory of her incarceration in the Avengers’ Compound which is the reason Wanda holds nothing back in the battle at the airport. If they lose this fight, they will all get locked up – Clint, Wanda, Sam, Scott, and Steve. Bucky would most likely be killed. The stakes are too high for Team Cap to “pull… [their] punches.”
During the battle, Wanda is almost literally everywhere at once. She saves Bucky from Panther’s claws, reminds Clint that this is not a training session by tossing Natasha away, and drops about ten or more cars on top of Iron Man in quick succession. This emphasizes the point that she is not going to get locked up again. Not without a fight. If people want to be afraid of her, then Wanda Maximoff is going to give them something to fear!
If she is so desperate not to get caught, you may ask, why does she throw herself to the wolves along with Clint, Scott, and Sam? She could have bolted. She was the most powerful of the four remaining members of Team Cap. Even stunned by War Machine’s sonic weapon, she could still have made tracks and at least gotten into the city, especially after Vision left her to check on Rhodey.
The clear answer is that she is a loyal Avenger. Wanda understands the meaning of honor. She understands that when you give someone your word, when you make a promise to someone, breaking that bond of you own volition is to forever forsake faith with them to some degree. To quit when the going gets tough is to become a coward.
And while all the heroes in Marvel’s stories have flaws, NONE of them are cowards.
The loyalty aspect aside, Wanda knows as well as the others do that Steve will come back for them. The main mission is to stop Zemo and save as many lives as they can. If the price of saving lives is incarceration, then that is the price she and the others have to pay to see the job done.
And pay they do. Wanda, however, is subject to higher scrutiny than the men are. Their powers are all derived from their gear, skills, and technology. Her power comes from inside of her. There is no way to take it from her; it can only be suppressed. The way the Raft guards choose to do this by locking her in a cell, throwing an inhibitor collar on her, and wrapping her in a straight jacket.
Although she knew Steve would come for her and the others, had to know that Clint and probably Sam are very worried about her, Wanda looked pretty miserable in her cell. Of course, it would be hard not to be despondent, since she is locked up in solitary. It also appeared that Ross and his cronies were not inclined to keep the room at a comfortable temperature. But maybe Wanda was shivering with fright and depression rather than cold.
If all the Avengers had signed the Accords immediately, this might have happened to her at the beginning. I doubt that Tony came up with that “Walking Weapon of Mass Destruction” quip by himself. It sounds like something which would have come out of Ross’ mouth. Witty as Tony is, he was quoting someone else when he said that.
Remember when I said Ross wanted control of the best weapons he could find? The government took lots of blood samples from Cap in the hopes that they could make more Super Soldiers in the future. This is likely where Howard Stark acquired the five packs of the viable Super Soldier Serum which Bucky stole in ‘91; the scientists had at last managed to synthesize a working serum from Steve’s blood. In the 1940s, the government and its scientists were at least willing to ask for his blood before taking it.
But would Ross and his masters in/behind the U.N. have asked Wanda for permission to “make more” powered people like her by asking her to take some tests so they could see what makes her “tick”? I highly doubt it. If the whole team had signed the Accords at the start, then they would have also signed Wanda’s one way ticket to a cell where she could be studied as a lab rat. Ross and his handlers – whoever they are, and whether he knows they are “handling” him or not – want more people like her. They want more enhanced humans and they want to be their puppet masters.
I imagine there were some tears shed when Steve and the others picked up Wanda. In her position, tears would be totally understandable, a sign of pent up stress and/or relief. The guys are not going to let her out of their sight any time soon, this is for sure!
If the writers decide to hold Wanda on the back burner until Infinity War, we will not be seeing her any time soon. Should that be the case, then it is safe to assume, for the nonce, that Wanda will be staying with Team Cap and doing some Secret Avenging until that time. One thing is for certain: Wanda’s powers are only going to grow. This means she will be a formidable opponent when she next appears on the silver screen.
What that will look like, we can but guess. Anyway, readers…