Tag Archives: Silverclaw/Maria Santiago

Do Marvel Fans Hate Women and Diversity? Not Hardly.

Hey, readers! Did you happen to hear that Marvel’s comic book sales are declining?  If you did not, then you probably missed what Marvel’s VP of Sales, Mr. David Gabriel, had to say about it.  Read on to find out just what he said:

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“What we heard was that people didn’t want any more diversity. They didn’t want female characters out there. That’s what we heard, whether we believe that or not. I don’t know that that’s really true, but that’s what we saw in sales.  We saw the sales of any character that was diverse, any character that was new, our female characters, anything that was not a core Marvel character [sic], people were turning their nose up against.  That was difficult for us because we had a lot of fresh, new, exciting ideas that we were trying to get out and nothing new really worked.”  (Source:  http://www.express.co.uk/entertainment/films/787249/Marvel-comics-diversity-Ironheart-Kamala-Khan-female-Thor-Iron-Man-Avengers-Infinity-War)

This is news Marvel apparently got from the retailers selling its comics. While some retailers saw an influx of new clientele, most saw a big drop as people ignored the new comics because their favorite characters – Captain America, Iron Man, Falcon, Hulk, Thor, etc. – were being killed off and/or humiliated, which means that their audience felt depressed and/or mortified.  Marvel’s comic book sales have weakened in proportion to the steady stream of replacement, politically correct characters and stories the company has been trying to shove down our throats for the past three or four years.

I was astounded to see this statement from Mr. Gabriel. I have known for years that Marvel would lose revenue if it abused its audience by maltreating or destroying its characters.  If you have followed my blog for a while, you know this is so.  What surprised me was that a member of Marvel’s hierarchy actually admitted that sales were dropping because of the “new materiel” they were introducing.  I told ‘em this was going to happen, but did they listen to me?  ‘Course not.  And now they are shocked that people do not want to buy comics that make fools of and/or destroy their favorite characters.  Well surprise, surprise, surprise, Marvel!  How could you have missed that fastball?

I can hear some of you fainting right now. You think I am an awful person for celebrating this news, no?  That I hate women and diversity, too, n’est pas?

Well, no, I don’t. Allow me to explain what made me rejoice over Mr. Gabriel’s statement:  what made me happy about his announcement was that he has finally admitted, on behalf of the company he serves, that politically correct characters are turning fans off of the Marvel franchise.  He has finally acknowledged the obvious; that so-called “characters” like Jane Foster/Thorette, Amadeus Cho/New Hulk, Riri Williams/Ironheart, Kamala Khan/Ms. Marvel, and Gwen Stacey/Spider-Girl, along with other “new,” “diverse,” and “legacy” protagonists – which are supposedly “meant to bring women and minorities to the forefront of social consciousness” – are really hurting instead of helping Marvel’s brand.

So if I like what Mr. Gabriel had to say, then why am I writing this post? I am writing this post because he and his colleagues are missing the point of why their sales are falling.  Mr. Gabriel says what they believe; that legions of Marvel’s fans hate women and diversity, and so they need to keep doing what they are doing in order to win their “deplorable” fans – you and me – over to their view of the world.  In essence, they are accusing the thousands of people who support their business of widespread bigotry, intolerance, and stupidity; completely ignoring the beam in their own eye to pluck out the mote in ours.

This is what has Marvel fans so upset. This is why they have stopped buying the new comics.  Marvel fans definitely do not hate diversity or women.  The latter is proved by the fact that Marvel already has hundreds of established female characters with existing fanbases – although you would not know that if you were new to the Marvel multi-verse or have only heard about it from the mouths of twits (most comic book film critics).  Go to my post “Offended, Insulted, and Not Shutting Up” for a roll of Marvel’s female characters and a link to a longer list where you can learn about more of them.  The fact is that these reviewers could care less that Marvel has a panoply of female characters for the simple reason that it is not part of their agenda.

As for the idea that Marvel fans hate diversity, this is a laughable argument because it is so easily invalidated. Marvel has been diverse since it was founded, something that is shown through characters like Storm, Falcon, Black Panther, Misty Knight, and Luke Cage, all of whom are black.  Separate sources have consistently claimed that either Black Panther or Falcon was the first black superhero to appear in comics, beating out DC’s Black Lighting.  I think that Storm might predate the three of them, but I am not sure.

Quicksilver and the Scarlet Witch are Gypsies, readers.  Red Wolf, Mirage, and Thunderbird are American Indians; and Colossus and the Black Widow are Russians who have become U.S. citizens.  Then there is Nightcrawler, who is German and who barely resembles a human; Silverclaw, who is Brazilian; Sunfire, a Japanese man who follows the tradition of the samurai, and Bengal, a Vietnamese superhero who lives and works in Vietnam.

If Marvel were not diverse, readers, then these characters would never have been created by Stan Lee and the original writers. If Marvel’s fans hated diversity, none of these characters would have lasted more than one issue.  Before 2015, they were all alive in the Marvel multi-verse, which means they have, collectively, been around for nearly seventy years.  How can people who have kept these characters “alive” for so long hate diversity?  Answer:  they cannot, and therefore they do not, hate diversity.

So if Marvelites do not hate women or diversity, then why is Marvel losing revenue on its new comic books? Hmmmm…. Maybe these books are doing poorly because the fans, new and old, actually like Thor Odinson as the Prince of Thunder and not some prancing female using his hammer and claiming to be something she is manifestly not. Maybe fans truly liked Bruce Banner as The Incredible Hulk and really hate the fact that Marvel had one of his best friends kill him. Maybe fans are in fact more than a little bit upset by Marvel’s decision to make Steve Rogers a secret agent of HYDRA and a flaming NAZI. Maybe they genuinely like Tony Stark as the Invincible Armored Iron Man who can build his way out of a trap with a broken laptop and some chewing gum, instead of a fifteen year old science whizz-kid who could do her own thing instead of shoehorning herself into his act.

And maybe they do not like one of the first black superheroes – Falcon – being shoved into the role of Captain America, since it smacks of condescension and patronization.  This move by Marvel is obviously meant to appease the PC police.  And by doing this to the Falcon, Marvel’s writers are essentially stating that they think Sam Wilson – and therefore his fans – should not be satisfied that he is one of the first two black superheroes in comicdom.  They would rather destroy the Falcon to make a new, “modern” Captain America that is anything BUT an American.

So maybe the reason sales are dropping is because fans think that pushing Falcon into Steve’s suit, handing him Rogers’ shield, and leaving him to spout anti-American claptrap like a ventriloquist’s dummy actually demeans African-Americans instead of “elevating” them or making Sam “more relevant” to the times.

Yeah, I think these facts may have more to do with your declining sales than sexism or racism, Mr. Gabriel.  Too bad you and everyone else at Marvel have not realized this yet.  Or, realizing it, you have decided that you know what we want because you are the “better and the brighter” of society and YOU are never wrong.  We are just peons who cannot see the mote in our eye.  That might be true, but you are missing the enormous beam in your own eye, buster.

So much for the customer is always right, eh, readers?

The reason I am writing all of this is because the people presently helming Marvel – and their enablers/cheerleaders in the world of critics – do not want more diversity or female characters. They want an emasculated male populace and homogeneity.  They want black to be white, left to be right, and the population of the world to be nothing less than mental clones of them.  Though they are doomed to failure, this does not mean that we can simply sit on the sidelines and let them ruin the Marvel universe(s).  It means that we have to fight back against their dehumanizing push for sameness.

This leads me to another problem that Marvel is currently experiencing. An article at http://io9.gizmodo.com/marvel-vp-blames-women-and-diversity-for-sales-slump-1793921500 states that another reason for the drop in Marvel’s sales is due to the increasingly schizophrenic story arcs the company has been churning out for two years. I actually think this problem goes back to at least the Disassembled and House of M story lines.  The reason I trace the problem back that far is this is when I noticed that Marvel was going off the rails. Disassembled and House of M may not have been the starting points, but they were the arcs which made me bite my lip and think, “@&*!, here we go with the death, despair, darkness, your-heroes-are-really-villains-in-disguise downward spiral.”

Just think about it, readers. After House of M the Marvel universe – which was originally upbeat, positive, and generally told decent to good stories – took a nosedive into the muck.  After House of M we were fed the atrociously immoral and disgusting “Ultimate Universe.”  Then we were handed the insipid “New Avengers” storyline and endured the advent of the largely lukewarm “Young Avengers” crew.  We were handed the demoralizing Civil War arc next.  Then we had the sickening Avengers vs. X-Men event; the asinine “Unity Squad” story line, and the Original Sin plotline which led to the putrid rewrite of the Marvel universe(s) in the Secret Wars event of 2015.

According to Beth Elderkin, the writer of the article at io9.gizmodo.com, there have been “at least 12 events and crossovers [in the past two years]. Events, in particular, have become more of a chore than a reward. There’s little build-up or anticipation because you know another one’s right around the corner. They also can completely screw over beloved characters for the sake of drama, like turning Captain America into a fascist as Sam Wilson has taken [on] his mantle.

She says this makes it hard for new readers to focus, and I will not argue that these endless events do not help new fans to get their footing in the Marvel multi-verse – or, rather, what is left of it. But the problem she does not address is that none of these events or crossovers is positive. These stories are all negative and thus display brazenly the idea that Marvel’s management, who believe themselves the “best and the brightest” (but are truly the dumb and the dimmest), know what’s best for the rest of us. They also continue to drive the homogeneity mantra onto readers’ minds like a suffocating pillow. Not one of these events leaves a reader feeling uplifted and ready to face the world again. How do I know this?

Because that is what simply reading descriptions of these story arcs did and still does to me. And I am not alone, something which Mr. Gabriel’s admission about moribund comic book sales proves. Every last one of the story arcs I listed above may be compelling and addictive to some readers, but to most of us they reek of negativity, despair, and nihilism. How many people want to stew in an emotional/mental/spiritual refuse pile like this? If the downturn in Marvel’s comic book sales is as steep as Mr. Gabriel seems to believe it is, then I think I am safe in saying that ninety percent of normal, everyday people do not want this junk. This means that Marvel is selling to a narrow market which is shrinking day by day.

But why is Marvel having this problem at all? If the difficulty is too many dispiriting events, the company could easily fix the problem by turning the characters over to new authors, right?  Possibly, but from what Beth Elderkin says this entire problem is born of the fact that “….There’s been a steady decline in Marvel’s talent pool, because of better offers and independent retailers. One retailer mentioned at the summit that it’s especially hard to keep talented writers and artists when they can make creator-owned books at publishers like Image. Not only does it give them more flexibility to tell the stories they want, but they also keep way more of the revenue.”

Again, I will not argue with her. Though I have no idea what Marvel pays its artists and writers, I do know that the writers they are allowing free reign in their universe(s) at the moment should not be allowed anywhere near a keyboard or a pen. The “stories” that many of these writers are pumping out are evidence that they are intellectual hamsters running inside fetishified exercise wheels decorated with death’s heads.

So finding new writers for Marvel who have positive attitudes and a love of truth, beauty, and goodness is going to be a challenge. Believing that Marvel would hire these people seems to be asking for a miracle. And if Marvel currently has writers who want to tell true, good, and beautiful stories with their characters, these writers appear to be few and far between. And these people are either barely hanging on to their jobs or they have left for greener pastures.

“All right, Mithril,” some of you say, “if these are the problems, just what are we supposed to do about them? Marvel is a big company and they won’t let just anyone in. They specifically tell aspiring artists and storytellers, ‘Don’t call us, we’ll call you.’ How are we going to fix a company that doesn’t want to be fixed?”

Good question. There are several options available to fans, readers. If you are like me and my friends, and you do not like the stories which Marvel is publishing, keep doing what you have been doing: avoid their new comics like the plague. This means that their sales will keep plummeting and they will, sooner or later, be forced to clean up their act in order to stay in business. Or they will finally hire people who will do this service for us. Either way, remember that money talks. If your money is not going into their pockets, then the silence will get their attention.

Another option is to become a writer yourself. If you write good stories and books and they sell well, are positively reviewed, and have the masses talking with mouths and wallets, then Marvel will probably notice you.   Then maybe – just maybe – you will get lucky and they will tap you to write for them.

If you do manage to accomplish this feat, then I would add the caveat that you do your best to keep your eye on the prize. Put your slippers under your bed, as Denzel Washington advised, so that you always have to kneel down to get them in the morning. You got where you are by telling good, true, and beautiful stories, and this is what you want to do with Marvel’s heroes. Keep that goal in mind and you should be fine.

If you are not much of a storyteller, and you are already speaking by not buying Marvel’s comics, then you can always write letters to Marvel in order to explain your displeasure with them. This is what I do; I watch Marvel’s movies, read the older comics, and critique the cartoons. Besides blogging about the characters I enjoy as much as I can, I also write letters to Marvel’s top echelons, telling them what I think of their new comics (and I don’t think much of them).

You can do this, too, readers. Marvel has five different email addresses where you can send letters, as well as a section for general feedback on their website. I have never gone that route, so I cannot tell you what to expect if you try it. However, if you write letters to Marvel, put OKAY TO PRINT alongside your email’s subject heading and send it to one or all of the following addresses: onlinesupport@marvel.com, spideyoffice@marvel.com, officex@marvel.com, mheroes@marvel.com, and/or mondomarvel@marvel.com. And do not be threatening when you write to them.  Believe me; they will notice your letters, even if they are politely phrased.

The squeaky wheel gets the grease, and we Marvel fans have more right to be squeaky than that posse of small-minded critics and “cultural gatekeepers” do. Unless these people actually buy Marvel’s comics in droves (which they very obviously do not), they are not the audience the company has to please. It was our money that made Marvel what it is today, not the critics’ pens. I say it is high time we reminded Marvel of this fact.

For myself, I will continue to do all of the above. I know I sound as though I am crusading against Marvel’s hierarchy, and I guess I am, after a fashion. But I am doing so as a customer who desperately wants to preserve an enjoyed and admired product, so that I can pass it on to others to enjoy in the future.

I want to be entertained by Marvel for many more years, readers. Right now, they are not entertaining me OR legions of their fans. They are trying to force their view of the world on us through these “new,” PC characters, destroying the good and great and true ones in the process. That is cultural bullying, which is a form of intellectual tyranny. It must be stopped. The only way that we can convince Marvel’s management to right the ship is to tell them why we are not buying their product. But we have to actually tell them if we are to have any hope of returning Marvel Comics to the good, the great, and the true, which is timeless.

Until next time, readers….EXCELSIOR!!!!

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Spotlight: Strong Women – A Return to the Question

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We had met as equals, rarely a good thing in such matters, for the woman who wishes to be the equal of a man usually turns out to be less than a man and less than a woman.  A woman is herself, which is something altogether different than a man. – (Emphasis added.)

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This quote is from The Walking Drum, written by Louis L’Amour.  While Mr. L’Amour is best known for his Western fiction, the truth is that he wrote a great many other stories as well.  He served in World War II and “yondered” much of his early life.  He was many things and he saw many things.  The Walking Drum is a novel he wrote – and it is set in the twelfth century.

Why start a post off with this quote?  Because it is a timely admonition.  A woman ends up being less than herself when she is trying to be something she is not.  And yet we have no end of “experts” proclaiming that women are equal to men.  It makes the observant wonder just what they are selling.

The research I did for the post “Offended, Insulted, and Not Shutting Up” is what got this article rolling.  And before anyone asks, no, I have not shifted my position on Marvel’s decision to make Jane Foster the latest version of “Thor.”  It is a stupid decision which they will soon learn is not helping them.

My research into the opinions of others regarding “Thorette” allowed me to find comments and articles that expressed what I have thought for some years.  They were not all as delicate in their statements as I would have been but, to borrow a line from Mr. Spock and the Vulcans, that is part of the wonder of living in a world of “Infinite Diversity in Infinite Combinations.”  With this research tumbling around in my head, I began to think not only about “Thorette” but about what the intelligentsia says we are to praise in the female characters being created these days.

This brings us back to the question I asked in the previous “Strong Women” post.  Just what makes a strong woman?  Looking at “Thorette,” it seems safe to say that many writers and artists think a woman is only strong when she has an above-normal muscle structure.  This sort of physique also happens to look good in some form of armor-plated swimsuit or underwear, which conveniently guarantees a male audience of some size.  (These are probably not the guys a girl should accept the offer of a date from, by the way.)

Being a curious observer, I have a question to ask the writers and artists at Marvel and elsewhere.  Do they know how many female fans Carol Danvers has?  Do they know how many women are in Thundra and “Thorette’s” fan clubs?  Has anyone taken a poll of female Marvel fans to ask them what they think of these characters – not to mention what they think of all the other heroines on Marvel’s roster?

If Marvel were to poll its female fans, I believe that they may get answers like mine.  For instance:  I have never liked or admired Carol Danvers.  And I cannot seriously contemplate Thundra, a character from an alternate dimension where women are the dominant sex, without stifling the reflexive urge to throw up.  She has to be one of the few characters Marvel has created which I find utterly repulsive.  I know and prefer her only as a convenient villainess.

My opinion of Jane Foster/“Thorette” is well documented.  Jane Foster has been warped and nearly destroyed as Marvel’s writers, editors, managers, et al attempt to gain fashion and political points from her “new look.”  But what they fail to comprehend – or perhaps to admit – is that she looks horrible!

Now, does everyone feel this way about these characters?  Hardly.  But in my humble view, these female characters do not appeal enough to be worth any kind of money.  Judging by “Thorette’s” anemic reception and the letters Marvel received about Carol Danvers years ago, I do not think I am that alone in disliking them.

What kind of female characters, then, impress me?  Allow me to pull out another quote from Mr. L’Amour to illustrate my answer:

 

 Image result for chancy by louis l'amour

A man you can figure on; a woman you can’t.  They’re likely either to faint, or grab for a gun, regardless of consequences. – from Chancy

 The Cherokee Trail

These are the kind of women who fascinate me, and whom I wish to emulate.  Remember, fainting can easily be faked.  How is a man to know a real faint from a false one without putting himself in danger?  Louis L’Amour’s female characters are like this.  They are iron-willed women who have bones of steel.  They can handle a pistol, a rifle, or they can use some other object as a weapon.

You will not find any of L’Amour’s female characters holding up stages, taming broncos, or riding the range as cowgirls, it is true.  But you will find women in his stories that are leading cattle drives, managing ranches, and defending their homes from Indians or bandits.  And plenty of his women are quite happy to back up their men in a fight by holding a shotgun on the group of ruffians looking to make trouble.  The women in L’Amour’s novels of seafaring and in his football stories are no different.  Admittedly they do not carry guns in the vicinity of a football game, but they are just as determined and forceful as the frontier women who were their ancestors, in spirit if not in fact.

What does all of this have to do with Marvel?  The comic book company already has a Rolodex of formidable heroines.  To name a few, there is the Wasp, the Black Widow, Mockingbird, Wanda Maximoff, Silverclaw, Jean Grey, Rogue, Storm, the Invisible Woman….  The post “Offended, Insulted, and Not Shutting Up” has a more comprehensive list, if you would like to learn of more heroines in Marvel’s Universe(s).

The fact is these women can all hold their own in a fight.  Yes, these characters have an extra asset of some kind during combat.  Mockingbird and Black Widow have extensive hand-to-hand combat training, while Storm, Rogue, and Jean Grey have mutant powers.  Many other female characters within the Marvel brand also have superpowers.  But a pistol or a rifle is an asset, too, and no frontier woman who wanted to survive would shun either weapon because it was not natural to her.  It was often the only thing standing between her and harm – or death.  You respect that kind of tool; you do not toss it aside.

So do any of these Marvelous assets cheapen who these women are as characters?  No, they do not.  Nor do they enhance their characters; they are simply stand-ins for the rifles, pistols, or the various weapons women have used throughout the centuries.  Sometimes they are even extensions of the abilities women have always had:  intelligence, mental agility, and outright strength of will.

As a result one never knows just what any of these heroines are going to do in a given crisis.  One can never know just how they are going to play the game, how they are going to react to the villain’s bait.  They may play on his arrogance or they may pretend to be simpering, frightened damsels.  Whatever they do it is bound to be interesting and exciting, for the simple reason that it has the potential to be totally unexpected.

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Carol Danvers or Thundra, in comparison, can always be counted on to hammer at a problem until it goes away.  Why is this so?  It is so because they are women who are less than women.  The writers have decided to make them something they are not.  As a result, they have personalities that are as stilted as a puppet’s limbs, making them very uninteresting.

The other heroines do not have this built-in handicap.  They are women who are not afraid of being women.  This means that they do not think like the men around them.  This gives them their edge in a battle.  It is not their superpowers, skills, or weapons.  It is who they are as people, as women.

When these heroines are safely captured, they are often deemed by the villains as no longer a threat because they cannot use their powers, kung fu, or technology.  With Danvers or Thundra this is usually a true assessment.  They are not used to thinking outside the box – or thinking much at all, from what I have seen.  In a pitched battle they simply react.  This makes them relatively easy for their opponents to overcome or dispatch.

Many of Marvel’s other heroines, however, never stop thinking.  They are always watching, listening, assessing, and working out a plan of some sort.  If the only possible plan they can make is to wait for back up, then that is what they have to do.  Their male counterparts have experienced similar crises, though you will not hear these mentioned by very many critics.  If they could survive the wait and not be diminished by it, then why can’t their female counterparts?

From Marvel to DC, from Star Trek to Andre Norton’s Witch World series, from Star Wars to Howl’s Moving Castle and its sequels, there is no end of proof that women can be as bold and brave as the men in their lives – and they can be as bold without compromising their womanhood.

This is what modern writers, filmmakers, and artists no longer consider.  In fact they are actively running away from this truth because it has become passé to portray a woman as she actually is.  Instead a fictional heroine must be displayed as something other than a woman.  You go to the theaters to see the latest films and most of the women in these movies have no problem cutting off men’s heads or disemboweling them.  Not only do they have no physical problem doing it, which many of them should, but they also have no moral qualms about doing it.

Image result for wonder woman filmThe Wonder Woman movie out next year promises to be a case in point.  I was once a big fan of Wonder Woman.  This was not because of her strength or because of her Lasso of Truth.  No, I liked her because of these things and the fact that she was still a woman.  Throughout her adventures with the JLA, Diana learned to respect and like her male teammates, to appreciate their abilities and welcome them as friends.  Later series even had her dating Batman!

But recent rewrites by DC Comics have turned Wonder Woman into a bloodthirsty man-hater.  It is true that in the coming film she is going to fall in love with Steve Trevor (portrayed by Chris Pine).  While she is doing that, though, she will also be happily carving men to pieces and telling women that being secretaries is the equivalent of slavery.  You would think she came from an alternate universe and not an island inhabited by Greek warrior women.

All of this detracts from the real power of women.  By portraying a woman as what she is not, these writers and artists are not elevating women.  They are demeaning and demoting them.

The fictional heroine who easily encapsulates what a real warrior woman can and should be is Éowyn of Rohan from The Lord of the Rings.  Secretly joining the Rohirrim’s army as it marches to battle in Gondor, she is the one who defeats the Witch-king, the leader of the Nine Ringwraiths or Názgul.  Merry, taken into Gondor by her when she wore the guise of a male Rider, helps her with a well-placed sword-thrust.  But it is Éowyn who ultimately strikes the fatal blow and wins a great victory in the glorious Battle of the Pelennor Fields.

Still, many Feminists go into apoplectic fits over Éowyn’s role in The Lord of the Rings novels despite her amazing display of courage and fighting skill.  Why?  They do this because Éowyn leaves war behind forever when she decides to accept Faramir’s proposal of marriage after recovering from her battle with the Witch-king.  That particular passage reads thus:

Image result for eowyn battle of pelennor fields

Then the heart of Éowyn changed, or else at last she understood it. And suddenly her winter passed, and the sun shone on her.

‘I stand in Minas Anor, the Tower of the Sun,’ she said; ‘and behold! the Shadow has departed! I will be a shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren.’

Image result for eowyn and faramirThe thing Feminists do not understand – or the thing which they absolutely refuse to accept – is that Éowyn’s triumph in battle does not define her.  She did an amazing, wonderful thing, which most other people could never accomplish.  Her decision to marry Faramir does not render her defeat of the Witch-king any less; rather, her decision to marry is the reward she earned in that fight.

Éowyn’s part in the Battle of the Pelennor Fields does not define her identity, and most Feminists want that stereotype to define and limit her.  This is most of Éowyn’s own problem in the trilogy until she falls in love with Faramir.  Up to that point, she believes that battle will give her satisfaction.  Poisoned along with Théoden by Wormtongue’s whisperings, in her confusion and slow descent into despair Éowyn decides that only death in battle will give her a chance at glory and renown.

Now, readers, the fact is that death is not a fulfillment of life.  It is the end of life, and if you ally yourself with death, you are allying yourself with the Enemy.

In Minas Tirith – originally named Minas Anor or ‘Tower of the Sun’ – Éowyn finally comes to see that battle is not where she can be most useful when she is at last confronted by Faramir’s genuine love for her.  Being a warrior is not her calling, although she can certainly wield a sword as well as any man.  Her vocation in life is being a woman, a wife, and eventually a mother.

Through Éowyn the author of the trilogy, J.R.R. Tolkien, demonstrates that a woman is not made by her fighting ability.  She is distinguished by her will, her womanhood and – if she is lucky – by her motherhood.  “For the hand that rocks the cradle is that hand that rules the world.”  Mothers shape their children, daughters and sons both.  These daughters and sons will grow up to change the world through the things they do, the things they create, and the children they bring into the universe.

Modern media has largely forsaken this understanding of womanhood at the behest of the Hegelian/Nietzschean complex, the modern incarnation of Sauron.  There has been a war going on for the past century or three which most have not paid heed to.  This has led to nothing but a lot of pain for women, who have been persuaded as a group to throw away the knowledge that they once possessed. Their honor is their womanhood and it is our societal honor to know them as such.

Mockingbird

This is why I have taken issue with Jane Foster’s identity change, not to mention the identity change of several other formerly male characters.  This is why I have written two posts on strong women.  It is an attempt to remind women of what we truly are and what we can actually achieve.  For when women stop valuing themselves as women, society stops valuing them as well, and then that society sooner rather than later treats them like chattel.

ISIS does this on a daily basis.  Slave traders and sex traffickers rely on such attitudes to do “business.”  The shout of “I am Woman, hear me roar!” has led to nothing but pain and sorrow for millions of women.  They have chosen to debase themselves.  This means they are no longer worthy of special respect and value to men.  For if women do not value themselves as women, as potential wives and mothers, then why should men?

Does all this mean that a woman cannot fight?  Pshaw.  Éowyn fought, did she not?  It is not possible that she forgot how to swing a sword after marrying Faramir.  She simply did not make a living fighting – and for the record, neither did he!  The heroines of Marvel Comics fight; the women in Star Trek and Star Wars fight.  The will to fight is the influential factor.  Just ask the mothers and wives who grabbed a gun to help defend against Indian raids or bandits back in the Old West!  Or those that defend themselves and their families similarly today.

But if a woman wants to make a career as a warrior, she cannot try and be the equal of the men.  This can never be, for the simple fact that no amount of human interference – psychological or scientific – can overwrite what she is.  And if a woman decides she wishes to be a “shieldmaiden,” then she had better be prepared for what could happen to her on the field of battle.  Torture, the loss of life and limb, rape – these are just some of the risks which I can see ahead of a female soldier.  An enemy who does not value life – and there are many of those today – can be abominably creative in the management of prisoners.  Just ask Dean Koontz.

Han and Leia

Does all this mean that I believe a woman should not be prepared to fight?  Civilization is a very, very fragile construction.  One small thing goes out of whack and entire nations fall to their knees.  Women definitely need to know how to defend themselves.  They have always needed to know this.

But what women need to relearn is that it is not battle which will define them.  Battle does not define a man, so how can it define a woman?  A man or a woman is defined by who and what they are.  A man is defined by his manhood, a woman by her womanhood.  That is all there is to it.

This is not weakness.  It is not slavery.  Knowing who and what you are is not a defect; it is a strength.  Being proud of being a man or a woman is what gives one the will to fight, to protect oneself from those who do not appreciate you for who and what you are.  Muscles, weapons, skills – these are the tools.  They are not the determining factors.  We, men and women, are the weapons.

Until writers at Marvel, DC, Star Trek, and elsewhere figure that out, though, we will have to endure continuous watered-down portrayals of heroines in many stories.  Until these “artists” ask themselves, “What really makes a strong woman?”, they will continue coming up with the wrong answers.

Readers, I will give Mr. L’Amour the last word on this subject:

Image result for the warrior's path by louis l'amour

She’ll stand to it.  There’s a likely craft, lad, and one to sail any sea.  You can see it in the clear eyes of her and the way she carries her head.  Give me always a woman with pride, and pride of being a woman.  She’s such a one. – from The Warrior’s Path

Amen, readers.  Amen!

The Mithril Guardian

Offended, Insulted, and Not Shutting Up

Hey, readers! We regret that we must interrupt this programming with another little piece of criticism aimed at Marvel’s Hierarchy of Seneschals.

Yes, I just called them that. Until they either wake up or are replaced by people who actually know what they are doing, I am not changing that moniker.

Marvel announced that in the next season of their animated series, Avengers Assemble (to be re-titled Avengers: Secret Wars), Jane Foster will debut as “Thor.” Some of you, certainly, see no problem with this. But several other fans, including me, have had problems with this change since it was made in the comics. See the links below to find out how much we dislike it:

http://comicvine.gamespot.com/thor/4005-2268/forums/i-like-jane-foster-as-thor-but-i-dont-1697781/

http://www.theimaginativeconservative.org/2014/07/say-it-aint-so-stan-female-thor.html

http://community.comicbookresources.com/showthread.php?582-By-the-Gods!-It-s-THOR-Appreciation/page52

http://www.breitbart.com/london/2015/02/14/female-thor-is-what-happens-when-progressive-hand-wringing-and-misandry-ruin-a-cherished-art-form/

https://voxday.blogspot.co.uk/2015/02/men-in-women-suits.html

http://kaimaciel.tumblr.com/post/144803890339/my-honest-opinion-on-jane-foster-as-thor

http://www.comics2film.com/if-she-be-worthy-thor-jane-foster-marvel-101/

While I am not a huge fan of the Prince of Thunder, the fact is that I do like him, and I prefer him as a Prince, that is, a male heir to the throne of Asgard. Jane Foster is an agreeable character, and I would be excited to see her in the TV series. But I would prefer that she debuted as herself: no superhuman powers, no magic hammers, none of the “new” idiocy with which the writers and their handlers have decided to outfit her.

Jane Foster’s strength was once her “mortality,” her humanity. It would not matter to me if she turned up in the cartoon as a nurse or as an astrophysicist, as she is portrayed in the films. She has carried herself well in both those fields of endeavor; as either of these professions and many others suit her character.

Yet Marvel, in its attempts to stay ahead of the latest fads, decided this was not good enough for her. Someone, somewhere, must have complained about the enchantment on Thor’s hammer, which of course read: “Whosoever holds this hammer, if he be worthy, shall wield the power of Thor.” A lot of people are getting hung up on pronouns such as “he” and “she.” “He” is what they come down against most vehemently nowadays.

To raise Cain (ooh, how gender-specific of me) over such an inconsequential thing is beyond dim-witted. Mjolnir can be wielded by whoever is worthy. That can be a man, a woman, an alien (remember Beta Ray Bill?), or an android (did we all forget Vision that fast?). The inscription is a generic; if a worthy lady had come along and picked up Mjolnir, the only reason Thor would have been astonished was because he is used to lifting the hammer, not sharing it with others.

Thor has been a male character for more than a thousand years, since he was created by the Ancient Norse. And, as others have pointed out, Marvel’s version of Thor has been adored by thousands of girls everywhere right from the get-go. His fan base is not getting any smaller, people, and neither are the crushes on him.

But in an effort to appease the talking heads, Marvel has disregarded the feelings of its fans – you and me – in order to curry favor with the ‘elites.’ Never mind that we are the ones who have supported Marvel all these years, they are determined to continue flogging dead horses in order to receive the praise of people who otherwise sniff condescendingly at them and their medium.

Yes, you read that right. I called this gender-switch for Thor a dead horse. It is a dead horse. It has been a dead horse for decades, but the ‘intelligensia’ is so desperate to keep making money off of it that they insist it is still twitching. People continue to scream about women being oppressed in the United States and Europe because, for instance, they “do not make as much money” as men.

Have a look at these links here, readers, and see if you agree with that assessment:

 

ISIS Burns Caged Women

http://nytlive.nytimes.com/womenintheworld/2016/06/06/19-women-burned-to-death-after-refusing-to-have-sex-with-isis-fighters/

http://www.foxnews.com/world/2016/06/06/19-yazidi-girls-burned-alive-for-refusing-to-have-sex-with-their-isis-captors.html

http://www.wnd.com/2016/06/isis-burns-19-girls-alive-for-refusing-sex-slavery/

 

Persecution of Christians by ISIS

http://www.wnd.com/2014/12/nun-pleads-for-christians-raped-sold-killed-by-isis/

https://www.pinterest.com/pin/425942077231304272/

http://www.breitbart.com/national-security/2015/10/05/report-syrian-christians-cry-jesus-isis-mass-beheading/

http://www.dailymail.co.uk/news/article-3261075/ISIS-sliced-12-year-old-Syrian-boy-s-fingertips-father-Christians-failed-bid-convert-Islam-executed-group-victims-shouted-Jesus.html

https://www.thereligionofpeace.com/attacks/christian-attacks.aspx

http://www.independent.co.uk/news/world/middle-east/isis-crucifies-children-for-not-fasting-during-ramadan-in-syria-10338215.html

http://www.foxnews.com/world/2015/07/02/isis-executioners-spare-no-one-killing-74-children-for-crimes-including-not.html

 

Jihadi Brides

http://www.independent.co.uk/news/world/middle-east/isis-s-austrian-poster-girl-jihadi-brides-have-changed-their-minds-and-want-to-come-home-9789547.html

http://www.express.co.uk/news/uk/577347/British-twin-girl-jihadi-brides-want-to-return-to-home

http://nypost.com/2014/10/10/pregnant-teen-girls-who-joined-isis-weve-made-a-huge-mistake/

http://ijr.com/2014/12/220140-150-women-refused-isis-sex-brides-terrorists-responded-heinous-way/

http://www.foxnews.com/world/2016/08/12/uk-teen-girl-who-went-to-isis-area-syria-reported-killed.html

 

Rape Abroad

https://www.washingtonpost.com/news/worldviews/wp/2016/07/10/leaked-document-says-2000-men-allegedly-assaulted-1200-german-women-on-new-years-eve/

http://www.breitbart.com/london/2016/01/21/revealed-full-list-of-1049-victims-crimes-committed-during-cologne-new-years-eve-sex-assaults/

http://www.express.co.uk/news/world/636944/Cologne-sex-attacks-list-crimes

http://www.dailymail.co.uk/news/article-3684302/1-200-German-women-sexually-assaulted-New-Year-s-Eve-Cologne-elsewhere.html

http://www.bbc.com/news/world-europe-35231046

https://www.buzzfeed.com/jinamoore/cologne-attacks-on-women?utm_term=.tk5ewAR5Y#.lujLvXlo9

 

Women in the U.S. do not know how good they have it. That is the truth.

Why is Marvel so determined to gender-switch characters like Thor and Iron Man when they have real-life stories like these, which are far more important and only a few minutes from their fingertips, to incorporate into their comics? In the 1940s they lampooned Hitler, and in the 1950s and 60s, they bashed the Communists. But in this brave new world, they are suddenly afraid to so much as mention the beasts that burn women in cages for refusing to be sex slaves? Why would they rather have us watching Captain America be “revealed” to be a secret HYDRA operative, when the real HYDRA (better known as ISIS) is out and about in the world beheading and crucifying children?

Do they really think that we are buffoons with such banal interests that our only care is why the inscription on Mjolnir says “he” instead of “person”? More to the point, readers, is this how you want the people running Marvel to think of you? It is not how I want them to think about me, that is for sure!

But apparently they not only believe we are navel-gazing twits, they are extremely eager to shove that belief down our throats – along with the notion that they “have” to do this because their universe has “too few” super heroines.

That is guff spewed by people who do not know what they are talking about, and I can prove it. Below is a roll call of some female Marvel heroines that regularly see – or have regularly seen – combat in the Marvel Universe:

  1. The Invisible Woman/Sue Storm-Richards
  2. Wasp/Janet van Dyne
  3. Scarlet Witch/Wanda Maximoff
  4. Mockingbird/Bobbi Morse
  5. Black Widow/Natasha Romanoff
  6. Mantis
  7. Moondragon
  8. Hellcat/Patricia Walker
  9. She-Hulk/Jennifer Walters
  10. The Blonde Phantom
  11. Miss America
  12. White Tiger/Ava Ayallah
  13. Squirrel Girl
  14. Spectrum/Monica Rambeau
  15. Carol Danvers
  16. Sharon Carter
  17. Crystal of the Inhumans
  18. Medusa, Queen of the Inhumans
  19. Storm/Ororo Munroe
  20. Jean Grey
  21. Psylocke
  22. X-23/Laura Kinney
  23. Jubilation Lee
  24. Firestar/Angelica Jones
  25. Surge
  26. Honey Lemmon
  27. Go-go Tomago
  28. Julia Carpenter
  29. Jessica Jones Cage
  30. Rescue/Pepper Potts
  31. Silver Sable
  32. Black Cat/Felicia Hardy
  33. Echo/Maya Lopez
  34. Firebird/Bonita Juárez
  35. Jocasta
  36. Dazzler
  37. Rogue/Anna Maria
  38. Shadowcat/Katherine “Kitty” Pryde
  39. Boom-Boom
  40. Silverclaw/Maria Santiago
  41. Quake/Daisy Johnson
  42. Jessica Drew
  43. Mirage/Danielle Moonstar
  44. Sif
  45. Valkyrie/Brunhilde
  46. Yellowjacket/Rita DeMara
  47. Gamora
  48. Lilandra
  49. Wolfsbane
  50. Elektra
  51. Dust
  52. Magma
  53. Misty Knight
  54. Colleen Wheeler
  55. Polaris/Lorna Dane
  56. Phoenix/Rachel Grey Summers
  57. Dagger
  58. Torunn
  59. Maria Hill
  60. Tigra
  61. Songbird/Melissa Gold
  62. Namora
  63. Namorita
  64. Darkstar
  65. Magick/Ilyana Rasputin
  66. Emma Frost
  67. Stature/Cassie Lang
  68. Siryn/Theresa Cassidy
  69. Sasquatch/Snowbird
  70. Domino
  71. Marrow
  72. Blink
  73. Kate Bishop

This is by no means a comprehensive list. Still, if this sample inventory has not made your eyes cross, then you should visit this site: https://en.wikipedia.org/wiki/List_of_Marvel_Comics_characters:_A. It lists many, if not most, of Marvel’s characters. Scanning through it some years ago, I was left wondering why Marvel seemed to be having so much trouble coming up with new male characters, since they were adding more new females than males!

Now what reasonable critic can look at these catalogs and conclude that Marvel has “too few” heroines? Marvel’s heroines have always stood with their male counterparts to face down evil. But the fact is that some of these ladies have been and remain more popular than others. This is natural, and their male compatriots have suffered the same ebb and flow of fan admiration over the years. Some characters are simply more popular than others. This does not negate the existence of the less well-known male heroes, so why do people seem to think the reverse is true when discussing Marvel’s lesser known heroines?

Marvel has no need to gender-swap its male characters. Avengers Assemble is a perfect platform from which to show their less eminent or forgotten heroines and heroes. They could even use the series as a stage to create new heroines, the way Spider-Man and His Amazing Friends did in the 1980s.

This post was published for two reasons, readers. One, I have had a burning desire to tell off the ignorant critics of Marvel Comics for quite some time. If they want to evaluate Marvel’s characters properly, then they should do their research before they open their big, fat mouths. If they are too lazy or indifferent to do that, then they should sit down and shut up, leaving the people who do know and love Marvel’s characters to enjoy them undisturbed.

Second, I wanted to make clear to Marvel just how deeply offended and insulted I am, underscoring my latest letter to them. (BTW, thanks for all the views, Marvel. It is sooo nice of you to drop by! 😉 ) They believe that to keep my patronage they have to turn their fictional universe upside-down and inside out.

That is a perfect way to lose my money, not keep it. The Mainstream Marvel Universe which Stan Lee, Don Heck, Jim Romita, and all the others created is my favorite Marvel playground. And I want that universe, with all its flaws and foibles, back. This does not mean that I want the characters wearing their original costumes and hairstyles. I do not want them using radio and ‘60s slang. I simply want their histories and identities to stay fixed as they were originally conceived and, if possible, built up for the better.

Alternate universe spin-off comics, TV series, and movies are fun (with the exception of the Ultimate Universe). But they are not the universes I benefited from first. That universe – the 616 universe – is the one I love best and will always enjoy more than any other.

If Marvel thinks they have to ruin that world in order to keep my interest, then they have made a grave error. I understand that it is not easy to continue a series that has survived for fifty plus years. That is not the issue. The issue is Marvel’s desire to play patty-cake with people who despise them while using them as a tool. Once they are done, they will discard Marvel like a hot potato – and then what will become of the heroes we care for and the ideals for which they stand?

I do not want to see Marvel destroyed. I want to be able to share it with many more people over the coming years of my life. But I cannot follow a bunch of lemmings over a cliff into the ocean, nor will I allow them to lead others over said precipice into said sea. Not without a fight.

Whether you agree with this article or not, readers, think about what you read in the links embedded here. Learning is not simply memorizing mathematic formulae or deciding how to identify yourself. Education is supposed to teach you to how to think, not what you are to think. As long as you can think for yourself, the Enemy will have a more difficult time catching you.

I prefer not to be caught, and so I prefer to think. It is a whole lot harder to escape a trap than it is to avoid it in the first place.

So start thinking, Marvel!

Until the next mess,

The Mithril Guardian