Tag Archives: Crossbones/Brock Rumlow

Avengers Assemble – A Long Way from Home

Ahoy, readers! Ar ye ready to sail in uncharted waters? Avast! It is time we be spinning tales of those famed heroes from Earth, the Mightiest of Champions – the Avengers!

You will see why I played around with the pirate lingo when we reach the end of the post. 😉 Normally, piratical speech is not my thing. It is used way too much these days for effect – or as a form of mockery for pirate tales – which means it tends to irritate me. So when one of Avengers Assemble’s episodes played around with the vernacular, I had to grit my teeth from time to time. It was either that or cover my ears, and since I wanted to keep track of the story, I put up with it.

The first episode we will discuss aired before Christmas of 2017. Titled “New Year’s Resolutions,” it starred Tony, Cap, Howard Stark and – at long last – Peggy Carter, voiced by Haley Atwell herself. Yay…!

Mostly. Sorta. Kind of.

Okay, okay, I had major problems with Peggy’s portrayal in the cartoon. The writers had her showing Steve up too much and generally did not let her be the Peggy I saw and enjoyed in Captain America: The First Avenger. I am guessing this has something to do with her depiction in her own series, Agent Carter, which leaned heavy on the Femi-Nazi and light on the story/character.

From what little I know of the series Agent Carter, Peggy came across as an angry, “let-me-prove-I’m-just-as-good-as-the-men” character, something which was certainly not the case in The First Avenger. It was more than a little sad to see her get short shrift in this episode, which I had been looking forward to viewing for some time. Peggy had her moments here, but they were few and far between.

Thankfully, “New Year’s Resolutions” was not all bad news. The interplay between Tony and Howard in this episode almost made up for Peggy’s disappointing deportment. We actually got to see the younger Stark bond with his father WITHOUT being a total brat or jerk about it. It was an unexpectedly sweet touch to what otherwise would have been a depressing, watered-down show.

Speaking of pluses, watching the four beat Kang was pure fun. And Arno Stark got to show up as Tony’s descendant rather than his hidden, younger brother. There was no Arno-should-have-been-Iron-Man stupidity here, for which I am very thankful. Although I must admit, I would have liked to have heard the thirtieth century Stark toss out a zinger or two, just to show the genes had not faded over the millennium between him and Tony.

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All of this is to say that “New Year’s Resolutions” is an episode worth watching, despite its substandard treatment of Peggy Carter. Now if Marvel would just do what I asked and give the Avengers an adventure that took place on Christmas Eve or Christmas Day, showing the team celebrating the holiday, I would know we were making some progress here. (No, I am not holding my breath while waiting for them to do that.)

Next we come to “The Eye of Agamotto, Parts 1 & 2.” By a stroke of good fortune, I got to see Doctor Strange before these episodes came out. Strange has never been anywhere near my Favorite Marvel Characters’ list, so the film and his appearance in the shows served more as filler material than anything else for me. But the fact that I got to see the movie meant I was prepared for Strange’s changed look; prior to the movie, he had long hair in Assemble. It is now shorter and much more practical.

Part 1 one of “The Eye of Agamotto” showed the Avengers – Cap, Hawkeye, Falcon, Black Panther, and Carol Danvers – defending a SHIELD storehouse from HYDRA agents. Well, mostly defending it. The bad guys got away with whatever magical doohicky they wanted, but Cap and Panther succeed in tracking it down.

Unfortunately, said gem is already in the hands of Strange’s arch nemesis, Baron Mordo. (The artists did a good job making him look like his film counterpart.) This is Panther’s first encounter with a bonafide sorcerer, but he handles himself pretty well here. We also see him getting calls from his little sister, Shuri, who has to ring him up for Wakandan business at the most inopportune times. It gets so bad that he shunts her calls to voicemail.

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So when she shows up on his and Cap’s six unannounced, it nearly ends in disaster. Declaring that “no one puts [her] on voicemail,” Shuri insists on tagging along for the adventure, triggering the traps Mordo set up with a bracelet gizmo she designed herself. She has to help T’Challa and Steve best Mordo after the latter uses a spell to steal Cap’s powers.

T’Challa does well in this episode and so does Steve – for the most part. While I enjoyed seeing Shuri at long last, the writers could not resist plugging the “girl power” motif during this adventure. It was not simply annoying, it was Matronizing, and obviously so. I can handle Shuri having a list of degrees which nearly circles the world, but that should not be what makes her interesting. She comes from a culture of warriors, people! For Pete’s sake, her brother’s personal bodyguard corps is made up entirely of women so that peace can be maintained among Wakanda’s tribes. I do not think they have any of our “problems” with “women’s representation.”

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Shuri

In this episode, Shuri is used to pantomime the idea that “brains beat brawn” – especially if they are female brains to men’s brawn. No, Marvel writers. No, no, no, and no. Women are not physically strong enough, as a general rule, to overpower men, yes. Having Shuri outsmart Mordo was great, yes. But if you want her to be T’Challa and Cap’s equal, show her not as a snobby, easily offended young woman looking down her nose at them, but as a young woman who can roll with the punches when she cannot dodge ‘em. The writers did not do that properly here, which rankled. Badly.

Other than this irksome theme, we got a good show which demonstrated the strength of Cap and Panther’s friendship, and which showed Steve being his usual, gracious self. It also put the spotlight, however briefly and dimly, on Shuri, which is great. All in all it was not a bad romp. It could have been better, but it was not bad.

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Part 2 of “The Eye of Agamotto” was very entertaining, and it made up for the lousy element in Part 1. Following their previous adventure, Cap and Panther bring an odd sorcerer back to Avengers’ Compound after he tells them he needs to see Stephen Strange. We only see them doing this after a cute exchange between Hawkeye and the Hulk, as the archer is busy going through receipts for the damage Big Green dealt out – accidentally or on purpose – while doing his job. (I am surprised the piles of receipts were not bigger and taller.)

Strange arrives at the Compound while this is going on, launching an attack against Cap and Panther while they are trying to land. It takes him awhile, but he eventually manages to explain that he was not shooting at them per se. Whatever or whoever is with them has some bad magic which is making the Eye of Agamotto that Strange wears go bonkers.

Turns out, the man Cap and Panther met at the end of the last episode is Agamotto himself. He’s come back to get his eye (guess what the Eye of Agamotto is in Assemble, readers), and casts a spell which knocks down Cap, Panther, Hawkeye, and Kamala Khan. At the same time they get knocked out, evil shadow duplicates of them appear to attack Strange and the Avenger who depowered to avoid getting magicked – Hulk/Bruce Banner.

You will want to see this episode for the ending alone, readers. It is a hoot, a scream. About halfway through I was laughing so hard that it is amazing I could keep up with the dialogue for this show. I mean it – this episode was pure, undiluted fun! Strange and Hulk even became friends by the end of the show. Bonus points!

After these episodes came the first four “Secret Wars” installments which gave the season its name. The first episode here was “Beyond.” At the start of the show, the Avengers arrive in Central Park when a glowing crack appears in the ground. Then they try to fall back as it widens and white light erupts from it. Seconds later (as far as anyone can tell), the team wakes up in a desert at night. Right on cue, Avengers Tower rises out of the sand next to them. Naturally, they go inside to see if this is really their old home, finding it is and that everything inside is in perfect working order.

During their investigation, they also find an uninvited guest. Having spread a feast on the table for them, he invites them to sit and chow down while he explains everything. No one sits down, of course, or starts eating. They just demand to know who this guy is and what the Sam Hill he has done to them.

For those new to the Marvel universe(s), this unwelcome guest is the Beyonder. He is far different from the Beyonder I met in the 1990s. That Beyonder was not a sick, twisted megalomaniac – at least, I did not think he was. I do not know what he is/was like in the comics, so I cannot say how true his appearance in either series is to the original material, but the Beyonder in the ‘90s was a sight nicer than this guy. Another difference here, aside from his personality, is that this version of the Beyonder uses advanced technology for his little experiment. In the ‘90s he was some cosmic magician who could snap his fingers and do almost anything he wanted.

You are probably getting the idea that I was expecting to see the Beyonder this season. I certainly had a suspicion he would appear; the ‘90s “Secret Wars” arc of the Spider-Man TV series was one of my favorites. Like the original Star Trek episode The Savage Curtain, the animated ‘90s “Secret Wars” saw the Beyonder send Spider-Man to an alien world that had never known evil. The Beyonder introduced some of the worst villains from Earth to this world, then dispatched Spidey to choose a team of superheroes to stop the bad guys, proving once and for all whether good was really stronger than evil.

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Secret Wars – ’90s Style!

Spidey and his team won, of course, but it was this storyline which made me expect to see the Beyonder in Assemble. I was looking forward to seeing him again, though in light of the 2015 sham “Secret Wars,” I was worried about what would become of our heroes in the cartoon. Now I see that I should have been worried about the Beyonder, too. But maybe he was originally an evil super genius bent on satisfying his curiosity at all costs, making this portrayal of him a return to the norm. I don’t know which it is, though, so I will leave this subject alone now.

Anyway, after pinning our heroes to the walls with his tech, the Beyonder explains that he has taken pieces from different worlds and dimensions to create a new planet he calls Battleworld. (Battleworld comes from the 2015 “Secret Wars” and, from what little I know of that travesty to comicdom, Beyonder’s description here sounds about right for that Battleworld as well.) Like in the ‘90s, he is apparently trying to determine here whether good or evil is stronger.

The big problem with his plan in Assemble – aside from the fact that he took everyone from Earth, Asgard, and every where else without a by-your-leave – is that the longer the separated chunks are away from their homeworlds/dimensions/what-have-you, the more unstable those realms become. So, if the pieces are not returned to their proper places (and fast), the whole universe/multi-verse is going to explode and die. Not a pretty picture for our heroes, to be sure.

“Beyond” sees the team spread out to learn the layout of Battleworld and begin finding a way to put everything back together again. The particular part of Battleworld where Avengers’ Tower is situated is called Egyptia. Why it is called this I do not know, unless there is another realm/dimension/thing out there called Egypt. So far, Egyptia just seems to be a distorted Egypt from Earth.

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Back to the show; Cap and Widow are the ones reconnoitering Egyptia. Finding a pyramid in the middle of the dunes, they go to investigate and run into a bunch of sand mummies/zombies. Things look grim for the home team but, luckily, the wandering super genius known as Iron Man drops in to save the day. The Beyonder took part of the dimension he was trapped in for his Battleworld. That part of the “planet” is called No-Tech Land, presumably because most modern machinery does not work there. This allows Tony to reunite with his friends, and the high jinks and battles ensue before he, Cap, and Widow rejoin the rest of the team at the Tower.

“Underworld” is the follow-up episode, and it begins with Loki raining on the reunion by declaring he wants to join the Avengers because the Beyonder wrecked Asgard for his little experiment. Predictably, the answer to Loki’s request is a lot of lightning bolts, repulsor blasts, arrows, and punches – none of which land, sadly. “Capturing” him, Thor, Tony, and Hulk learn that Loki is the one who told the Beyonder Earth’s location, giving them more reason to be angry at him. But since parts of Asgard are now mushed into Battleworld, and because Loki has personal knowledge of the Beyonder, Tony states that they need him and the four head out to New York City.

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The reason this episode is called “Underworld” is because NYC is under a rock – literally. When Beyonder ripped it off of Earth, he put the city underground. And beneath New York, he put a bunch of Asgardian rock trolls. So when the Avengers show up, they have to defend the New Yorkers who were transported along with their city from the rock giants.

Loki does his whining “why-do-we-have-to-save-the-humans” routine, but turns into a big help when the Enchantress shows up. He almost sacrifices himself to fix the Bifrost, which is underground with New York, but Thor stops him and they escape. Then the Beyonder shows up and Hulk jumps at him to do his smashing gig –

…Only for the Beyonder to split the Hulk and Banner personalities into two people with his tech. Did not see that coming, and I have to say, it worries me. Bruce came out the worse for wear either before or after 2015’s “Secret Wars.” I am pretty sure he went nuts, and I know who “killed” him (you are in so much trouble for that, by the way, Marvel writers), so I worry that we will see something similar in Assemble. If what I think may happen does occur, then the “writers” running Marvel are in even BIGGER trouble with me.

Aside from this one worrying point, this show was a hoot. Hulk had the most fun here at Loki’s expense, and the only thing I want more than to see Hawkeye finally give the Trickster what he deserves is to watch Hulk pick on him. As for Loki turning “hero,” I predict that that will not last long. There may be a little good in Loki, but the problem with that is it is too darn small a piece of good. The bad outweighs the good, and while the Trickster of Asgard may be an open and shut case of “hope over experience,” I believe the Avengers should temper hope with sense by keeping their hands close to their weapons.

Next we have “The Immortal Weapon.” This episode was good, clean fun, and it actually gave me something I have been begging the writers for since the series started: a new hero. Iron Fist at last makes his debut in Avengers Assemble here. Though he is voiced by the same actor from Ultimate Spider-Man, Iron Fist is unquestionably an adult in Assemble. It was nice to see him again; he got short shrift from season three of Ultimate Spider-Man onward, and it is good to have him back in the spotlight no matter how briefly he appears.

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Anyway, among the many things the Beyonder stole from Earth was K’un-Lun. But unlike New York, K’un-Lun is above ground and it is peaceful. Everyone is going about their daily business as if nothing has changed, puzzling Falcon and Black Panther, who have been sent here to pick up an item to repair the destroyed Bifrost. Things get even more confusing when the two explain to Iron Fist that they need Heimdall’s sword to help rebuild the Bifrost and set everything right. For no apparent reason, Danny attacks the two, stating emphatically that they cannot take the sword.

Neither Avenger listens when Iron Fist repeatedly states that taking the sword will unleash a great evil. So both are surprised when Falcon retrieves the weapon and Dracula pops out of the stone where it was embedded. (Nice sword in the stone reference, Marvel jerkfaces.) Turns out, Danny could not explain why the sword had to stay put because Dracula cursed him so that he could not say his name, period, in relation to anything. If anyone had asked Iron Fist about Bram Stoker’s novel, it is likely that Danny would not have been able to name the book because of the curse.

But Falcon and Panther, who have been having the “I’m-not-a-kid-anymore/I’m-a-king” argument from the start of the show, did not stop to put two and two together. Danny gets a really good scene when this argument starts back up again, putting one hand to his face and shaking his head, before telling the two to knock it off and get their act together. Tension is added to the show when the three learn of a familiar alien substance that has bonded to Dracula to make him immune to sunlight. The vampire king plans to find more of these familiar substances to make an army of daywalker vampires, but our heroes put the kibosh on the plan.

Really, this episode was nigh flawless. I had no real reservations while watching it or after it ended. It was a fun caper with no dark portents for the future of the series, and it gave all three heroes a chance to shine brightly for a change. This one earns a big, wholehearted “YAY!” from this viewer.

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Finally, we have “The Vibranium Coast.” This is the show which gave vent to the piratical turns of phrase you encountered at the beginning of this post, readers. Ant-Man and Kamala Khan are headed to the Vibranium Coast – the one part of Battleworld, so far, which does not appear to be related to Earth at all – to pick up the Vibranium Tony and Loki need to rebuild the Bifrost and fix everything.

Scott is nervous about the job, feeling the pressure of not messing the mission up royally, while Khan continues to be her annoying, useless self. She misidentifies a pirate ship as Atlantis or another place, and the first misidentification should not have popped out of her mouth. For Pete’s sake, even on Battleworld, Atlantis would have to be under water. Most Atlanteans cannot breathe air or stay on land for long periods of time, and so far, the Beyonder has not demonstrated a desire to wipe out the populations of the places he steals all in one go. If they die over time, he will shrug it off, but the fact that NYC and K’un-Lun still have inhabitants shows he wants live specimens for his “experiment,” not cities full of dead bodies.

But we digress. Scott and Khan’s jet is shot out of the sky by the ship and the two are picked up by Typhoid Mary, who lays on the pirate act and lingo real thick. I have to say, my first introduction to Typhoid Mary did not make me like her. She reminds me too much of Harley Quinn, the Joker’s sidekick from DC Comics. Whether that is the intention of the writers or not, the fact is that her resemblance to the Joker’s apprentice wins her no favors with me.

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Despite this, Typhoid Mary actually made this zany episode palatable for me. Having Red Skull and Crossbones playing pirates makes them seem silly, until you are faced with the even crazier Typhoid Mary. After her, anything else out of the ordinary looks mild. Her part in the story took the edge off the foolishness of seeing Red Skull be called “Dred Skull,” the master of the “Dred Skull Sea.” 😉

Ant-Man did not do badly in this show, which was a real improvement over his first four episodes this season. He got to be smart, manly, and funny without compromising his character or his masculinity. That alone would make this episode worth watching, but with Typhoid Mary’s craziness thrown in the mix, I suggest you check out the show for the laughs, too. There is also a GREAT scene at the end which had me in fits because it was so perfect. You should definitely watch this episode, readers. It is FUN!

However, despite this glowing review, I must admit that I had my usual problems with Khan here. The writers are working overtime to make her appeal to viewers, and it is not helping. Aside from a few verbal mistakes, Khan does not trip or fall flat on her face the way a normal rookie would in this show. Scott’s and the other Avengers’ care for and kindness to her are great for them, but it does nothing to make Khan more appealing or enhance her part in the series.

If you put Inferno or Firestar or Spectrum in her place in “The Vibranium Coast” as the new rookie on the team (no matter their age), it would work better because the writers would not be bending over backwards to make the audience love them the way they are for Khan. Seriously, everything they do for Khan is pure political pandering, and it shows. Somehow, in this episode, she is the only Avenger present who knows how to use swords, all because her parents let her take fencing lessons?!?

That does not fit with what little I remember reading about the concept behind Khan’s creation. There it was stated that her parents are terrified of letting her anywhere near a boy her own age, forget an adult man. So why would they suddenly let her take fencing lessons? In fact, why is she even allowed out of the house in normal clothes? Shouldn’t she be wearing something more traditional? And why not let her use her powers or natural skills to duck and dodge swordstrokes? If she is so great, then why do the writers have to give her the simple, Feminista out of, “And she can fence, too!”?

The more the writers set her up to be an uber woman settling into her place in the Avengers, the less interesting she becomes, just like her namesake. Khan adds nothing to the Marvel universe(s) or Assemble.

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Dust

Dust was more interesting because she was actually allowed to make mistakes, worry about her traditional upbringing and her career as an X-Man, and learn to stretch her wings. Khan is not allowed to even voice such fears or problems in the show; she has no vulnerabilities – other than a penchant for geeking out when she meets a famous hero/villain – and it makes her dull as dishwater. She is useless, plain and simple, and she is getting on my nerves.

I do not expect the Marvel writers to change Khan and make her more interesting, readers. I expect them to double down on her portrayal with a vengeance. They cannot be wrong, while we peons are always wrong and should hate ourselves for it. (Bah.) If they want to think that way and try to financially survive while they are doing it, then they can knock themselves out. Nothing anyone says to the contrary will stop them.

This leads to my final points. For the most part, as is obvious from this article, I enjoyed these episodes. However, the higher you fly, the farther you can fall. It is quite possible that whatever comes next will be an absolute disaster for fans of the true, the good, and the beautiful who love not only Assemble, but Marvel in general. We could end up with a serious mess on ours hands when the next installment of Avengers Assemble: Secret Wars rolls around.

We could just as easily rise to new heights with only little pinpricks of annoyance (and irritating, politically correct sham characters) to bother us from here on out. While I hope for that, I intend to try and follow my own advice to the Avengers about Loki: be prepared for experience to trump hope again. When it comes to mortal man, experience is something to be remembered, even when hope begs for “just one more chance” to get things right.

I have my keyboard ready, Marvel. I am still watching you. Mess up, and expect to see me say something about it. Because if you play “the heroes and heroines are actually villains and the villains are heroes” card too much more, you will go out of business. I do not want that for you, but you are sure acting like that is what you want. Do not think I will avoid speaking my piece about it. You should know me better than that by now. 😉

‘Til next time, readers – Avengers Assemble!!!

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Captain America: Civil War – Vision

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Sometime back I was watching Captain America: Civil War – again. During this viewing I noticed something very interesting and rather disturbing.

At the beginning of the movie, as the battle in Lagos ends, we watch Crossbones blow up three floors of a skyscraper. We are treated to a view of citizens huddled in the bazaar in terror, while Cap and Wanda gaze upward in horror as they realize that people have died in a blast which was much bigger than they anticipated. Steve calls Falcon and tells him to get emergency responders on the scene as fast as possible, while Wanda collapses to her knees in grief…

And then we cut to Tony having a public therapy session with a room full of his best friends – and however many people are watching his speech on television, youtube, facebook, snapchat, and I have no idea what else.

It hit me while watching this that these scenes are very jarring in the way that real life actually is. Here, Cap and Wanda are standing amidst Crossbones’ explosive carnage. Then we cut to Tony, who is having a public psychotherapy session with thousands of his closest friends. The two scenes are light years apart. One shows mourning for the loss of life while the other demonstrates an intellectual distance from real mourning, real sorrow, and real death.

Now, Cap and Wanda did not intentionally kill twenty-six people in Lagos. This is something which no one in the movie – and no one reviewing the film – pauses to note. It was an unfortunate, heart-wrenching, horrible accident. Miles and miles away, physically and mentally, Tony is mourning a mistake he made in his teens. He did not say good-bye to his mother the day she died. There is no real comparison for the two scenes.

Allow me to explain. There is no one in that MIT auditorium – or very few people – who have dealt with what Cap and Wanda are dealing with in Lagos. This includes Tony. I do not mean that he has never seen anyone die before. He has, and he has helped some of those people die. And I mean the terrorists and HYDRA agents when I say this, not the innocents caught in the crossfire during a battle. [Author rolls eyes at the insinuation of the pack of idiots who believe otherwise.] Tony actively avoids killing innocent people on purpose, just like the rest of the Avengers do.

What I mean is that Stark has not dealt with death. He has not accepted it. This is made manifestly clear by the fact that he is still not reconciled to the deaths of his parents. He has not “processed [his] grief” over his losses. Translation: he does not want to admit that he was a total brat to them on the last day they were alive, when he could have treated them with love and respect instead. Well, yeah, Tony, you could have done that throughout your entire life, too!

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This leaves him at a distinct disadvantage when dealing with the deaths of others, such as the son of the woman who emotionally ambushes him in the back hall of MIT. Tony is insulated, just like those kids in the auditorium, from facing reality thanks to the belief – which they and Tony share – that technology can cure every problem and conquer every aberration. This includes, naturally enough, death. It is the one thing which we all run from on a daily basis. Most of us do not admit it, realize it, or are really prepared to face it someday. Only the very, very lucky are capable of these things.

Cap and Wanda do not have this cocoon. Thanks to Crossbones and other villains, they have both seen death before. Wanda lost her parents at age ten, a more tender age than Tony’s presumable sixteen, when HYDRA murdered the Starks. And she sensed her twin’s death in Age of Ultron. She has seen death up close and personal throughout her young life and properly mourned for those she has lost.

Cap fought in World War II. He saw the Grim Reaper in action plenty of times during that conflict, and he has seen him in the battles from Loki’s invasion attempt onward. He has mourned his losses and accepted the deaths of his friends, just like Wanda has. This means that neither Cap nor Wanda is insulated from death. They have seen it too many times not to know what it looks like. And so they are not insulated from the pain and sorrow that come with it, either, two other things which Tony and the MIT students have never truly faced.

I bring this all up in relation to Vision for the simple reason that, like Tony and these MIT students, he is insulated. Unlike Tony and many others in that auditorium, he is not willfully insulated. He is a new being, a child genius living in a synthetic adult body. He is, in a word, innocent, and this is because he lacks real-world experience.

This is why he backs the Accords. Having no human experience prior to this past year of his life, he has no frame of reference for such mysteries as sorrow, love, death, grief, and pain. He also has no firsthand experience with these things. The only way he understands them is through science, mathematics, theory, and the reports of others.

The former do not get you very far in this fallen, mysterious world, readers. Reports are not equivalent to personal experience, either. They are simply that – arid, dusty records.

Yes, there are things that can be scientifically identified and defined and mathematically calculated in this world. We also have theories of all kinds coming out of our ears. But – as a for instance – can you seriously look inside yourselves, readers, and say that all your thoughts are the results of chemical reactions in your brains? That the reason you are thinking about a great piece of art, a wonderful song, or this very movie we are discussing right now, is all the result of a series of chemical reactions in your bodies/brains?

That is utterly impossible, and if you are honest with yourselves, you will see that. One can say they feel hunger because the body’s chemical reactions are telling one’s brain that the stomach is empty and needs filling. But one cannot say he is contemplating a movie simply because a series of neurons are firing in his brain. The neurons firing are only an indication that he is thinking. They do not prove what he is thinking about, and anyone who claims otherwise is either being extremely unreasonable or making a complicated sales pitch.

Vision, however, has not recognized this truth. He is a totally synthetic being. His body is made of vibranium, so all its components are mere mimics of the human body. His brain and personality, although based off of the previous Stark butler, the human Edwin Jarvis, were once a computer system named after said butler. Nothing about him is natural, physically speaking. He is a synthetic, not a “real,” person.

But this does not prevent him from wanting to become a real person, just as the Velveteen Rabbit wanted to become a real rabbit. Vision is trying to learn how to be human. This is proven when he phases into Wanda’s room, thinking that the door being open is a sign that she is not in the room, is open to having guests, or something like that. He never does get to explain why he thought that, because the door was open, it was okay for him to ghost straight into the room.

Whether or not Vision picks up on Thunderbolt Ross’ thinly veiled threats is hard to tell. One would think he would have detected the belligerence in the man’s tone, but without any previous experience with bullies, it must not have clicked that the Secretary of State was being a controlling jerk. So it is not surprising when Vision decides to support the Accords, citing the modern philosophy that “strength incites challenge, challenge incites conflict, and conflict…breeds catastrophe.”

If that were the case, then no one would ever get anywhere. You cannot live without some inherent strength, readers. Babies cannot grow up to become children who become adults if they do not get stronger as they grow. The fact that some are born physically stronger than others is irrelevant; true strength comes from the will, a product of the mind, not the body.

This makes conflict an inescapable fact of life, since we are fallen creatures prone to sin. Pride, the root of all the world’s ailments, is always one of our weak points – especially if we believe ourselves “the best and the brightest” person/people in the room, and that we “know what is best” for everyone else.

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Vision has never been sick in his short life, nor has he ever been proud. And the only one he knows of who could directly challenge his strength was Ultron. Thor, along with the Hulk (possibly), might have been threats to him. No one else on Earth, normal human or otherwise, can hold a candle to him, physically speaking. Aware of this, Vision does not want to use his strength for the wrong things. That is why he is an Avenger, after all.

He also understands that not everyone trusts him. The Avengers are the exception because they know him. They may have their issues with him, but they do trust and appreciate him. The rest of the world…not so much.

This is the other reason why Vision accedes to the Accords. In order to convince the public that he is not evil, he agrees to be shackled to the U.N. as a lapdog. What he and none of the other pro-Accords Avengers realize is that he is not a lapdog. None of the Avengers are. They are all individuals with free will. They have all made a commitment to, as Vision so eloquently stated in Ultron, defend life. They are the good guys, and Vision seeks to mollify the suspicious into believing this truth.

He needs to brush up on his Tolkien. With the notable exception of T’Chaka, almost everyone behind the Accords is a Saruman. They want to control everything, to be worshipped in place of God. Some are trapped in their own rhetoric while others are megalomaniacs hiding behind the cloak of rationality. Like Saruman, they do not impose their collective will on the Avengers by absolute force at first. They impose it by traitorous whisperings through their own version of Gríma Wormtongue, a.k.a. Thunderbolt Ross. And because Vision is completely innocent, he falls for the lies because they appear coherent. They “look fair and feel foul.” (The Lord of the Rings: The Fellowship of the Ring.)

Vision is not big on feelings right now, as he still relies on science to understand the world around him. The arguments for the Accords are not sane, of course. Evil never has been sane. And do not gasp in surprise that I said evil in relation to Thunderbolt Ross and the U.N. Was or was not Saruman evil? He had his puppet Wormtongue poison the mind and will of King Théoden of Rohan and his niece, Éowyn. Then he invaded and tried to destroy Rohan when his attempt at subtlety was foiled by Gandalf. He tried to kill Frodo after the hobbit spared him, despite the damage the fallen wizard had wreaked on the Shire.

Saruman. Was. Evil. So are many of the bureaucrats and politicians behind the Sokovia Accords. So is Thunderbolt Ross.

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The next time we see Vision, he is trying to cheer Wanda up while keeping her confined in the Avengers’ Compound. The scene is cute on a number of levels, not least for those of us who know the history of the romance the two shared in the comics. (They were married for a couple of decades in the books.) In a way, this scene is reminiscent of many a high school drama story: Vision is the typical geeky science whizz kid trying to impress the most beautiful girl in school. He absolutely adores Wanda, who does not seem ready to reciprocate his budding feelings, although she definitely likes him and considers him a good friend. He did save her life, remember. It is hard not to like someone for doing that.

After this awkward, then sweet, then awkward moment, Vision disappears for a while. When Clint arrives at the Compound to pick up Wanda and take her to Germany to meet up with the rest of Team Cap, his distraction interrupts Vision’s version of sleeping. Turns out androids can sleep standing up. Or, in Vision’s case, he sleeps by hovering above the floor in an upright position.

Suitably distracted by Clint’s explosives and the resulting fire, Vision leaves to see to the problem – allowing Clint to enter the room, set up a trap for him, and try to get Wanda out of the building as fast as he possibly can.

Vision is understandably unhappy about this. I mean, friends do not set off pyrotechnics outside their friends’ house in order to lure them out on a wild goose chase. And friends’ do not steal their friends’ crush.

Without doing a full review, we already know that Clint has no romantic inclination toward Wanda at all. They are friends; mentor and student. Her brother died to save Hawkeye’s life, and he owes him for that. The best way to pay the debt is to take care of his sister. Plus, Hawkeye convinced her to become an Avenger. That makes her his responsibility in situations like this.

I am not entirely sure that Vision sees it that way. He is learning to be human by degrees, and I think part of the reason he got a little testy is the same reason that a jealous teenager with a crush would. Wanda is his idol, and that means NOBODY ELSE gets to touch her, even if she lets them.

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Getting trapped in an electromagnetic field probably did not help his mood. So when Clint has to give Wanda another pep talk, Vision has time to escape his trap and turn the extraction into a fight.

It is actually a bit terrifying – and I am not saying that simply because Hawkeye is one of my favorite Marvel characters. If Vision’s manner of stopping a friend is this harsh, then I would really hate to see him pull out all the stops in a fight with normal humans. The results would definitely not be pretty.

Vision incapacitates Clint easily, of course, stating the obvious fact that the archer is no match for him. “I know,” Hawkeye answers. “But she is.”

This makes Vision look at Wanda, who is drawing up quite a bit of power in her hands. “Vision, let him go,” she says, “I’m leaving.”

“I can’t let you do that,” Vision replies, totally ignoring the fact that Hawkeye is very close to falling unconscious in his tight, though not life-threatening (presumably), grip.

Wanda is not going to ignore that. And she shows it by making Vision drop him.

Vision is literally shocked by this. To his mind, Wanda has done the inconceivable by challenging him. Her ability to commandeer his powers notwithstanding, she has turned her back on the Accords he swore to uphold. It is likely that he feels she is turning her back on him by doing this as well, not to mention throwing away any chance of convincing “the public” that she is not dangerous. She is manifestly dangerous.

But so is Vision. So is Hawkeye. So is Captain America. So are Tony, Natasha, Scott Lang, Spider-Man, War Machine – all of the Avengers are dangerous. As Gandalf pointed out to Gimli in The Two Towers, they are “beset with dangers” because they are so perilous in and of themselves. It is the when and the where and the how they choose to be hazardous which makes them a different kind of dangerous than HYDRA, Zemo, or Ultron. They only become dangerous when it is necessary to save the lives of others or to protect their own lives. That is why Wanda decides to be perilous here and now. Vision was seriously hurting Clint, and she was not going to let him be hurt any further than he already was.

She is also done with letting “the public,” Ross, the media, and the U.N. hurt her. In his attempt to make her turn away from her choice and back (he thinks) to him, Vision tells Wanda, “If you do this, they will never stop being afraid of you.”

Wanda has one of the best comebacks I have heard out of a character in years: “I can’t control their fear, only my own!” Vision is letting the fears of others control him.

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Okay, you say, but what about Wanda going all-out in the airport battle? She does go all-out, but she does not go wild. She fights in a very controlled, methodical manner. This is because she is done being afraid of herself and what she can do. That does not mean she is going to go completely insane using her powers. If that were the case, she would have done more than throw Natasha into a trailer. She would have hauled off and seriously injured her. She did not.

As for her attacks on the other members of Team Iron, let’s face it: metal suits are great protection. That means the bar for causing actual damage to the person wearing the suit is pretty high. Remember, ten cars landing on his body only gave Tony “multiple contusions.” Those are not broken bones, those are bruises. They might be big and painful, but they are not going to rob him of life and limb. They just make it uncomfortable for him to move, as he is left really sore by the hits.

None of Wanda’s tactics when she fought War Machine, Iron Man, and Black Panther qualified as deadly because they were wearing very good protective suits. She could throw plane parts and cars at them all day long, and all they would have afterward were A LOT of big bruises. And equally sore egos.

But Vision cannot really claim the same thing, now can he?

We will get to that in a moment. For now, let us inspect the minutiae of the fight after Vision joins it. Is it not interesting that, in order to bring Team Cap to a halt, Vision ends up drawing the proverbial line in the sand? “I dare ya ta cross this line!” Bugs Bunny used to say.

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“Captain,” Vision says after lasering a line in the concrete, “I know you believe in what you are doing. But for the greater good, you must stand down.” Okay, Vision, but who decides what the greater good is? You, or the U.N.? I would think that, if you could have your druthers, you would let Cap and the others go stop Zemo. Right?

Oh, but wait. You signed away your right to choose when you acquiesced to the Accords. So I guess that means you have to do what you are told, even when it is something you do not want to do. Hmmm. You did not factor that into your equations, did you?

One of Vision’s first acts after Scott Lang grows to Giant-Man is to save T’Challa from a bus the big guy kicked. Very cool move and reminiscent of the comics, where Vision could and would use his density shifting ability to block such attacks. I always thought that was a neat power to have. But he later uses this same ability on Giant-Man’s ribs. Ow, that is kind of mean. After disorienting Scott in this way, he flies through him and out his back. Seeing Bucky and Cap running toward the jet, Vision decides to stop them by dropping a control tower in their path.

The most interesting thing here is the look on his face. For the first time ever, Vision actually looks angry. Why is he angry? And, more to the point, does he even realize he is experiencing a human emotion?

It does not appear that he does realize this. Following this attempt by Vision to stop the guys Wanda, in an astonishing display of strength, holds up the tower so that Cap and Bucky can get to the jet. For those of you wondering why she could handle this and not Crossbones’ Viking funeral, the tower was collapsing, not exploding. There is a BIG difference between those two things. Then War Machine hits her with his sonic and she lets go of the tower, which collapses all the way.

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But why was Vision angry when he shot the tower’s base?

There were probably several reasons. For one, Cap is among the most reasonable people that Vision knows. That he should persist in what Vision believes is an error to the point of engaging in combat with his pro-Accords teammates must have made the android pretty cranky. Like a teenager insisting his father is wrong, Vision lashes out at Cap without seriously examining his own position to see if he actually is in the right.

It is somewhat similar to Vision’s own comparison of the Accords to an equation. Say someone asks you to add ten and fifteen. But instead of hearing the person say ten and fifteen, you hear ten and sixteen. You therefore add these two numbers together and get twenty-six. The person who asked you to add the numbers hears your answer and says, “That’s not right.” You say it is, but you forget to mention that you added ten and sixteen, which makes twenty-six. The person who asked you to add the numbers looks at you like you are crazy and maintains that you have the wrong answer to his question.

So you do the equation again, without changing the numbers. You get the same answer and tell it to the person who gave you the equation. He still says the answer is wrong. Now you start to get mad as you redo the equation, still using ten and sixteen instead of ten and fifteen, as you were asked. The entire scenario devolves into a vicious argument as you continue to claim that twenty-six is the answer, while the other person continues to say it is not.

This is Vision’s problem right here. Although Cap states the parameters of the Accords in the plainest language possible in the Compound, Vision turns the simple addition problem into a far more complex equation. He does not do this on purpose; he does this because he is following the modern idea of rationalism. This rationalism is a false equation. But because it adds up, Vision does not realize this. He is adding ten and sixteen, not ten and fifteen, and does not see his mistake.

So the fact that Cap and the rest of the Avengers on Team Red, White, and Blue keep insisting he has the wrong answer makes Vision angry enough to stop being careful. This is why he knocks over the control tower. Although he does not realize it, Vision is acting like a young child who is too angry to listen to the teacher explain to him why he got the equation wrong.

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Next we have the scene of Vision touching down beside Wanda as she recovers from War Machine’s sonic blast. It is obvious here that the writers are going down the same road as the comics. Comments from the Russo brothers about Avengers: Infinity War have confirmed that Vision and Wanda are going to be doing the Romance Two-Step in the next film. This scene could not be a clearer hint.

Then we come to War Machine yelling in Vision’s ear, telling him to get Sam off his back. Vision turns and looks up. He sees Sam, focuses visually on the wing pack, and fires his laser.

But even before Falcon dodges the shot, Vision’s aim is off. Instead of hitting Sam’s wing pack, he shoots higher than Falcon’s previous position and hits Rhodey’s arc reactor. This results in Rhodey tumbling out of the sky to land in the dirt two hundred feet below. The impact shatters several vertebrae and leaves Rhodey at least partially paralyzed.

Vision, we notice, looked pretty angry when he fired that shot. And War Machine was the last one to attack Wanda. Was this a case of unconscious payback?

I highly doubt it, for one reason and one reason only: Vision was looking at the thrusters on Sam’s wing pack when he fired. He was not looking at Rhodey at all. So why did he miss? His concern and budding love for Wanda? That was part of it. Another, bigger part was simple irritation. How do we feel when we are getting yelled at and told to do something right now?

Here is another teenage allusion: Mom asks teenage daughter to take out the trash. Teenage daughter is on the sofa texting her BFF. She says she will get the trash in a minute. Two minutes later, Mom reminds daughter to get the trash, since daughter has not done what she was asked. Daughter shouts back that she will. Five minutes later, Mom is yelling at the daughter to get off the phone and take out the trash right now.

Furious, teenage daughter jumps up off the couch, goes to the kitchen, yanks the bag out of the trash can, ties it up, and heads outside. She wrenches open the back door, stomps outside, and slams the door shut behind her. Later, a crack is found in the older, weather-beaten door jamb, and it is deduced that the teenage daughter put it there in her fit of pique when Mom told her to take out the trash. Does that sound like what Vision did after having Rhodey snarling in his ear two or three times?

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Yep, it does.

In this scenario, Vision missed for the same reason the teenage daughter in the hypothetical scenario above cracked the door jamb. He was focusing on Wanda, on being there for her in her injured state. Then Rhodey begins yelling at him to take out Falcon. Of course, being occupied with Wanda, Vision does not automatically turn and fire at Sam. So Rhodey yells again, louder and more insistently. Like an irritated teenager, Vision turns and shoots in Sam’s general direction. It was a close shot. But close only counts with horseshoes and hand grenades. And in combat, close in not always good enough – especially where the lives of your teammates and friends are concerned.

There is also this to consider: up until Rhodey told Vision to take out Sam, Vision had not shot anyone in the battle. He had not shot anyone in any previous battle in the movie, either. He shot the concrete, he knocked over the control tower, he rammed Ant-Man, whom he could have shot when the other was ant-sized….

But he never actually shot any of the members of Team Cap. Then Rhodey tells him to make Sam’s wing pack a glider. He was telling Vision to actually shoot someone, and shoot to harm.

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Vision has never shot at another human being before. The only other person Vision ever shot was Ultron, and he does not count because he had no soul. He was an inhuman monster that needed to be destroyed. Sam is neither inhuman nor a monster. He is an Avenger and Vision’s friend. How are you supposed to be okay with shooting down a friend – a friend who did not attack you at any time during the battle?

This is probably one of the other reasons Vision missed. He was either planning to miss and make Sam pull away, or he had one moment of conflict in his mind about the morality of shooting down a friend. That one moment of doubt, combined with his concern for Wanda, was enough to throw his shot off course so that it hit Rhodey’s arc reactor and knocked him out of the sky.

Not long after Rhodey hits the ground, Vision flies over to see if he is all right. He is obviously shocked and horrified by what he has done. Vision really was not aiming for Rhodey, and he certainly did not mean to hurt him. But he has, just like that teenage girl did not mean to damage the door jamb, but she did.

This is Vision’s first real lesson in the fact that actions have consequences. And it is a pretty hard lesson. He has severely injured a man he considers a friend, a man who was his teammate. The fact that he did not mean to do it does not change what has happened. Vision’s concern for Wanda, his reservations about shooting down Sam, distracted him in a very human way. And that threw off his extraordinary calculating abilities, leaving Rhodey very badly hurt.

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When we last see Vision, he is sitting at the lounge table in the Compound, playing with a chess piece and staring off into the distance. Chess is a game of strategy. It is very good for the mind. There are even programs for veterans suffering from traumatic memories and battle shock – known these days as PTSD – using chess to help them get back on their feet. (Totally cool idea!)

Vision’s mind does not need improving or bringing back into balance. What he is doing here is trying to figure out where in the Sam Hill everything went wrong. Having him playing with a chess piece, a game of clear strategy with lucid moves and end results, shows that Vision is trying to retrace his steps and understand his mistake.

Now you and I, readers, could tell him that it all went wrong when he sided with Tony and signed the Accords. This is because the Accords were designed to split the Avengers down the middle and destroy them from their inception; they were never about saving anyone or preserving people’s safety. If that was the case, then German Special Forces would not have sent in a chopper with a mini-gun to turn Bucharest buildings into Swiss cheese. They did.

The Accords were never for the good of the Avengers or the human race. The Accords were designed so that the Avengers who signed them would be the only Avengers, while the rest got swept under the rug and forgotten. That was the U.N.s plan. That was Ross’ plan.

It is not working very flawlessly, is it?

The fact that this was the intended design of the Accords does not make Tony a villain. It makes his decision to sign them stupid as hell, but nobody’s perfect. And this is what is really bothering Vision; he was designed to be perfect. But he is not. And he has to come to face that fact in the most uncomfortable way possible – by hurting a friend.

So, readers, there is only one question left to ask now. Which side will Vision join before helping the Avengers gang up on Thanos in the next Avengers films?

We will have to wait and see!

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Captain America: Civil War – Natasha Romanoff/Black Widow

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There is very little in the Black Widow’s life that is straightforward.  While competent and practical, Natasha has not always made the right decision in every situation.  This is normal enough; everyone makes mistakes.  It is part of being human.

The problem comes when a person refuses to admit and acknowledge that he has blundered.  Cap is quite willing to admit that he and his team have made mistakes.  It is impossible not to do so.  The idea that slip-ups can be eradicated from humanity is silly.  The sad thing is that some of the Avengers have been infected by this notion that accidents, errors, and mistakes can be “removed” from humanity.  These Avengers would be none other than Tony Stark, James Rhodes, Vision, and Natasha Romanoff.

Now Vision has an excuse, because he is a one-year-old who is still learning about the world from the position of an adult.  Tony, Rhodey, and especially Natasha, do not have any such shield.  They are older and they have far more experience.  They should know better; they should know how to close their ears to such siren calls.  Unfortunately, neither the guys nor Natasha appear to have learned their lessons.

Our first look at Natasha is in Lagos, Nigeria.  And one of the most obvious things about her appearance is that she has again let her hair grow out.  Changing hairstyles, however, are soon shown to be the least of the upgrades Natasha has made.  It is shown that she has also moved up to the full-bore “stingers” of the comics.  These neat little gizmos fire out miniature bolts or “stingers” which act as tazers, minus the strings.  They can deliver up to 30,000 volts into an opponent’s body and they hurt.

But apparently they do not bother Crossbones very much.  Perhaps he now has a far higher tolerance for pain than he did previously.  After Widow tries to zap him unconscious or at least dizzy, he simply rolls his neck and proclaims, “That don’t work on me no more!”  Rumlow then ungraciously beats her up and throws her into his own attack vehicle, tossing in a grenade for good measure.  Natasha downs the two goons sharing the improvised hearse with her, using one as a shield to block the worst of the explosion.  But she is still left gasping and groaning on the ground afterward.

Once she is able to get up and move around, her next act is to track down two of the four mercenaries helping Crossbones and possibly carrying the bio-weapon he has stolen.  Lucky her, the prey she is chasing happens to have the germ in hand.  And they are quite willing to drop the bug on the ground so that it will infect the city and spread out from there.  Only the timely arrival of Sam’s drone, Redwing, allows her to grab the bottled death and save everybody.

There follows a cute trading of quips as Sam tells her to thank Redwing instead of him, with Widow maintaining that she will not, under any circumstances, thank a machine.  Sam’s suggestion that she pet Redwing probably went over like a lead balloon, too.

The moment ends when three floors of a skyscraper are destroyed by Rumlow’s failsafe plan, twenty-six people are killed, and Wanda lands in the media hot seat for not paying as much attention to her surroundings as she could have.  Yay….

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With this big PR mess in the Avengers’ collective lap – the biggest since Age of Ultron – Secretary of State Thaddeus “Thunderbolt” Ross swoops in for the kill.  Raised in the Soviet mold from childhood, Natasha has never quite shaken off its the residual influences.  No, she is not a Communist or a Soviet, the main proof of this being her respect for and her love of children.  Under the Communist regime, children were taught to spy on their parents and report them to the government for any number of “traitorous” activities, especially teaching or practicing Christianity.

Natasha has not forgotten that the government is bigger than her, stronger than her, and if it decides to hurt her it can do whatever it wants to her – and no one will be able to stop it.  This is the legacy of the Red Room in Natasha’s life.  They not only made her their weapon, forcing her to kill people in their place, they abused her in order to make her their “hand.”  Along with the other girls the Red Room operators did their best to “mold” her to their design, resulting in a finished product without soul and scant – if any – of her individual self remaining.

Recognizing that the U.N. wants to shut the Avengers down, Natasha becomes afraid.  Having escaped from the prison that was the Soviet Union, only to become chained to a SHIELD that had been corrupted by HYDRA, Natasha truly desires to fight for truth, justice, and the American Way.  She wants to make a difference, she wants to save lives.  The best way to do that is by maintaining her Avengers’ membership.

But remembering all the things she has done wrong in the past, Natasha decides that she may need oversight at this time in her career.  She says as much in the discussion in the Compound.  Then Tony points out that she has, for the first time in living memory, publicly agreed with him and she admits that she wants to take her words back.  Even while she is holding out her hands and waiting for the cuffs to be slapped on her wrists, Natasha admits that she really does not want to do this.

That is what she said about the Red Room’s “graduation ceremony,” too, though, and we know her protests did not stop that.

The next time we see Natasha, she is talking to Steve after Peggy Carter’s funeral.  He knows that there is more than mere friendliness in her visit.  Though the vote was split on whether or not to sign the Accords as a team, Ross’ deadline has come and gone.  Natasha and the others have agreed to put on the invisible shackles the U.N. wanted them to wear.  That was obvious in the meeting.

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Having lost the last, best link to his old life, dreams, and aspirations, this news is more than Steve feels that he can bear.  You can hear it in the way his voice creaks as he asks, “Then why are you here?”  The die is cast.  The Rubicon has been crossed.  War is looming, because Cap will not rescind his membership in the Avengers, and he will not bow to the tyrants in the U.N. who are demanding that he kneel before them.  But some of his teammates, his friends, have done this.  This can only mean one thing: war.

This is the first time Natasha has ever seen Steve on the brink of breaking down.  She has never known him to be anything less than rock solid, just like the planet she stands on.  But with his voice nearly cracking, it hits her just how much pain he is in.  The loss of Peggy is bad enough; her death on top of the Accords, the division of his team, is overwhelming for him.  He is dangerously close to an emotional collapse.

Natasha’s reply is a shaky one as she tries not only to keep her empathy from spilling over, but to hold herself together despite her fear and the premonition of impending disaster.  “I didn’t want you to be alone,” she answers.  Following this, for the first time in recorded Marvel Cinematic history, she throws down the emotional barricade she uses to protect herself and hugs Steve.

It has to be one of the most powerful scenes in the movie.  I was stunned, and not by Cap’s emotions; I sympathized with him keenly.  But Natasha’s response to him was astounding.  She has never been what one would call touchy-feely; she prefers to keep her emotional distance from most people.  Bruce was a notable exception – and a surprising one.

This makes her hugging Steve Rogers when he is so emotionally low an enormous event.  They are close friends, but the only one Natasha has ever let inside the “garden gate” of her emotional domain that we have seen is Clint.  And they never touched each other in that encounter, since the circumstances and time were not on their side.  Her decision to hug Steve when he is at his lowest ebb, to be an emotional support for him in such a painful moment – this is huge, readers.  It is out of the usual bounds of her character.  Black Widow is typically the epitome of the “suck it up and move on” mentality.  And so when she ends up in the emotional dumps, it is her friends who need to support her.

But here she is, hugging Steve Rogers when he really needs a friend.  She is the one giving moral support, and to a man we think would never need it.  Here Natasha disregards all of her customary caution in order to be an emotional life preserver for Captain America.  It is a momentous decision, and it colors a lot of what she does later in the movie….

…Starting with her attendance of the ratification of the Sokovia Accords.  Having spent most of her life out of the public eye, Widow looks completely ill at ease amidst the dignitaries, journalists, et al within in the U.N. building.  But when a polite young black man comes up and addresses her, she manages to relax a little.

At least, she relaxes until the King of Wakanda, her conversation partner’s father, walks up and greets her.  Then she realizes the young man she has been trading easy banter with is none other than the prince and heir apparent to the kingdom of Wakanda:  T’Challa.

When T’Chaka brings up the fact that Steve has not signed the Accords and is not even attending the ratification of the law, Widow swallows.  Their last meeting being what it was, and the knowledge that she is essentially breaking faith with a man who has never broken faith with her, means that T’Chaka’s words make Natasha very uncomfortable.  Hiding her feelings as best she can, she thanks T’Chaka and then quickly but politely goes to find her seat.

Listening attentively to the King of Wakanda’s speech not long afterward, Natasha is almost as startled by his son’s warning shout as everybody else.  Then her well-honed combat instincts kick in, allowing her to help the person seated next to her dive for cover –

And then there is an explosion, glass is flying, and smoke is clawing its way down her throat.  By the time she gets up – and as an Avenger, I would think it was a very short time – Natasha realizes that several people have died in the blast.  King T’Chaka is among them, but his son has somehow survived.  The scene following the explosion, which shows T’Challa trying to find his father’s pulse and then breaking down into tears as it becomes clear he is dead, is probably the first thing Natasha saw when she got out from under the table.

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While she barely knows T’Challa, Natasha finds herself once again in the position of offering what comfort she can to a wounded soul.  Where Steve knew he needed the supporting strength of a true friend, though, T’Challa’s pain pushes everything except the ache in his heart away from him.  Natasha is not pushed back as far as some.  She was there and saw what happened; she understands at least a little about T’Challa and his relationship with his father.  So he does not push her away completely.  He makes it clear, though, that she can no more dissuade him from his mission to hunt down his father’s murderer than anyone else could.

Natasha watches him go and sighs.  What a hell of a day it has been for her.  As if things were not bad enough, now Steve’s old friend has been thrown into the mix.  And the new king of Wakanda is determined to kill him.  Yippee….

Things go from bad to worse when Steve calls her and asks if she is okay.  Hearing the European sirens on the phone line, Natasha realizes Steve is not far away, possibly watching her.  And if he is this close, then he knows that Bucky has been accused of the bombing.

Knowing Steve as well as she does, Natasha rightly surmises that he intends to go after Bucky himself.  Since he did not agree to the Accords, which are now law, this will make him an international vigilante and criminal, along with whoever helps him in any way.  That earlier foreboding of impending disaster growing inside her soul, Natasha desperately tries to make Steve reconsider what he is going to do.  But having been in a similar situation when Loki bespelled Hawkeye, she knows she will not be able to discourage him.  When Steve makes it plain he will be going after Bucky, to hell with the Accords, Natasha blurts out, “Why?!

Steve points out the obvious: if Bucky has truly gone off the deep end, only he stands a chance of bringing him in without dying in the attempt.  The other unspoken point which Natasha knows is that, if Bucky is somehow innocent of the bombing, Cap will not leave his old friend to be murdered for a crime he did not commit.

Now she has two people hunting the same man, each with totally different objectives in mind.  Great.  Just great.

Later, after German Special Forces bring Cap, Falcon, T’Challa, and Bucky in, Natasha cannot help rubbing Steve’s face in it a little bit.  “See?” she says.  “This is what worse looks like.”

Translation: “Now everybody wants your star-spangled hide along with Barnes’.  And Sam’s jet pack would go well with both, in their opinion. You have just made everything so much harder for all of us with your blind sentiment for this guy.”

The translation of Steve’s response – “He’s alive” – is this:  “I’d have done it for any one of you, Natasha.  And this war was not my idea.  It wasn’t Bucky’s, either.  I’m not blind, I know he’s not who he used to be, but the fact is that something else is going on here which we don’t see yet.  Keep your eyes open.”

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Natasha does this, which means that she sees Sharon Carter turn on the intercom so Steve can hear Bucky’s “evaluation.”  Instead of tattling on them, or going in herself to shut off the intercom, Natasha simply turns away and acts as though she saw nothing.  Why?

It is hard to say.  Maybe she has been playing with the situation in her head for the last few minutes, too, and has noticed that something is not adding up.  Like the others, she still assumes that Steve is too blinded by sentiment to see what a danger Bucky can be.  Either way, something must have been niggling at her, though friendship alone would have demanded that she “see nothing” for a moment.

Not long after this, the lights go out and Bucky gets loose.  Natasha knows that Steve and Sam have nothing to do with knocking out the base’s power.  It is not their style.  Besides which, Steve does not want to use underhanded tactics to clear Bucky.  He wants the truth.

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With Tony and Sharon’s help, Natasha attempts to bring down the Winter Soldier.  But things go about as well this time as they did before, and the pre-programmed detachment which has overwritten his mind means that Bucky is quite willing to kill her – again.  What is different this time is that it is T’Challa who comes to her rescue, not Steve.  (Working his way up from the bottom of an elevator shaft, he had a good excuse.)

After this battle Steve, Sam, and Bucky fly the coop.  Then Ross barges into the building as Natasha and Tony are licking their wounds, telling them that things have gotten out of hand completely again and he is the one who has been deputized to clean up the mess.  Natasha, growing more and more uncomfortable with Ross’ threats, finally growls, “What happens when the shooting starts – are you going to kill Captain America?”

It is her only ace in the hole: the U.S. government would not kill their beloved national icon –

Right?

Ross crushes that hope faster than he would a cigarette.  “If we’re provoked,” is his flat retort.  Tony, as desperate to protect Steve as Natasha is, talks Ross into giving them time to track down and catch the three on their own.  After all, there is no way any unit of men and women – short of the whole U.S. military, Ross’ bludgeon of choice – could bring down two Avengers and a former Soviet killing machine.

Ross agrees to the bargain, but states that they only have thirty-six hours, not the requested seventy-two.  He stomps off and Tony leans back in his seat with a tired sigh.  This is again a case of the remedy being worse than the disease – if the freedom to be responsible and to do your duty can be deemed a “disease.”  The Accords have not saved or helped anyone.  They have only led to more injury and death.  And, even without Bucky’s presence in this kerfuffle, the U.N. and Ross would be using the bombing to tear the Avengers apart.  Ross admitting that they will kill Cap if he gets in their way has nothing to do with his affection for his old pal Bucky.  It has everything to do with the fact that he is operating outside of Ross’ and the U.N.’s control.

Natasha and Tony discuss their options, with Widow observing that the numerical odds are not in their favor.  Tony asks if she has any idea of where the Hulk may be, to which she asks, “Do you really think he would be on our side?”  Thus the Hulk remains “lost” for the rest of the film, prompting the two to go off to recruit new allies.

Tony zips away to Queens to pick up Spider-Man while Natasha goes downstairs to recruit T’Challa, almost fighting a member of the Dora Milaje in the process.  I agree with the Black Panther: it would be highly entertaining to see the Black Widow in a match with a member of the King of Wakanda’s bodyguard/ceremonial wives corps.  While my money is on Natasha winning the engagement, the thing is that it would be an amazing duel to watch.  Popcorn and a soft drink would be mandatory for the viewing.

Now we come to the battle which has been brewing since Ross proposed the Accords:  the Avengers, divided into two factions, fight each other in an evacuated German airport.  Natasha has been sensing it coming, like the buildup of a thunderstorm in the air.  She knew it was on the horizon.  She just hoped it could be avoided.

But it cannot be circumvented, not now.  Things have gone too far – Team Iron has gone too far.  This is shown most pointedly when Natasha nearly kicks her old partner in the head, only to be stopped by the Scarlet Witch.

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Wanda’s response to Natasha’s attack is actually very controlled and not nearly as hard as it could be.  Remember, the girl dropped something like ten cars onto Iron Man’s head.  T’Challa and Rhodey both get harder treatment from her as well; she threw Black Panther about a football field away from Bucky to save his life, and she had no problem banging Rhodey in the head with whatever big, heavy metallic objects were nearby.  So she has no qualms about playing rough.

In marked contrast, she threw Natasha a much shorter distance.  Though she threw her hard enough to keep her down, she could have done far worse.  Instead, she just whammed Natasha into a small trailer hard enough to put a decent dent in the metal and keep Widow out of the fight.

This is probably where that scene from the trailer, which I noted early last year in the post “Captain America: Civil War – Trailer 2 Break Down,” came from.  While it is cut from the theater version of the film, I bet that the scene of Natasha standing up in front of that trailer, tears forming in her eyes, fits into the fight not long after Wanda tells Clint that he was “pulling [his] punches.”

Black Widow

Why does Natasha begin to cry?  She begins to cry for the same reason that we flinched, whimpered, and bit back moans as we watched certain parts of the battle in the airport the first time.  She is watching her battle family as it is torn apart.  And she is realizing that this is not Steve’s fault; he is just doing his job.  Even if Bucky were not involved in this fiasco, Steve would be here.  He is, as Ultron pointed out, “God’s righteous man.”  He serves God, and when God’s laws are broken – as they were in Vienna – Cap is going to go after the perpetrator because it is the right and just thing to do.  The rest of the people on Team Cap are the same way.

But what about Team Iron?  Why are they here?  Spider-Man is along for the ride because he has stars in his eyes.  He is in awe of Tony; what is he going to do, turn down his idol’s request for help?  T’Challa is in the battle to pursue vengeance/justice for his father’s death.  Vision is here because – as the quintessential academic without real world experience – the Accords appear rational and therefore reasonable to him who is too “young” to consider the possible and probable secret agendas of those who have propagated this “law.”  Plus, they need numerical support to bring in the “rogue” Avengers.  Rhodey is here because orders are orders; he is a “perfect” soldier who follows orders to a T, whether he likes them or not.  Tony is here because he signed the Accords, thinking it would be a nice insurance policy for the team.

And Natasha is here….  Why is she here?

The question hits her like a bolt out of the blue.  Why is she here?  Why is she trying to hurt her friends?  She knows Steve, Clint, Sam, and Wanda very well.  She knows that they would never go against a law without a very good reason.  They would never drag a stranger (Ant-Man), into a fight without an extremely compelling motive.  They would never, ever fight their teammates without a damn good cause.  The fact that they are doing all of these things means that they have to have an earth-shatteringly good purpose for being here.

So who should she trust more – some empty suits in the U.N., or the people who have become her family?

The answer is obvious: she trusts and loves only the people who have proved that they trust and love her.  No matter her past sins and mistakes, no matter her foibles and flaws, these people care about her, who she is and who she can be.  The U.N. does not care about Natasha Romanoff.  They are using her, Tony, Rhodey, Vision – and through them T’Challa and Spider-Man – to gain control of the Avengers for their own purposes.  Not once have any of the Avengers ever used her.  They have given her nothing but their friendship and trust.

And right here, right now, she is breaking that trust, all in the name of protecting her friends and the human race.

This is why she leaves the main battlefield and retreats to the Aveng-jet, where Steve and Bucky meet her.  When Natasha says, “I can’t stop you,” to Steve, what is she really saying?  Is she saying, “If you can’t beat ‘em, join ‘em”?  Is she saying, “You’re going to go on no matter what I say or do, so I may as well throw my lot in with you”?

Or is she really saying, “I can’t stop you because you’re right, your cause is just, and I have made one of the biggest mistakes of my life by getting in your way and signing the stupid Accords”?

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The latter seems to be the more probable answer.  Instead of shooting Cap or Bucky with her stingers, Natasha zaps T’Challa – several times.  Getting out of the duo’s way and her own path, she finds that fighting is suddenly a whole lot easier.  She likes T’Challa, of course, but the fact is that he is hunting the wrong man and planning to hurt her friend Steve to do it.  She cannot and will not let that happen.

So she holds T’Challa long enough for Steve to get the jet in the air.  Then the jet’s landing gear does the rest.

When we see Natasha next, she is trying to reach out to Tony to make him straighten up and fly right.  She points out that Steve is not going to stop.  He cannot stop.  He has to be out, fighting for an honorable cause, promoting God, truth, and justice because it is his nature.  Tony and the Accords cannot take that away from him.  It is impossible.

So the only way that the two of them, along with Rhodey, Vision, and the other Avengers can survive is to join with Steve, not fight him.  Fighting him is fighting a losing battle; as El Cid (played by Charlton Heston) pointed out in the movie of the same name, “It matters not how many are the foes, my cause is just.”  A man on a just mission is unstoppable, because justice is one of God’s attributes.  Whoever is on the side of true justice is on God’s side.

Tony is in no mood to hear this, least of all from Natasha.  Rhodey’s injury in this foolish battle has angered him, but so has Cap’s persistent refusal to come to his side.  Tony wants to be liked, confusing it for being right.  That is why he refuses to let Steve go and to let Natasha off the hook for allowing Cap to take the jet, accusing her of holding tight to her history as a spy and an assassin playing both sides of the argument in the process.

This was the wrong thing for him to say to her.  For a start, it was cruel and childish; he said what he knew would hurt her most.  Second, it showed that Tony was in this fight now not because he believed it was the right thing to do, but because his ego was damaged.

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That is what makes Natasha angry enough to say, “Are you incapable of letting go of your ego for one god-damn second?”  Then she extrapolates, telling him, “We played this wrong.”  She is not just referring to the airport battle.  She is talking about the whole fracas with the Accords.  From the moment Ross threw the booklet down at their feet, she, Tony, Rhodey, and Vision have “played this” whole thing the wrong way.  They have been in it only for themselves.

Steve, Clint, Sam, and Wanda have been fighting for the greater good.  Team Cap has been fighting the real fight, the true battle, the just war.  They are the ones who have actually been fighting for a higher cause: the protection of the human race.  Team Iron has been fighting simply to justify their collective mistake.

Tony proves he is unmoved by her argument when he warns her that “they’re comin’” for Natasha.  The manner of his speech, the way he turns to face her, the sad smirk he gives her – it is all so condescending.  His body language screams, “I am warning you just because we were friends, not because you earned it.  You cost me my battle and my friend’s back.  You are dead to me.”  Like a petty child, he is not willing to stand and fight to protect her.  He will warn her under the radar that she has to run, but as for helping her to avoid imprisonment, she is on her own.

This is betrayal.  And it infuriates Natasha for two reasons.  One, it implies that Tony only cares about her when she agrees with him.  Otherwise, he could give a fig for her.

And two, Rhodey’s injury is not her fault.  Neither is it Steve’s, Bucky’s, or Team Cap’s responsibility.  Vision is the one who shot Rhodey’s arc reactor.  And, as a friend pointed out during another viewing of the film, Vision missed Sam even before he moved to avoid his shot.  Vision’s aim was off from the start.  Even if Sam had not gotten out of the way, the laser would have missed him and hit Rhodey.  Rhodey’s lifting up slightly and banking left probably saved his life.  It put his arc reactor in the line of fire rather than his direct center of mass.

So if Rhodey’s injury is Vision’s fault, what does that mean? Let me answer that with another question:  who is responsible for Vision’s creation?

That is right, Tony is.  He made Ultron, who made Vision’s body, which the Avengers then stole and Tony reprogrammed (with Bruce’s help).  When you come right down to it, the reason Rhodey was shot was because of Tony.  Tony helped bring the android which fired the shot into the world.  And this “civil war” which tore apart the Avengers began when Tony signed the Accords.  The entire mess can be laid right at his iron-booted feet.  Again.

Are the Accords truly “splitting the difference”?  How is signing up to be the U.N.’s lapdog working out for Tony now, huh, readers?

It is not working out for Natasha.  Right after warning Tony to “watch [his] back”, Black Widow vanishes from the scene, abandoning Stark rather than following him into further error.  Where she is and what she is doing now is anybody’s guess; whether or not she has joined or will link up with the “Secret Avengers” remains to be seen.  We can certainly hope that she will join them, but it appears that she, Team Cap, and T’Challa will be officially “off the grid” until Infinity War and its sequel.

It is going to be quite the reunion during the next Avengers film, nyet, readers?

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A Review of Marvel’s Captain America: Civil War

Captain America: Civil War Opens to $200.2 Million Overseas

WHA-HOOOOO!!!!!! Readers, Captain America: Civil War has to be one of the absolute BEST Marvel movies ever!!!!

I will attempt to keep the spoilers out of this review, and start my character analysis posts somewhere in the middle of the summer, when more people have had time to see the film. But I will “spoil” one thing here: in the movie, NO AVENGERS DIE!!!  YAY!!!!!!!!!!!!!!!!!

Okay, with the enthusiastic fan victory lap out of the way, we can get to the meat of the matter. Civil War is a movie so action packed it is almost too heavy on the fighting. Almost. The Russos just manage to keep Cap at the center of the whirlwind, despite the number of players within the story.

That being said, Tony probably takes second place to Cap in this tale. His arc is the most painful to watch, since his actions are the primary reason for the major conflicts in the film. Cap’s journey is much less agonizing; not once did he compromise his moral compass, even at the end of the climactic battle in the HYDRA base.

This was the best part of the film, second only in one other factor, which I will mention momentarily. In an era when the ‘intellectuals’ want Americans to ‘get with the times,’ and submit to the angst-filled, beaten, and beastly façade that they insist is the new America, Steve Rogers remains “bloody, but unbowed.” (This quote is from a poem called Invictus, written by William Ernest Henley. Invictus is Latin, and loosely translated, it means “undefeated,” “unconquerable,” or “indefatigable.” You can find the full poem somewhere on my blog if you wish, readers.) It is nice to have a hero who is so thoroughly American that it is impossible to ruin him – not without losing tons of money, anyway.

The second great thing about Civil War is that it has a hopeful ending. Notice I did not say it has a happy ending; that is up to the individual viewer to find, if they can. But it does have a hopeful ending. And as Napoleon said, “A leader is a dealer in hope.” And I have to say, in the United States of America, we never needed hope as much as we do today. The assaults are coming thick and fast from every conceivable direction – and even from some heretofore inconceivable angles. It is too bad Steve Rogers is a fictional character. We could sure use an American Galahad right about now.

But if we have to settle for one who dwells on the silver screen, I think we can live with that.

As for the other Avengers in this show, Hawkeye and Ant-Man do not really have character arcs within this film. That is understandable. Hawkeye’s arc was pretty impressive in Age of Ultron, and while I have my fingers crossed that we will get to see him in another film at some point, he proved again in Civil War precisely why I like him. 😉 His part was not everything I wanted it to be, but it was still great! (But can’t they refer to him as Hawkeye at least twice within the same movie?!? I do not mind calling him Clint or Barton, but he has a codename, too, ya know!!!)

Ant-Man’s character arc in his own film last year was so well done that we did not need much of an introduction to him this time around. Still, he does grow a little here (there is a pun in this statement). For a previously solo act in the super-powered sphere, he shows he can adjust to working with a team fairly well…. But he and Hawkeye still have some teammate issues to figure out.

Vision and Wanda’s character arcs constantly shift between active and passive. Some of their character growth is on the battlefield; other moments are in the serenity of the Avengers’ compound. As a side note, there is a visual reference to X-Men: Evolution near the end of the film for Wanda. If you do not spot it, then do not worry. I will do my best to make a mention of it in my next post about her. Remind me if I forget, please. 😉

Though we missed Pietro’s presence in this film, there were others we did not miss. Spider-Man’s character arc, while limited, adhered to his roots – for once. He shows he is greener than either Wanda or Scott Lang, but he has as much “heart” as either of them. I am not sure I buy the method Tony used to recruit him. Though it is quite Stark-esque, it almost grated on my nerves, since I wanted to see more of Cap and felt dragged away from him by the detour to pick up the webslinger!

Black Panther fans need not fear for his character. This longtime ally and friend of Steve Rogers came through the movie fantastically. In fact, one of the friends who watched this film with me came to admire him during the course of the story, when said friend had previously stated that T’Challa was “boring.” Bonus points for an already great part in an excellent film!!!

On the subject of characters who came out well in the movie, Natasha pulled through with flying colors. She may still be fighting the Soviet mold, but she proved that she can conquer it. 😉 GO BLACK WIDOW!!!

Let’s see – who did I miss? Ah, Rhodey! Other than his influence on Tony, Rhodey came across as rather dense in this film. His reasons for signing the Accords were beyond dumb. The U.N. is nothing like SHIELD, which is quite a compliment to the spy agency. But the World Security Council had plenty in common with the U.N. And the fact that Rhodey cannot see this is very sad and does his character no favors whatsoever.

Sam Wilson, however, has the sight of his codename. No way is the Falcon going to get hoodwinked that easily. Speaking of Falcon, his little drone, Redwing, is a very neat addition to the team. Too bad it’s not a bird, as it is in the comics. Sam’s character arc is fun to watch and harkens back to his days of Avenging as Cap’s particular partner in the older comics. He proves he is an able field commander and combatant in Civil War, and I think it will be hard for the writers to top his part in this film.

I think the only hero I have not covered yet is the Winter Soldier. Yes, I called him a hero. He is an abused hero, but a hero all the same. It is odd; I actually related better to him in this film than I did in The Winter Soldier. He was someone to be pitied in that film. In Civil War, compassion comes into play more, as he gets to actually show some personality this time. He is not the same man he was in World War II, and he can never be that person again. But neither is he the coldly terrifying hunter of men we saw in Cap 2. On the whole, this portrayal of him is probably the best one yet.

Now, about those villains…. contrary to popular statements, I do not think Tony qualifies as a villain in this film. I would not even put him down as an antagonist. He sets off Civil War as he set off Age of Ultron: through childish hubris, an overly guilty conscience, and blind fear. A little anger is mixed in at the end of the film, rather understandably, making him emotionally revert to being a young boy again.

Cap’s treatment of him reflects that. The ending of the film is substantially different than the end of the comic book war, for which I am grateful. From what I know of the comic book conflict, I think I can say the film’s ending is by far the better one. I know I will not be reading the Civil War comics – the first collection or the second set Marvel Comics is preparing to release sometime soon – when I can watch this film! As painful as the fight between the two heroes is, for me, there is a slight sweetness amid the sorrow. Cap came through the fight bloody, but in one piece – physically, mentally, and morally. If only the comic book writers were willing to treat him so!!!

(How come the film writers keep doing better than the comic book writers? Seriously, how? Are they more in tune with reason and logic than the comic book writers? Someone somewhere within the Marvel comic book writing system is not firing on all cylinders. There is a malfunction in the writing department, because they are not telling stories anymore. They are partying like Ferris Bueller.)

General Thunderbolt Ross does not appear to be a villain in Civil War, as he did in The Incredible Hulk. He does not scream and roar, nor skate on the edge of an apoplectic fit, the way he did in that movie. But his goal is no different now than it was before: he’s a trigger-happy jerk who wants control of the best weapons he can find. And the “best weapons” he can “find” are the Avengers. The irate General turned Secretary of State just made my I-want-to-punch-this-guy-list; he has outstripped even Loki. Now that is a feat!

Helmut Zemo – no baron in this movie – is a complete villain. They try to win the audience’s sympathy for him throughout the story. But for my part, I saw nothing I was able to even remotely empathize with in his character, and their attempts were little short of window dressing.

If you want my opinion, Zemo was born with a soul as black as the pits of Hell. The guy is Evil, with a capital E, no two ways about it. He is not dangerous for his powers – he has no enhancements as of this film. He is treacherous simply because he is intelligent and pure evil. Zemo is a totally terrifying villain. I do not know how Thanos can possibly upstage him – but I suppose that he will, somehow, manage to do that.

If you can, readers, you have got to see this movie while it is still in cinemas!!! And do not forget to stay for the mid and end credit scenes! As a side note, I will be leaving my “Whose Side Are You On?” poll open until December 2016. So if you have not yet chosen a side, now is the time!

GO CAPTAIN AMERICA!!!!!!!!!

The Mithril Guardian

Captain America: Civil War – Trailer 2 Breakdown

Well, sorta. This is not a total trailer breakdown, more like half a trailer breakdown.

Anyway, thanks to masterleiaofasgard, I saw the second Civil War trailer not too long ago. (She is sooo good at finding these things! 😉 ) It was… amazing! Spectacular! Superior!

Yeah, I am having fun with Spidey’s old titles of amazing, spectacular, and superior. Ultimate… I do not think the trailer rated that, thankfully.

Anyway, there were some things in this trailer which I thought were noteworthy. Below is a list of those things, which other, sharp-eyed fans have doubtless already noticed and taken the time to opine about them. Since I have not had time to surf the net for the observations of others, I snapped some shots of scenes from the trailer which I wanted to look at more closely. Unfortunately, the photos are grainy and blurry for the most part. I am sorry for that, readers, but it was the best this writer could accomplish with the limited tech knowledge stored up in this brain. I am no McGee of NCIS or Alec Hardison of Leverage, so this is the best you are going to get from this post, I am afraid.

With that disclaimer, we can get down to business. First up is this shot of Wanda bringing Vision to his knees:

Wanda vs. Vision 2

Pretty scary, huh? Wanda Maximoff is not an opponent any sane member of the Marvel Universe wants to enrage. That is a bad, bad idea under normal combat conditions. In this case, the plan is even worse.

After watching the trailer several times, I paused the video on this scene to get a better look at it. That is when I noticed that there is someone lying on the floor directly in front of Wanda’s feet. If you look at the bottom left corner of the photo, you should see him, too. Judging by what appears to be a quiver lying next to his bare left arm, I would say this person is none other than Hawkeye. It appears he has been knocked out, and my first thought was that Wanda might have done it to him. A friend of mine, however, is of the opinion that she is not responsible for his awkward nap, but is instead protecting him.

This would explain why Wanda is attacking Vision. If he popped into the room when Clint was telling Wanda it was time to go and zapped the archer, Wanda probably attacked Vision in retaliation. She considers Hawkeye a friend, in no small part due to the kindness he showed her when she was falling apart in Novi Grad. Watching him get hurt by Vision would not be fun for her. So after the initial, “What are you doing?!” moment, she would step in to protect her friend.

Another thing which adds credence to this theory is in the upper left corner of the photo. Though it is hard to see, you can just make out the Marvel Cinematic Universe’s trademark Avengers insignia. The only place where that A would be in such a visible position by the window is the Avengers’ new HQ; the old Stark facility they retrofitted and which Ant-Man so brazenly invaded.

The presence of that A indicates Wanda and Vision are fighting on their home turf. This fact is only reinforced by Wanda’s apparel; she is wearing a shirt, skirt, and boots, not her combat uniform. She is in a place where she feels relaxed and safe. This isn’t the airport or some other location; this is the Avengers’ base, her home. That means the Avengers do not divide into separate camps in a city somewhere. The break in their team occurs in their very own base!

Lastly, look at the Mind Stone on Vision’s forehead. Usually, that rock is yellow. In this shot, however, it is glowing red, along with the rest of Vision’s body as Wanda uses her powers on him. She is not just attacking him; she is attacking him through the Mind Stone.

In an interview that was released recently, Elizabeth Olsen said that the Vision’s and Wanda’s friendship is based in part on the fact that they both received their powers through the Mind Stone. While Olsen said there was no romance in the relationship, she did say they were friendly with each other. It appears they are friendly because of their shared experience with the Infinity Stone stuck to Vision’s head.

Also noteworthy about Vision’s position is the cracks in the floor beneath his feet. His knees have not hit the floor yet, but there is already a network of cracks in the concrete. I guess he was hovering and Wanda yanked him out of the air to the floor, causing those cracks. Vision is certainly heavy enough to have broken the floor that way, if he landed too hard. Since he is not in the habit of breaking stuff just for the fun of it, he did not create that damage of his own accord.

Next we have this shot of a circular area full of barred rooms:

Prison

A friend took note of these and suspects that the circular, underwater base we see rising out of (presumably) the Atlantic Ocean is the home of these cells. For cells these are. They are somewhat reminiscent of the cell where S.H.I.E.L.D. put Loki in the detention center aboard the Helicarrier – the one initially meant to contain the Hulk.

But these cells are much less roomy and comfortable than his was. This is a jail, no doubt. And considering that we see a shot of Tony – his arm in a sling and sporting a black eye – in the center of this room after this picture, it seems he is getting his first real look at what Ross ultimately wants for the Avengers. Registration leads to imprisonment and, sooner or later, death. Just ask the Jews rounded up in Nazi Germany and sent to the death camps – or the thousands of people the U.S.S.R. sent to the gulags. How did those monsters find all these people to condemn them to death?

Registration. That’s how they found them to round them up, send them to the death camps, and eventually kill them. And this is why Cap is so against registration for the Avengers.

I may be wrong, but there is some kind of placard at the bottom of the stairs that lead to each of these cells. I cannot help but wonder if these plaques are for names, marking which cells are set aside for which Avengers. Creepy, isn’t it?

I hope Tony is feeling the chill, too.

This photo here shows Cap chasing after Black Panther.

Chase

This is obviously an underground tunnel, but it is not a U.S. tunnel. And these vehicles, while they are probably of American manufacture, are not in America. Based on the blurry shot of the vehicle going down the tunnel adjacent Cap and Panther’s, a friend estimates this chase occurs in Europe. Or with cars owned by Europeans. It is hard to be sure because of the motion of this shot. But this chase is definitely going down in an underground tunnel, not a parking garage.

This photo is half a hoot and half terrifying.

Yikes!!

Tony is facing off against the Winter Soldier, and finding out that the man is as deadly as his rap sheet says he is.

This photo is interesting for several reasons, not least being Tony’s frightened expression. He is obviously unhurt at this juncture in the battle. Very obviously. The injured arm and black eye he has in other scenes during the trailer are conspicuously absent here. Wherever Tony is, he has not yet had a tumble on the tarmac with his anti-Registration teammates.

In fact, it seems he is at some diplomatic shindig. Perhaps the U.N. meeting at the building we see get blown up – apparently by Bucky Barnes?

This photo raises more questions than it answers. Since Tony is unhurt, we might assume that this scene is set prior to the civil war between the Avengers. This, in fact, might be what cements Tony’s decision to join Ross in promoting superhero registration.

This opens up a whole new set of possibilities. If Bucky didn’t attack the U.N. building – and his statement in the previous trailer that he “[doesn’t] do that anymore” implies he was framed for the attack – then this attack on Tony could also be a ploy. How HYDRA or Zemo would pull this off, I do not know. But this attack on Tony could very well be nothing more than an attack by a lookalike, a clone, or someone disguised as Bucky Barnes. This fight would certainly serve HYDRA’s purposes. Surviving an assassination attempt will doubtless firm Tony in his dislike of Barnes at the same time Cap is learning his old friend got out of the killing gig not long after Winter Soldier.

It could also mean that Bucky is fighting residual HYDRA control. HYDRA may have a codeword or some other program buried in his subconscious that reactivates his brainwashing, if only for short periods of time. Failing that devious “gotcha” plot twist, the only other explanations are that this is a fake attack, or that this is the battle where Tony earns his broken arm. That last, however, seems somewhat unlikely.

The next picture shows Cap in a rundown apartment kitchen.

Kitchen

There are newspapers plastered to the window on his left (our right), and a hole in one of the tiles over the kitchen counter. This place obviously has not been well-maintained by the owner(s) of the building, though it is clean enough to suggest the occupant of the place does not want to live in a complete rat-hole. But the person living here also does not want to be seen – hence the newspapers on the window.

Considering Cap says in this scene, “This doesn’t have to end in a fight,” I think this is Bucky Barnes’ hidey-hole. Hawkeye, while joining Team Cap and going on the run with them, probably left his farm to head straight for the base. I do not see him living in this kind of dump, and there is definitely no reason for Cap to tell him, “This doesn’t have to end in a fight…”

Wherever this place is, Cap finds Bucky here.

Unfortunately, this next picture is terrible.

Lab

Since it was frozen in mid-motion, this picture is very blurry. But from what we can see of it, Tony has just backhanded Cap across the room. Behind the two of them, you can see Bucky. It looks like he has a gun in his hands and has it raised. Or he is in the process of raising it. It is hard to tell for sure.

What we also see here is that the three are in some sort of underground complex. This is probably a HYDRA base and the location of the climatic final battle between the Registration and Anti-Registration Avengers.

The place looks like a lab – the Dr. Frankenstein type. This is most obvious because of the cylinder with the yellow glow on the right hand side of the shot. It is hard to see because of the watery blur from the camera’s motion, but by zooming in you can make out a person seated inside that cylinder. It is nearly impossible, however, to see whether this person is a man or a woman. Whoever it is, though, seems to have a stump where their right arm should be, as well as some sort of wire/tube coming from the top of the cylinder to attach to their body.

Particular features are impossible for me to gain here. But this scene got my mind whirling with possibilities. Is this a clone of Bucky Barnes? Is it the original Bucky Barnes, which would mean that the Winter Soldier we have seen since Cap 2 is a clone? Most pointedly – WHAT IS TONY DOING FIGHTING CAP WITH THIS HORROR SITTING RIGHT ACROSS FROM HIM?!?!? *Smack forehead and growls with irritation.*

We will only know when we see the film, naturally, but this scene is certainly something to look at closely.

Next picture we have here is this:

Claws!

I snapped this photo mostly to gawk at the length of Panther’s claws. Yikes!!! He could rip a man to shreds with those things! If you watch this scene a little more, you will see that when the chopper starts firing on the two, bullets literally bounce off of Panther’s suit. A vibranium outfit definitely has its perks.

Another thing to consider about this photo and the Bucky/Panther fight scene we glimpse is the location. This is not a U.S. city. The weathering is not consistent with most U.S. climes. This location is warmer than all but certain U.S. cities. My guess is this city is on the Mediterranean, while a friend has suggested it is in the Middle East. However, it could be anywhere. I am no expert on architecture, and these buildings could be in any of the places listed. Heck, I could be wrong and they might be fighting on a rooftop in the U.S.!

Wherever they are, these buildings seem to be along the same lines as Bucky’s apartment. Rundown, not well-maintained, non-descript apartment complexes which middle-class or upper class people would not get within sight of except on the freeway. The perfect place for the Winter Soldier to lie low and stay off the radar.

Until now, that is.

This next photo is of Natasha:

Black Widow

I am not sure, but I think this scene is from the airport tarmac in Germany. A friend suggests that it is a hospital. Either way, if you watch Widow closely during this clip, she seems to have tears welling in her eyes. I tried to photograph that part of the scene and failed, so if any readers can confirm that – not to mention the location of this shot – I would be most grateful.

Next is this photo of Team Cap charging at Team Iron:

Charge!

This shot I saved for the simple reason that I thought it was cool. On a recent study, though, I noticed something else: black smoke rising from somewhere behind Cap and his team. They were in a battle of some sort before facing off with Team Iron on the tarmac. Tony and his team might even have come in response to whatever conflict Cap and the others were involved in prior to this moment.

Also in this scene, we get a semi-clear look at Cap and his team. Wanda has changed into her combat gear here, and Ant-Man has also joined Team Cap by this point. I will be interested to see if he still has those shrink/grow disks in this film, or if he has upgraded to a shrink/grow gun, such as he had in Avengers Assemble’s second season. The gun would probably be more accurate and practical, but we will have to wait and see.

Here we also get to see Falcon spreading his wings and Hawkeye in his new gear. Later scenes show he has upgraded his main weapon again. Clint built all his bows in the comics, and if he does not maintain that practice in the Cinematic Universe, I would like to know where he gets his bows. Like in the scene where he is apparently out cold on the floor at the Avengers’ base, his suit has only one full arm, while the other is partly bare. His quiver is strapped to his back over his right shoulder (so how did it end up on the floor next to him at the base…?), and he has a glove on his left hand. Renner is left-handed, but in the comics Hawkeye was ambidextrous – either naturally or through training. This is an interesting costume upgrade all the same, though.

Sadly, this is not a great shot of Bucky. But it does not appear that he has any heavy artillery on him in this scene – unless it is strapped to his back and hidden by his hair at this moment. I cannot tell for sure. Cap’s gloves do not have fingers here, and this suit seems to be a melding of the one he had in Ultron and Winter Soldier. It appears a little old-school, but has some new touches to it.

These next two photos show the two factions drawing toward their clash at the airport.

Attack 1 Attack 2

Wanda, Falcon, and War Machine are hard to see, but if you look closely you will be able to make out Wanda and Rhodey. Falcon, unfortunately, manages to blend in well with the airport buildings in the second photo.

In these pictures, we see Wanda bending her knees and powering up to fire off some of her power. Rhodey’s trajectory suggests he is aiming straight for Falcon, who looks to be on a collision course with War Machine. Vision is aimed up toward Wanda. He and the Scarlet Witch are definitely going to tango here – and how!

On the ground, Cap is raising his shield to block a blast – or a fist – which Iron Man is preparing to deliver from above. Hawkeye, Ant-Man, and Bucky have all opened some distance between themselves and Cap, so their leader will have room to two-step with Tony. This puts Bucky on a direct path to tangle with T’Challa again, while Black Widow is apparently making a beeline for Hawkeye. Ant-Man is a good pace behind both Hawkeye and Bucky, who are neck and neck as they race toward their separate challengers. Who Scott Lang will be dancing with in the opening of this scene is hard to tell, but he will not be allowed to stand back and watch the others battle for long. That is for sure.

This next picture is taken simply for fun:

Really, dude?

This is the scene where Tony calls in our friendly neighborhood traitor to snatch Cap’s shield. Tony is already sporting his purple-black eye, but the real kicker is War Machine’s mask. As a friend of mine said, it looks like the War Machine armor is underwhelmed by Tony’s call to Spider-Man. What I do not understand about this clip is why Widow is standing behind Cap when Spidey hauls the shield off his arm and webs his hands together. Why did Cap let himself get surrounded?

These last shots show the camera focusing in on the Webslinger.

Spidey 1 Spidey 2 Spidey 3

I was not as enthused by the first sight we have had of the new Peter Parker as others are, but I was surprised to see that the lenses covering his eyes have focusing capabilities. This is new, and probably to help augment the emotion in Spider-Man’s voice. If Spidey has to shout “Whoa!” and show surprise, it will help if the lenses in his mask widen to show his shock, the way they do in the Ultimate Spider-Man cartoon series.

These are not the only scenes in the trailer to catch my attention, readers. But I think this post is more than long enough. These scenes were the ones which gave me the most to think about, and now that these speculations have been passed on to you, we can all sit back and wait for the movie to come out. But let’s try not to bite our nails bloody or grind our teeth to the gums, okay?

See you later, readers!

The Mithril Guardian

Captain America: Civil War, Trailer 1

 

The first trailer for Captain America: Civil War is out, readers! I have been thinking about this trailer a fair bit, obviously. This is not a prognostications post, like the ones I wrote for Age of Ultron. It is more of a free flowing speculation post.

I have to say that this Civil War trailer is very good, with lots of high-powered action. But it is also a painful thing to watch. I literally had to swallow tears watching it the first few times. Occasionally, it still leaves me depressed and upset.

For those out there who crassly sneer about this, reminding me unnecessarily that this movie is dark and going places the other Marvel films “feared to tread,” I have a reminder for you. It is not good to revel in another’s pain. We are too often tempted with that, sadly. I see no reason to cheer on the war of wills between Steve Rogers and Tony Stark.

As I have said before, I am firmly on Captain America’s side in this war. Tony has a rather lousy moral record; he has been known to socialize with weapons dealers like Ulysses Klaue, as well as being a debaucher and a self-centered jerk with an ego the size of the moon. He is not someone to support on matters of such importance.

In contrast, Cap has never faltered. His moral compass has never wavered, and despite the chatter on the Internet, I do not believe he ever will, even in Civil War. The Russos have actually supported my gut feeling, since they have stated the obvious: Cap’s sense of morality is part of his superpower. If it was just his super soldier serum which made him so interesting, he would hardly be more beloved than any other Marvel hero. And we all know that he is the most beloved of Marvel’s characters. Even Spider-Man falls just shy of the affection most Marvel fans have for Cap. Spidey is just easier to market than Cap is these days.

One of the most important things revealed in this Civil War trailer is that Cap does not want this war. Having never read the comics, I cannot vouch for those, but he does not want a civil war in this film.

What makes me so sure he does not want a Civil War? A little line which made it into the trailer. “I’m sorry, Tony,” Cap says. “You know I wouldn’t do this if there was another way. But he’s my friend.”

Cap does not say with these lines that he is throwing away his new friendships for his old one with Bucky. He is choosing both. He sacrificed his life to save the world at the end of WW II, and he will live with that sacrifice for the rest of his life. But Bucky’s life was stolen from him. And, in Civil War, people are trying to take his life away from him again. As his friend, Cap will not stand for that. He will not let Bucky’s life be stolen from him a second time, especially for a crime he did not commit.

Tony’s response to Cap’s statement, however, is absolutely horrifying. “So was I.”

Was. Was! Cap did not say, “You were my friend, Tony.” He said, “I wouldn’t be doing this if there was another way.” He is not rejecting Tony’s friendship; he is not discarding him or the Avengers for Bucky. He is trying to protect them all, as well as give his childhood friend a chance at making a new life for himself in relative safety.

But Tony does not see it that way. He is discarding Cap, along with his desire and attempts to keep them all together and free, rejecting his friendship. His three word line immediately made my throat constrict and my heart sink. Of all the mistakes Tony has ever made in the films, this has to be the utter worst. Cap understands that friendship and freedom trumps everything. Tony does not, and it is going to cost him.

From what we can see in this trailer, it appears that Bucky is framed for a murder, and thus he is being hunted down. This, along with some international incident following a battle involving the Avengers, will be what kicks off Civil War.

Well, I think it is possible that the international incident and Bucky’s supposed crime happen at nearly the same time. It appears that Civil War could open in medio res, or in the middle of things. Avengers: Age of Ultron did the same thing. If Civil War opens in the African market we have seen clips and set photos of, then the international incident may take place in Wakanda.

If that is the case, then “Bucky’s” target could well be Wakandan King T’Chaka, father of soon-to-be Black Panther T’Challa. T’Challa is said to “be in the beginning phases of taking on the Black Panther mantle” in Civil War. The title of Black Panther is passed down through the Wakandan royal line. Every ruler of Wakanda, as I understand things, has worn the title of Black Panther. The role of the Black Panther is similar to the role Cap played in WW II: protect the nation from outside aggressors.

Why?

Wakanda, from what I know of it, is a postage-stamp sized fictional African country in the Marvel Universe. It is highly advanced, more so than any first world country, because it is built smack-dab on top of the biggest – and possibly the only – deposit of vibranium on Earth. The Wakandans’ understanding of vibranium is what makes them such a technologically advanced nation.

It is also why they are xenophobic in their contact with the outside world. As we know, vibranium is the strongest metal on Earth (equaled in the comics only by adamantium, which is heavier and more easily acquired). In fact, for most of Marvel history, the world had no idea Wakanda existed until around WW II. Knowing how dangerous vibranium is, the last thing the Wakandans wanted was the metal falling into the wrong hands. They take it very personally when someone steals even a sliver of the metal. How Klaue made it out of Wakanda with as much vibranium as he had in Ultron borders on the magical; he should not have been able to get that much vibranium out of the country. No wonder they branded him “Thief” in such an unpleasant manner.

There is also a mystical element to the Black Panther mantle. Becoming the Black Panther, after having received the title properly, means that the person using the title gains all the strength, agility, speed, and senses of a real panther. T’Challa’s ability to keep up with – and apparently outpace – Cap and Bucky is probably related to this.

Also, T’Challa’s suit in the film should be made almost entirely out of vibranium. I do not know if it is an entirely vibranium suit in the comics, but it would make sense if it was. It is the strongest metal on Earth in the films; it is only reasonable that the Wakandans would use it to make a suit for the person charged with protecting their country and its deposit of vibranium.

In the comics and cartoons, T’Challa’s suit has claws built into the gloves. These claws are made of vibranium and are able to scratch through anything, just like Wolverine’s adamantium-coated claws. Vibranium and adamantium are two of the Earth metals that can harm the Hulk in the form of blades. T’Challa also has a series of vibranium daggers hidden in his suit in some cartoons. He may not have these in the film, but it is possible that he might have a set of vibranium daggers in Civil War.

If Bucky is blamed for T’Chaka’s assassination (or attempted assassination), then it would make sense for T’Challa to join up with Tony in Civil War. He wants justice, or revenge, for his father’s death. This means we will very likely see T’Challa facing off against Cap, and since vibranium is the only thing that can harm itself, it is possible that Cap’s shield will have some scratches put in it during the movie. However, since T’Challa is prince of the nation which owns all the vibranium on Earth, he can repair it once everything is sorted out at the end of Civil War.

I do not know exactly why Natasha has sided with Tony Stark in Civil War. I know she was on the pro-Registration side in the comics, but her motivations there are also a total mystery to me. Especially since she was apparently a non-combatant in the comic book war (how did that happen?).

The Russos have said that Natasha is trying to keep the Avengers from being disbanded. This makes sense, considering the fact that, if the Avengers were disbanded, she would have nowhere to go. Being an Avenger grants her a certain amount of immunity. At the end of Winter Soldier, she faced down the D.C. bureaucrats and told them how many buns make a dozen. They did not like that, and they have the power and ammo to bury her well below six feet under. So not only does being an Avenger give her purpose, it protects her from powerful people who see only her dark past and would gladly lock her up to die in the “Pit of Despair,” if you will. So siding with Tony would seem to her, perhaps, to be the best way to save the Avengers and herself. Self-preservation could very well be her motive for joining Team Iron.

That does not mean she is not conflicted during Civil War. She and Cap are good friends, and where Tony appears to believe that Cap is abandoning them all for his old war buddy, Natasha does not seem to share that sentiment. After all, she has been in Steve’s shoes. Her best friend was mind-controlled into helping Loki invade Earth. She would have gone through Hell to get Hawkeye back. Can she expect any less from Cap, who has proven that not only will he go through Hell to get Bucky back, but he will let Bucky beat him nearly to death as well?

As an added dilemma, Hawkeye sides with Cap in the upcoming war. The why is easy to guess: he worked for SHIELD only as long as his family was kept out of their files, and he has stayed with the Avengers in order to keep his wife and children safe. Someday he will have to let someone else have his job – one of his sons, or a stranger. But until that day he will fight to protect his family and the world they live in. Registering with the U.N. means that they will want to know everything about him. And it is hard to believe that the U.N. would not put his family in a database somewhere once they learned about them.

Clint does not want that. He will stand up to those in authority when they begin abusing their power, and these fictional Sokovian Accords are a blatant abuse of power. If the government can tell the Avengers who to target and who not to target, then they will end up with the same situation they faced in Midtown Manhattan in The Avengers. The World Security Council, likely a committee from the U.N., was quite willing to wipe out NYC with a nuclear warhead in The Avengers. Now that the latest weapons are people with super powers or “specific skill sets,” they are trying to make them the new “nuclear deterrents” completely at their command.

Except the Avengers are people, not weapons or tools. And people do not like being enslaved, under any circumstances.

Remember when I said that Clint had issues with authority in the comics? Well, it looks like he is about to take a very great issue with the government in Civil War. He has already proven he will break with his orders when he believes those orders are wrong. That is why Natasha is even alive, let alone an Avenger. And if he accepted SHIELD’s offer of a job only on condition that Fury erase his family from digital and analog existence, then Fury either wanted him in SHIELD very badly, or Clint is one hell of a negotiator. And by that, I mean he told Fury, “If you want me in SHIELD, then you had better make sure no one finds my family. Because if they do and something bad happens to them as a result, I will not only hunt down and kill those who hurt my family, but you, too.”

We do not get to see much of Hawkeye in this Civil War trailer, but I did notice two things about him in the brief scenes where he appears. One, when Cap and his team are apparently staring down Team Iron, Clint does not look happy. Neither does Cap, interestingly. Normally they each wear the expressions of men ready to wade into the fight fists swinging. This time, Cap and Clint both seem thoroughly sick at the idea that they will be going up against their friends and fellow Avengers. They do not want to, but their friends are not going to give them a choice.

Second, in one of the scenes following Team Cap charging into battle, two people can be seen running across what might be an airport tarmac. Since one of those people is holding a bow, it is safe to assume that person is Hawkeye. The second person is, on closer inspection, shown to be the Scarlet Witch.

This raises some interesting points. We know that Clint and Wanda established an understanding in Age of Ultron, but we also know her older brother died saving Clint’s life in the same movie. It is possible that Clint now feels responsible for Wanda, that he believes he should stay close to her and take care of her, since her older brother died to save him and is no longer present to see to her welfare. He might feel like he owes Pietro this and will therefore try to keep an eye on Wanda in Civil War.

Where this will lead, I can hardly guess. It has been suggested that Wanda may go a bit berserk in this movie. Elizabeth Olsen, the actress who portrays her, has dubbed Wanda a “wild card” and says the Scarlet Witch is “conflicted.” She says Wanda feels like she is connected to the Avengers, but at the same time, they are not her family. She certainly has a rapport of some sort with the World’s Greatest Marksman, and a bond with Captain America. And she has been an Avenger long enough now to get to know Falcon, War Machine, Vision, and Black Widow fairly well.

But they are not her family. In that respect, she is adrift in the world. Pietro was her anchor to reality, as she was his anchor to calm and reason. Despite the nobility of his sacrifice, she will feel Pietro’s loss keenly, and therefore may be inclined to leave the team. Also, Olsen hinted that the Scarlet Witch’s powers have grown since Age of Ultron. In the comics, this was one of the factors which led to her loss of sanity. Even with her brother alive, she ripped reality apart and rebuilt it. She also killed Hawkeye in this event. Twice.

All this could spell danger for Hawkeye in the upcoming film. Hopefully, Wanda will not roll off the deep end in Civil War and hurt him. Olsen’s statements, however, hint at some mental unsteadiness for the Scarlet Witch, and this opens some rather worrisome doors in my mind.

We also see in this trailer that Falcon is still “doing what [Cap] does, just slower.” In the trailer he says to Cap, “I just want to be sure we consider all our options. ‘Cause people who shoot at you usually wind up shooting at me, too.”

I think what Sam is really saying here is this: “Look, I am with you all the way. But are you sure there isn’t another way out of this mess? Because when things go bad, you won’t be the only one getting shot at. You’ve got me (and the others) watching your back. We’re going to get shot at, too, and we’re going up against the other Avengers at the same time. The Law of Averages says someone will get hurt or killed. You can’t make this decision based on sentiment and emotion. Have you really thought this through?”

Of course, Cap has. And barring a miraculous light bulb exploding into brilliance over Tony’s genius head, he has no other option but to go up against Iron Man. Sam and the others know that. If they choose to follow him, then they will all be in the same boat.

And, short of some unexpected betrayal in Cap’s ranks, this proves that Team Cap is made up of people just like Steve Rogers. Sam and the others on Team Cap all value friendship and freedom uber alles, or over all. They will follow Cap through Hell if that is where the battle takes them, because they are his friends. It will not be just because the U.N. wants to run their missions. It will be because they value Cap’s friendship, and friendship is based on loyalty, which means that you stay faithful to your friend no matter what. “And say my glory was I had such friends.” – William Butler Yeats

Then there is Bucky. Bucky is certainly an appealing, sympathetic character. And he is in an interesting – and precarious – position in Civil War. As a former HYDRA operative, Bucky naturally has an enormous amount of intel on the organization. In the hands of the U. S. government and the Avengers, this information could bring the plague-like organization down.

HYDRA has to know this. They also have to realize that the government, or the sensible people in it, would want Bucky captured and alive in order to gain all the information he has on HYDRA. There is no way, under normal circumstances, that U.S. military leaders would want Bucky dead. He is too valuable as an informant on HYDRA, even in his current beleaguered state.

Hence, it appears that HYDRA has assassinated someone in Civil War and pinned the murder on Bucky. They thereby instigate an international manhunt for him so that he will be brought in dead and useless to their enemies. It would be great if they could get him back and make him their tool again, but they might have already tried that and found him less than docile. Crossbones is said to taunt Cap with the fact that Bucky remembers him in a different trailer. To me, this suggests HYDRA has tried to get Bucky back and failed.

So that leaves them with only one option: eliminate him.

Sebastian Stan has been asked what Bucky will be like in Civil War, and he has said his relationship to HYDRA is a complicated one. That Bucky sort of owes them for saving his life. Not really, I think, since they simply saved him in order to turn him into a weapon. They stole from him, and while that certainly does not make them like his second family, it does mean they have a relationship.

This, of course, raises the question of what type of relationship. I do not believe it is a happy or a familial relationship. Bucky has turned his back on HYDRA and on being a weapon. However, even with his mind control and brainwashing broken, old habits die hard. He is not going to forget the skills HYDRA taught him. He simply cannot. They are built into his muscle memory; if he is fiercely attacked, even by run-of-the-mill thugs, his muscles will react automatically because of his training and years of experience as an expert assassin.

This also means that, like Wolverine, his instinctive reaction in a pitched battle will be to go for the jugular. As long as he keeps his emotions in check and maintains some rational control of himself in combat, Bucky should be able to keep his attacks from ending in the death(s) of his opponent(s). He can rationally choose not to follow through on a blow, making it a knock out or an injuring hit rather than a killing strike.

But he is not yet emotionally and mentally stable enough, it appears, to keep complete control of his instincts in such a conflict. If he is incensed to the point that his emotions and instincts override his rational thinking, anyone attacking him is courting death, the same way they would be if they sent Wolverine over a mental cliff.

This theory is given some credibility in the scene where Bucky goes to rip out Tony’s arc reactor. It does not matter that the arc reactor no longer supports Tony’s heart, it still supports his suit. And if it gets fried while being yanked out, it could short out the suit in such a way that Tony is badly injured or even killed. This could be what happens to Rhodey, though it is hard to tell from the trailer whether he is alive, dead, or injured and unconscious. (Someone suggested War Machine’s arc reactor was ripped out mid-air, because he is seen lying in a crater in the ground. It may be that the Scarlet Witch, Falcon, or even Vision is responsible for Rhodey’s apparent crash in that scene.)

There are probably several ways to take out Tony’s suit with Bucky’s particular skills and assets, while at the same time not hurting Tony. But Bucky’s immediate act is to go for the most vital place in Tony’s armor. His first instinct is for the jugular.

And thanks to HYDRA, he will be battling this instinct for the rest of his life. Just like Wolverine, his instincts can be tempered and controlled. However, due to his conditioning, he will remain highly unsociable and appear cold to others. He has experienced too much pain for mild annoyances like broken toasters and stubbed toes to set him off, but at the same time, he has also had much good ripped out of his hands.

And so his attitude in pleasant surroundings or events will remain gruff, distant, and always guarded. Past experience with HYDRA has driven home to him the fact that happiness is fleeting and fragile. It only takes one evil person to kill many, and he will always be on the lookout for evil, even if it does not show up. He knows it exists. He has seen it many times and he will therefore remain vigilant and ready for it to strike, something most civilians do not consider.

Thanks to HYDRA, Bucky knows safety is an illusion at worst, a veneer at best. It can be ripped away in seconds by a bullet or a knife. He is a target for both. He can be happy, but he will always guard that emotion carefully, so that if the world goes to hell in a hand basket, he will be ready for it.

This is the legacy of HYDRA’s manipulating him: in some respect, they will always own part of him. And there is absolutely nothing he or his friends/allies will ever be able to do about it.

All this leads to one point: Bucky will have to die in Civil War. Now since Sebastian Stan has a nine picture deal with Marvel, I do not think his death in Civil War would be real. It would probably be faked, so that he could go underground and try to make a life for himself. Doing this would get HYDRA and the government off his back – for a space, at least – and give him time to try and do something good with his life.

It would be interesting if he was “assassinated” in place of Cap, who in the comics was “killed” at the end of the Civil War story arc. (His “death” in the comics even made the actual six o’clock news.) He could wear Steve’s uniform and be “killed” in his place in Captain America: Civil War.

Who would “kill” him is open to debate; Hawkeye and Black Widow both have the skills to make sure the shot appeared real. Bucky could certainly pull off a convincing death scene after that. But Crossbones or Baron Zemo could be the ones who plan to assassinate Cap – though what they would gain by making a martyr out of him, I have no idea. This would mean the Avengers would have to somehow ensure the HYDRA bullet did not actually hit its mark, but make it appear that it did. I am sure they could all work something like this out, if the writers decided to go with this plot. It is how they saved Fury, after all.

Speaking of our villains, we have not seen Baron Zemo in any of the trailers so far. Since he is playing the HYDRA heavy, we all know where Crossbones will be in the movie: he is the muscle-bound goon and the public face for HYDRA’s foot soldiers.

People keep asking where Zemo is. I think the answer is rather obvious; he is the man behind the curtain. We know from The Winter Soldier that HYDRA did not simply infiltrate SHIELD. They wormed their way into the U.S. government. Senator Stern was a HYDRA man. And just because the World Security Council threw wine in Pierce’s face does not mean that the U.N. has the same spine. In fact, that scene was the first hint that anyone on the WSC even had a spine.

Zemo and HYDRA could very well be the force behind the U.N.’s Sokovian Accords. Cui bono – who benefits from a civil war between the heroes? Cap and Tony are not going to get much out of this war, which like all such conflicts, is anything but civil. The answer is as plain as day: in an Avengers’ Civil War, only their enemies benefit. And HYDRA is the main enemy for the Avengers in these films. They have the most to gain by registering the heroes and binding them in red tape.

It has also been revealed that Thunderbolt Ross will be the U.S. Secretary of State in Civil War. The Russos have said he has gone from hating the Hulk to hating all super-powered people in general. That is not a great leap of logic, really; Bruce and the Hulk were untouchable as long as they stayed with the Avengers. Bruce and “the other guy” helped save the world. Who could hunt down a hero like that without suffering a huge amount of political and popular backlash?

I would guess that Ross has it in for the Avengers in part because they shielded the Hulk and Bruce for so long. Though Bruce is once again on the lam, if he were to go back to the Avengers, he would still be “safe” at first base in popular opinion. So Ross’ interest in taking the Avengers down and putting them under the government’s thumb may be a tactical strike: take out the Avengers, and there is no safe haven for Bruce. Popular opinion, fickle as it is, cannot protect him if he has no base and friends to put a roof over his head and food in his mouth.

There is also the slim possibility that, in his hatred for the Hulk and now the Avengers, Ross has made the proverbial deal with the devil. He could now be a HYDRA man, too. In the “mainstream” comics and Earth’s Mightiest Heroes cartoon series, Red Skull briefly hid in the U.S. government as the Secretary of State Dell Rusk (Red Skull mixed up). If Ross is Secretary of State in Civil War, then it is quite a nod to these stories and could be a great hint at his role in the film. Ross may be doing the political heavy lifting for Zemo in the U.S. government, nipping at Tony’s heels and hemming the team in on all sides politically so Zemo and HYDRA can strike the finishing blow.

There is one last thing to say about this trailer. As with Age of Ultron, fans are trying to raffle off certain Avengers for death in Civil War. Whedon sideswiped everyone with Quicksilver’s noble sacrifice in Ultron, but it is getting increasingly hard to suggest which Avenger could die in Civil War. The four “main” Avengers in the film – Iron Man, Cap, Black Widow, and Hawkeye – all have contracts which bind them to several future Marvel movies. None of them could convincingly be killed off, unless Marvel wanted to play the “mostly dead” or resurrection cards on their film audiences. They would have to play those cards very believably; Coulson is so far the only character Marvel has seen fit to resurrect, and fans reacted by saying, “Well we knew he wasn’t dead!”

That leaves the other characters in a bit of a pickle, right? Maybe not. Tom Holland, our new Spider-Man, is contracted for three films beside Civil War. Anthony Mackie fought hard to get into the franchise; he will not be giving up his role as Falcon anytime soon. Elizabeth Olsen has no idea whether she will be in future films or not, though she has hinted that Wanda survives Civil War. People are suggesting that Vision will be in the next Guardians of the Galaxy movie, and I find it hard to believe that the writers would kill him off so soon.

I have no idea how expendable Rhodey is. That clip of him with his arc reactor ripped out does not inspire confidence in his survival. But it could be a trick of editing; he might survive after all. Paul Rudd’s Ant-Man has a sequel in the pipes, so he is not going to die. And T’Challa has a solo movie coming out in 2017.

Hawkeye’s family could certainly be killed in the movie, however. There is a precedent for this in Marvel’s Ultimate comics, in which Natasha Romanoff murdered his family in cold blood. It does not seem likely that she will be responsible in the movies if this were to occur, though as with all things, we cannot rule anything out until we see the film. Even if she is not the perpetrator, that does not protect Clint’s family. Of course, maybe Sharon Carter will be the one to die.

Although, someone did slow down the trailer at the part where Bucky goes to rip out Tony’s arc reactor and they read his lips to try and find out what he was shouting. Now, the fan who did this would not say what he thought Bucky was shouting, but he felt it confirmed Steve Rogers’ death. We all know Steve’s coming back in the Infinity War films, so it is possible that Cap’s death in Civil War is a set up. A set up Bucky and Tony might be in on. But we will not know what exactly is up until we see the film May 1, 2016.

So raffling off particular characters for death is rather foolish, in my opinion. It does not prevent me from wondering about who may die. I just cannot see any way to safely guess who the unlucky superhero might be.

Well, readers, time to go. These are my thoughts and speculations about Captain America: Civil War. More may be revealed in the forthcoming trailers, and Marvel may yet tip its hand. That is unlikely, but it is possible. So until the next trailer comes out…

Excelsior!

The Mithril Guardian

Captain America: Civil War – Whose Side Are You On?

May 6, 2016 is a day we Marvel fans here in the states are eagerly awaiting.  That day Captain America: Civil War will hit theaters and the Captain America film franchise will (apparently) come to a close (yeah, sure).

Once again those fans who cannot leave well enough alone (namely me!) are eagerly reading over every rumor, poring over every leaked photo, trying to guess what is in the pipes for our favorite heroes.  Who will win, who will die, what can we expect in future films – it is all on the table.

And fans are already eagerly choosing which side they will take in the upcoming film.  With that in mind, readers, I have a question for you – whose side are you on?  Vote in the poll below and tell the world who you support!

Chosen your side?  Great!  Now for the next question, readers.  Why have you chosen this side?  To answer, just vote in the poll below, or leave a comment.  Either way works.

Thanks for voting, readers!  And, just in case you are curious, I’m behind Captain America all the way.  He always makes the right choice, fights for freedom, defends the weak, and stands up for the truth.  There is no way that I could not side with him!

Excelsior!

The Mithril Guardian