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Season 3 of Avengers Assemble Review

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Last year I did a post called “Avengers Assemble Season Three – How Is It So Far?” That post covered the first eight episodes of the third season. Reading it, you will find that I was most pleased with what I had seen at the time.

Now that the “Ultron Revolution” has run its course and “Secret Wars” – hopefully no relation to the lousy 2015 comic book event – are in our viewing future, you might be asking yourselves: what did I think of the rest of season three?

Let’s find out.

Since I wrote individual posts on the episodes “Inhumans Among Us” and “Captain Marvel,” these stories will not be discussed at length herein. If you wish to know what this writer thought of those episodes, use the search engine to find the posts about “Inhumans Among Us” and “Captain Marvel,” readers.

“The Inhuman Condition” was much better than its predecessor, “Inhumans Among Us,” in my book. There was no angst, no fuss, no muss, just cooperation between the Avengers and Black Bolt. Lockjaw giving Cap a few licks was good, too, since it showed that even a dog can recognize how great Steve is. It was wonderful to watch Hawkeye being his usual confident self instead of a doofus. It was also nice to hear Tony actually ask for help for a change, and watching Thor smash Ultron is always fun. Ah, I love the sound of Mjolnir hitting maniacal robots in the morning, don’t you?

Now “The Kids Are Alright” I had some problems with, and there are friends of mine who have issues with it as well. One, for instance, hated that Khan interrupted Cap when he gave the kids a tour of the Tower. Another friend considers Khan to be nothing more than an annoyance during the episode’s run, since she has no purpose in the narrative of the show. She did not demonstrate any depth of character, either; she is just a fangirl who got lucky and ended up with superpowers.

Image result for avengers assemble ultron revolution The Kids Are Alright

What is this author’s opinion? I am no fan of Kamala Khan/Ms. Marvel. To me, she is no more entertaining than her namesake. Also, Khan was not allowed by the writers to make any mistakes in combat during this show. She and Inferno had been using their powers for all of, what, a week? And yet she is a better fighter than he is? I am sorry but no, no, no, and no. Rookies do not do that well on the job in their first weeks; it does not happen unless they are extremely talented and/or lucky. Luck I will admit Khan has, but as for talent, it does not take much to imitate Mr. Fantastic – who should at least be mentioned in this series, by the way!

I thought that Inferno got short shrift here, too, being portrayed as the cocky kid who runs into a situation without thinking. I can handle a callow youth or a hothead, but the fact is that these often unwelcome traits do not necessarily add up to stupidity, which is the direction the Marvel writers appeared to be heading with the character in “The Kids Are All Right.” Inferno can do much better, but it does not seem that the writers want him to do better. They ought to bring Dante into “Secret Wars” as part of the Earth-bound Avengers just to give him a better showing than the one he got in season three.

On the bright side, Cap and Hawkeye did well in this show. Cap was his usual charming and encouraging self while Hawkeye got to prove (again) that although he may not be a super genius, this does not mean he is stupid. The sad thing is that they are the only saving graces in an otherwise politically correct, namby-pamby, wishy-washy, feel-good episode. You can tell I was not “feeling the love” from this show, can’t you, readers?

In contrast, I thought that “The Conqueror” and “Into the Future” were much better installments in the series. Bringing Kang into the story sets up a primary villain for season four, and no one can say that Kang is a fifth rate villain. He is no Dr. Doom (despite his mysterious relation to him), nor is he Magneto, but he probably ranks third behind those two masterminds of evil. Having Tony tweak him and get him angry was a good trick for the first episode, and showing Cap best him in the Jurassic period was the highlight of “Into the Future.”

My one problem with “Into the Future” is that none of the male rebels, aside from Thor, got a speaking part. Layla was a good character, and the hint that the red-headed girl who had tried to improve Tony’s Omega suit could be his great-great-great-great-great granddaughter was nice. The nod to Kate Bishop also did not go unnoticed by yours truly. In fact, the whole idea of a rebellion against Kang’s rule was genius, in my opinion. I wish someone had thought of it years ago!   (For all I know they did, but if so, I never heard about it.)

But the fact remains that some of the guys in Thor’s rebellion should have been allowed to say at least one word. Having Thor as their leader and letting him give the speeches was good; along with the rebellion twist, it made a lot of sense. He is Asgardian and immortal – practically speaking, anyway. Of course he would live into the thirtieth century, where he would start a rebellion against Kang’s tyranny, and of course he would end up bald as Odin. But at least ONE of the male rebels in Thor’s band should have been allowed to talk instead of being used as scenery filler.

This is a minor quibble with an otherwise excellent episode, but it is an important one to make. Marvel is trying to feminize its franchise, from Iron Man to Thor to Hawkeye and beyond. I am tired of it. The company already has great female leads; they do not need a bunch of milksop fems strutting across the screen, attempting to be something they are not. If they want to add new characters to help tell new stories, that is fine. But trying to replace the originals with newbies like Khan does not work; to the best of my knowledge, it never has. And when they try to make all their heroes female, the writers make matters worse. Remember, I like Steve Rogers, Clint Barton, Tony Stark, Thor Odinson, Bruce Banner, Bucky Barnes, Sam Wilson, Vision, Quicksilver, and many of the other male leads in Marvel because they are male. And I am not the only one. I wish that Marvel would get this fact through its thick, corporate head already and let me save my breath on this issue.

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Now we will go back to business. In “Seeing Double” we watch as Natasha faces off against Black Widow wannabe Yelena Belova. I have read about the character but never seen her, and this episode is a very impressive introduction for her. It fleshed out Natasha’s character in the bargain, and the hint that maybe she did not throw away the thumb drive said to contain her real memories was an unexpected twist. Making the Hulk into a large, green version of the Winter Soldier was something that I did not see coming. My only disappointment is that we never got to see Bucky here or during season three.

Then we have “A Friend in Need,” where Vision is introduced to the team. It was a nice installment, from Thor’s taking him to Asgard and teaching him about friendship to Vision’s nearly permanent sacrifice to save his friends. The three-way training session with Cap, Widow, and Hawkeye was a good bonus point, as was Vision playing video games with Hulk and Thor at the end. Very cute scene!

After this we had “Panther’s Rage,” an episode that presented T’Challa/Black Panther, Wakanda, and the Dora Milaje in an interesting way. Hawkeye’s flirting with Aneka was somewhat irritating, but their resultant friendship had a much better vibe to it. Cap and Thor’s ability to understand Panther and their subsequent friendships with him were believable and fun as well. And watching the pack of them kick Klaue’s fanny was great, as usual. But I am kind of getting tired of T’Challa always showing up on the Avengers’ doorstep angry. How about a little variety next time, Marvel writers?

“Ant-Man Makes It Big” was a fun episode in which Marvel proved that, despite many changes over the years, they still like to poke fun at themselves from time to time. Thor teaching a snobby actor the reality of life was a plus, as was Hawkeye’s easy acceptance of Scott and his new job. Having Widow angry at Scott for leaving the Avengers was an interesting and compelling development. It is nice to see that they have completely separated her from their original Amazonian stereotype and allowed her to be the character she always has been.

After this came “House of Zemo.” This show is one of my favorites and it had many good points, one of these being the redemption of Cap’s father after the debacle where Marvel tried to make the First Avenger a secret operative of HYDRA in the comics last year. In search of a photo he can use to draw a picture of his father, Cap leaves Avengers Tower on his birthday (July 4th), in order to clear his head and jog his memory. Hawkeye, who actually had a lousy father in the comics and apparently in Assemble as well, still palpably empathizes with Cap’s desire to remember and draw his father’s face. The rapport between the two is handled with an artist’s touch here and makes this episode an adventure worth remembering. 😉

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There was one thing about “House of Zemo,” however, that felt off to me: Helmut Zemo’s “redemption” at the end of the show. It felt forced and tacked on. I agree that he can reform; that is not what bothered me. It is that the writers brought about his change of heart too fast to be believable and satisfactory. They jammed it into an otherwise moving story, as though they thought no one would like an episode where Hawkeye, the fatherless, anchorless Avenger, helped the most grounded member of the team reconnect with his own father.

Maybe they were right, but I doubt it seriously. Of course, perhaps they thought Helmut Zemo could make the leap with ease, since in this series he is in fact a very old man, but he looks and acts young thanks to taking his father’s variant of the Super Soldier Serum. It still feels cheap to me, though, and that is why I make such a fuss about it.

The episodes “U-Foes,” “Building the Perfect Weapon,” and “World War Hulk” were great installments. The U-Foes, I think, would make viable fifth-rate villains in season four, but I do not like Widow’s taking offense when Red Hulk labeled everyone on the team “men” at the end of “World War Hulk.” No, she is not a man, but his use of the term is normal and hardly material for an affront, unless he is addressing a room full of women. This he definitely did not do within the show. I would think any female Avenger would ignore this unimportant phrase and deal with the bigger issue – the fact that Red Hulk thought he was the team’s leader. Who died and made him king?

Another thing which irritated me in these shows was how Cap acquiesced to Hulk wearing the inhibitor collar. His unabashed appreciation of Red Hulk’s military analysis of situations was equally bothersome. Just because Ross was once a U.S. general with a modicum of talent, it does not make him a great guy. I found it irksome that the writers thought Cap should appreciate Red’s ability to tactically assess a base –especially since he showed that this skill did not stretch nearly far enough. Cap is better than that, people. Stop treating him like a cookie-cutter tin soldier. He is no such thing!

One of the things I did enjoy here is that Hulk got to stay on Earth, instead of being tossed off-world and ending up in a gladiatorial arena. Another beautiful touch to the “World War Hulk” episode was the hint of romance between Big Green and Black Widow. Though they have done it before, in this Hulk-centered episode, it had more than its usual impact for viewers.

The romance the writers have developed between Natasha and Hulk in Avengers Assemble is something I have come to like quite a bit. It fits the narrative and it gives me hope that, should the writers bring Mockingbird and/or Sharon Carter on the scene, they will be able to handle a Romance Reel with them and their guys as well as they have managed Natasha and the Hulk’s duet. It also lets me hope that when Cap and Tony meet Peggy Carter in season four, the writers will be able to portray that romance with the same adroit touch they have used for Natasha and Hulk.

The “Civil War” story arc was truly impressive. For one thing, it was really, really, REALLY nice not to have Tony and Cap trying to kill each other here. The pluses continued to mount when the Mighty Avengers were formed as the antagonistic team, with Princess Sparkle Fists (a.k.a. Captain Marvel) at the head of the group. My only regret is that the writers did not hand her off to the Hulk during the battle. At least he would have actually hit her.

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The moment when Hawkeye convinced Songbird to leave the Mighty Avengers for the Avengers was superb. I had hoped to see Songbird before season three’s conclusion as part of the Avengers or as the leader of the Thunderbolts. The writers surpassed my wildest dreams in this regard for her, and they outdid themselves on Hawkeye’s characterization in this moment. His general deportment throughout the “Civil War” conflict was perfect. I am really happy with the fact that they have stopped using him as the team pratfall in every episode. 😀

Ant-Man and Falcon fighting while flying was a great nod to the film franchise, as was Vision’s accidentally injuring Cap with Mjolnir. It was also highly satisfying to watch Little Miss Stretch pull one of Iron Man’s moves from Age of Ultron, hitting Hulk when he was not expecting it. Rookie though he is, even Inferno would have known better than to do that.

But the most surprising moment in the season finale came when Ultron hacked Tony’s suit and arc reactor, thereby taking control of both his mind and body. It was the biggest shock of the event. I did not see that coming, which was the entire point. The Marvel writers truly pulled a rabbit out of their hat when they did it. I only hope the team can purge Ultron from Tony’s system during season four’s “Secret Wars.” Otherwise, I am not going to be a happy camper.

To sum up, there are only a few things I have left to say, and they are about the next season of Avengers Assemble. Season three broke new ground for the team by bringing in new players such as Songbird and the Thunderbolts, along with Inferno, Vision, and Black Panther.

The additions of villains such as Yalena Belova, Kang the Conqueror, the U-Foes, Egghead, and others expanded Assemble’s villain cadre nicely. Not every season has to revolve around Ultron, Thanos, and Red Skull, after all. And the Avengers do not have to fight Dracula or MODOK every day, either. It is nice to see old enemies with new schemes fighting our heroes. They should get to fight some B, C, and D rated villains like Egghead every now and then. Save a city instead of the planet – piece of cake. Although I do miss watching the team as they tangle with Dr. Doom and Magneto. Doom has disappeared from Assemble and since Marvel is not interested in mixing mutants into its Avengers cartoons anymore, any chance to see how the team would slap down the Master of Magnetism has evaporated. Rats. I would have liked to view that.

The upgraded characterizations of our favorite heroes righted the problems I noted in posts about the first and second seasons of the show. They were overdue, but better late than never. These changes have made Assemble much stronger as a series than when it began. I hope that, when it comes time to replace Assemble, I will not have to lecture the writers again on the issues which I pointed out in those prior posts. I will not, however, be holding my breath on that hope.

With regard to the original seven Avengers on the team, I would like to ask the Marvel writers to keep up the good work. Leave the stereotypes in the trash, where they belong, and run the characters according to the tried and true formula which you know actually works.

Secondly, I would like to ask the writers to please, please drop Jane Foster/“Thorette” from the line-up for season four!! She will be a DISASTER, people! Do not shoot yourselves in the foot here!

Three, let Inferno grow and learn from the Avengers. And while I applaud the addition of Black Panther, Songbird, Vision, and soon the Wasp to the series, do not stop there. We want Mockingbird, Spectrum, War Machine, the Winter Soldier, Quicksilver, Scarlet Witch, the Fantastic Four, Daredevil, Iron Fist, Power Man, and many of the other heroes from the comics to at least get a mention in season four. If we are going to have more than the four seasons, then by all means, add them to the cast list. Just because they are not part of the films and live action TV shows, this should not prevent the writers from adding them to the cartoon series. And Scarlet Witch is, in fact, part of the film franchise. So why have she and Quicksilver been left out of Assemble?!?!? It makes no sense to leave the twins out, Marvel writers!

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Last but most important, I wish to remind the writers that we watch the Avengers because we like good stories with great characters, not because we are looking for a lecture on social justice or the latest cause celeb. If we want any of that junk, we will turn on the news or go to a tabloid stand. Since we are coming to you, it means we want to get away from those things for a little while.

Just tell us some good stories, okay? That is all any of us want out of fiction writers. Good stories, well told, with enduring characters. All right?

Avengers – ASSEMBLE!!!

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Death and the Roster for Avengers: Infinity War

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Okay, everybody, LISTEN UP!!!!

I have something VERY IMPORTANT TO SAY!!!!

Avengers: Infinity War is coming out in 2018, and people are engaged in trying to determine which heroes will appear in the film.  They are also batting around which heroes will live and which will die.

Once again, these people are calling Hawkeye/Clint Barton the “most disposable” member of the Avengers.  They believe he can be killed off easily and no one will care.

NEWSFLASH:  Hawkeye is NOT easily dropped.  He is an EXTREMELY IMPORTANT character, and it would behoove these people to SHOW HIM SOME RESPECT!!!   AND, YES, SOME PEOPLE DO CARE!!!

Why does everybody hate Hawkeye?!  Why do so many people want him dead?  Is it because he uses a bow and trick arrows in battle?  So do Green Arrow/Oliver Queen and his sidekicks, yet I do not hear anyone calling for THEIR heads to be delivered to audiences on a platter!!!!  There should be no double standard in this matter.  If you want Hawkeye dead because he uses a bow and arrow, then you should want Green Arrow and his sidekicks dead as well.

Just why is there so much rage against Hawkeye?!?!?  Is it because he is a husband and father in the films?  That is something to CELEBRATE, people!!!  It is HIGH TIME a superhero got to have a good home life!!!  Or do you want the Fantastic Four’s family life destroyed too, hmmm?

Tit for tat, butter for fat.  What’s sauce for the goose is sauce for the gander.  If you want Hawkeye dead, you may as well drive a knife through the entire Avengers franchise.  Because whether you like him or not, Hawkeye is an integral part of the Avengers team and franchise, so he is not going anywhere.  Not if we can help it!!!

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So, haters, HANDS OFF OF HAWKEYE!!!!!!! 

People are also raffling off Cap for death in Infinity War and its sequel.  Interestingly, Nick Fury is being floated for the chopping block, too, as is Vision.  What is the reason that they want these characters dead?

Some people hate Cap because he is CAPTAIN AMERICA.  This means he represents the best of America.  So it is not too surprising that some people would want him dead.  Others say he is colorless and meaningless and the Avengers are better off without an old fogey like him.

NEWSFLASH:  CAPTAIN AMERICA IS THE HEART OF THE AVENGERS.  Kill him, and you kill the team.  The Avengers would never have lasted as long as they have without Captain America.  It is a fact.  Marvel and these fatheads calling for his death are kidding themselves – and us – if they think they can survive without Steve Rogers running the Avengers, or if they think they can water him down and make him “more modern” and less of a symbol for America.  IT AIN’T GONNA WORK!!!

As for Nick Fury dying, NEWSFLASH:  the guy is as hard to kill as a cockroach.  He will not die until the end of the world, if then.  You may think you killed him, but sooner or later he will pop up to growl at you again.  That is the way he is.

And some very cruel “fans” want Vision’s head cut off so Thanos can steal the Mind Stone, which is stuck to his forehead, from him.  NEWSFLASH:  why would Thanos go to that trouble when he could just psychically or magnetically pull the Stone from Vision’s forehead into the Infinity Gauntlet?  YOU ARE NOT THINKING, PEOPLE!!!  YOU ARE BEING BLOODTHIRSTY BARBARIANS!!!

People are also suggesting that Thor may die in Infinity War.  This seems highly unlikely to me.  But in the interest of maintaining the momentum of this post: NEWSFLASH, Thor cannot die when Chris Hemsworth has voluntarily pledged to keep making films until he is old enough to play Odin himself on film and videotape.

So assorted Knobs, Idiots, Jerks, Doofi, Scum-Sucking Pigs, Toads, Rocks, Stones, Senseless Things, and Monumental Dorks, listen and listen well….

Hawkeye

HANDS OFF OF OUR HAWKEYE!!!!

Kitchen

HANDS OFF OF OUR CAPTAIN AMERICA!!!!

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 HANDS OFF OF OUR THOR!!!!

Wanda vs. Vision 2

HANDS OFF OF OUR VISION!!!!

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HANDS OFF OF NICK FURY!!!!!

Or I will start calling for Carol Danvers to die ignominiously yesterday.  We seriously DO NOT need this trophy wife character, and I wish Marvel would DITCH HER ALREADY!!!!

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How do you like them apples, you sorry excuses for Marvel fans?

Some Captain America: Civil War “Easter Eggs”

There were a lot of “Easter Eggs,” as they are called, in Captain America: Civil War. I did not see them ALL, but I noticed/thought of a few to share with you, readers.

For one, is it not interesting how much the Accords anger Sam Wilson/Falcon? This may hearken back to the original comics. In the “mainstream” Marvel universe, the government had tried to control the Avengers back in the 1970s (I think). They reduced the team’s active roster to seven individuals whom they selected.

One of their choices was Falcon, who loved being an Avenger. Already a long time partner of Cap’s in the other’s solo series, Sam was happy to finally be a part of his friend’s exclusive superhero club. What he did not love about the arrangement, though, was why the government put him on the team.

The government wanted the Avengers to be a “more diverse” team, and so they added Sam to the active roster simply because he was black. No other reason. Not his fighting skills, which he had honed at Cap’s side; not his empathetic link with his trained falcon Redwing – heck, not even his wing pack was the reason they chose him to be on the team!

No. They chose him because of his race, so they could make a political point/gain a political advantage from his life. Yeah, that is super flattering, isn’t it?

Sam’s attitude with his teammates was genial, fun-loving, and practically sunny during this time. His relationship with their government liaison, Henry Peter Gyrich, was stormy and antagonistic. He hated being a token player, and he was not afraid to say so in front of the public. Sam wanted to be an Avenger on his own merit – which he was, in the eyes of his teammates. But the government put him on the team just to make a statement.

And Sam hated that.

So his dislike of the Accords in Civil War could be seen as a nod to this, in a way. Sam fears he and his friends will be locked up in a dungeon somewhere to rot if they sign the Accords, and his fears are well founded. History has shown that when one signs one’s freedom away it is almost impossible to get it back. The only way Sam and the rest of Team Cap regained their liberty in the movie was through outside help from Steve. And even now that they can breathe the free air again, the law considers them criminals. Outlaws with no Sherwood Forest to inhabit, Team Cap is going to have to do some fancy flying until the Infinity War films.

I think they can pull it off, though.

Now, about that fight Clint and Vision had when the archer went to pick up Wanda at the Compound. In the original comics, Hawkeye is (or maybe now was) the same age as the Maximoff twins. He became enamored of Wanda and was always flirting with her. The Scarlet Witch never returned the favor; she did not hate Clint, but she certainly seemed to find his advances annoying.

When Vision came along, Wanda fell head over heels in love with the android. After a while, the Vision developed his own personality and reciprocated the Scarlet Witch’s feelings. The two announced that they wanted to get married, which caused a huge ruckus. Quicksilver, for one, did not want his sister marrying a synthetic man.

And Clint was not happy about this sudden competition for Wanda’s affections, though by this point the battle was already lost. Neither Wanda nor Vision would be swayed, and they finally tied the knot. After they did this, Hawkeye left the Avengers because he could not stand to see the Scarlet Witch married to someone else.

Thankfully, this romantic triangle is NOT part of the film! Hallelujah!!!!! I am soooo happy!!!!

Okay, fan victory lap complete. Next!

Right, I said I was going to give you a bit of trivia about Wanda. When Tony goes to the Raft, the first inmate he sees is the Scarlet Witch, who is wearing a straight jacket and shivering in her prison cell. The manner of the Maximoff girl’s incarceration here is probably a nod to X-Men: Evolution. In that television series Wanda’s father – Magneto – had her locked up in an insane asylum because she could not control her anger, which made her probability manipulation powers run wild. While she was there she ended up wearing – guess what? – a straight jacket. She did not enjoy it in that series, either.

The inhibitor collar we see Wanda wearing in her last scene during the movie was not part of her incarceration in Evolution. However, such collars are a fixture of X-Men lore. These devices are the only things the comic book authorities have which are capable of suppressing mutant powers. Heh, I guess Disney/Marvel got something mutant-related into their films under Fox’s nose after all!

As an interesting side note, while I do not know how likely it is, if the film writers want to keep pulling plot points and tidbits from the comics, we may see Wanda in a mid or end credits scene in Doctor Strange this November. In the original stories, Wanda’s probability manipulating powers were so hard for her to control that she went looking for help to get them totally under her command.

Her choice of tutor, however, was rather… unconventional. Agatha Harkness, a bona fide witch/sorceress from Salem, Massachusetts, taught Wanda enough magic for the younger woman to make her “hex” power more stable and reliable. In doing this, Harkness realized that Wanda had great potential in the realm of magic. This led to Strange calling on the Scarlet Witch from time to time for help fighting his occult enemies. Eventually, Wanda tapped into this magical potential, becoming the “mainstream” Marvel universe’s most powerful sorceress.

This led to her going loopy at least two, perhaps three, times in the “mainstream” comics. She destroyed the Avengers (and Hawkeye) the first time. The second time, she eradicated most of the mutant powers on the planet (along with Hawkeye, temporarily). The third time, everything else in the Marvel “mainstream” universe was also flying haywire, so Wanda’s mental instability in that event was almost negligible.

Wanda’s powers in the films have so far given no real sign of being out of her control. Still, the writers could pull anything out of their hats between Civil War and the Infinity War films. This is speculation, of course, but it bears mentioning.

Now, about the Raft itself. In the comics, the Raft is a high security super villain prison. Not that you could tell, since it has been subject to prison breaks in the past. Designed to be something of an East Coast equivalent to Alcatraz, the Raft is farther out in the Atlantic in Civil War than it is in the comics. In the books, the Raft is on an island. In the film, it is an island! (It is also, apparently, kept under water until the people running it are expecting visitors.)

During the comic book Civil War, Tony and the government enforcers for Superhero Registration working with him incarcerated captured anti-Registration heroes in an inter-dimensional super villain prison known as 42. 42 was really not a safe environment for the captured heroes. Of course, since Marvel was determined to make Tony a villain (they had succeeded last I looked), this hardly mattered to him or his bosses. The heroes under Cap’s leadership who were caught were bundled off to 42 without a trial, public or otherwise, and left to rot with the criminals they had spent their lives bringing to justice.

The film, of course, could not handle the intricacies of such a prison, so the Raft was substituted in its place. That is all right by me. I do not think I could have handled 42 being jammed into the movie! The Raft was a perfect substitute – especially since its only inhabitants were the guards and the imprisoned members of Team Cap. A picture is worth a thousand words, and the Raft said a million in fewer than ten minutes.

Now for Baron Zemo. Yes, in the movie, he is not a baron. (Whoop-dee-doo, so what?) In the comics, Baron Helmut Zemo is the last of a line of German nobles who have historically had an unhealthy habit of becoming evil. It practically seems to be bred into them, a trait passed from father to son as some sort of weird genetic inheritance. I do not know if there was ever a “good” Zemo in the whole family tree.

Baron Heinrich Zemo, in the comics, was one of Cap’s World War II enemies. A Nazi scientist, Heinrich Zemo had just managed to make a super glue so powerful nothing could break the adhesive. Cap showed up at about that moment and, during the ensuing battle, broke the container for the glue. The liquid spilled onto Heinrich Zemo’s head, which was covered by a hereditary hood/mask.

The mask was then permanently stuck to Heinrich’s face by his own super glue. It made eating and a few other things a bit of a problem. After he was awakened by the Avengers, Cap eventually faced Heinrich for the last time in Brazil. Light from Steve’s shield, reflected back in Zemo’s face, threw the Baron’s shot way off course. The misfired bolt started a rockslide, which killed Heinrich Zemo. Cap saw to the Nazi’s proper burial – which is more than Heinrich Zemo would have done for him – and went home.

A few years later, Zemo suddenly showed up again. Except this Zemo is not Heinrich; it is instead his son, Helmut. The guy has hung around ever since and been nothing but a plague. He can usually be seen leading his own team of anti-Avengers, which he calls the Masters of Evil.

This is one of the things from the “mainstream” comics to make it into the Civil War film. Helmut Zemo having a wife and son is new, but his father – that is old hat. In the comics, Helmut Zemo’s entire vendetta with Cap is based on the fact that he believes Steve killed his father in Brazil. The younger Baron is unwilling to distinguish between his father’s mistake and Cap’s lucky timing. Cap made his father miss, and it does not matter to Helmut that his father’s death was, basically, inadvertent. It happened, Cap was there, and so it is his fault.

Gee, that resembles Zemo’s grudge with the Avengers in the film, now doesn’t it?

In Civil War, Zemo holds all of the Avengers responsible for the deaths of his family, including the demise of his father. Though the inclusion of the senior Zemo is a seemingly throwaway bit of story, it is actually a nod by the writers to the original storytellers. Nifty little trick, I must say.

Attack 2

This is going to surprise some people, but the next thing to point out is that amazing internecine battle at the German airport. I do not know of any Avengers battles taking place in airports in the “mainstream” comics. They probably happened; I just do not know about them. But there is an X-Men battle from the original comics which took place in an airport that I know about. And unfortunately, this airport was not empty when the fighting started!

While seeing the Professor off on a well-earned vacation one day, the X-Men were confronted by a villain calling himself Eric the Red. He had taken control of Alex Summers/Havoc, the younger brother of Scott Summers/Cyclops. (Yes, I know this order has been reversed in the new X-Men films. Another reason I hate them.) Havoc knew he was being dominated, but he could not fight off the villain’s influence. Still, he was able to talk to his older brother and the other X-Men, proving that he was aware of what Eric the Red was doing to him.

Lorna Dane/Polaris, Havoc’s mind-controlled girlfriend … not so much. She was completely under the Red’s spell, and the fight spiraled out of control when she knocked Jean Grey a good one.

Storm retaliated in kind out of fury, since she and Jean were tight friends. This counterattack by Ororo in turn enraged Havoc. Mind control or no mind control, you did not want to go after his girlfriend. Not if you wanted to keep breathing!

It is a long shot to see a parallel between these two battles, I admit. But heck, the Marvel universe is full of long shots! They both took place in an airport. If nothing else, that is an odd coincidence!

Then there is Tony recruiting Spider-Man to Team Iron. When Spidey at last realizes he was used as an “ace in the hole” by Tony Stark for Civil War, there are going to be Whigs on the green. But for now, the important part is his new suit.

Uh-huh, I just said the important part of that scene was Peter Parker being given a new suit by Tony Stark. During the “mainstream” comic book civil war event, Spidey was convinced to join the pro-Registration side of the argument by Iron Man. He revealed his identity to the world, and Tony gave him an electromechanical suit which could sprout three extra legs and shoot repulsors from the hands, among other useful tricks.

In the film, this idea is presented in a slightly different manner. Parker cobbled his original suit out of old fabric in the movie, adding a set of secondhand goggles so he could better process information. The whole effect was far from intimidating. It was not even very appealing.

Tony states he needs an upgrade, which we get to see at the German airport. This suit, while it resembles the original outfit for Spider-Man in the comics, definitely has some Stark flair added to it. The fabric is high grade, almost like a suit of nanite skin, and there are camera lenses in his mask, enabling Parker to focus in on an object, person, or some such. (The lenses can also widen to show his shock when Ant-Man becomes Giant Man!) His webshooters are also more tricked-out than they were previously.

Although the results are different, the gift is essentially the same. Tony thought Spidey’s old suit in the comics needed a little more Iron in order to better protect him. In the movie, however, Parker really was in dire need of a new, better suit. Tony messed up a lot of things in Civil War, but we have to admit he did a very good thing for Spider-Man here!

Finally, there is King T’Challa. Many will already have put this together, but here it is again. In the “mainstream” comics, the mantle of Black Panther is passed down from one warrior in the royal family to another. King T’Chaka is not mentioned as ever having been a warrior or the previous wearer of the Black Panther mantle. More’s the pity.

Anyway, in the comics, T’Challa took the responsibility of being the Black Panther after his father was defeated and killed by one Ulysses Klaw. T’Challa, a child of maybe thirteen at the time, managed to scare Klaw off – destroying his right arm in the process – after the mercenary had betrayed and killed his father. T’Challa’s uncle ruled Wakanda as regent until the prince was old enough to undergo the trials he needed to pass to take up the mantle of the Black Panther. Once that was done, T’Challa suited up, kicked Klaw’s backside, threw him in prison, and became king of Wakanda. Following on that success, he joined the Avengers.

This is similar to the story we see in the film. T’Challa only dons the suit of the Black Panther after his father’s death, so that he may avenge him. In the film, Bucky is the one who takes the rap for killing King T’Chaka, which brings T’Challa into the fight on the side of Team Iron.

A last interesting note is that, in the “mainstream” comics, Panther at first declared neutrality in the comic book civil war event. But he and his wife, Ororo Munroe/Storm, eventually sided with Cap when it became clear Tony had completely gone off the deep end and was going to run everything into the ground, probably killing someone along the way. Unfortunately, the Marvel writers still managed to have him do that. Sorry, Panther.

Well, readers, I have delivered on my promise to discuss the hint I mentioned about Wanda’s incarceration – and then some! So as of now, I will sign off and give you all a chance to have fun elsewhere.

Avengers Assemble!

The Mithril Guardian

Captain America: Civil War – Clint Barton/Hawkeye

As anyone who has followed this blog knows, I am a huge Hawkeye fan. In the comics, the cartoons, and the movies, I always look forward to seeing him. Captain America/Steve Rogers is also one of my favorite characters, something I have said before as well.

So to FINALLY have my two favorite characters in a Captain America film is UNBELIEVABLY GREAT!!!!!!!!!! 😀 What makes it even better is that Renner and the Russos at last deliver a truly vintage Hawkeye performance. Clint’s snappy patter, skills, and determination are all taken directly from the comics in this movie.

Clint’s part in Civil War is far more limited than I was hoping for. Now, I am not looking a gift horse in the mouth here, people! I am thrilled he got to show up in the movie at all! It is just that my enjoyment factor would have been higher if he had been in the movie longer.

But, yeah, you probably noticed that by now.

Anyway, on to the film! Some people are saying that Clint’s main reason for joining Team Cap was the debt he owes Wanda. Because her brother saved his life, he feels he is indebted to her. He also basically inaugurated her Avenging career in Sokovia, and so he is at least partly responsible for her growth into her role on the team.

True, true, and true…except for the part where these people say these are Clint’s only reasons for siding with Cap. Renner did not help much, saying before the film came out that, “Cap was the first guy who called.”

(*Author slaps forehead and growls in irritation at the general population’s inability to speak or write well.*)

No, Cap did not call Clint first. Tony did – through Natasha. She asked Hawkeye if he would sign the Accords and Clint said, essentially, “No.” Then Cap phoned a couple of days later, whereupon Clint left home, busted Wanda out of the Compound, picked up Ant-Man, and arrived in Germany within hours of the phone ringing.

What was that about Cap calling first again…? I think I missed it.

For those who say that Hawkeye was truly retired at the start of this movie, I have this to answer in response: Clint Barton, Hawkeye, hang up his bow for good? Don’t make me laugh! Being a hero is his job. And when his job needs doing, he will do it.

This is why he refuses to sign the Accords. Steve and Clint are both cut from the same cloth. Did you notice that, in Age of Ultron, Clint has two very large American flags on his property? One is hanging from the side of his house; the other is tacked up in the barn. And oh, yeah, there is a third, somewhat smaller U.S. flag pinned up over the tractor in the barn, too.

Clint seems awfully patriotic. Steve Rogers is, too, or he would not be Captain America. They both recognize the danger in the Accords, which the U.N. wants to force on them and the U.S. They both know that a government or governing body of any type is almost always run by people with agendas. And agendas are dangerous, because the people who have them often place more value on their schemes than on doing what is right.

Clint had to know that to decline signing the Accords while claiming retirement was a holding action at best. He also had to know that the location of his family’s house is now blown. Sooner or later, it will be discovered. If the writers have not had him move, he could be in serious trouble. (Which means that the writers will be in serious trouble with ME!)

If he is half as smart as I know he is, then Clint should have moved his family not long after returning to the farm at the end of Age of Ultron. He would not tell any of the other Avengers about doing this – Tony, Rhodey, Natasha, and Vision have signed the Accords. And Tony has now blabbed about the Barton family on film and video tape. What a typical, unfiltered, big mouth reaction. (*Author rolls eyes.*)

The one Avenger he might tell, if he has moved his family, is Cap. But he would only do that in private, when they were sure no one was listening. Natasha would be able to figure it out, eventually. They have worked together for years and therefore think alike on such matters. Heck, they have probably helped each other come up with contingency plans for this sort of problem!

The point here is that Hawkeye joined Cap’s team because, to borrow and paraphrase Emily VanCamp’s description of her character and Evans’, “They have similar moral compasses.” Clint and Steve both know the difference between right and wrong. When told to move by the world, they will both “plant [themselves] like a tree, look them [those who are telling them what is wrong is right] in the eye, and say, ‘No, YOU move.’”

Natasha knows this. It is why she is alive, as well as Cooper, Lila, and Nathaniel Barton’s “aunt.” She knows Clint’s claim of retirement is baloney and code for, “The U.N. can go bark at the moon. I am not signing away my freedom.” It is this certainty on the part of her two friends which leads her to question the Accords and her own decision to sign them.

This is going to sound like a fan rant, but follow me through please, readers. I loved it when Clint fired three arrows at Iron Man, only for them to get shot down. The basis for this scene is taken straight from the comics. Like many villains, Tony mistakenly believes Clint has finally missed his target…

Clint just smiles smugly and retorts, “Made you look.”

When Hawkeye shoots at you but does not hit you, then he was not aiming for you in the first place. Tony does not know him as well as he thinks he does if he had to learn that fact the hard way. Anyone who has known Clint for any period of time knows that this archer does not miss, whether he is using arrows, bullets, assorted bits of junk, or his own fists. Whatever the tool, Hawkeye’s aim is always true.

Speaking of the internecine fight at the airport, Wanda was right – Clint was pulling his punches with Natasha. He is physically bigger and stronger than she is. Their dance should not have gone the way it was heading. We all remember their duel on the Helicarrier in The Avengers. While I am sure Hawkeye was pulling his punches as best he could in that fight, the thing is that he was holding back even more in Civil War.

Black Widow was not.

It is understandable that Clint would hold back in a fight with Natasha. They are very close friends, almost as close as Steve and Bucky still are. On some level, I think Hawkeye never stopped believing in Natasha after she signed the Accords. He knew she doubted the rightness of what she had done, that she was worried she had made a mistake. He had faith that she would realize she had made the wrong choice and would reverse that decision sooner or later. In the end, he was right. And so he is glad he pulled his punches.

And that Wanda pulled Natasha’s.

Nevertheless, Clint takes Wanda’s admonition on not pulling his punches to heart for the rest of the battle. For Exhibit B to prove that he joined Team Red, White, and Blue out of loyalty to Steve and the belief that Cap was in the right, who held Panther off while Steve and Bucky ran for the quinjet?

Clint did. And while he is not as strong as Panther, Hawkeye put up a great fight. He knew he would not be able to beat T’Challa, or even stalemate him. Not for long, at least. But he was going to go down fighting – hence: “I don’t think we’ve been introduced. I’m Clint.”

The new King of Wakanda is not in the mood for witty banter, let alone name-trading, as he demonstrates with his pithy, angry, “I don’t care!” Clint knows that. But if he cannot get his digs in one way, he will do so by other means. T’Challa can be stronger than Clint all he wants, but he will never outdo the archer in the gallows humor department. Hawkeye will see to that!

To backtrack a bit, our first look at Hawkeye in the film is when he goes to pick up Wanda from the Avengers’ Compound. Wanda senses someone enter the room and, preparing for the possibility that the intruder means her harm, uses her power to grab a butcher knife from the kitchen counter and throw it at the potential cat-burglar.

She must have figured out who her “intruder” was before she hit him, because she stops the blade in the nick of time. Hawkeye stares at the knife as it hovers just in front of his forehead, briefly surprised. Then he smiles faintly. “Guess I should’ve knocked,” he says, calmly pushing the knife away with two fingers.

Wanda lets it drop to the floor and races over to him with a gasp. “Oh, my gosh, what are you doing here?” she asks, horrified. She came that close to killing a friend, and after her inability to fully contain Crossbones’ funeral pyre/revenge plot in Lagos, this near miss is no laughing matter to her.

But Clint brushes it off, apparently unconcerned. It was his fault, as he admitted. Someone sneaking into the room after an explosion draws out the Vision – what was Wanda supposed to think? She was prepared, which was a good thing. If it had not been him, she would have needed to defend herself. As it is, he is still breathing and in one piece, so no harm, no foul. Leaving a temporary Vision-catcher set up to keep the android out of their hair, he grabs Wanda and tries to bolt.

That is when Vision returns. Using his wit and fast mouth, Hawkeye waits until Vision is stuck in the electrical field generated by the arrows he planted for the purpose of holding the android in place. Satisfied that the field will keep Vision trapped for the necessary time to initiate an escape, he goes to leave.

Wanda does not follow him.

This scene was fantastic because it shows Clint’s teacher side. He understood how overwhelmed Wanda was when Novi Grad began to fly, and he understands her hesitation now. Like everyone else, she does not wish to make the same mistake twice – or a worse error. But her fear is crippling her. Never one to lose confidence in himself for more than five seconds, Clint once again restores Wanda’s self-assurance in two or three sentences.

Enough time for Vision to break free of his trap and make a fight out of what otherwise would have been a relatively easy extraction.

This following scene probably harkens back to the original comics from the early sixties, where Hawkeye and Vision had a “debate” over who held Wanda’s affections. However, in Civil War, though the fight is again over the Scarlet Witch, Clint has no romantic inclinations toward her at all. His attachment to her here is entirely different.

She is a kid he convinced to be a heroine, and she is being held under house arrest because she did her best and people died anyway. She did what she could to save as many people as she could, and the media have been tearing her to pieces ever since. She does not deserve that treatment, but the political hacks and media harpies are quite happy to ignore her youth and inexperience so they can further their agendas.

Clint, however, will not ignore these factors. He knows her. He cares about her. In some way, she has to make him think of his own daughter. If it was Lila in Wanda’s situation, Clint would want someone to watch out for her and take care of her. Wanda has no family anymore, and since the rest of the Avengers have either acquiesced to her imprisonment or are not able to get her out themselves, he will stand up for her because they cannot or will not.

Vision, who seems to be as smitten with Wanda in the films as he was in the comics, wants to protect her. Lulled by false rationalism and logic, Vision has decided that he and Wanda are too dangerous to be liked or understood by the public. But in keeping her “housebound,” Vision is not helping Wanda. He is only aiding in the crippling of her belief in herself. He cannot, however, see that…

But Clint can. When Vision breaks out of the trap, Hawkeye knows the android will not let Wanda go without a fight. And while he is not a super genius, it does not take a 190 point IQ (or whatever Tony has), to know that Vision far surpasses him in strength and power. There is no way any of the Avengers, other than Wanda and perhaps Thor or the Hulk, could hope to at least hold their own with the Vision.

So Hawkeye does not put all his chips on beating Vision. He knows he cannot do that. He also knows that Wanda is aware she is being imprisoned, does not like it in the least, and that she wants to help Cap as much as he does. So he fights and, as he knew, is put out of action by Vision. But so what if he cannot beat Vision?

Wanda can.

And she does, showing that Clint’s faith in her is not misplaced. Though they both like Vision and consider him a friend, the stakes are too high to waste time talking. Even if they had the time, Vision will not be swayed easily. So Wanda throws him down a hole to cool off…

Clint takes a moment to look down it, too, probably thinking, Boy, am I glad that’s not ME down there. But if Wanda wanted to defeat or incapacitate him, this is not the way she would do it. (The butcher knife would be more effective and less tiring.) And he knows it. Wanda’s demonstration of her abilities in that moment would have scared most people out of their skins –

It did not scare Clint because he does not see just her powers. He sees Wanda Maximoff, a sweet young girl working at learning how, when, and where to do the right thing with her amazing abilities. She will make mistakes as she learns, just like everybody else, but he has nothing to fear from her. He knows that.

And now, she knows it, too. This crisis of self-assurance over with, wrapped up, and taken care of, Clint tells her they need to make a pick up on the way to meet Steve. This leads us to the meeting in the parking garage outside the German airport, where Clint tells Cap he is “doing [him] a favor” and that he “owe[s] a debt.”

This is where people – including me – got a little confused. Remember when I said there was no way Hawkeye would hang up his bow for good? He loves his family more than words can say, but he still has a job to do out there. As he said when Vision returned from investigating his distraction, he “retired” for “like, five minutes” and the world went to hell in a hand basket. Message received: retirement is not going to work for him.

Some will say this is overconfidence or hubris, and while it carries a bit of the former, Clint told Wanda in Sokovia that saving the world was his job. Hawkeye is a fighter; he always has been. Like Steve, he has been standing up to bullies his whole life. In the original comics, those bullies usually held an authority position over him while he was growing up.

We do not know as much of his MCU back story as I wish we did, but it would not surprise this author if it was very similar to his “mainstream” universe history. Because, in the MCU, as in the original Marvel “mainstream” universe, Clint has no more patience for tyrants – big or small – than Steve Rogers does.

So even when he is happily married and playing with his children, Clint’s hands will occasionally itch to be holding a bow and an arrow, sighting an enemy and taking him down. Targets are great, but they are for practice. Hawkeye’s skills are not meant for the target range alone. He has to be out, just like Steve, actively making a difference. He is not made to sit on his hands. He has to be doing his job, at least some of the time.

He is lucky Laura understands that and supports him when he does it; Pepper should spend some time with her. Maybe then she will stay with Tony instead of marching off in a huff because he is still making suits and Avenging.

This is why Clint says Cap is doing him a favor. A year out of action is long enough for his hands to start getting very itchy for a good fight.

As for the debt, that goes without saying. Hawkeye is indebted to the Scarlet Witch for her brother’s sacrifice, and he is a man who pays his debts. The weight of that obligation is equally balanced, however, by his respect for Wanda and Steve, as well as the knowledge that tyranny is rearing its ugly head again. Despotism casts a long shadow, and Clint does not want that touching the lives of his wife and children. If he was unworried about it, he would not be living off the grid as he is.

Now we go to the last time we see the World’s Greatest Marksman in Civil War. When Tony goes to get information from Falcon in the Raft, Clint is the first one to “greet” the great “genius, billionaire, playboy, philanthropist.” Hawkeye is one of those “guys with none of that” who Steve once said were “worth ten of [Tony].”

Clint did not receive the codename Hawkeye simply for his keen eyesight and unerring accuracy. The man sees with his head and his heart as well as with his eyes. Although he may not always possess the vocabulary to express what he knows, the fact is that he knows this: “There’s right and there’s wrong. You gotta do one or the other. You do the one, and you’re living. You do the other, and you may be walking around, but you’re as dead as a beaver hat.” (John Wayne in The Alamo.)

One can accuse Hawkeye of many things, but being “dead as a beaver hat” is not one of them.

Tony tries to wriggle out of the lecture, but Clint will not let him. His own imprisonment, and that of Scott and Sam, is bad enough. They are fighting the good fight and the government, angry that they have remained out of their control for so long, has thrown them in jail ‘til they either sing “Kumbaya” or rot. Fine. That bites, but it was to be expected, and Clint can take a beating when he has to without giving in to his captors.

No, the worst thing about his imprisonment, the part which stings most, is that Wanda is not imprisoned with the men. His family is safe. He made sure of that before he left, I would think, probably guessing that Tony would open his big mouth and mention them when they met face-to-face at last.

But since the fracas at the airport, Clint and the others have no idea where Wanda is or what has happened to her. She is not imprisoned on their level; she is a girl and they are all guys.

That, however, is only half of the equation. The other half is that Wanda is the single enhanced member of Steve’s team besides Cap and Bucky. Ross, the guards at the Raft, and their collective bosses in the U.N., are all terrified of her power. They see her abilities. They do not see the person who uses them.

Steve does, Clint does, and Sam does. Doubtless, Bucky can see past her powers to the girl wielding them. Even Scott Lang sees her as a person. Remember when he is geeking out over meeting Cap? He turns to Wanda after a few seconds, points at Steve, and says, “Wow, Captain America… I know you, too. You’re great!”

No one on Team Cap sees a dangerous weapon when they look at Wanda. Tony, however, needs his eyes checked.

If you add this fear of Clint’s to Tony’s betrayal of the Avengers’ agreed upon leader (Cap), and the fact that he has been incarcerated as a criminal for doing his job, you have a recipe for a big bowl of righteous fury. Clint is quite happy to throw the whole soup of his displeasure in Tony’s face. Cap was right: Tony tore the Avengers apart when he signed the Accords. He has betrayed himself, Steve, Clint, Sam, Vision, Rhodey, Natasha, and – worst of all – Wanda.

The betrayal of Wanda is the worst because, of the Avengers, she is the weakest. Not physically or in terms of power quotients. No, Wanda is weak because she is inexperienced and needs guidance from people she can trust, people who care about her and will protect her. She is a child who needs teaching and attention – not house-arrest, fear, and jeers.

Tony called her a “Walking Weapon of Mass Destruction.” He held her under house arrest in the Compound. Now, the government has taken her and locked her up, adding a straight jacket for extra insurance. (I hear it is not impossible for people to get out of those things. The fact that Wanda did not free herself says a lot about her – and a lot about the people who put it on her in the first place.)

Tony has the good sense to be ashamed for the first half of Clint’s reprimand. Clint knows it will not last, and he makes sure to give Tony both barrels as fast as possible, reloading just as quickly. Tony does not like it, further endangering his friendship with Clint by throwing the matter of his family in the other man’s face and asking why he did not sign the Accords for their sake. The mention of his family in a bugged and camera-filled cell, when they are a secret he revealed to Tony with the utmost confidence as a close friend, makes Clint really mad.

Still, despite it all, there is evidence to support the fact that Clint is not willing to abandon Tony to his mistakes. He warns Tony to “watch his back” with Ross, since the Secretary of State, “might just break it!”

Clint’s warning, following on the heels of Natasha’s similar angry remonstrance at the Avengers’ Compound, has some effect on Tony. He does not tell Ross what Sam confides in him. Later, when Steve goes to break their mutual friends out of the Raft, Tony does nothing to help Ross. He puts the other man on hold, as he had promised.

So Clint is mad at Tony – and he is right to be angry at him. But he has not given up on him, just as Cap has not. That says volumes right there.

While the final scene where we see Steve stepping out of the shadows as Sam smiles at him is charming and applause-worthy, I kind of wish we could have seen Clint and the others’ reactions to Steve’s arrival as well. I love picturing the four trading quips as Steve unlocks the cell doors, then going down (or up) to the level where Wanda is being held so they can break her out. Alas, it can only be imagined. Unless Marvel makes a comic book about their escape, we have no other recourse.

Most likely, Clint will not stay in Wakanda as an ex-patriot. Neither, I think, will Steve. The two will perhaps make trips to visit the country so that they can keep tabs on Bucky’s progress or walk about more freely, but neither of them could stand to be away from the U.S. for very long. And Clint still has a family to take care of, so he would have more reason to go back than anyone else but Scott Lang.

No, I think Clint will return to his family, as Scott will go back to San Francisco to be with Cassie. Steve, Sam, and Wanda may stay in Wakanda for a little while longer, but they will return to U.S. soil as well. Wakanda is a nice country, but America – that is home. And there is no place like home.

The three can easily go off the grid together and visit Clint from time to time when they come back. Because Natasha disobeyed the Accords, there is a chance that she will hook up with them, or that they will find and “recruit” her. From now on, Team Cap will be the “Secret Avengers.” They will do their job without the “oversight” which Tony, Rhodey, and Vision must put up with. This will give them ample time to get stronger and more prepared for Infinity War, Part 1 & 2.

It will also give Tony time to reevaluate his choices, allow Vision a chance to do more calculations, and who knows? Perhaps Rhodey will wake up to reality by the next Avengers’ film.

We can but hope. Until then –

Let’s do this, Secret Avengers!

The Mithril Guardian

Captain America: Civil War – Trailer 2 Breakdown

Well, sorta. This is not a total trailer breakdown, more like half a trailer breakdown.

Anyway, thanks to masterleiaofasgard, I saw the second Civil War trailer not too long ago. (She is sooo good at finding these things! 😉 ) It was… amazing! Spectacular! Superior!

Yeah, I am having fun with Spidey’s old titles of amazing, spectacular, and superior. Ultimate… I do not think the trailer rated that, thankfully.

Anyway, there were some things in this trailer which I thought were noteworthy. Below is a list of those things, which other, sharp-eyed fans have doubtless already noticed and taken the time to opine about them. Since I have not had time to surf the net for the observations of others, I snapped some shots of scenes from the trailer which I wanted to look at more closely. Unfortunately, the photos are grainy and blurry for the most part. I am sorry for that, readers, but it was the best this writer could accomplish with the limited tech knowledge stored up in this brain. I am no McGee of NCIS or Alec Hardison of Leverage, so this is the best you are going to get from this post, I am afraid.

With that disclaimer, we can get down to business. First up is this shot of Wanda bringing Vision to his knees:

Wanda vs. Vision 2

Pretty scary, huh? Wanda Maximoff is not an opponent any sane member of the Marvel Universe wants to enrage. That is a bad, bad idea under normal combat conditions. In this case, the plan is even worse.

After watching the trailer several times, I paused the video on this scene to get a better look at it. That is when I noticed that there is someone lying on the floor directly in front of Wanda’s feet. If you look at the bottom left corner of the photo, you should see him, too. Judging by what appears to be a quiver lying next to his bare left arm, I would say this person is none other than Hawkeye. It appears he has been knocked out, and my first thought was that Wanda might have done it to him. A friend of mine, however, is of the opinion that she is not responsible for his awkward nap, but is instead protecting him.

This would explain why Wanda is attacking Vision. If he popped into the room when Clint was telling Wanda it was time to go and zapped the archer, Wanda probably attacked Vision in retaliation. She considers Hawkeye a friend, in no small part due to the kindness he showed her when she was falling apart in Novi Grad. Watching him get hurt by Vision would not be fun for her. So after the initial, “What are you doing?!” moment, she would step in to protect her friend.

Another thing which adds credence to this theory is in the upper left corner of the photo. Though it is hard to see, you can just make out the Marvel Cinematic Universe’s trademark Avengers insignia. The only place where that A would be in such a visible position by the window is the Avengers’ new HQ; the old Stark facility they retrofitted and which Ant-Man so brazenly invaded.

The presence of that A indicates Wanda and Vision are fighting on their home turf. This fact is only reinforced by Wanda’s apparel; she is wearing a shirt, skirt, and boots, not her combat uniform. She is in a place where she feels relaxed and safe. This isn’t the airport or some other location; this is the Avengers’ base, her home. That means the Avengers do not divide into separate camps in a city somewhere. The break in their team occurs in their very own base!

Lastly, look at the Mind Stone on Vision’s forehead. Usually, that rock is yellow. In this shot, however, it is glowing red, along with the rest of Vision’s body as Wanda uses her powers on him. She is not just attacking him; she is attacking him through the Mind Stone.

In an interview that was released recently, Elizabeth Olsen said that the Vision’s and Wanda’s friendship is based in part on the fact that they both received their powers through the Mind Stone. While Olsen said there was no romance in the relationship, she did say they were friendly with each other. It appears they are friendly because of their shared experience with the Infinity Stone stuck to Vision’s head.

Also noteworthy about Vision’s position is the cracks in the floor beneath his feet. His knees have not hit the floor yet, but there is already a network of cracks in the concrete. I guess he was hovering and Wanda yanked him out of the air to the floor, causing those cracks. Vision is certainly heavy enough to have broken the floor that way, if he landed too hard. Since he is not in the habit of breaking stuff just for the fun of it, he did not create that damage of his own accord.

Next we have this shot of a circular area full of barred rooms:

Prison

A friend took note of these and suspects that the circular, underwater base we see rising out of (presumably) the Atlantic Ocean is the home of these cells. For cells these are. They are somewhat reminiscent of the cell where S.H.I.E.L.D. put Loki in the detention center aboard the Helicarrier – the one initially meant to contain the Hulk.

But these cells are much less roomy and comfortable than his was. This is a jail, no doubt. And considering that we see a shot of Tony – his arm in a sling and sporting a black eye – in the center of this room after this picture, it seems he is getting his first real look at what Ross ultimately wants for the Avengers. Registration leads to imprisonment and, sooner or later, death. Just ask the Jews rounded up in Nazi Germany and sent to the death camps – or the thousands of people the U.S.S.R. sent to the gulags. How did those monsters find all these people to condemn them to death?

Registration. That’s how they found them to round them up, send them to the death camps, and eventually kill them. And this is why Cap is so against registration for the Avengers.

I may be wrong, but there is some kind of placard at the bottom of the stairs that lead to each of these cells. I cannot help but wonder if these plaques are for names, marking which cells are set aside for which Avengers. Creepy, isn’t it?

I hope Tony is feeling the chill, too.

This photo here shows Cap chasing after Black Panther.

Chase

This is obviously an underground tunnel, but it is not a U.S. tunnel. And these vehicles, while they are probably of American manufacture, are not in America. Based on the blurry shot of the vehicle going down the tunnel adjacent Cap and Panther’s, a friend estimates this chase occurs in Europe. Or with cars owned by Europeans. It is hard to be sure because of the motion of this shot. But this chase is definitely going down in an underground tunnel, not a parking garage.

This photo is half a hoot and half terrifying.

Yikes!!

Tony is facing off against the Winter Soldier, and finding out that the man is as deadly as his rap sheet says he is.

This photo is interesting for several reasons, not least being Tony’s frightened expression. He is obviously unhurt at this juncture in the battle. Very obviously. The injured arm and black eye he has in other scenes during the trailer are conspicuously absent here. Wherever Tony is, he has not yet had a tumble on the tarmac with his anti-Registration teammates.

In fact, it seems he is at some diplomatic shindig. Perhaps the U.N. meeting at the building we see get blown up – apparently by Bucky Barnes?

This photo raises more questions than it answers. Since Tony is unhurt, we might assume that this scene is set prior to the civil war between the Avengers. This, in fact, might be what cements Tony’s decision to join Ross in promoting superhero registration.

This opens up a whole new set of possibilities. If Bucky didn’t attack the U.N. building – and his statement in the previous trailer that he “[doesn’t] do that anymore” implies he was framed for the attack – then this attack on Tony could also be a ploy. How HYDRA or Zemo would pull this off, I do not know. But this attack on Tony could very well be nothing more than an attack by a lookalike, a clone, or someone disguised as Bucky Barnes. This fight would certainly serve HYDRA’s purposes. Surviving an assassination attempt will doubtless firm Tony in his dislike of Barnes at the same time Cap is learning his old friend got out of the killing gig not long after Winter Soldier.

It could also mean that Bucky is fighting residual HYDRA control. HYDRA may have a codeword or some other program buried in his subconscious that reactivates his brainwashing, if only for short periods of time. Failing that devious “gotcha” plot twist, the only other explanations are that this is a fake attack, or that this is the battle where Tony earns his broken arm. That last, however, seems somewhat unlikely.

The next picture shows Cap in a rundown apartment kitchen.

Kitchen

There are newspapers plastered to the window on his left (our right), and a hole in one of the tiles over the kitchen counter. This place obviously has not been well-maintained by the owner(s) of the building, though it is clean enough to suggest the occupant of the place does not want to live in a complete rat-hole. But the person living here also does not want to be seen – hence the newspapers on the window.

Considering Cap says in this scene, “This doesn’t have to end in a fight,” I think this is Bucky Barnes’ hidey-hole. Hawkeye, while joining Team Cap and going on the run with them, probably left his farm to head straight for the base. I do not see him living in this kind of dump, and there is definitely no reason for Cap to tell him, “This doesn’t have to end in a fight…”

Wherever this place is, Cap finds Bucky here.

Unfortunately, this next picture is terrible.

Lab

Since it was frozen in mid-motion, this picture is very blurry. But from what we can see of it, Tony has just backhanded Cap across the room. Behind the two of them, you can see Bucky. It looks like he has a gun in his hands and has it raised. Or he is in the process of raising it. It is hard to tell for sure.

What we also see here is that the three are in some sort of underground complex. This is probably a HYDRA base and the location of the climatic final battle between the Registration and Anti-Registration Avengers.

The place looks like a lab – the Dr. Frankenstein type. This is most obvious because of the cylinder with the yellow glow on the right hand side of the shot. It is hard to see because of the watery blur from the camera’s motion, but by zooming in you can make out a person seated inside that cylinder. It is nearly impossible, however, to see whether this person is a man or a woman. Whoever it is, though, seems to have a stump where their right arm should be, as well as some sort of wire/tube coming from the top of the cylinder to attach to their body.

Particular features are impossible for me to gain here. But this scene got my mind whirling with possibilities. Is this a clone of Bucky Barnes? Is it the original Bucky Barnes, which would mean that the Winter Soldier we have seen since Cap 2 is a clone? Most pointedly – WHAT IS TONY DOING FIGHTING CAP WITH THIS HORROR SITTING RIGHT ACROSS FROM HIM?!?!? *Smack forehead and growls with irritation.*

We will only know when we see the film, naturally, but this scene is certainly something to look at closely.

Next picture we have here is this:

Claws!

I snapped this photo mostly to gawk at the length of Panther’s claws. Yikes!!! He could rip a man to shreds with those things! If you watch this scene a little more, you will see that when the chopper starts firing on the two, bullets literally bounce off of Panther’s suit. A vibranium outfit definitely has its perks.

Another thing to consider about this photo and the Bucky/Panther fight scene we glimpse is the location. This is not a U.S. city. The weathering is not consistent with most U.S. climes. This location is warmer than all but certain U.S. cities. My guess is this city is on the Mediterranean, while a friend has suggested it is in the Middle East. However, it could be anywhere. I am no expert on architecture, and these buildings could be in any of the places listed. Heck, I could be wrong and they might be fighting on a rooftop in the U.S.!

Wherever they are, these buildings seem to be along the same lines as Bucky’s apartment. Rundown, not well-maintained, non-descript apartment complexes which middle-class or upper class people would not get within sight of except on the freeway. The perfect place for the Winter Soldier to lie low and stay off the radar.

Until now, that is.

This next photo is of Natasha:

Black Widow

I am not sure, but I think this scene is from the airport tarmac in Germany. A friend suggests that it is a hospital. Either way, if you watch Widow closely during this clip, she seems to have tears welling in her eyes. I tried to photograph that part of the scene and failed, so if any readers can confirm that – not to mention the location of this shot – I would be most grateful.

Next is this photo of Team Cap charging at Team Iron:

Charge!

This shot I saved for the simple reason that I thought it was cool. On a recent study, though, I noticed something else: black smoke rising from somewhere behind Cap and his team. They were in a battle of some sort before facing off with Team Iron on the tarmac. Tony and his team might even have come in response to whatever conflict Cap and the others were involved in prior to this moment.

Also in this scene, we get a semi-clear look at Cap and his team. Wanda has changed into her combat gear here, and Ant-Man has also joined Team Cap by this point. I will be interested to see if he still has those shrink/grow disks in this film, or if he has upgraded to a shrink/grow gun, such as he had in Avengers Assemble’s second season. The gun would probably be more accurate and practical, but we will have to wait and see.

Here we also get to see Falcon spreading his wings and Hawkeye in his new gear. Later scenes show he has upgraded his main weapon again. Clint built all his bows in the comics, and if he does not maintain that practice in the Cinematic Universe, I would like to know where he gets his bows. Like in the scene where he is apparently out cold on the floor at the Avengers’ base, his suit has only one full arm, while the other is partly bare. His quiver is strapped to his back over his right shoulder (so how did it end up on the floor next to him at the base…?), and he has a glove on his left hand. Renner is left-handed, but in the comics Hawkeye was ambidextrous – either naturally or through training. This is an interesting costume upgrade all the same, though.

Sadly, this is not a great shot of Bucky. But it does not appear that he has any heavy artillery on him in this scene – unless it is strapped to his back and hidden by his hair at this moment. I cannot tell for sure. Cap’s gloves do not have fingers here, and this suit seems to be a melding of the one he had in Ultron and Winter Soldier. It appears a little old-school, but has some new touches to it.

These next two photos show the two factions drawing toward their clash at the airport.

Attack 1 Attack 2

Wanda, Falcon, and War Machine are hard to see, but if you look closely you will be able to make out Wanda and Rhodey. Falcon, unfortunately, manages to blend in well with the airport buildings in the second photo.

In these pictures, we see Wanda bending her knees and powering up to fire off some of her power. Rhodey’s trajectory suggests he is aiming straight for Falcon, who looks to be on a collision course with War Machine. Vision is aimed up toward Wanda. He and the Scarlet Witch are definitely going to tango here – and how!

On the ground, Cap is raising his shield to block a blast – or a fist – which Iron Man is preparing to deliver from above. Hawkeye, Ant-Man, and Bucky have all opened some distance between themselves and Cap, so their leader will have room to two-step with Tony. This puts Bucky on a direct path to tangle with T’Challa again, while Black Widow is apparently making a beeline for Hawkeye. Ant-Man is a good pace behind both Hawkeye and Bucky, who are neck and neck as they race toward their separate challengers. Who Scott Lang will be dancing with in the opening of this scene is hard to tell, but he will not be allowed to stand back and watch the others battle for long. That is for sure.

This next picture is taken simply for fun:

Really, dude?

This is the scene where Tony calls in our friendly neighborhood traitor to snatch Cap’s shield. Tony is already sporting his purple-black eye, but the real kicker is War Machine’s mask. As a friend of mine said, it looks like the War Machine armor is underwhelmed by Tony’s call to Spider-Man. What I do not understand about this clip is why Widow is standing behind Cap when Spidey hauls the shield off his arm and webs his hands together. Why did Cap let himself get surrounded?

These last shots show the camera focusing in on the Webslinger.

Spidey 1 Spidey 2 Spidey 3

I was not as enthused by the first sight we have had of the new Peter Parker as others are, but I was surprised to see that the lenses covering his eyes have focusing capabilities. This is new, and probably to help augment the emotion in Spider-Man’s voice. If Spidey has to shout “Whoa!” and show surprise, it will help if the lenses in his mask widen to show his shock, the way they do in the Ultimate Spider-Man cartoon series.

These are not the only scenes in the trailer to catch my attention, readers. But I think this post is more than long enough. These scenes were the ones which gave me the most to think about, and now that these speculations have been passed on to you, we can all sit back and wait for the movie to come out. But let’s try not to bite our nails bloody or grind our teeth to the gums, okay?

See you later, readers!

The Mithril Guardian