Avengers: Infinity War – A Review, Part 2

Whoo! Last week this blogger did a quick rundown on the (minor) issues she had with Avengers: Infinity War. Having covered those irritating incidents, we can now dive into what was truly enjoyable about this film. And there is a lot to like (warning – there will be spoilers 😉 ).

On a technical level, the film is pretty close to flawless. It never loses track of its story. It doesn’t wander off into the hinterlands or backtrack into the ancient past; neither does it throw flashy special effects in a viewer’s face, hoping to dazzle them with movie magic. No, the movie is a self-contained story that proceeds in a straight line at break neck pace. Ten years of cinematic storytelling have been building up toward this moment, this ultimate battle of good versus evil. It’s been comparable to water building behind a dam until it reaches capacity and bursts.

While this blogger hates the Mad Titan with more passion than Loki or even Thunderbolt Ross, I have to admit that his disproportionate amount of screen time here was necessary. Until now, we have never seen Thanos in action. We have heard the rumors, the horror stories, and have gained some vague idea of what he is capable of accomplishing.

But it all pales in comparison to the truth. Thanos is the single scariest villain in the MCU to date. He is as charismatic as a snake and has a tongue like honey. Trying to reason with him or tell him that he is wrong is like trying to tell a tidal wave to stop. It doesn’t work due to his arrogant certainty that he is right and the rest of the universe is wrong. He wants to be God, and has convinced himself – more or less – that he is, in fact, a deity.

No where is this better demonstrated than with the portrayal of his chief henchman, Ebony Maw. Maw practically worships Thanos and, by extension, death. The only member of the Black Order to receive decent screen time, Maw exhibits a chilling, slavish reverence for the Mad Titan. His speeches about how those whom he is going to murder on his master’s behalf have now had meaning injected into their previously “pointless” lives highlights the evil he and Thanos are perpetrating on innocents throughout the galaxy. It is a scary nod to what some people in real life who followed Hitler or Stalin believed about them and their bloody aims.

Of course, this means that watching Maw get blasted into space was one of the most satisfying moments in the entire film. That was a good scene! I wonder if he found the meaning in his formerly pointless life upon being forcibly ejected into hard vacuum…

Probably not – or at least, not the kind that he was expecting. 😉

Speaking of good scenes, the heroes had plenty of those as well. While the majority did not receive as much screen time as I would have liked, the time they got was used well. This is most true, in my opinion, with regard to Vision and Wanda. They had some of the best scenes in the film. While they play second fiddle to Thanos, their tune is just as impressive (if not moreso) than his was or can ever be.

The trailers didn’t lie; despite the split in the team and the threat of the Accords, Wanda and Vision are dating by Infinity War. Apparently Cap and Tony have been arranging for the two to have some “alone time” in different parts of the world for a few days/weeks for the past two years. Vision turns off his tracking tech and disappears to be with Wanda, giving her a break from being on the run with the rest of the Secret Avengers. At the end of the agreed upon time, he goes back to being an official hero and she returns to being an outlawed heroine.

Their relationship is very, very well presented. Though Paul Bettany has made some joking comments about it (i.e. “I’m an android, [Olsen is] a witch – how does this work…”), that attitude never shows in their performances. They absolutely nailed Vision and Scarlet Witch’s romance in this movie, and they should receive awards for their work. I doubt they will, but they really, really should! 😀

Tony, too, did well in this film. He starts out hemming and hawing over the fact that he was wrong and “broke up the band” in Civil War, but the fact that he deliberately looks the other way when Vision goes to meet Wanda suggests he’s realized that the signing the Accords was a really bad idea. The fact that he also flies off to handle Thanos solo (more or less on purpose) only goes to show that he still hasn’t quite relinquished his irritating tendency to think/say/act like he can “fix” everything with his genius.

But as the battle escalates and the true extent of the threat becomes more and more apparent, his arrogance melts away. Faced with the fact that his nightmare is real – and far worse than he thought – Tony rises to true heroism in his personal battle with Thanos. It’s a great moment (and a terrifying one), when the Mad Titan almost kills him. Strange’s bargain almost seems to be a cheat, as it interrupts Tony’s transformation and seeming achievement of the pinnacle of heroism.

It is, however, nothing of the sort. While Tony has reached a great height, his work is not yet done. He’s the resident super genius of the Avengers, which means that they need him to stop Thanos. Strange’s exchanging the Time Stone for his life makes plenty of sense on that level.

On a more personal one, which the good Sorcerer Supreme may have known as well, Tony hasn’t reached the peak of heroism yet. There is still some unfinished business he has to take care of back home before he is ready to face the final test. He has to patch things up with Steve.

As discussed in the posts about Cap and Tony’s character arcs in Civil War, most of the fallout from the final battle in that film lies squarely on Iron Man’s shoulders. He made the decision to sign the Accords; he fell for Thunderbolt Ross’ honeyed promises, and he is the one who forced the confrontation at the airport in Germany. Nothing Cap did was anything more or less than defensive counter maneuvers to block a literal or figurative punch.

Even when Steve avoided telling Tony about Bucky’s involvement in the murder of the senior Starks, while it wasn’t exactly right, it was certainly not comparable to what the younger man tried to do in Siberia. That entire fiasco, the rift between Tony and practically everyone else on the team, is his fault, not Cap’s. And he has to deal with that; he has to face it. Steve is more than ready to do make amends and move on….

…But when Tony had a chance to begin the catharsis and healing during Infinity War, he didn’t take it. His heroism on Titan is admirable (and Downey Jr.’s acting is fantastic), but it is not yet perfect. And although there are other factors leading up to the Avengers’ loss, his choices are a big part of why the team fails to stop the Mad Titan’s ambitions.

For Iron Man to become a true hero, a real modern knight, he has to face that fact. He has to admit he was “wr-r-r-ong,” to quote the Fonz, and he has to do it to Steve’s face. Cap is more than ready to let bygones be bygones, he just needs Tony to man up and say the word, none of which will happen if Tony is dead. And that’s a big part of why Strange gives the Mad Titan the Time Stone in exchange for Iron Man’s life.

Speaking of those left alive at the end of the movie, Chris Hemsworth pulled off a fantastic performance as the grieving, vengeance-hungry King of Asgard. Thor has been through a lot in a short amount of time, and though he bears up pretty well under it all for most of the film, it’s not hard to see him straining. He’s watched his home, his people, his friends, and his remaining family murdered for nothing. And it’s not hard to see how all of this is affecting him.

The really cool thing is how he shows it in small moments. Rubbing at his wrists with impatience when he thinks no one’s looking. Staring out the windows at nothing but the past. Avoiding eye contact or being a bit more terse and regal than he needs to be to make his point. The anger, pain, grief, and desire to avenge his losses at Thanos’ hands – it’s all there in the little gestures and glances he gives. This has to be one of his best performances yet.

And that goes for the rest of the crew as well. Though they don’t get near enough screen time, the rest of the Avengers and Guardians each get their due. Whether it’s Gamora singing along to one of Quill’s songs at the same time he is or watching Bucky lift Rocket in the air so they can turn in a circle and cover all their bases, the heroes each get a moment to show how far they have come in ten years. It’s a beautiful thing to watch ….

…Which leads us to the biggest and best thing about the otherwise heart-wrenching finale for Infinity War. After all their hard work, the heroes are defeated, and more than half their numbers are erased. It is not at all uncommon to hear modern academics speculate lovingly about how we could save the planet if we murdered eighty or ninety percent of the population. There was a professor some years ago who openly hoped that a mutant Ebola virus would wipe out ninety percent of humanity in order to preserve the environment. (And yes, he received a standing ovation. Why do you ask?)

Infinity War takes these academics’ theories out of the classroom or lecture hall and explores them on the big screen with characters audiences everywhere have come to know and love deeply. Thanos has spent years systematically murdering fifty percent of numerous alien populations throughout the galaxy – up to and including the already halved Asgardian people, who have just lost their homeworld (which was apparently more sparsely inhabited than we thought, given the relatively small number of refugees who got loaded onto the Statesman at the end of Ragnarok).

Right out of the gate, Infinity War offers a very clear presentation of what the world would look like if those who desire the eradication of large numbers of human beings had their way. The Asgardians are practically on the verge of extinction; by Thanos’ own stated objectives, they should be safe from his culling.

But they are not. The Mad Titan walks aboard their ship, ostensibly searching for the Space Stone/Tesseract, and slaughters innocent civilians. Men, women, and children – none are spared, not even the (somewhat improbably) redeemed Loki. According to his mission parameters, there should be no reason for him to do this. Yet he wipes them all out without batting an eye anyway.

His actions put the lie to his rationale that in order to save the environment of the cosmos, he has to bring “balance” to a population that is already teetering on the edge of annihilation. Thanos is no savior, he’s a mass murderer. And those who espouse a similar worldview in real life are no less genocidal than he is.

Most importantly, the final shots for Infinity War and early footage for Endgame show the results of his policy. Panacea is not achieved throughout the universes; instead, chaos reigns. On Earth, planes crash into buildings, raising the death toll even higher as their remaining crews and passengers die in the resultant conflagrations. Uncontrolled vehicles crash into buildings and people, reducing the population again. Governments and infrastructure crumble, leading to anarchy as the rule of civilization dissolves. Food, gas, medicine, and electricity become luxuries as the factories and power plants which supplied them fall out of use, leading to mass starvation and death by disease.

The environment takes a hit with each loss as well. Fires rage from the plane and vehicle crashes; rains erode the carefully maintained terraces on farms and in parks, or lead to floods from dams that overflow with no one to open the channels that will send the water to other areas in a controlled manner. Pets starve when their owners don’t return to feed them, zoo animals die without the care of their handlers, as do animals in farms, labs, and animal shelters worldwide.

“But that’s not what killing eighty or ninety percent of the human race would do!” some cry. They are correct; wiping out more than fifty percent of the global population would make things worse. Entire cities would be fit only for ghosts, and the remaining people would not get to live in mansions with free Wi-Fi, running water, and endless supplies of food. They would have to go out and live in the heat and the cold, hunting and gathering and dying like their ancient ancestors did.

From what we see in both Endgame trailers, this has already happened. Clint is out killing Yakuza who have moved into the power vacuum in a city somewhere, while a refugee camp has been established around the Statue of Liberty, probably by the Avengers. They almost certainly set it up there because it was clean and provided easy access to a food source: fish, crabs, lobsters, and other sea creatures.

Thanos said he would go and watch the sun rise over a grateful universe after he had achieved his goals. But what kind of universe is thankful when half of the people that made it worth living in are turned to ash by a crazy man’s snap? The Titan is truly mad if, in the depths of his soul, he believes the cosmos is actually happy following his deeds. No platitudes of his will make up for the lost children, the vanished spouses, the beloved grandparents, or the acclaimed rulers. If Thanos were to go to New York expecting a warm welcome, he would have to powder more people as they rushed at him in a rage born of grief.

Unlike Loki, however, the Mad Titan has enough of an ego to believe that he can hear the crowds cheering from the fields of his new farm. He does not actually believe the people or the cosmos is appreciative of his actions. If he did, then he would go looking for praise. No, as Gamora said, his only love is for himself and his desires. Being alone on his farm like a“twisted Cincinnatus,” as someone said, is reward enough for his labors.

I, for one, can’t wait to see how the Avengers are going to bring him down. There is the chance that this will be the last hurrah for some of them, and if that is the case, I will be sorry to see them go – especially if they are given a poor send-off.  Or if they are replaced with lackluster characters (*cough* Carol Danvers *cough*). For the future of the Marvel Universes and audiences everywhere, I hope Endgame ends better than Infinity War did, with the team back together, the world safe, and Thanos gone for good.

Well, readers, it’s been a fantastic ten years of cinema. And it has to be said that, without them, I would not be here at Thoughts writing to all of you. It’s been a fun ride. I have no idea where things are going to go from here, but I know that everything leading up to this point has been great.

Until next time, readers:

Avengers, Assemble!

Avengers: Infinity War – A Review, Part 1

Wow. I knew going in that this film would be intense, but… Whoa…

Yes, I know that I am very late in reviewing this movie. However, this blogger needed to process a lot of what she had seen in order to write a cogent analysis of the film. It’s not much of an excuse for leaving you hanging, readers, but it’s the truth. I had to do a lot of thinking about this film. It’s dense and not for the faint of heart.

This was a great movie. But there were some small items which bothered me while watching the film. These will be discussed today, while the more enjoyable aspects of the movie will be addressed later on.

Because Thanos got most of the screen time here (arrrgh!), I cannot do the characterization posts I enjoyed writing for Age of Ultron and Civil War. He took up too much screen time for more than a couple of the heroes to really stand out. So these reviews are probably going to just be lists of things I enjoyed/noticed in the film which point to the true, the good, and the beautiful.

All right, with that said, now it is time to get down to “tacks of brass” and tell you what I disliked about this movie. Most of these are minor quibbles, really; they do not detract from the film in any major way. But they were kind of annoying.

The first thing I had real trouble buying was Loki’s decision to save Thor after he told Thanos he could kill the King of Thunder. Someone who watched the film with me reminded this blogger that Loki wants to kill his brother himself, and it has to be said that there is some part of the Trickster which may be redeemable. There is good in him – somewhere. Still, although we saw that goodness on display more in Ragnarok than we have in prior installments, I’m not sure this film gave the transition proper justice. They didn’t do badly, but they might have been able to do better.

My next problem came with Pepper. As we see at the beginning of this movie, she is still trying to get Tony to abandon being Iron Man. My response to this is no, No, and NO!!! Good grief, what happened to the Pepper from The Avengers? The one who, like Penelope of old, understood that Tony had a responsibility to protect the Earth, not just himself and her? This selfish twit is a pale shadow of the Pepper Potts we saw in The Avengers and I AM NOT PLEASED WITH HER!!!

What Tony comes to realize here, and what Pepper has forgotten as of this movie, is Spider-Man’s motto: “With great power comes great responsibility.” Tony was not the first superhero, true, but the fact is that after he became Iron Man, he became accountable for more than himself. It is his job to defend America specifically and Earth as a whole from threats foreign and domestic.

If she truly loves Tony, then Pepper will have to learn to love all of him – including his alter ego. Despite what she and he (to a lesser degree) seem to think, the two are not separable; he is both Iron Man and Tony Stark. For him to abandon that responsibility destroys a good part of his identity.

This leads us, neatly enough, to my problem with Hawkeye’s mention in the movie. Believe it or not, I can actually handle the fact that he does not appear in Infinity War. It is disappointing but understandable; with all the other people running around in this film, the odds of him getting decent – if brief – screen time were pretty darn slim. So while I missed him, his lack of presence here was not the problem.

No, my problem was that the writers had him take a deal from the government. What the Sam Hill….? That makes no sense. None. I can see why they would need to do this for Scott Lang, given the plot for Ant-Man and the Wasp, but not for Hawkeye. Knowledge of Scott’s family is a matter of public record. There was no way for him to take Cassie, his ex-wife, and her new husband into hiding. In order to see his daughter in a safe, meaningful way, he would have had to capitulate and take a deal. This is why it makes perfect sense for Scott to be under house arrest in Ant-Man and the Wasp.

It does not make ANY sense for Hawkeye to be under house arrest during Infinity War, which is where Widow says he is. The whole point of Clint’s rebelling against the Accords was to protect his family, to keep them secret. That’s why he smacked the bars on his cell after Tony opened his big fat mouth in the Raft. The absolute last thing he would do would be to sign a deal with the government which kept him under house arrest, since this requires the government to look in him and his family regularly, just as they did with Scott.

Clint made it abundantly clear in Age of Ultron that he wanted knowledge of his family to stay off the record. Even after Tony blabbed about his family, it would have been more sensible (and easier) for Hawkeye and the Secret Avengers to keep his wife and children hidden. All they would have to do was move his family to a new location, either in the U.S. or by seeking asylum in Wakanda. Without a way to track Clint or the Secret Avengers, the government could not use the Barton family as bargaining chips. This would have at least enabled Clint to “retire” with them in relative safety and comfort, if not continue his Avenging career with the rest of the anti-Accords gang every now and then.

For the writers to subvert Clint’s choice like this really bugs me. It also contradicts his previous portrayal and plays directly into the stereotypical trap that Pepper has fallen into. Clint Barton is a father and a husband first and foremost, yes, but if he wants to keep his family’s lives secure, he has avoid letting the government know about them at the least. There are no two ways about this and the writers should have handled it better than they did.

One of my other issues with the film came at the end of the story, when the “Snapture” begins to take a universal effect. Most of the unnamed people who are erased in Wakanda are guys. It appears from the camera shots that almost all of the Dora Milaje – T’Challa’s bodyguard and ceremonial wives’ corps – are left standing. I guess the writers and directors figured they wouldn’t be able to get past the Hollywoond censors if they wiped out half the women warriors in Wakanda.

Personally, I think erasing Okoye rather than T’Challa might have made more sense to the narrative and had more of an impact on audiences. But, heck, what do I know? I’m just a fan.

Another point of contention I have with the film is Thanos’ sacrifice of Gamora to gain the Soul Stone. The idea, as expressed in the film, that this works because he “loves” her is…sticky in one sense but, in another, it works pretty well. As Gamora herself says, what Thanos feels for her is not true love. He loves her as a reflection of his own brilliance and glory, not for herself. Technically, because he does not truly love Gamora, throwing her off a cliff to her death should not “earn” him the Soul Stone.

On the other hand the Stone may not be able to determine the difference between real love and selfish love. It may recognize and respond to either type, or just to the fact that a soul has been offered to it. Any one of these three things could make it acquiesce to being taken by the sacrificer. There is no clarification given in the movie for how this works, though, so viewers don’t know which it is for certain.

My final complaints about the film were the three-on-one fight with Proxima Midnight and the scene where Gamora cries after she thinks she has killed Thanos. In a way, both of these things make sense. But the method in which they were accomplished left something to be desired for this viewer.

We will deal with the cat fight first. It has been shown throughout this film franchise that the male Avengers are naturally chivalrous. They tend to go easy on their female opponents. This is demonstrated best in Civil War when Scott Lang/Ant-Man sheepishly admits that he doesn’t want to hurt Natasha, who promptly does a number on him. Therefore, if you want a no-holds-barred fight with Proxima Midnight, sending the Black Widow, Wanda Maximoff, and Okoye after the leader of the Black Order means there will be no need to tear off the kid gloves.

The quandary comes in the portrayal of Okoye and Natasha’s trading nods like equals. As far as we have seen, here and in previous films, the two have never met or spent much time together. These slight nods that hint at a friendship between the two therefore have no weight, since we never saw them together before this film came out.

More importantly, Natasha and Okoye are not equals. Okoye is a general, a soldier. War is her business and her element, as shown in Black Panther. The woman practically lives for the thrill of battle.

In contrast, Natasha is a super spy. She was raised to be a solo operative who got in and out of areas and scenarios no one else could. Subterfuge is her expertise and her greatest weapon, even now. Fighting alongside the Avengers does not make her a soldier, since as Tony said in The Avengers, they ARE NOT soldiers. They are, rather, para-military commandos. A situation arises, the Avengers ride in, dispatch the bad guys, pull the plug on their evil scheme(s), and go home. That is it.

Even when they end up in situation like that seen at the start of Age of Ultron, the team is operating in the manner that Special Forces units do. The field of combat there may be wider than the one Natasha was accustomed to when working for the KGB and SHIELD, but in form it is not that different. When she is in the field with the Avengers she is doing what she has always done the way that she has always done it.

As we saw in Black Panther, Okoye has very little patience for the arts of subtlety and guile. She can’t keep up a cover identity for more than fifteen or twenty minutes, tops. Unlike the patient Widow spinning a web to ensnare a foe, Okoye is a tigress who hunts in the open because she revels in the fear she inspires in her opponents. The two are nothing alike, and to suggest that they are in any way similar through these minute gestures was a stupid move on the part of the writers. It completely upset the tempo of the otherwise magnificent fight with Proxima.

Finally, we come to Gamora crying over Thanos. While it is true that she hates Thanos for everything he did to her and everything he made her become, the fact is that she does share a relationship with him. In a twisted, dark way she owes him her life. There is no way for Gamora to really escape that fact, even though she wishes she could. This scene also makes it clear that she sincerely pities the Mad Titan for his blindness to real love and beauty. It makes total sense that she would start crying after “killing” him.

What does not make sense is that she didn’t see through his Reality Stone ruse. Nor does it make sense for her to break down so completely in this moment. And as an assassin, she ought to know that it is better to mourn in private, after she has made sure her target is really dead. The fact that she falls apart here shows she is letting her feelings rule her.

This is a weakness she cannot afford in this war, but which she gives into anyway. While it is understandable and excusable from our point of view, it is neither within the context of the story. Her breakdown here was more than a little annoying for that reason. The universe is at stake and yet she stops to fall on her knees and cry over Thanos? Doesn’t it make more sense to do that in her room AFTER she is sure that the universe is safe and daddy’s not coming back to kill half the cosmic population? *Sigh….*

These are, as I noted above, very small nitpicks with this film. On the whole, this movie is fantastic!!! And with Avengers: Endgame set to be released in April/May of this year, we won’t have that much longer to wait until we know how it all ends. Here’s hoping it is one of those finales where, as Samwise Gamgee’s gaffer would say, “…all’s well as ends better!”

‘Til next week – Avengers, Assemble!

An Avengers: Infinity War Trailer Breakdown – Sorta

Finally – FINALLY!!! The trailer for Marvel’s third Avengers film has been released! The first major teaser trailer for Avengers: Infinity War appeared on the Internet yesterday, readers. And it is a doozy!

You can find another breakdown of the trailer here, which I enjoyed reading immensely. But while I was watching (and rewatching, and rewatching….) the trailer myself the other day, I noticed a few things which Mr. Finn did not mention. Being the Avengers’ fan that I am, it seemed reasonable for me to do a trailer breakdown myself. I need some way to burn off my excitement and trepidation, after all, and this appears like a good way to do it.

Why the trepidation? Well, for a start, this is Infinity War. This is the battle between Earth’s Mightiest Heroes and the Mad Titan, Thanos, wannabe paramour of death’s female incarnation himself. The way he plans to woo her is by uniting all six Infinity Stones to wipe out most of the universal population. (Hence the title Infinity War, Mr. Pine; it isn’t about ‘infinite war’ but six mega-powerful rocks which can reshape the universe from the ground up at the whim of whoever holds them. They’re so powerful the energy they produce is incalculable, i.e. infinite.)

At least, in the comics, Thanos’ aim is to make Death fall in love with him. In the movies he might just be a galactic overpopulation nutjob worried that the universe is becoming too crowded, which means everything has to be put in ‘balance’ again. (Translation, a lot of people “have” to die – fast.) And since he is the best and brightest guy who noticed the rising population in the first place, it makes total sense for him to be the bringer of that balance to the cosmos. Yeah, sure; please insert scoffing raspberry here, readers.

Of course, this means that all our heroes are on the chopping block. We can be sure that a few will survive to be in more movies, but for others, there is no guarantee. Nada. Zip. Zilch. This brings me to my first observation about this trailer….

WHERE THE SAM HILL IS HAWKEYE?!?!?!?! (And Ant-Man, can’t forget about him….)

Two whole minutes of trailer, and my favorite archer does not even get a cameo?!?!?! Are you kidding me?!?! Where is Clint Barton? Why isn’t he in this trailer, at least as a voice? I thought we established waaay back in Age of Ultron and Civil War just how important Hawkeye is to the team. But he doesn’t show up AT ALL in this trailer. Neither does Ant-Man, who would be a BIG help when our guys run into hordes, multitudes, and fireteams of alien monsters.

Where are these two?

Okay, now that I got the big problem out of the way, we can delve into the trailer.

The first picture we see is of a storm-tossed desert planet, followed by a shot of Tony sitting down somewhere. He is rocking back and forth on his heels, apparently trying not to cry. From later shots, it looks like this is a world where he and Spider-Man get trapped after they first face Thanos.

I’m guessing Peter gets seriously hurt here. I say hurt and not killed because Tom Holland still has two or three Spider-Man films in his contract. These films are set between the Avengers’ movies, so they cannot afford to knock off Peter Parker here. Not yet, anyway, or at least not permanently. We also have a voice over throwback to The Avengers where Fury explains the Initiative to Steve on the Helicarrier. But it is Fury’s only line in the trailer as Tony, Vision, Thor, and then Natasha finish his speech for him.

The next scene shows Dr. Strange and his buddy Wong looking down at a confused and shirtless Bruce Banner, who has literally dropped into the Sanctum Sanctorum from above. Aside from the fact that this is another nice nod to The Avengers, it apparently has something to do with the end credits for Thor: Ragnarok. I am guessing, since I have not yet seen the film, that Hulk somehow got blown off of Asgard when it went BOOM and has landed, as Banner, in Dr. Strange’s house. I thought he left Asgard with Thor, but apparently he decided to take the quick way home. Probably for the best, considering what we see later on….

Next image we have shows Paul Bettany, sans Vision makeup, throwing curtains open on a rainy day/evening/dawn. Now if you watch this clip and do not stop it, you will miss an important thing. You will miss the fact that Wanda is in this room as well. Look to the left of the frozen image and you will see her in a bed. THIS IS A BEDROOM, PEOPLE!! AND SHE IS SHARING IT WITH A HUMAN VISION!!!!

Holy cow, I did not see this coming, although I did see the romance part coming. (Spoiler alert, they married in the comics. It was fine for a while, but then the writers abused them, so it got weird.) Looking at this still shot, it appears that Viz woke up and went to look out the window at something, waking Wanda up in the process. But why is he human? And when did they start rooming together (or did they actually get married in the films after all)?

Unfortunately for Wanda and/or Vision, I am pretty sure this is a hallucination. Or someone is poking around in their head(s), looking at their desires/dreams, taunting them by using these fantasties. (Vision cannot ever be physically human, readers; that is why I say this is a fantasy.)

One of the reasons I think this may be a hallucination is because the Black Order, five or six alien warriors who follow Thanos and who want to bring death to everyone everywhere, are said to be a part of this film. Given that the next scene shows the Mind Stone still in Vision’s forehead, I am thinking Ebony Maw or Supergiant, two telepathic/psychic members of the Black Order, are playing around with either his fantasies or Wanda’s. If it is Wanda they are messing with, I hope the Scarlet Witch pastes them. If it is Vision, the Black Order might have captured him, meaning that they may be trying to interrogate him.

Another theory I have for this scene is that this is Wanda’s fantasy, and Vision is working to snap her out of it. Or Vision has found a way to disguise himself so that he looks human, which means that he and Wanda are actually living together here. This might explain a later scene which makes it appear that the Scarlet Witch hasn’t been hanging out much with Team Cap. If she’s been living with Vision, then the guys on Team Red, White, and Blue knew she was safe and happy, so they let her go with Viz to live off of the U.N.’s radar while they kept Avenging.

Our next throwback scene shows Thor looking out of what appears to be the Milano’s viewports. How he ended up with Quill and the gang when he was supposed to be taking care of the Asgardians he saved in Ragnarok is anybody’s guess at this point. I think those who have seen the film probably have better theories about the how than I do, so let me finish by saying why this is a throwback scene. Anybody remember Fury standing in a similar position aboard the Helicarrier in The Avengers? I sure do!

Next we have Bruce, in full attire, standing beside a Hulkbuster fist in what is apparently Wakanda. He is sharing a smile with a blonde Natasha Romanoff. (Really? Blonde? She originally had black hair in the comics, what was wrong with that color…?) I do not know if they will be picking up their relationship where they left off in Age of Ultron. I kind of hope they do; it was so unexpectedly sweet and suited them so well that I would really like to see them get back together. But we may get a Natasha/Bucky romance during Infinity War and its sequel instead. I would be happy with that, too, mind you, but the romantic in me still wants Bruce and Natasha to start dating again.

Up next we have scenes of Tony, Bruce, Strange, and Wong in the Sanctum, with a voice over by Thanos. We follow this up with Peter Parker’s arm hairs rising. This could be a sign of his Spider sense activating, or it could be that the massive alien teleportation ring we see hovering over New York is generating enormous amounts of energy. Static electricity, after all, makes hair stand up straight. The energy the ring is producing may not be powerful enough to make long hair stand up, but it could make arm hairs raise. Just saying.  🙂

Then we have Tony, Bruce, and our two sorcerers standing out in the street staring at the big Ferris wheel in the sky. At least Strange and Wong are powered up and prepared to fight. Even Bruce is standing in ready position. Tony’s the only one doing the “Oh, bleep!” blind staring act here.

Does he have another arc reactor in his chest? It is hard to see, since Tony’s jacket is almost zipped closed, but I think there is actually another arc reactor powering his heart here. How did that happen? I thought it was removed in Iron Man 3. Did he have it taken out, or just replaced? If the latter, why haven’t we seen it in the other films? Or is this a new, fancy Iron Man suit that he can hide under normal clothes, like some of the ones he has in the comics?

Well, we’ll find out one way or the other. After this we see someone stepping over the bodies of a lot of dead people, followed by a shot of Loki holding the Tesseract out to Thanos. (Big surprise there – that rotten little weasel would get away from a dying Asgard with the Infinity Stone he promised to deliver to Thanos way back in The Avengers….grrrr.) From the looks of the backdrop and the apparel on the dead bodies, I would say this scene occurs in Knowhere.

Loki, you @#%*$!!!

This is very bad, since this could be where Thanos goes to pick up the Aether/Reality Stone from the Collector. Not to mention it seems he killed a whole lot of people here for no good reason…. But then, he wants to kill everyone for no good reason. So this scene isn’t really a surprise at all.

And Spidey got an Iron Spider suit. Shiny – and it is good at grabbing the rotating innards of that portal gizmo. Nice. Does it come with missiles and extra legs, too? Those would be helpful right about now…

Whoops, looks like Thor is standing in the center ring of an even bigger portal doohicky. And he is trying to tear it apart. Or is he trying to activate it? Those look like the controls for the Milano in his hands, but that big bubble-wand is not Peter Quill’s ship. So what are we looking at here, exactly? And what is Thor trying to do?

All right, quick, stop that next scene!!! Did you see that?!?!?

No? Try again, as many times as you have to. We know who catches the glowing blue trident, but did you see who threw it?!?!

If you missed her despite your best efforts, don’t worry, I did, too. A lot. But then I managed to catch a glimpse of her. That, my dear readers, is Proxima Midnight – one of the leaders of the Black Order and a nasty, nasty lady. Did I say she was nasty? She gives nasty a bad name. That trident is her signature weapon.

Proxima Midnight

It is hard for me to say just where she is standing. Looks like it could be an airport or a subway tunnel; maybe a factory or a gas station. Either way, it is dark, so someone cut the power here, or this scene happens at night. Proxima Midnight – Near Midnight. Ha-ha, very clever, Marvel.

The person she threw the trident at is none other than Captain America. (Seriously, let the man shave already!!! Beards are not meant for combat – they’re too easy for an opponent to grab and hold. Evans may get away with a beard, but Cap does not!!!) He is still shieldless but just as clearly still on the job.

I say this last because of the next scene where we see Steve. After Proxima tries to shish-kabob Cap, we see him step out of the shadows, looking like Star Wars Rebels’ Agent Kallus. Nevertheless, Wanda appears to be very happy to see him. To me, she almost seems ready to cry at the sight of him. Judging by the stuff in the background and the fact that her hands are glowing, it looks like Wanda engaged Proxima first, which means Steve came to back her up.

But if she is about to cry on seeing him, that might mean she was not expecting him to show up. This concerns me; Steve may not be using his Captain America moniker for the beginning of Infinity War, but he is not the kind of man who will sit back and let evil have its day. The fact that he shows up fully suited and combat ready, if a little scruffy, suggests he has been maintaining his superhero status since the end of Civil War.

I thought the rest of the anti-Accords Avengers would be with him. But if Wanda is so near tears when she sees him stop Proxima’s trident, plus the fact that she is wearing civvies and looks like she showed up to the fight underdressed, does that mean Cap disbanded his team and went solo? That doesn’t add up. They’re stronger and safer together, at least in pairs. I also don’t see the guys letting Wanda run around on her own, not after Ross locked her up in solitary on the Raft in Civil War. That is not like them.

Of course, maybe she didn’t give them a choice. Maybe she left of her own volition and has been staying off the radar her own way. If I were the guys, I still wouldn’t be willing to let her go off alone. The fact that no one kept an eye on Wanda in the early ‘90s after she had suffered a serious string of bad luck was one of the factors which led to her going crazy in the Avengers: Disassembled and House of M comics. If the writers are planning to go in this unhealthy direction in the films, I will not be happy. But if this is the result of the fact that she has married, or is living with, Vision – that I will accept.

Yes, I know I skipped T’Challa’s speech. But the part here with Wanda was really important. T’Challa’s words are totally in keeping with his character, and they do him immense credit, so I do no think I have to really dwell on them. Though I will say that I went a little squeaky when T’Challa said, “And get this man a shield.” Eeeek! Way to go, Panther! Make sure it is colored right, please! Yay!!!!! Captain America forever!!!!

Okay, next we see a new and improved (we hope) Hulkbuster in Wakanda, followed by Natasha jabbing someone in the midsection with a staff. Judging by the scenery behind Widow, I would say this is the same fight where Cap shows up to help Wanda battle Proxima Midnight. (Please let Natasha be stabbing Proxima Midnight, please let Natasha be stabbing Proxima Midnight, please, please, please…!)

Then we have Dr. Strange relaxing/freaking out (?) after doing a little magic (I mean, super-duper fast quantum calculations). Then we have a giant black pyramid thing – one of several – landing in what appears to be Wakanda. I am with Mr. Finn; if the Soul Stone is not in Wakanda’s basement treasury, I will be surprised and disappointed. There is no way Thanos and his aliens are after the vibranium – not when they can get better, stronger material in space. They have to be after something else here.

After this we see Cap (without a shield), Panther, and a lot of Wakandans mixing it up with four-armed, big-toothed aliens. Then we see Spidey get slammed into the dirt by Thanos, followed by a shot of a distressed, unsuited Tony Stark. Next we see someone standing on Vision’s chest while stabbing the Mind Stone in his head, using a staff shaped like the one Loki had in The Avengers. This begs the question of whether or not Loki is the one doing the stabbing; looking at the shape of the stabber’s feet, I am inclined to say it is actually Ebony Maw or Corvus Glave, but I could be wrong.

I was actually much happier to see Bucky than I expected to be. That is a really nice gun, there, Buck. And you have a shiny new arm! (Please tell me it is made of vibranium; please tell me it is made of vibranium…!) Then we see T’Challa turning to look at the screen. If you freeze the shot, you will notice that Natasha is standing next to him. Her hair is in the lower right corner.

Go get ’em, guys!

This is followed by assorted scenes of combat, as a horde of aliens tries to invade Wakanda. The only Avengers we can confirm are present in this battle so far are Cap, Widow, Bucky, Hulk, Panther, Falcon, and War Machine (I guess they fixed his back). Finally, we get a glimpse of Thor asking who in the Sam Hill the Guardians of the Galaxy are.

The Guardians of what again?

You can just see the air go out of Quill’s tires when he says that. Four years on the job as Guardians and yet the Prince – now King – of Asgard has not heard of him and his crew? Come on, man!

The Guardians of the Galaxy

This is going to be a rip-roaring ride. I cannot tell who may or may not die. Personally, I hope Thanos and the Black Order all get obliterated from the universe during this film, or during Avengers 4. And if bad stuff does happen to our heroes – and I do not see how they can escape scars, bruises, etc. here – I hope that six of ‘em each get a hand on an Infinity Stone and use the rocks’ combined power to set things right.

Some will say that is cheating, and maybe it is. But as I have said elsewhere, I do not go to these movies for the villains. I do not go to them to be told, “Lie down and die.” If I wanted that message, I would go to a DC film or to see the latest installment in the X-Men franchise.

I go to the Avengers films because they tell good stories, using heroes I love, and they give me hope. That last is in VERY short supply in most of the fare we receive from Hollywood these days. Only the Lord of the Rings and the Hobbit movies gave me the same sort of satisfaction as the Avengers have, with Star Trek a close runner up. I would not even be going to cinemas now if it were not for the Avengers cinematic saga.

So whether anyone likes it or not, I am not raffling off any of the heroes for death in this movie or its sequel. If the writers kill them, I am stuck; if the actors who play them have quit and necessitated the killing, I am stuck. I will not complain if they are sent off with honors. However, whether they live or die, I will not desire their deaths or the deaths of any other heroes in the films.

I do not worship death, as some of the people who follow these movies seem to do. I worship God, Whose hand I have seen in most of these stories. If the film writers turn away from Him, then they can kiss my cash goodbye. It has been a great ride, and I hope they end it well. If they do not, it will be a tragedy; but I have trusted God to steer them right so far. I trust Him to do it again. After Avengers 4, I will be able to either peacefully enjoy what comes next, or disengage from the franchise with a fond farewell. What shall be is not yet determined. It is out of my hands; I can only wait and see.

Ha, haha. For once, waiting does not seem quite as hard for me now as it has been in the past.

Avengers – Assemble!

Avengers: Age of Ultron – Iron Man/Tony Stark

Is there any superhero out there that happens to be in more hot water these days than Tony Stark? I am sort of out of the loop on comic book news, but it seems Tony Stark/Iron Man is one of the most despised and maligned superheroes in the genre of late.

Ouch. If it were not for Marvel’s manhandling of him, I would say Tony did not deserve this. In truth, the original Tony Stark does not merit this treatment at all. And that is the one thing which makes me go easy on the petulant, crass, self-absorbed Iron Man that Robert Downey Jr. plays to perfection. I may not respect the current iterations of Tony Stark, but his earlier portrayal when he first entered the world of comics is a character I do respect. That is the only reason I am willing to go relatively easy on him.

What is there to say about Tony’s part in Age of Ultron which I have not already stated in previous character-based posts about the movie? Hmm. Let’s see….

Tony starts out a hundred percent fine in Ultron. It is just another day at the office for him as he helps the Avengers – his friends – bust HYDRA’s most recent operation in the obscure Eastern European country of Sokovia. Cap, naturally, chastises Tony for using poor language for a minor annoyance; Hulk is having fun tearing things apart and scaring the HYDRA soldiers witless, and Widow and Hawkeye are tag-team fighting the goons. Meanwhile, Thor is bringing the thunder as he looks forward to reclaiming the scepter Loki used when he tried to take over Earth roughly three years ago.

Yup, it’s just another day at the office. And would you look at that – it even comes with a secret door!

Then Tony, with his eyes on the “glowstick of destiny,” suddenly sees a vision of a horrible future. His team – his friends – are lying dead or dying at his feet. Natasha is sprawled on her back, her eyes staring glassily into the distance. The Hulk, lying on the rock behind her, breathes his last, several alien spears projecting from his back.

Thor is on his back as well, but mercifully his eyes are shut. Across from him is Hawkeye, who is folded up and seems to have slumped into a sitting position as he died. All his arrows are spent. Worst of all, Cap is lying directly in front of Tony. His eyes are closed and his shield has been broken in two. Its halves lie haphazardly near his head.

These are Tony’s friends. People he once did not know and did not care to know. People he once would have had nothing to do with, unless it was to tease and belittle them. But through the course of the battles he has fought at their side, he has gotten to know them better. He has learned who they are – and thus he has learned to care about them.

Natasha, a super spy Tony once mistrusted and quite probably hated, is now a friend. She trades witty banter with him, is competent at her job, and much nicer than he initially believed her to be. Thor, whom Tony once called a ‘tourist’ and lost a fight with, no longer seems so out of place and backward as he did on the Helicarrier. Clint Barton, a man whom he knew only as a marionette pulled around by Loki, is someone Tony has come to respect and with whom he will now happily trade jokes. Bruce/Hulk, a fellow scientist who Tony saw as a person in straits like his own, was the easiest friend Stark had made in years. They clicked at once and stayed “science brothers” afterward.

And finally there is Cap, an old friend of the father Tony hardly knew. It is easy to picture the two, seated at a table in the Tower during the evenings when they were not Avenging the wrongs perpetrated by the bad guys, prior to Ultron. One can even surmise that, when Steve was in the mood, he would tell Tony stories about some exploit of his father’s during the war – stories which the younger Stark was never told as a child.

In this way, Steve and Tony became friends between Winter Soldier and Ultron. Tony has come to see in Steve what his father saw in him, while Cap looks at Tony and sees a link to a life he lost and can never regain.

For this reason, his is the first ‘corpse’ Tony rushes to check on. There is no way to know for certain what Tony was thinking at that moment, but his thoughts probably went a little like this:

No, no, they can’t be dead! Tony thinks. This is a nightmare. Just a nightmare. I’ll check on Cap, and then I’ll wake up. Maybe Steve’s still alive, and he’ll tell me to wake up. This isn’t real, this isn’t real…!

That is when ‘Cap’ suddenly grabs him and asks why he did not save his team, his friends. “Why didn’t you do more?” Steve’s ghostly, rasping voice accuses him just before the hypnosis breaks, returning Iron Man brusquely to reality.

With that scene haunting him, Tony leaps to a bad idea as he rushes to protect his friends at all costs. As was said in the post “Avengers: Age of Ultron – Bruce Banner/Hulk,” Tony has a great deal of faith in synthetics. Too much faith, frankly. He thinks he can cure the world, just as many other modern scientists do, with the next gadget or computer program.

In his vision, Tony sees another alien invasion taking place. Clearly, this is a nod to the Post Traumatic Stress the writers gave him after Marvel’s The Avengers. Personally, this seems like a rather dumb handicap with which to have saddled him. In fact, I am not sure that Tony actually has PTSD at all. I think what happened to him during the Battle of New York was this: the rose colored glasses were yanked off of his eyes – forcefully, and very quickly.

You see, before Loki’s invasion attempt, all Tony’s battles were fun and games – after a fashion. He got into battles against opponents who were tough and definitely dangerous. But he was able to conquer them because their tech could not match his. There was nothing he faced that he could not handle with a new gadget or toy, one he had either built in the lab or on the fly.

Then, in The Avengers, he runs into aliens with machinery that beats every piece of machinery except that which is featured in the Star Wars films. Against beings who travel through space and have advanced biotechnology, what can Earth use to defend itself? Nukes? That worked on the Chitauri…

But what else is out there? Nukes will not hold back everybody.

Combat is a harsh reality, one for which Tony was not prepared. He had been playing on a much lower level, showing off in the varsity leagues. Cap was right in The Avengers; up to a point, Tony’s performance in battle was glorified showboating. So when Loki arrived and brought an alien army with him, Tony was suddenly dealing with an enemy more technologically advanced than he was. Everyone knows Stark tech is top-of-the-line. Nothing is more advanced than Tony’s gizmos. His is the pinnacle of human technology.

But being on top of the heap on Earth does not make you king of the galaxy. Tony was not thinking that far ahead. He still had his eyes on Earth, not the stars.

Loki forced him to look up. Way, way up – through a portal over his own building in NYC. Talk about being humbled in your own home!

This did not sit well with Tony, and he would not admit it. Not to his friends, and definitely not to himself. Oh, he has said they cannot handle the threats outside the galaxy, sure. But that is because he is looking at the matter solely as synthetics versus synthetics – tech against tech, if you will. He is looking at the battlefield as a tech guru, not a soldier.

Tony is not used to playing second banana to anyone – not in the technological department. He has always been one step ahead of everybody else; one computer program, widget, thingamabob above the rest. The attack on New York taught him that he was indeed the head of the Mech Pack on Earth. But in the universe, he was a small fry.

And that scared him. Tony does not have PTSD. He is simply terrified of not being able to technologically outmatch any and all opponents. If he cannot do it, no one on Earth can.

And he is right. No one person on Earth can stand against an army, no matter the whizz-bang machines they are using, and hope to win. That is just plain stupid. Or hubristic, depending on whom it is you are talking about. But Tony does not see it that way. He is so accustomed to doing everything with machines, and protecting those he cares about by the same method, that to be shown something he cannot defend against frightens him beyond words.

This is why he initially keeps his vision to himself. How can he make his friends understand his fear? How can he tell them, “I can’t protect you or the world because the technology out there is centuries, maybe millennia, ahead of what we’ve got here on Earth. It would take that long to study and copy it, and I don’t have that kind of time!”

Tony cannot admit that – to himself or to his friends. The implications alarm him too badly. If they go up against forces with superior tech which he cannot figure out how to beat, then as far as he can tell, it is all over. This is why he has nightmares about the Battle of New York in Iron Man 3. This is the burning fear he keeps banked and hidden in his mind afterward, where he does not have to look at it….

Until Wanda uncovers it, and fans it into flames at the beginning of Age of Ultron.

Tony’s main problem in the films is that he believes synthetics are the answer to everything. In his opinion, science is the answer to all problems. Tech will solve every dilemma, save every life, and stop every calamity. Isolated in his labs, Tony does not take time to look around and realize that there are things more powerful than machines in the universe. When he goes out, he does not “people watch,” as they like to say.

He does not observe a little girl who goes up to and hugs her dad at the store, or the smile her father gives her as she does so. He does not see a man drop his wallet and another person, noticing the wallet fall, pick it up and return it to its owner. Part of this is his father’s fault, in a way. Howard Stark was so busy trying to fix the world so Tony could grow up safely that he did not spend enough time just being with his son, teaching him that men make technology; technology does not make men.

As a result, Tony sees little acts of kindness not as pebbles which start great rockslides but as solitary, random incidents with the lifespan of fireflies. They last a night, or maybe for the entire summer, and then they are gone. How can a human heart be more powerful than a machine?

This is where the other Avengers have the advantage over Tony – for the most part. Cap saw people make great and small sacrifices throughout World War II. Each one of these personal denials of self made a difference in the Allied war effort, no matter how seemingly trivial they were. The combined sacrifices of these people taught him to make the greatest self-surrender he could – joining the U.S. Army so he could be a shield to protect those who could not defend themselves. He faced the original HYDRA’s best war machines, and in doing so, he learned a valuable lesson: Machines of any kind, no matter how strong they are, can always be broken.

Men’s souls and hearts do not break nearly as easily.

Clint has seen the same thing, and more closely than Cap has, in a way. Loki took control of most of his mind and his whole body in The Avengers. But Clint learned he could resist the Trickster, albeit in small ways. Those small instances, however, had powerful consequences. Shooting at Fury’s heart, which was protected by body armor, meant the Director of SHIELD lived to coordinate the war against Loki. Missing Hill, when he would never otherwise have failed to take down his target, meant she was still alive to help in the war effort. Fighting Natasha the way the Black Widow fought best saved his life, and it allowed him to fight against his enslaver. So Clint understands that others may be able to bend him to their will for a time….

But he can choose to bend only so far. And he can choose not to break.

Thor learned when he met Jane Foster, Eric Selvig, and Darcy in New Mexico that the simple acts of kindness matter in the grand scheme of things. Jane was willing to help him when she met him first. She could have driven off and left him in the desert after broad-siding him with her vehicle. She could have ignored him and not told Darcy to get the first aid kit, focusing instead on the Asgardian markings in the sand. But she did no such thing. She took Thor to the hospital, took him to Mjolnir’s landing site later on, and stayed by his side to face the Destroyer – a machine nothing on Earth could stand against. Presumably, no Asgardian or other advanced being from the Nine Realms could stand against it, either. But Thor did. And you know what he learned when he fought his father’s favorite toy?

Even the best and mightiest machine is no match for a determined warrior. In the crunch, machines will always break before a man will.

Natasha knows this, too. It was Clint’s decision to spare her that lead to her redemption. If their positions had been reversed, the odds were against her showing any kind of mercy to him. She always accomplished her missions, always took down her targets. Clint, however, spared her. He had her on the ropes, could have killed her easily. But he did not. In allowing Natasha to live, he taught her that killing is a last resort, not a first. Clint showed her that orders may be wrong or evil, and in such cases they can successfully be countermanded by the individual’s decision. When he lowered his bow and told her he was not going to kill her, she learned something very important:

All the brainwashing and training in the world cannot take away a man’s choice. She, and others like her, could choose to be more than the machines they were programmed to be.

Bruce’s experience of becoming the Hulk taught him the futility of believing in technology as a solution to every problem. As the Hulk, he can break any piece of tech sent against him. It will take more than a bullet or a nuke to kill the Hulk. This means that it will take a lot to kill Bruce, too. Tech, Bruce knows, is not the answer to the world’s problems. No matter how indestructible it seems to be, there is always a way to smash it.

Tony has not learned that lesson from his experiences. His main weapon in battle is a high tech suit of electromechanical armor. Tech is the way he defends himself. It is what he relies on to do his job, more so than any of his friends. Also, Natasha, Steve, Clint, and Thor have trained long and hard to be at their physical peak in combat. They are all athletic and have physical combat skills they can use to defend themselves if they lose their tech. Bruce does not need to train in this way, since he can turn into a nine foot tall green mountain of moving destruction when he releases his rage.

On the other hand, Tony’s training is limited. And he started late.

To be a good or great archer, one has to practice from childhood, usually around the 12-14 age range – if not younger. In the comics, Clint was around that age when he began learning archery, so it would make sense if he started out that young in the films. (Renner definitely has not been practicing that long!) Natasha was trained in combat and gymnastics from the time she could walk. Steve’s serum keeps him in peak health, strength, agility, etc. He does not need to train, but he does it all the same so he will not be caught flat-footed.

Thor comes from a realm of fighters. Apparently, up until Sif declared she was going to be a warrior for Asgard, the only ones in the realm who did not studiously train from a young age to become warriors were the girls. So Thor has had plenty of training – much more than any of his teammates!

Tony has none of these assets. He is not a superior athlete, and he does not maintain a regular training regimen. All he has is that “big brain” of his, and if he cannot use his intelligence to solve the problem, he feels stuck – temporarily, most of the time.

This is why he attempts to jumpstart Ultron with the Mind Stone. To him it is a/the most advanced energy source; energy which he, the ultimate technocrat, understands instinctively (which means he is looking at it wrong, and doesn’t understand it at all). If anything can give his tech the edge over whatever big, bad threats are lurking amidst the stars, it is the gem in the scepter. Remember, readers, that: “Magic is just science we don’t understand yet” – and Tony, in this case, doesn’t have a clue what that science is.

For all his flaws, the fact is that Tony really does care about his friends. He truly does want to keep them safe. They all want that for each other. If you watch the cartoons or look at the comics, you will see Thor or the Hulk jumping in front of bullets or snatching teammates out of danger while throwing themselves in harm’s way. You will watch Widow shove Hawkeye out of the line of fire, or you will see the archer shoot down a threat his partner has not seen coming. Cap will shield his friends as best he can if the situation calls for it, as will Tony.

This is what close-knit units of soldiers and friends will do for each other in a battle. They will forget their own safety and comfort to preserve that of their friends’, no matter the cost to themselves.

In this case, however, Tony took the principal way too far. Without thinking, without caution, he threw everything aside to prevent his friends and home from being destroyed in the far future.

And that only made things worse.

Have you ever done something wrong and then tried immediately to fix it, readers? I have. Ninety-nine point nine percent of the time, this makes the situation worse. When Tony realizes that Ultron was one of the biggest mistakes of his life, he tries to “fix it.” Wanda points this out to Cap in South Korea, but she makes a mistake in her warning. Tony does know the difference between saving the world and destroying it. In that regard, Wanda misread him. She is correct, though, when she says, “He will do anything to make things right.”

Tony carries a lot of guilt for letting people in his company sell the weapons he made under the table. And yes, some of that guilt is his and he has to atone for it. But doing “anything to make things right” is not the solution. Doing anything to “make things right” means you are open to doing exactly that: anything. If you are that desperate, then even if it is a really stupid, haphazard, bad idea, you will jump into it feet first.

This plan of attack just makes the problem worse. Cap knows this, and that is why he tells Tony and Bruce to shut down the Vision. As per usual, Tony will not accept that Cap is right and he is wrong in this matter. He has learned to take responsibility for his actions, but only to an extent. Beyond that point, his hubris tells him to stop listening because, as one of the three smartest men on the planet, he can fix anything with enough time and tech.

What Tony needs to do in the film franchise and newer comics is to sit down and realize that people are not machines. You can fix a buggy computer program, you can repair a broken tractor, and you can make a million whizz-bang gadgets which will improve the quality of life for the average man. But you cannot “fix” the world. You cannot “fix” other people’s flaws. Heck, an individual cannot even “fix” himself! Only the grace of God can “fix” those flaws, and you will not find that grace in a computer program or a car engine.   And you definitely will not find it in a chemistry set!

This is something Tony has not yet accepted. Somewhere after the Battle of New York, his reformation hit a snag on his newfound fear. Ever since, his progress as a hero has almost completely stalled. He has taken two steps back for every half-step of growth. He has not yet managed to learn his lesson. Hopefully, the writers will get around to changing that in the coming films. The comics would do well to start working in that direction, too.

Well, readers, this is the last character post I will be doing on Avengers: Age of Ultron. As much as I have enjoyed talking about the film, I am glad to be done with it. I hope these posts were as illuminating for you as they were for me.

Now, though, I have to go on to the next project – discussing the Avengers’ character growth in Captain America: Civil War!!!!

*Dramatic sigh.* Oh, the work I do for Marvel!

Just kidding – I don’t do it for them. I write for the fun of it! 😉

Catch ya later!

The Mithril Guardian

Funny (and Fun) Songs

I cannot seem to tell a joke – even when I am repeating one, I can end up with crickets chirping in the background!   As they say, if you have to explain it, it is not a joke.

But I still have a sense of humor (thank God!), and I enjoy a good laugh. These are some of the songs that make me laugh, giggle, and smile. Hopefully, readers, they can do the same for you!

Good listening!

The Mithril Guardian

Sittin’ Up With the Dead

Weird Al Yankovic: The Saga Begins

Can You Picture That? 

Mahna Mahna

The Lion Sleeps Tonight

Chattanooga Choo Choo

Wake Up, Little Susie

The Frigate That Flies

Splish-Splash (I Was Taking a Bath)

Word Crimes

One-Eyed, One-Horned Flyin’ Purple People Eater

Fat

American Pie

Eat It

King of Spain by Moxy Fruvous

 

The Man in the Moon Stayed Up Too Late

The ‘Vette (Comedy Skit by Buddy Wasisname and the Other Fellers)

Avengers: Age of Ultron – Black Widow/Natasha Romanoff

Okay, I have to swallow a prognostication I repeated several times in my predictions’ posts, readers. Natasha Romanoff and Bruce Banner really do have a romance going on the side in Avengers: Age of Ultron.

It was, honest to goodness, a surprise to me. I did not believe Whedon would do it. But I also did not think Hawkeye’s family would be in Age of Ultron, so I am batting a thousand on several fronts.

All in all, the Natasha/Bruce romance was not so bad, in my opinion. Whedon may have made it a little sugary in places, but Natasha telling Bruce exactly how messed up she was by her Red Room trainers was very eloquent.

That scene also reveals Natasha’s low opinion of herself. She explained there that she sees herself as a monster. Never mind the fact that she is practically Hawkeye’s adopted sister, that she’s been an Avenger for almost three years, and has helped to save countless lives since Clint redeemed her from the “Dark Side.” She still has not forgiven herself for what she was trained, forced, and chose to do in her past.

That weighs her down. She has been forgiven by her friends and her “battle brother” has children who adore her like she was their blood aunt. But because she has not forgiven herself, she is still securely chained to her past, as we saw when Wanda hypnotized her in the bone yard in Africa.

Readers, we unfortunately cannot discuss Natasha Romanoff’s role in Age of Ultron without mentioning that there was a lot of rage about her portrayal in the film going around after the movie premiered. Though this is not something I empathize with at all, I have strong beliefs about the “rage” that sent certain people into a flurry of Internet activity. Also, this post is discussing Natasha’s role in the film, as well as her character, both of which were savaged in the hours following Ultron’s theater release. So the “rage” that ran rampant on the Internet has to be addressed.

Apparently, there were several groups who had gripes about Widow’s part in the film. One offended group said that having Ultron lock her up in a cell was demeaning.

Excuse me?! He rips her off the Cradle, flies her back to his base, during which time she is completely stunned by the impact of his attack. When she comes to in the HYDRA base Ultron commandeered in Sokovia, she finds herself facing an eight foot tall robot who could snap her like a twig – especially with his new, vibranium-plated body!

No amount of kung fu in anything less than the Iron Man armor would have protected her from him if he had decided to stop playing games and kill her. When faced with a metal monstrosity one cannot physically beat, the only sensible way to stay alive is to get as far away from it as one can. Natasha very wisely backs away from Ultron and into a room, which turns out to be a prison cell, where he locks her up (as he intended). She cannot bust the lock with the little equipment she has on hand, and he physically outmatches her. The only possible way she can survive long enough to help stop Ultron is to sit tight and signal her team – or rather, Bruce Banner – to come and get her out.  (Not to mention tell the Avengers where Ultron is.)

I see no problem with this scene, in so far as Natasha wisely keeps herself alive to fight later on. Any other captured member of the Avengers would have done something similar, as the cell was the nearest accessible point of refuge. And Natasha’s rescue, as far as I am concerned, was perfectly normal. It was also a great way to show that Beauty does not always need to rescue the Beast (sorry, Bruce).

Another crowd was apparently angry about the scene at Hawkeye’s farm, where we learn that Natasha was sterilized by the Red Room operators and, as a result, is unable to have children.

*Sigh.*

Okay, either these people did not – and do not – want to do their research on Marvel’s characters, or they take everything in the films at face value. Both of these attitudes are preposterous, because the filmmakers cannot, after a point, make up the characters and the stories out of whole cloth. Marvel will not and cannot let them do that if they are to preserve the integrity of their characters and storylines for their fans. It will not work, because the movies will not sell if it is attempted.

So I am sorry to be the bearer of bad news, but the fact is that in the “mainstream” comics, it was already a well established fact that Natasha Romanoff and the other Black Widows were all sterilized. The film version of the process is actually more thorough than the comic book depiction. In the comics, it was the Soviet version of Cap’s super soldier serum, which the Red Room handlers used to enhance their “charges,” that rendered the Black Widows sterile.

Was this a result of the Red Room serum’s inferiority to Dr. Erskine’s serum, or was it a planned “defect” the Soviets purposefully added to the mix? The point is debatable, but I lean toward the latter argument. If the Widows could not have children, it was “one less thing [for their handlers] to worry about.” And why should a Widow respect the lives of others when her own life had been so completely and carefully stolen from her?

The people who trained/raised Natasha wanted “a liar and a killer” who would do whatever they told her to do. They brainwashed her and the other girls, tore them down mentally and emotionally over and over again, until the girls could and would be whoever and whatever they needed them to be to get what they [the handlers] wanted. Natasha Romanoff was a tool, a slave, which they could remote control. They tried to erase everything – everything – in her that would possibly make her want to stop working for them. They did not manage to erase everything, which Clint figured out real quick, but the fact is that they wiped out a whole lot.

The most important thing they erased was Natasha’s ability to have children. All the brainwashing and training in the world cannot get rid of the potential that a female operative in Natasha’s line of work might have children. The one thing left that could probably unlock the chains the Red Room handlers had wrapped her in was that if, during a mission, a Black Widow had a child.

The child did not necessarily have to be born; it just had to be conceived. Once that happened, there would be no threat on earth, no chain under heaven, which could possibly convince Natasha or any other Black Widow to keep on playing the role of killing machine. Not when they had an innocent life they wanted – needed – to protect. The best way the Red Room could make certain that Natasha and the other Widows remained loyal slaves of the Soviet regime was to remove any chance that these women could have children.

The thing to remember, readers, is that Natasha can still lead a fairly normal life. This is something Bruce knows and she has not yet realized. Natasha cannot physically have children, but she could still get married and adopt a child or a number of children. She is fond of children. Bruce saw that at Hawkeye’s farm. In all truth, I think Natasha would make one hell of an adoptive mother. Having been deprived of her innocence, she knows how precious it is and is therefore willing to protect innocents – children especially – with everything she has. That is basically all you need in a mother.

But because Natasha will not forgive herself for her past, she has not moved on to that chance at a mostly normal life. She stays where she is, still chained by her guilt, by the idea that she is a monster manufactured by even worse fiends. Frankly, I am glad Whedon put this note about what the Red Room did to her in the movie. It ties back to the original comics and it adds a dose of hard reality to the film and the franchise. I think it needed to be there.

Of course, some other offended viewers also say that Natasha’s part in these scenes is demeaning because it makes her “less of a role model” for young girls. Pardon me for being so “backward thinking,” but I dare say that if Natasha Romanoff herself heard the words “role model” applied to her, she would laugh in the face of whoever called her such a thing!

Natasha Romanoff’s code name is the Black Widow, people. It happens to be a name she shares with a poisonous North American spider that is supposed to kill and eat its male mate. In her role as a Soviet spy, Natasha killed hundreds of people. And not just men, though they were very likely her primary category of targets. The stories about real black widows say that they kill and eat their male mates, after all.

But a deleted scene from The Winter Soldier shows the main villain of the film, Alexander Pierce, mentioning that Natasha had a role in something called the “Children’s War.” So it would appear that the Soviets were indiscriminate when they told Natasha who to target. If her handlers told her to take someone down, she did it. No reservations, no mercy, no regrets; she killed whoever they marked for death. End of one hellaciously ugly story.

So if the Black Widow, a.k.a. Natasha Romanoff, is a role model for young modern girls, does that mean we want our girls to grow up to be “liars and killers” like she was – and still is, occasionally? That is what Natasha would ask, and what she would see as the implication in people calling her a role model!

If Natasha wanted young girls to turn out like her, I do not think she would be letting Lila Barton draw pictures of butterflies or encouraging her in other traditionally “girly” pursuits. Considering Natasha supports the child in these activities, I think she wants Lila to turn out more like Laura than like her!

All of this is not to imply, readers, that I think young girls should not admire Natasha Romanoff. I admire and like her quite a lot, actually! However, I would be much happier if people allowed girls to admire and look up to Natasha for the right reason.

That reason is this: Natasha was raised to be a “liar and a killer.” But one day, she chose to be something else. She chose to do the right thing when she had been brainwashed and programmed into believing that making such a choice was to choose weakness. Despite years of training and programming, Natasha did something her handlers had believed was impossible for her to do: she made a choice of her own free will.

And that choice was to be someone good, someone who was not the “liar and killer” her handlers had spent so much time and energy molding her to be.

In making this choice, Natasha found herself. She left the Darkness behind and entered the Light. This is an extremely brave choice to make, something girls who admire Natasha should understand. Her choice had to have scared her to death on some level. Going from complete Darkness to bright sunlight for someone in her position is quite the change. But she did it anyway.

She was alone, seemingly, when she made this decision. But, as we know, she was not alone after she made her choice. No one who makes the choice to leave the Darkness for the Light ever walks alone; they are always provided with a guide of some sort. In Natasha’s case, her guide was Clint Barton, a.k.a. Hawkeye. This is the reason that they are best friends in the films. Hawkeye was there for her when she needed someone to help her learn to see in the brightly lit world she had just entered. Let’s face it; you are going to stumble around when you blink a lot. And Natasha probably did a lot of “blinking” in order to get her feet under her after she chose her new path. (So she was very lucky she had a guide with the eyes of a Hawk!)

All this talk about Natasha “learning to make choices for herself,” is from people who are not looking at her properly. Natasha has already made a series of independent choices, starting with the one where she said to herself, “I will do what I know, in the law written on my heart, is right,” and followed through. She then made the choice to join up with Clint and follow him into SHIELD. In making that decision, she chose to protect people. Then she chose to become an Avenger when Loki tried to take over the world. In The Winter Soldier, she chose to help Cap stop HYDRA, even when it meant letting the world see her gruesome past sins. After this painful episode, she decided to be an Avenger full-time.

These are all very big choices that Natasha has made in Marvel’s movies, perhaps without truly realizing the full implications of what she was choosing. And in Age of Ultron, Natasha made another big choice. She chose to fall in love with Bruce Banner.

Think about it. She was very likely trained to believe that love of any kind was weakness. But she fell in love with Hawkeye as a brother figure, she who had never known even the love of sisters, since the Red Room violently discouraged the sisterly instincts of the Widows it manufactured. (Check out the Agent Carter episodes on the Red Room to learn more about that.) Then Natasha found sisterly love with her battle brother’s wife Laura, and learned to love like an aunt by interacting with the Barton children.

But with her own ability to have children gone, how could she possibly find love with a man? If she fell in love with a man who wanted children, how would he react to the news that she simply could not have any? How would she take being married to the man of her dreams but being without the ability to make their marriage a family life?

So she shut herself off from romantic love. “Love is for children, I owe him [Clint] a debt,” she told Loki in The Avengers. It was not a lie; it was a way of protecting herself and others from disappointment. Loki thought he had found a woman like Sif: a warrior female who loved battle but who would also willingly surrender her warrior duties to have a family at the first opportunity of finding real love. He never realized that Natasha did not have any such designs for her future, for the simple reason that others had denied her that dream long ago. The only thing she felt she had left was her job at SHIELD, and later, her job as an Avenger.

But in Age of Ultron, Natasha did fall in love – with Bruce Banner. And he could not have children, either, so it was a total win-win scenario for the both of them, right?

Sadly no, it was not, and Bruce knew it. Even if he could not articulate it, he knew it. Natasha, once she lets go of her past and starts thinking the way she should, will realize that normalcy is not something unattainable for her. She could easily fall in love with a guy, marry him, and adopt a few children. There is nothing abnormal about that process and, as I said above, I think Natasha would make one hell of an adoptive mother.

Yes, readers, Bruce also left Natasha because she threw him down a hole to awaken the Hulk so they could “finish the job.” Right when Bruce was perfectly prepared, for once in his life, to run off and leave the “job” unfinished. But I do not think Bruce hates her for it. The Hulk certainly did not look furious when he shut down the comm. on the Aveng-jet. But he did look very sad.

Why?

Because he and Bruce both know that they have no room in their life for anything or anyone normal. Bruce cannot be a father. It just will not work. Hulk cannot be a father either. There is nowhere in the world they can go without risking hurting someone. They can never give Natasha what they both know she deserves and is almost ready for: a husband and a family.

Even though the fact that Bruce and Natasha cannot have children is something they have in common, Bruce would not be the greatest adoptive dad in the world. The Hulk wants his say in everything in Bruce’s life. Bruce and the Hulk may be able to avoid being a threat to Natasha, but what about children? The Hulk has a soft spot for kids, sure, but not on a daily basis!

Natasha has not quite worked that out yet, from what we can tell. She fell in love with a man, for the first time in her life, and she knows that Bruce shut off the comm. to protect her. But – as of the end of Age of Ultron – Natasha may not yet truly realize just why and what he is protecting her from. Bruce can never lead a normal or semi-normal life. Never. Until the day he dies, he will always be contending for physical/mental space with “the big guy.” There is not room in his earthly life for anyone else.

But Natasha can have a mostly normal life, and Bruce knows it. He also knows that denying her that opportunity for such a life would make him just as bad as her old Red Room handlers. And he loves her too much to do that to her. The best thing Bruce can do for her – the only thing he can do for her – is to let Natasha go and find someone she can live a normal life with. He had to do the same thing for Betty Ross. If anything, Natasha needs the opportunity more than Thunderbolt Ross’ daughter ever did.

Before I sign off, readers, there is one more thing I should say about Natasha’s role in Age of Ultron. It was a good role, and viewed as she should be, Natasha Romanoff is a character any girl can admire and enjoy. She deserves that admiration, not for her skills or her knowledge, but for her decision to do the right thing, no matter how much it hurts her. Hopefully, she will keep up the good work. We will have to wait to see the end of Civil War to know just how well she gets off in Phase Three of Marvel’s film franchise.

As a fan of Natasha’s, I sure hope she makes the right choice again in Civil War. Otherwise, she will just be left with more guilt and sorrow. I do not wish that on her or anyone else, readers.

Excelsior!

The Mithril Guardian

Fun Videos

Hey, readers! These are some videos of funny things that I simply had to share with you! A short description precedes each video, telling you where it came from, etc. But you do not have to take my word for it if you view them!

Have fun, everybody!

The Mithril Guardian

 

Some fun scenes from the TV series Avengers: Earth’s Mightiest Heroes! (This series was previously reviewed here in “Three Marvel TV Series.”) Not all of the scenes may be side-splitters, but I cannot get over watching Cap try to teach Tony how to box! Enjoy!

Avengers: Earth’s Mightiest Heroes – Part 3 – Boxing Scene and LOTR ref.

 

Ever played Angry Birds? This person did. He was also a fan of The A-Team, and so he decided to combine his two favorites. The result is…The Angry Team!

The Angry Team

 

Ever seen Stargate SG-1? MacGyver? No? That’s okay. You can check them out after you take a look at this blooper clip from the behind-the-scenes of an episode of Stargate SG-1!

Stuck On a Glacier with MacGyver

 

If you have never heard of Benedict Cumberbatch before now, then you soon will. He is to play Doctor Strange in Marvel’s upcoming film about the Sorcerer Supreme, and while he may not have the facial hair, he sure has the physique, the face, and very likely the attitude! In this video, though, our new favorite Sherlock needs to enlist the aid of Sesame Street’s the Count to solve a mystery…. See how they do it below!

Cumberbatch and the Count

 

Ever thought that your Dad might be an alien from outer space? This girl is sure he is! Take a look at the advertisement to see why!

Audi ad

 

Bad guys from all over Britain – from Ben Kingsley to Loki – want this car. Watch how they do their best to sell it to you below. I bet it is all part of an evil plot!

Jaguar ad

 

And now, from behind the scenes of The Hobbit, I give you – !

Tauriel, Legolas, and Thranduil’s reaction to a fans’ reaction to The Hobbit: The Desolation of Smaug

Prognostications for Marvel’s Avengers: Age of Ultron, Part 3

Wow, the rumors just keep coming, readers! They are flying so hard and fast I can barely keep up with ‘em.

Nevertheless, I thought I would venture some of my own theories on Marvel’s upcoming Avengers: Age of Ultron. As you may have noticed, like Marvel’s master archer, I have very little problem offering my opinion on something. I see no reason to stop now.

If you are a sensible Marvel fan and you do not want to hear any speculation about Age of Ultron, stop reading here. If you are finding this extended wait for The Avengers’ sequel as trying as I am, then read on!

1. Loki and Heimdall will make an appearance in Avengers: Age of Ultron.

Idris Elba let this little fun fact slip out in an interview at some point not too long ago, sending the rumor mill into Warp Factor 5. Whedon promised to give him at least a slight scolding for the “slip,” if slip it was. Most speculators say that Wanda Maximoff will show Thor a future Asgard that gives us a glimpse of Heimdall and Loki. A clip from the middle of Age of Ultron supports the theory that whatever she shows him, Wanda genuinely scares Thor.

While I do not doubt Heimdall may show up in Thor’s vision, I am somewhat skeptical that Loki will. After all, as much trouble as Thor has had with his kid brother, we know of one Avenger who is still angry with the Prince of Lies since the events of The Avengers. In my second “Prognostications” post, I theorized that Hawkeye may be immune to Wanda’s manipulations, and I still think that is a possibility. It is certainly something I would have wanted to explore, if I had had a hand in writing Age of Ultron.

All the same, what if Wanda does beguile Hawkeye with a vision, not of his future but of his past? What if Loki’s cameo appearance is a memory Wanda forces Hawkeye to relive at some point in the movie? She could, of course, just as easily use Loki only to torment Thor, but we cannot forget who the Trickster harmed most on his last trip to Midgard. Naturally, we will not know anything for sure until May 1, 2015.

2. Someone is going to die.

The amount of gossip going around the Internet about the possible death of an Avenger is so thick, readers, you could use it to butter toast. We have some mighty murderous Marvel fans out there, by all appearances. I cannot understand why so many people seem to be begging for an Avenger’s death. I would prefer it if they all survived, as you are well aware by now. Fiction is showcasing enough death and despair, thank you very much. How about some optimism and positivity, people?

Anyway, several theories have been advanced to explain Whedon’s nerve-wracking “Death, death, and death” statement. People are raffling off the Avengers they think should die – with most putting Hawkeye at the top of the list, never mind the fact that Renner has said he survives Age of Ultron. (As you may have surmised, Hawkeye is one of my favorite Marvel characters, so I am getting a little annoyed with everyone who is nominating him for death. BACK OFF ALREADY, YOU BLOODTHIRSY PIRAHNAS!!!)

Others suggest that Ultron will wipe out an entire fictional Eastern European country (which he apparently did in the comics of years’ past), thus fulfilling the “death” quota these fans seem to be hoping for. Still others theorize that Whedon’s hint “Death will play a part” in Age of Ultron refers to “Mistress Death” – the female form of Death itself. Thanos has been trying to court her for years and, so far as I know, he has still come up empty on that front.

These are all possible answers to Whedon’s “death” hints. My own theory on what Whedon meant when he said that “Death will play a part” in Age of Ultron is that Ultron is afraid to die.

Think about it a moment. Ultron is artificial; he is a machine. He has no humanity – whatever humanity Tony tried to give him, it did not translate properly. He is unnatural in the same way Doctor Frankenstein’s monster is inhuman. Frankenstein’s monster knew he was not human; he did not come into the world as a human being, with his own soul, his own personality. He was a desperate man’s cooked-up lab experiment. (Boy, is Tony’s statement that Cap is a “laboratory experiment” going to come back to bite him hard.) What will happen to Ultron if he is destroyed?

He will cease to exist. Period. That is a terrifying thought, is it not? And for something unnatural like Ultron, it would probably scare him straight out of his circuits if he thought about it too much. The Avengers – they are not afraid to die. Not even Black Widow or the Maximoff twins are afraid of death. Do they want to die? Heck no. But if the price of preserving another’s life – or the life of the whole human race – is their death, then they will sacrifice their lives to protect others.

Ultron is not going to do that. His own survival will be his number one goal in the film. He is not going to sacrifice himself to preserve anyone else’s life – if he were willing to do that, then he would not have turned on the Avengers in the first place. He is too egocentric and self-centered to think of anyone but himself. In contrast, the Avengers are selfless. Even Tony will allow himself to be killed if it means saving lives. He was willing to fight to the death against the Chitauri in the first film. Why wouldn’t he still be ready to die in defense of others in Age of Ultron?

And yes, I know he might just get that chance. We will see what happens.

3. Vision will join the team.

This is practically a given. The only thing to guess at is how Vision will join the team. If I had to make a suggestion, I would surmise that it will be the Avengers’ willingness to fight an apparently hopeless battle, their readiness to sacrifice themselves for each other or for others, which will be the factor that convinces him to abandon Ultron.

I could be wrong, of course. If Vision is based on JARVIS, and JARVIS is based on the personality of Tony’s father’s butler – Edwin Jarvis – then maybe Tony will be able to talk him into turning on Ultron. We will have to wait and see.

4. Black Widow’s dark past will be showcased in the film.

This has been known almost since day one. My only thought on this is that Wanda may be the one forcing Natasha to relive her dark history. I would not be surprised if, at some point early in the film (or in the middle of it), the Black Widow and the Scarlet Witch went toe-to-toe. The two are fighting women. Pitting them against each other – that is a catfight screaming to be written. I doubt it would be a fair fight but, oh, readers, it would be a fight!

The rest of what I have to say relates to jumbled scenes from the trailer(s) which caught my attention:

Scene #1: Pietro is at one point seen racing through a train car in slow motion. If you pause the video while watching it on a big screen, you will notice that Cap is sitting in the train car, and that Pietro is pushing someone – or something – out the door of the car. Either that, or he is throwing whoever or whatever it is out a hole someone has punched in the side of the train.

It is impossible to tell what part of the film this scene comes from. It could be early on, when the twins are initially enemies of the Avengers. Or it could be after they have decided to join the team. I suspect the latter because, from my perspective, it appears that Quicksilver has just zoomed through the train car to save Cap’s life. I think what he is throwing off the train is an Ultroid (a droid under Ultron’s control). I could be wrong, of course, but this is what I think is going on in this scene.

Scene #2: The ballet lesson seen near the end of the trailers looks to be a flashback. It might not be, but if it is, I suspect it is related to Natasha. In the “mainstream” Marvel Comics, it was revealed that Natasha received extensive memory alterations from the Red Room operators during her time in service to the U.S.S.R. One of the false memories they gave her was that she had been trained to be a ballerina. This was a lie; she was only ever taught the arts of assassination and espionage – though she is graceful and poised enough that she could be a ballerina, if she so desired. So this scene could be a memory she recalls – or is forced to recall – at some point in the film.

Scene #3: At one point in the trailers for Age of Ultron, we see a scene depicting cargo ships beached on what appears to be a sea floor. It looks like the bottom of the Mediterranean Sea, the Black Sea, or the Caspian Sea to me, but it could easily be the floor of any one of the earth’s oceans.

What does this scene mean? Anything is possible, but check out the following video and transcript before you read my theory.

 

Stark: Thor didn’t say where he was going for answers?

Rogers: Sometimes my teammates don’t tell me things. I was kind of hoping Thor would be the exception.

Stark: Yeah, give him time. We don’t know what the Maximoff kid showed him.
(This would be a reference to Elizabeth Olsen’s Scarlet Witch, who is able to reveal the future, look into the past, and reveal alternate realities.)

Rogers: I don’t know what she showed you. I just know it made you do something stupid. (Shakes his head.) “Earth’s mightiest heroes …” They pulled us apart like cotton candy.

Stark: Seems like you walked away all right.

Rogers: (Straightening.) That a problem?

Stark: I don’t trust a guy without a dark side. Call me old-fashioned.

Rogers: Well, let’s just say you haven’t seen it yet.

Stark: Banner and I were doing research …

Rogers: That would affect the team.

Stark: That would end the team. Isn’t that why we fight, so we can end the fight, so we get to go home?

Rogers: (pulls a log apart barehanded before speaking) Every time someone tries to win a war before it starts, innocent people die. Every time. – Courtesy of several moviepilot.com articles.

 

What if the scene with the grounded cargo ships is part of whatever vision Wanda uses to antagonize Tony? Perhaps she shows him a world where he loses his company, or a world destroyed by the Avengers? This last theory would explain why Tony built the Hulkbuster armor, and why he and Banner were doing research that would “end the team.” The Avengers are so powerful that plenty of people are afraid they will go nuts and destroy the world. Wouldn’t Tony come up with plans to stop and destroy his fellow Avengers if they ever “lost it”?

This is certainly a story angle Whedon could – and may be inclined to – play around with. It would also tie in to the future Captain America: Civil War film planned for 2016. But once again, this is all pure conjecture. We will know nothing until May 2015.

Scene #4: The 1940’s clip showing Cap and Peggy Carter walking into a ballroom is thought by many to be a flashback. It may be, but it might also be a scenario Wanda tries to use against Cap. After all, he “still owes his girl a dance,” does he not?

Elizabeth Olsen has reported that Wanda can see into the future, the past, and alternate universes/realities. What if this scene of Cap and Peggy in a ballroom is a vision of an alternate future, where Cap did not end up on ice for seventy years but still saved the world and got to marry Peggy in the bargain? This theory would explain, to me, why Cap was able to “walk away all right” from whatever it is Wanda shows him.

We know Wanda can do many things, but if in the Cinematic Marvel Universe she can alter time, that has not been stated. Since she cannot send Cap back to do things differently, he would doubtless recognize that the vision she showed him of Peggy and himself dancing was nothing more than smoke and mirrors. He would accept that the vision might have been but he would know it was not real and could never be real. He would simply recognize it and go on. If this is what happens, then Wanda does not show Cap his “dark side,” she merely tries to paralyze him with regret.

Not gonna work, honey.  Not gonna work at all.

Scene #5: Now, about Cap’s “dark side.” I will admit that this whole scene has irritated me – Cap does NOT have a dark side! He is perfect, just like Galahad and Aragorn before him.

But Cap does have a temper. As someone I know explained to me, Banner has stated that he is “always angry.” Who says Cap is not skating on the edge of being “always angry”? Every battle the Avengers fight, they are fighting against someone or something that is pure evil. Would not a totally good person be furious at the atrocities committed by someone or something totally evil? We have seen Cap lose his temper with the Red Skull, Arnim Zola (in computer form), Loki, and, to a lesser extent, with Black Widow, Nick Fury, and the Winter Soldier.

But Tony has never seen Cap in a rage. What if the “dark side” Tony has not “seen yet” is a truly enraged Captain America?

I don’t know about you, readers, but I would be more afraid of an irate Captain America than I would be of an angry Hulk, no matter how incensed Big Green became!

Scene #6: Initially it was reported that, when Ultron makes his first, primitive entrance in robot form during the Avengers’ party, everyone in the room was “weaponless.” Well, anyone with a cork eye knew Thor had his hammer on him; otherwise the team could not attempt to lift it, as depicted in the trailer previewed at the San Diego Comic Con.

However, the newer trailer showed a brief scene where Maria Hill is cocking a gun she has brought with her to the party. It is gratifying to know that she is not so brainless as to attend an Avengers’ shindig without a weapon. Since she came to the party prepared, I suspect that Hawkeye and Natasha also have weapons stashed on their persons. What they will be armed with I cannot say, but anyone who makes enemies on a regular basis should never go anywhere unarmed.

I would guess Hawkeye also has a gun on him, as well as at least one knife. If you read my post “Hawk’s Strike,” then you know that Hawkeye can use practically anything he can get his hands on as a weapon. Watching him fight a bunch of Ultroids without his bow and arrows should be fun. And I would be willing to bet that he will not miss one Ultroid in this fight, or any of the following ones, as he managed not to shoot Maria Hill in The Avengers. (See “Hawk’s Strike” for more on that.)

Natasha’s hand-to-hand combat tactics may not be very effective against Stark-built Ultroids. If she has not got a gun on her, she will probably have at least a knife within easy reach. She had one in New York; I do not see why she would not be wearing one to the party. Like her old SHIELD partner, she would also be able to use nearby objects as weapons. Perhaps she would do it with less speed, but you get the idea.

Cap may also have brought a weapon to the party. If he did not, though, I do not see him having much of a problem battling the Ultroids. He ripped a log apart without trouble in the above clip – who says he cannot decapitate an Ultroid barehanded?

For Rhodey and Tony, things are going to be a little squeakier. Rhodey has not got his armor within reach, and he cannot summon it. Tony can summon his armor, but Ultron could easily block or override his signal, leaving him unarmored in the face of the onrushing Ultroids. Since Rhodey’s a zoomie (zoomie is the generic nickname given to a member of the U.S Air Force) he may have thought to take a gun with him to the party. But he just as easily could have left it home, thinking nothing bad would happen at Avengers’ Tower.

Claudia Kim’s character – whoever she is – looks as though she is going to be a weak spot for the team. Unless Kim’s unnamed character has some hidden talents no one is yet aware of, the Avengers are going to have to protect her throughout this first battle.

And while Banner could certainly Hulk-out and clean Ultron’s clock, something tells me he does not want to wreck Avengers’ Tower.  This might be the one battle in the entire movie which he sits out – as the Hulk, at least.  He could always use a fork to fight with, if push came to shove.

Maybe.  We will have to wait and see.

Well, there you have it, readers. These are some of my new theories for Age of Ultron. Whether they are right or wrong we cannot yet know, but it has been fun to share them with you. If you have your own ideas on what may happen in the film, feel free to mention them to me in a comment below. This is one conversation I could carry on until the cows come home!

Until next time!

The Mithril Guardian

The Many Roles of Tom Hiddleston

I have not made any secret out of the fact that I greatly dislike Marvel’s Loki, played by Tom Hiddleston. Despite that, I have encountered several videos of Hiddleston that are a lot of fun to watch. So whether you are a fan of Tom Hiddleston, a casual reader of this blog, or someone who loathes Loki as much as I do, here’s hoping you enjoy the following videos as I do!

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Tom Hiddleston and the Cookie Monster

The Pirate Fairy – The Frigate That Flies

Behind the Scenes of Tinker Bell and the Pirate Fairy – Tom Hiddleston

(And yeah, I had no idea he could sing, either.)

Until next time!

The Mithril Guardian

Prognostications for Marvel’s Avengers: Age of Ultron, Part 2

Day two of speculating on what will happen in Avengers: Age of Ultron is here, my readers! If you read my post the other day, then you know some of my thoughts about what may happen in the upcoming Avengers sequel.  But you do not know about all of my ideas.

As I stated before, if you do not want to hear anything about the film until it hits theaters, then stop reading right here.

For those of you who, like me, cannot keep a lid on your curiosity, read on!

My Theory, # 2:  Hawkeye will be the Avenger who recruits the Scarlet Witch and Quicksilver into the team’s ranks.

This is an instinctive idea I have had since I learned that the twins would not only not begin the film as Avengers, they apparently HATE the team’s collective guts.

Why the twins hate the Avengers no one but Marvel, the cast, and Joss Whedon know as yet.  Some suggest Quicksilver and Scarlet Witch are both being directed by Baron von Strucker through the power of Loki’s scepter, the same way that Hawkeye was controlled by Loki in the first Avengers movie.  I am skeptical of this idea; I am not sure Strucker would be able to influence the twins via the scepter’s power.  That he used the energy stored in the scepter to “mutate” the twins and give them their new abilities I do not doubt.

But giving them superpowers is a far cry from controlling them in the same way that Loki was able to convince people to do his bidding.  Loki knew what he was doing up to a certain point but Strucker is playing with fire; he has had no one to teach him how to use the scepter.  Presumably, Thanos or the Other gave Loki instructions on how to use his “magic wand” the way he did in the first film.  Strucker does not have any such guidance; he is essentially whistling in the dark.

If Strucker is controlling the siblings, I think it more likely that he is doing so the old fashioned way.  He has somehow convinced Quicksilver and Scarlet Witch that the Avengers are greedy warmongers (or something like that) who do not care about the collateral damage they leave in their wake.  Considering the trailer for Age of Ultron starts in a post-battle party setting, I would say the Avengers probably have become a little complacent with the way life has been going for them recently.  Such a party would certainly not make the twins think very highly of the Avengers, since Pietro and Wanda both grew up on their own, relying on no one but each other and trusting very few of the people they met – Baron Strucker being the possible exception to the rule.

Part of the reason I think Hawkeye may be the Avenger who changes the twins’ perspective of the team is that the rest of the Avengers are going to have their hands full. With the Hulk going on a rampage that Tony (and, it seems, Black Widow) are trying to stop and Thor fighting Cap over who is more worthy to pick up Mjolnir, about the only Avenger who does not appear to have a crisis blowing up in his face during the course of the film is Hawkeye.

More to the point, if Wanda is responsible for the berserk behavior of the Hulk and Thor, she may also be manipulating the other Avengers.  Playing off their fears and making them see things which are not actually happening, she could easily reduce the team to squabbling, convince them to fight the people they are trying to protect, or bring them all to an absolute stand still.

It is this very ability of Wanda’s that might give Hawkeye a fighting edge against her. After all, Loki took control of Barton in the first movie via the power of his “glow stick of destiny.”  And Wanda has received her powers from the same source.  For all we know, exposure to the scepter’s power may have given Hawkeye a resistance to mind manipulation, if not outright immunity to Wanda’s hypnotic ability since that seems to be fueled by the same energy Loki used to control him.  If she cannot influence Clint and make him see what she wants him to see, then she cannot control him.  And that means that he can at the least talk to her, if not get in close and fight her.

This theory also ties in with the original comics.  Initially, Hawkeye and the twins joined the Avengers at roughly the same time.  Hawkeye was only a few years older than the twins and had designs on dating Wanda, but those wishes never panned out for him.  (I am hoping Whedon will not include this history in Age of Ultron, considering Renner is almost twenty years Olsen’s senior.  That would make a romance story between the two characters on this silver screen a bit awkward in my opinion.)

Despite never winning the Scarlet Witch’s heart, Hawkeye and Wanda remained on friendly terms for a very long time over their years as teammates.  He even helped Cap train her in hand-to-hand fighting techniques.  (Hawkeye is one of the best hand-to-hand fighters in the Marvel Universe; even Marvel master martial arts expert Iron Fist thinks he is one of the best martial arts fighters around.)  If anyone can get through to Wanda that she and her brother are being played for fools by Strucker, I would be willing to bet it would be Hawkeye.

As for him talking Quicksilver into the Avengers, if Hawkeye’s silver tongue can persuade Wanda to change sides, then he has no need to speak to Pietro.  The number one influence on Pietro’s life is his sister; wherever she decides to go, he will follow her, and vice versa.  Sway one twin and you sway them both; if Hawkeye wins over Wanda then Pietro will follow her lead.

The only evidence I have to support this gut feeling/theory is a photo from the Age of Ultron set.  It shows Wanda crouching down, both her arms thrown out before her and crossed, her fingers half pulled in toward her palms.  She is obviously using her powers to do something and is concentrating on doing it.

Standing barely two feet in front of her, bow drawn, is Hawkeye.  But he is not aiming at Wanda and is standing out of her line of fire.  His bow is held in such a way as he reaches for his quiver that you can see he is lining up for a shot over Wanda’s shoulder. The two are clearly working together to protect and help each other in the middle of some big battle, probably the final battle of the movie.

If that does not flatly imply a friendship springing up between Hawkeye and the Scarlet Witch in Age of Ultron, then I do not know what does.

Rumor 3: Death, death, and… death.

Long ago, Joss Whedon stated that “death would play a part” in the Age of Ultron storyline.  I think Thor, Cap, Iron Man, and the Hulk are not likely to be killed off.  Thor and Cap still have a future solo movie each in the pipes and there is talk of an Iron Man 4 and a Hulk movie at some point in the near future.  Black Widow is the only leading lady Marvel has introduced in the Avengers’ franchise so far, and I doubt that she will be going anywhere anytime soon.

I also doubt that Whedon would introduce the twins just so that he could kill them off.  I have heard some say that Wanda is going to get the axe in the film, but I do not think Whedon would kill her now.  He has barely introduced her – wiping her off the slate at the same time he adds her to it makes no sense at all.  Quicksilver would likely also be allowed to keep his head for the same reason.

This leaves the two characters that have yet to truly get their time in the spotlight in the Marvel Cinematic Universe as potential “deaders”:  Hawkeye and Rhodey.

Honestly, I am not sure there is anything that would prevent Hawkeye from being killed off in this film.  Although Whedon has stated that he had fun writing for Hawkeye this time around, I am sure he would have fun whether the archer lived or died.  Sorry, Hawkeye fans, but we might all have to say good-bye to the World’s Greatest Marksman in Age of Ultron.  Fingers crossed that he will make it through, but we have practically no assurances of whether he will live or die.

Rhodey might be a potential “deader” for Age of Ultron, but I doubt it.  If Marvel wants to continue its Iron Man franchise, Rhodey will have to stick around for a while yet.  That might be wishful thinking on my part – either of these characters could be slated for death, or any Avenger could be killed – what fan knows what Joss Whedon’s got planned?

However, the Avenger I think could be easily killed off and then brought back – I am not sure Marvel would let Whedon kill an Avenger if they could not be resurrected again for future films – would be Vision.  As a synthezoid/android, ol’ Viz could be killed defeating Ultron, then repaired and “brought back to life” by Tony and Bruce (or just Tony, we do not know what the team’s roster will look like after this film).

On top of this, we have been told that all the actors are “locked up” for Avengers 3.  While that is not necessarily assurance that none of them will die (they could show up for five minutes in a cameo, after all), it is the only comfort we fans can really draw on at the moment.

As with everything else I have contemplated here, though, we will have to wait and see.

Rumor 4: Tony’s terrifying vision at the end of the trailer.

Now to that vision Tony has at the end of the trailer Marvel previewed at Comic Con.  In the trailer, Tony apparently wakes up – unarmored, wearing his regular clothes – on a rocky outcrop somewhere out in space.  He gets up, takes a few steps forward, then falls to his knees next to Cap’s shield, which is broken in two.  He starts to get choked up as the camera pans out to reveal Steve and the other Avengers dead in a place some believe to be Thanos’ lair.

I do not for a minute buy that the whole team (with the exception of Tony) dies and gets brought back in the course of Age of Ultron.  It is a possibility, but an unlikely one.  I think/hope.

However, that this vision could be the nightmare which spurs Tony to build Ultron, or a hallucination fabricated by Wanda at some point in the film – that I think very likely indeed.  There is also a third possibility.  In some early interviews, as I understand things, Elizabeth Olsen was said to have stated that Wanda can catch glimpses of the past, parallel universes, and the future.

What Tony sees might be a vision Wanda somehow transmits to him: a possible future in which his team and friends lie dead at his feet.  Or it could be a vision Wanda experiences herself at some point in the film and shows to Tony.

A snag in this theory, though, is that the list of dead Avengers is vague.  I know Thor and Cap are said to be among the dead, but if the twins are not present with them and the others then the vision could be a hallucination Wanda generates for Tony.  Certainly, during Age of Ultron, his greatest fear would be that he will inadvertently cause his friends’ deaths in having built Ultron.  That the very thing he designed to help his team so that they could get some R&R then goes and kills them – this would be a fear Tony could end up dealing with in the film.  And if Wanda can invent hallucinations using her enemies’ greatest fears, then this vision of defeat would be an image with which she could beguile and antagonize Tony.

But we will have to wait and see.

 

I hope you enjoyed this bout of conjecture, my readers.  I know that the hype around Age of Ultron is going to keep on rising, but I just had to get my two cents in on this one. Fingers crossed that Age of Ultron leaves us all saying, “Avengers Assemble! When does number three come out?!?”

I will close with one final question for you, my readers. Does anyone know where I can find footage of the Age of Ultron trailer that was previewed at Comic Con this July?  I would sure like to see it!!!

Later,

The Mithril Guardian