Tag Archives: Disney movies

Planes – A Review

New Disney Planes Movie...we're all excited! (Plus, a $100 ...

It has been some time since this blogger sat down and watched Disneytoon’s Planes. Panned by the critics, I found the film not only entertaining but quite interesting. And despite the poor reviews the movie made enough money to justify a sequel – Planes: Fire and Rescue. So the creators clearly did something right. The question, of course, is what?

Planes takes place in a world similar to that seen in Cars. It may even be the same world. But since this story has a different focus this is neither confirmed nor denied. There are enough likenesses, however, to make it plausible.

The story follows Dusty Crophopper, a cropdusting plane who dreams of racing around the world rather than fertilizing corn fields all day. As he himself says, “I’ve flown thousands of miles… And I’ve gone no where.” He wants to see the world beyond his hometown, an aspiration almost everyone can sympathize with, even if they have found that the grass isn’t always greener on the other side.

Dusty has three main problems with following through on his wish. First, he is a cropduster, not a race plane. Second, he is an older model plane (not significantly older, but twenty years for a plane is not the same as twenty years for a human being). That means parts can and will be an issue. If he breaks down and loses an important piece, replacing it may not be possible.

Third, Dusty is afraid of heights. While that sounds laughable and crazy at first, it actually makes a lot of sense. As a cropduster, he has naturally has to fly low in order to do his job. For that reason trying to reach heights greater than, say, the average skyscraper literally sends him into a tailspin. He cannot look down without losing control and dropping like a rock.

Despite the scoffing of some closest to him, Dusty trains with his friends so he can qualify to enter the Wings Across the Globe race. Before trying out, Dusty approaches an old F4U Corsair named Skipper Riley and asks him to become his coach. Skipper refuses and, when Dusty fails to meet the requirements for the race, it’s a severe blow to the little plane’s morale.

Planes - Disney Wiki

However, when the plane who beat Dusty is eventually prohibited from entering the race due illegal fuel intake usage (he was essentially using steroids), everything changes. Now an official competitor in the race, he has to get into shape to make first place in the competition. Impressed by Dusty’s willingness to keep working, Skipper surprises him by offering tips and becoming his informal mentor. The old war plane isn’t happy when he learns about Dusty’s fear of heights, and he is quite put out when the farm plane absolutely refuses to fly higher than his upper limit. But he stays and continues to train him for the race.

Once he’s achieved the proper speeds, Dusty heads to New York for the start of the competition. There he makes several friends before running afoul of the race’s three-time winner, a plane named Ripslinger or “Rip” for short. (Not inconsequentially, his voice actor is Roger Craig Smith, the man who played Captain America in Avengers Assemble.) Although he dismisses Dusty at first, Rip rethinks his opinion when it becomes clear the farm plane has the talent and skill to beat him. He then resorts to every dirty trick he can think of to put this up-and-coming star out of the race.

From this overview it is clear that Planes is a pretty standard American film. It stars the country underdog who impresses everyone with his sportsmanship and gumption. The film also carries a patriotic subtheme, showing the United States Navy in a very good light, and not just with Skipper. All in all, it’s not a bad story.

Planes | Teaser Trailer

So why did the critics pan it?

Personally, I think they trashed the film precisely because it is so American. A throwback to the days when it wasn’t taboo to bless American and love her, Planes presents everything good about our home country. There is not an ounce of America-bashing angst in the entire film.

But that’s not the only area in which Planes shines as an inherently American tale. The trope of the underdog who wins the respect of the world and topples the previous record-holder is one that is uniquely American in character. The reason for this is because America herself has traditionally been the “little guy” on the world stage. We were the country bumpkins who whipped the British Empire – which ruled more territory than anyone since Ancient Rome – in two wars that were rarely close to a fair fight. We then proceeded, by dint of sheer determination and grit, to make ourselves a world power.

In keeping with this theme, as mentioned above, the film also presents the navy as an inherently good organization. Skipper and his history in World War II, while fantastic, remind viewers of the fact that we practically saved the world in the 1940s. The scenes which refer to the modern military demonstrate that the spirit which led us to step up seventy-five years ago remains very much alive and well today. Skipper’s navy has received many technological upgrades, true, but none of those have changed her heart in the least.

Another area where the film affronts the sensibilities of many modern critics is its main motif, which is that everyone “can be more than what [they] were built for.” Dusty follows through on his dream of being a race plane, proving that the audience can, with perseverance and fortitude, achieve their desires as well. Many people today feel they cannot attain what they hope for, and while Planes is not the only movie/tv show/story to use this theme in the present era, it is one of the few that does so in a forthright, American manner.

This point deserves to be expounded upon a bit. Americans are so well-acquainted with the “pursue your dreams” motif that they have largely forgotten the rest of the world actively pushes the opposite message. For the most part, even in the 21st century, all other nations on the planet force people to remain in whatever state of life they were born into.

It is extremely hard for people elsewhere on the planet, for example, to change jobs. In some countries, if a man is born into a certain caste or chooses a particular profession, when he reaches adulthood that becomes his occupation for life. A few places may let him train and/or trade jobs, but the transition will be neither cost-effective nor relatively timely.

Nor will a man who moves into another profession be respected for doing so, whether or not he works as hard as the other people in his occupation. He has reached above or below his station and therefore must be held in some measure of contempt by the rest of society. If he is not, then others might think to challenge the status quo, which would upset the standards of class practiced over the course of centuries and, eventually, lead to a culture that is no longer static.

Planes for Rent, & Other New Releases on DVD at Redbox

For Americans, the reverse has traditionally been true. We have had actors becomes soldiers and soldiers become actors, and no one has batted an eye over it. We have had plane manufacturers become farmers and farmers become plane manufacturers without the slightest bit of trouble or nationwide resentment….

And so on and so forth; almost everyone in the history of the United States has, at one time, traded his or her jobs like a set of hats. In doing so they have never had to worry about societal backlash or difficulties because it has been traditionally understood that in America class has no place. A farmer is as good as a billionaire, a CEO, or a high paid lawyer because all men are created equal. They are not kept equal, as they are in other countries, but they are born with an equal amount of potential to be more than what they were “born for.”

Planes takes these American tropes and runs with them in wholehearted, happy abandon. It does not apologize for being an American movie to its core. Instead, it flaunts its old-fashioned U.S. values with cheerful pride. In so doing the film reminds American viewers of what they can really do if they work hard and don’t quit. Nothing – except maybe a religious film – upsets critics so much as a purely American story. Thus it is not hard to see why critics hated the film and movie-goers loved it.

John Lasseter, the erstwhile head of Pixar, penned and directed this movie. While Planes may not be among the crown jewels of his achievements, it certainly deserves more respect than it has received so far. I would personally rate Planes near the head his list of accomplishments because, as usual, the critics were wrong. This is a movie that is well worth the purchase price and the time spent watching it.

If you are looking for a light, fluffy film that is shameless in its embrace of the American spirit, I highly recommend this movie. Hollywood has largely lost the ability to tell stories like this, so when such a gem is discovered, it deserves all the love and appreciation it can get.

Until next time, readers!

The Mithril Guardian

Advertisements

Spotlight: The Lion Guard – Kion

Image result for kion

Yes, I watch Disney’s The Lion Guard. So what? I am not as big a fan of it as some are, but with my other choices being The Walking Dead or Beavis and Butthead, I have made do with what I have. (For those of you wondering how I can skip out on such a compelling show as The Walking Dead, please remember that I have stated that I do not like horror stories, the genre which includes zombies.) I will take talking lions and cheetahs and baboons – oh, my! – over the undead and stupid caricatures at every opportunity.

The Lion Guard focuses on Simba’s heretofore unknown son, Kion. The second born cub of Simba and Nala, and Kiara’s younger brother, Kion is given the responsibility of protecting the Pridelands and the “Circle of Life” by leading a team known as the Lion Guard. Their mission is to defend the Pridelands from invasion, as well as the imbalance due to the greed of the creatures that live in and around the territory controlled by Simba and his pride.

Other than his royal heritage, what gives Kion this right and responsibility? He has inherited the power of the “Roar of the Elders.” When Kion roars, the great lions of the Pridelands’ past roar with him. This gives his own roar quite a big boost, allowing him to knock down and scatter the enemies that continue to trouble the Pridelands and threaten the Circle of Life. Turns out, Scar had this roar, too, when he was a cub. But he got to like wielding it too much and thought he could use it to get Mufasa out of the way and make himself king.

Well, when he asked or demanded that his Lion Guard – made up of lions from the pride – help him overthrow Mufasa, they refused. Enraged, Scar used the roar on his own Lion Guard. This presumably killed them, and the fact that Scar used the roar for evil cost him his ability to use it. It also made him the skinny, unhealthy looking lion we saw in the first Lion King film.

Image result for the lion guard

Now there has been a big to-do over Kion’s Lion Guard. This Guard is supposed to show “diversity” in that the only lion in the Guard is Kion. The rest of the animals in the Guard are Bunga, a honey badger; Ono, an egret; Beshte, a hippopotamous, and Fuli, a cheetah.

It is more than slightly laughable to think that this mixed bag of animals is a good representation of “diversity” for children. Eventually, the children will grow up to learn that animals in the wild do not mix like this. Egrets, honey badgers, and hippos all do their own things, while cheetahs will get up and leave a kill when a lion starts walking toward it and them. Because lions are bigger than cheetahs, the smaller cats have very, very little to do with them, mostly because they do not want to be the lion’s side dish at the dinner table.

You can see that I give the “diversity” aim of The Lion Guard the respect it deserves. Why, then, do I continue to watch the show – even to avoid a series like Beavis and Butthead? I watch the show because the lead character and his male friends are actually allowed to be smart, chivalrous boys.

Allow me to explain: if you watch Sofia the First or Elena of Avalor with your daughters/nieces/sisters/whichever, you have seen the girls lead the boys in everything. They are braver, smarter, more compassionate, and completely better in every way than the men in their lives. Although the main male characters in these shows might not be bumbling, fumbling fools ninety percent of the time, the side male characters often are.

Now, admittedly, The Lion Guard has a character that falls into this category ninety percent of the time. This would be the honey badger, Bunga, Kion’s best friend and the adopted nephew of Timon and Pumba. Bunga’s position in the Guard is the bravest – he is so brave he “[borders] on stupid,” to quote Kiara. Most fans find him annoying and want him dead.

Image result for the lion guard

I think that last part is a little harsh. I agree that Bunga is irritating, but this is a children’s show, people. And Bunga’s voice actor should get a chance to pay for his college education, too, so I do not want his character dead. If he could be a little less stupid and a little more observant, I would not say no to that; dead, I will not accept.

Bunga is the only member of the team to act in a consistently dense manner. The other two male members of the Guard – Beshte and Ono – are far from unintelligent. Beshte is the hippo and the strongest in the Pridelands. He is therefore the quintessential gentle giant, and there is nothing wrong with that. Andre the Giant was a gentle giant; gentle giants are good characters. And Beshte also has a temper that will flare up occasionally, so he has a little spice mixed in with the sweetness.

Ono leans toward the studious know-it-all trope. The keenest of sight in the Pridelands, Ono acts as the Guard’s eyes, looking for trouble and yelling it out to the Guard. While Ono has many of the nose-in-a-book stereotypical trappings, the difference is that he will fight without too much hesitation. He has mixed it up with vultures, hawks, and land animals, no mean feat for a bird that is not a raptor. It usually makes up for his skittish or know-it-all failings.

Kion is, by far, the one who breaks the mold of the modern formulaic boy. He is polite, friendly, calm, fierce, and quick-thinking. Even Avengers Assemble struggled with portraying the male heroes in this fashion, as you will find if you read the posts about the series here on my blog. The male Avengers – especially Hawkeye – were portrayed as fools in most of the episodes at the series’ start. This is due to the fact that the writers began telling the story of Assemble through a liberal-ified lens in the first season and kept it going through the second (and they seem to be reverting to that form with a vengeance for season four).

Image result for sofia the first

If you drop by the Disney channels, even for the advertisements alone, you will find them to be mostly girl-centered. This is not just with shows like Sofia the First, Doc McStuffins, and Elena of Avalor. Disney has a whole series of ads called “Dream Big, Princess” to inspire girls to be anything they want to be. They also have advertisements for Lab Rats, Descendants, and other shows which make boys look like brainless idiots and girls look like uber women in training.

This is not only unrealistic and disheartening, it is dangerous. What is your son/nephew/brother or the boy next door supposed to achieve with these caricatures as his models? Disney has no “Dream Big, Prince” television ads encouraging boys to be great men like Prince Phillip, Prince Eric, or even Kristoff in their last big film, Frozen. Instead they push the popular narrative that boys are mini-barbarians or mini-buffoons in training who will someday grow up to be Big Barbarians or Big Buffoons.

If I had to bet, this is one of the reasons why The Lion Guard has taken off. Throughout the series so far, Kion has rarely failed to be a good little boy. In the first episode of the series, Kion ends up in the Outlands after chasing some marauding hyenas out of the Pridelands. While on the other side of the border, he bumps into a female hyena named Jasiri.

Image result for the lion guard jasiri

At first, Kion is suspicious of Jasiri, referring to her as “hyena” and being snappish when he speaks to her. But when Jasiri proves to be totally unlike the other hyenas, Kion starts treating her better. He proves that his earlier conduct toward her was a lapse in judgement and a jump to a conclusion when he comes back to defend Jasiri from the same marauding hyenas at the end of the episode. Though Jasiri proves to be a capable fighter, there is never a hint that Kion should apologize for coming to help her or defer to her as some fighting goddess he should worship.

In fact, at one point during the battle, he thrusts Jasiri to the ground in order to headbutt a hyena she has not seen coming. Not only does the move show fast thinking, it proves that Kion’s earlier behavior was a mistake he has since recognized and corrected.

And so far in the series, when fighting alongside a girl, Kion does not leave his manly concern for her at the edge of the battlefield but keeps it with him at all times. Jasiri even thanks Kion for his help in this show, a rare thing in modern media. (Just look up Avengers Assemble’s “Captain Marvel” episode from season three to see why I say this.)

This is not the last time that Kion behaves in a chivalrous manner toward a girl, either. Although they have the regular spats any pair of siblings would, Kion treats Kiara with a respect that is the exact opposite of simpering worship. It also has overtones of a greater reverence than most boys in modern media show their sisters. It is an esteem which comes from a healthy dose of – *gasp* – chivalry!

Yes, I just said that the lead character in The Lion Guard possesses chivalry. Kiara is still a poor fighter in the series; this is to presrve the timeline for the story. We saw Kovu point out twice in The Lion King II: Simba’s Pride that Kiara’s fighting tactics were less than stellar, and the television show did not change this fact. In The Lion Guard, Kion had to come to his sister’s direct defense in “Can’t Wait to Be Queen.” He also showed a fair bit of attachment to, and concern for, her in “The Rise of Scar.” Kion also demonstrates a chivalrous deference and love for his mother, Nala, in the episode “Never Roar Again.”

But the best episode to show Kion’s sense of chivalry so far was “The Search for Utamu” because it was his most obvious display of the virtue. It also added a healthy dose of chilvalry to the other Guard members’ characters as well.

Image result for the lion guard fuli

In this episode the lone female member of the Guard, Fuli the cheetah, overexerts herself while she is supposed to be resting. Cheetahs can only keep their amazing speed going for a few minutes. After that, it can take them up to half an hour to get their breath back. Once a cheetah makes a kill, it has to sit beside the animal for at least that long to get its breath and then it can eat.

This is why it will get up and walk away when it sees a lion coming to check out the kill. Not only is the cheetah smaller and weaker than the lion but, when out of breath, it cannot outpace the lion.

Fuli is still a cub, and as of this episode she did not believe that she had any limits. Her inevitable exhaustion after her lone escapade leaves Fuli vulnerable to an attack from a group of vultures. When the male Guard members learn about her danger, they all rush to their female friend’s defense. Kion especially shows anger at the vultures when he blasts them into the distance with the Roar of the Elders (which is probably why we did not see them for some time after this episode).

So while Fuli and Jasiri are both female characters who can manage their own affairs – and who often say they can look after themselves without interference from “foolish males” – they have both landed in situations where they needed Kion and the other boys’ aid. And while Kion respects the abilities and competence of his two female friends, he also treats them with the special regard that they deserve as girls.

This does not diminish the girls’ fighting and survival abilities and, amazingly, it does not make the boys’ desire to protect them when they cannot defend themselves appear silly. This showing of chivalry is a great thing, as it spotlights a virtue which male characters have been denied in similar series – created by Disney and other companies – for far too long.

Image result for the lion guard tiifu and zuri

Another way our male lead demonstrates his chivalry is by his dealings with Kiara’s airheaded “friends,” the lioness cubs Tiifu and Zuri. While the Guard has Bunga, the typical “boys drool” character, Kiara is saddled with two lioness cubs who are more concerned with their looks and social status than with anything even vaguely important.

Kion treats both these fluff-brained characters in general with a respect they have never earned, only rolling his eyes once when talking to them in “The Rise of Scar” and telling them off, rightly, when they allowed Kiara to go to a meeting with a known enemy on her own in “Can’t Wait to Be Queen.” The only explanation for his willingness to consider these two girls as anything remotely resembling “family” is the fact that they are girls – and oh, yeah, they happen to hang out with his sister.

As I have already mentioned, Kion continually shows quick-thinking during the series. Unlike Star Trek: The Next Generation’s unending roundtable discussions in the midst of calm and battle, most of the Guard’s tactics and strategies are actually made by Kion, either on the spur of the moment or through hours of training between patrols. The other members of the Guard follow his orders and decisions, though not always without question or input. In comparison to other male leads (in the modern Disney brand and other franchises), Kion is far more intelligent than the talking heads would have children believe boys can be.

It is also refreshing to see that, even when Kion must trust his friends to come up with a plan, he does not effusively kowtow to them after this. He accepts their advice and praises his friends’ plans without being a sycophant, congratulating them on their quick-thinking before turning back to the task at hand. Or paw, in his case.

Related image

Something else to note about The Lion Guard is Kion’s fighting prowess. The four leading male characters in the show are good fighters, but Kion is the best of the bunch. Where the girl often comes to the boy’s rescue in current children’s television shows, Kion is rarely in need of such a save. And when he does need the help of a female character, such as in “Never Judge a Hyena by Its’ Spots,” Kion shows by his dialogue that he thinks just as deeply and quickly in such situations as those where he is supposedly “in control” of the circumstances.

Thus far, The Lion Guard has proven to be a better series than I had anticipated. It is a show with a male protagonist who is chivalrous, competent, and smart. Though I take issue with some of the show’s themes, one thing which I really appreciate and cheer on is Kion’s quiet, unabashed, and completely proper masculinity.

Hopefully, this is the beginning of a trend. Shows which focus on female leads are wonderful inspirations for girls, certainly. But boys need television shows with male characters who are not only unafraid to be boys, but who have a sense of chivalry, along with smarts and fighting ability. They have been denied this for a long time, readers, and The Lion Guard is a more than welcome anticipation of a change in the fads. From what I have seen so far, we need more shows like this one. So, ‘til the Pridelands end –

Lion Guard defend!

The Songs from Disney’s Mary Poppins

Mary Poppins was one of my favorite Disney films while I was growing up. I still love it, perhaps more now than I did when I was young. Saving Mr. Banks probably has something to do with that. 😉

It is Saving Mr. Banks and the Disney franchise’s reboots of Sleeping Beauty and Beauty and the Beast that make me wary of the new Mary Poppins film scheduled to come out next year. I am a big believer in the phrase, “If it ain’t broke, don’t fix it.” The original Mary Poppins might be old, but it is NOT broken. I am not sure I see the sense in making a new film about Mary Poppins – other than the crass, corporate urge to make money off of everything that has sold before, rather than on what could be created now.

However, you came here to listen to music, not to read me carp about the stupefied imagination of most of Disney’s hierarchy. So let the music play, readers!

The Mithril Guardian

 

One Man Band

 

Just A Spoonful of Sugar (Helps the Medicine Go Down)

 

Supercalifragilisticexpialidocious!

 

I Love to Laugh

 

Feed the Birds (Tuppence a Bag)

 

Step In Time

 

Let’s Go Fly a Kite!

Sing: Of Hope and Optimism

Related image

Borg.com is a really good blog to follow, readers. They keep track of all the latest news on comics, films, and television shows on this site. It was through them that I found The Librarians and Star Wars Rebels. They post trailers for upcoming movies and can be relied upon for detailed information on most of the big franchises we see everywhere today. It was through them that I learned about Sing, the animated film from the same company which gave us Despicable Me one through three.

Illumination Entertainment hit the big time with Despicable Me for most people. They followed it up with The Secret Life of Pets and Sing, as well as some other films I probably do not know about.

I have seen The Secret Life of Pets. It is long on laughs and short on story. However, Sing had a totally different effect on me. There are plenty of laughs in this film, but there is also a story to chew on here. Secret Life of Pets really was not anything to write home about, unfortunately; it was cute, but not great.

Sing was good. It is not up there with Despicable Me and its sequels, but it is above Secret Life of Pets and leagues above Disney’s Zootopia, a film that was long on amazing animation and had just a drop of story in it. That film was a flash in the pan, sadly.

Image result for zootopia

Anyway, Sing takes place in a world full of anthropomorphic, talking animals, much like Zootopia. Specifically, it takes place somewhere in California, in a city that is like a mash-up of L.A. and San Fran, according to the movie’s creators. The lead character is a koala named Buster Moon, who owns a dilapidated stage theater. Buster fell in love with the stage and the showmanship required to run it when he was six. His father worked for thirty years to earn the money for Buster to buy the theater after this.

But things have not been going so well for Buster. None of the shows he has tried to produce have been a hit with the general populace, tickets have not been selling, and the bank is calling to tell him to settle his accounts or they will take the theater.

Desperate to save his theater, Buster hits upon the idea of holding a singing competition. He barely has enough money and “goods” for a prize for the winner, but he goes ahead with this plan anyway. The one kink in the arrangement is that his secretary has an accident and the flyers advertising his competition subsequently say the grand prize is $100,000 dollars, not $1,000.

Well, this brings everybody and his brother to audition for the competition. Buster picks out a motley crew from this crowd: Johnny, the son of a thief; Rosita, a stay-at-home mom of twenty-five piglets; Gunter, a European pig who is an enthusiastic singer and dancer; Mike, a street musician with slick paws; Ash, a porcupine rock star wannabe, and Meena, an elephant with a great voice who is too shy to sing in public.

Well, by and by, Buster finds out about his secretary’s mistake. But he still moves ahead with the competition, asking a famous former star of his theater’s golden days to sponsor the concert’s prize. But things go down the drain when Mike’s attempt to cheat mobster bears backfires in his face. The theater is destroyed and Buster briefly goes into an emotional tailspin as a result.

Now I will not spoil the ending for you, readers. But one of the things that I keep running across is a description of Buster by those who have seen Sing. They keep calling him “optimistic.”

Image result for sing film

Normally, I do not take issue with this word. Optimistic, to me, generally just means looking for the silver lining in a situation you really wish you were not in. Nothing wrong with that; with very few exceptions, we can all find a little grace in undesirable circumstances. It could be in a ray of sunshine that slips across our faces at the right moment, a call from an old friend we have not heard from in a while, or good entertainment that lifts our spirits. There is nothing wrong with that at all.

No, my problem is when people use false optimism in place of the genuine theological – and therefore real – virtue of hope. This is actually Buster’s problem throughout most of the film. He is an optimistic little fella, sure. But he relies on an optimism founded on his self-belief as though it is hope. These two things are miles apart.

Optimism will give you a reason to smile when life hits you hard, and if it is founded in hope, then you are in good straits. But optimism founded on a belief in yourself and your own powers will not – cannot – keep you going. Buster is ready to quit after his theater is destroyed. His optimism, his belief in his ability to save his property, fails after the theater’s collapse. The negative press he receives after this only deepens his depression. He has no more hope after he loses what he was trying to save.

In contrast, none of Buster’s singing competitors are truly hopeful or even optimistic. They all have very good reasons not to be. Johnny’s father is a criminal who lands up in jail when his son does not show up with the getaway car in time. His dad practically disowns him after this. Rosita is a mom of twenty-five who thinks she has lost her ability to perform, if not her ability to sing, while Ash’s boyfriend dumps her and invites another girl into their shared apartment. That is one surefire way to kill optimism, I can tell you!

Mike is a con artist who wants a big score which will get him off the streets. He is in the competition, as he is in life, to win what he thinks is ultimate happiness – the perfect materialistic life. He repeatedly mocks the others, especially Rosita and Meena, who has no optimism because she believes her stage fright will make her look foolish in front of everyone. After the theater is destroyed and their dreams appear to disintegrate with it, none of the competition’s cast is optimistic.

Related image

Even Gunter does not have optimism. You might think that is silly for me to say, once you see him; the guy almost never has a frown on his face. He is harder to put down than Buster.

And that, readers, is the point of the matter. Gunter does not have a misplaced optimism founded on himself and his abilities. What he has is hope. Hope is a fragile little virtue we treat like a penny. It is an easy word to bandy about but it has a meaning far deeper and richer than its four letters, just as a penny is worth more than its size would suggest. Hope is anticipation of something; the longing for some good and the trust that you will receive what you desire as long as you stay the course.

Buster goes through the movie thinking that he alone can save his theater. And when his last ditch scheme unravels, destroying his prized theater in the process, his optimism is shattered. He put his faith not in Someone else, not in his friends, not in the performers he gave hope to, but in himself. And let’s face it, readers; we disappoint ourselves more often than not. We are not all-perfect or all-powerful. Too many of us think we are, alas, but the fact is that none of us are God.

Now, this trust in his own powers does not make Buster a bad guy. The proof of this is that, although he sets up the competition and competitors in order to serve his own purposes, Buster gives most of his singers what they have lacked up to this point. He has given them hope by recognizing their talents and giving them a chance to show them off.

This is proved when his cast of performers – minus Mike – comes knocking on Buster’s door to try and encourage him to put the show on somewhere else. To Buster, the competition was meant to save his theater. It was not about his reputation or the money; he just wanted to keep that old theater alive in a world that had lost its taste for the art of the stage.

Image result for sing film characters

To Johnny, however, the competition meant a chance to do what he has always enjoyed. It was a chance to be who he wanted to be, not who his father and the other members of his gang assumed he wanted to be. For Rosita, the competition was a chance to prove that she had not lost her touch; that she could still dance and sing, and thereby impress the people who took her for granted.

For Ash, the competition meant achieving her dream of becoming a rock star. Gunter’s dream of performing live and hamming up his enjoyment of singing and dancing could finally come true on this stage. And all Meena wanted was to get over her shyness so she could finally sing without fear.

Buster did not see any of that because he was too focused on what he wanted. That was not an evil thing, just a selfish mistake he made out of pure stubbornness. It is only when he happens to overhear Meena singing where no one can see her that Buster gains perspective. Hearing Meena sing, he realizes that she really does have talent. He remembers all the other singers and realizes that they do, in fact, have talent as well. He comes to understand that they deserve a chance to perform, and that he has a duty as a showman to see to it that they get that chance.

Meena’s singing is what gives Buster hope. His optimism is replaced with genuine hope as he remembers that he did not want the theater simply for the theater. He wanted it because of his desire to be a showman; to be the talent scout who would bring scenes of “wonder and magic” to an audience, just as he had been given a sense of “wonder and magic” by the performances at the theater when he was a child.

And let me tell you, Buster delivers on this by the end of the film. Not only does he deliver, but he even gets what he wanted in the end; to be the manager of the theater his father helped him buy. By helping his friends achieve their dreams, Buster regains his theater along with his love of showmanship.

Sing is a good story for this reason. It is a story about real hope, not false optimism. It also reminds us that “wonder and magic” are important to daily life; Sing urges the audience to keep practicing the arts we love that brighten the world and give people hope. For without a sense of the “wonder and magic” of the world, we quickly come to see everything through either Buster’s or Mike’s filtered lens. We either fall for false hope masked as “optimism,” which claims we can get whatever we want through our own power, or we chase after a phantom “perfect happiness” in this world. The latter will never be found in this universe of space and time, and the former only leads to misery.   I will take hope and wonder over these two things any day of the week and twice on Sundays.

Well, readers, this is my opinion of Illumination Entertainment’s Sing. But you do not need to take my word on how good this film is. Borrow or buy it and watch it yourself. And do not forget to Sing whenever you feel like it!

Brave-ly Done (More Disney Music)

Every child is influenced by the entertainment they are shown. I am fortunate in that I saw many Disney movies as a child. I do not like every Disney movie out there, but most of them are hard to dislike. After all, Walt Disney was not in the habit of writing trash. He was one of those rare entertainers who earned money as a reward for telling a good story, not telling any old story just to make a dollar. *Sigh.* We could use a few more storytellers like that these days!

Anyway, readers, here are some more Disney songs which I would like to share with you. I hope you enjoy them! After all, it’s…

“A Whole New World!”

The Mithril Guardian

Brave

Touch the Sky

Aladdin

Arabian Nights

One Jump Ahead

Friend Like Me

Prince Ali

A Whole New World

 

Snow White and the Seven Dwarfs

I’m Wishing

A Smile and a Song

Whistle While You Work

Heigh-Ho!

Scrub in the Tub

The Dance in the Dwarfs’ Cottage

 

Robin Hood

Ooo De Lally

Love Goes On

A Pox on that Phony King of England

Not In Nottingham

 

 

The Jungle Book

Elephant Patrol

Bare Necessities

I Want to Be Like You

That’s What Friends Are For

 

Mulan

You’ll Bring Honor to Us All

Reflection

I’ll Make a Man Out of You

A Girl Worth Fighting For

True to Your Heart

 

 

The Lion King II: Simba’s Pride

We Are One

Upendi

Not One of Us

Love Will Find A Way

 

(I know it’s not technically a Disney movie, but they are the ones who translated it into English, so….)

The Secret World of Arietty

Tangled Cuts and Happily Ever After

Tangled is one of the best films that Disney has ever made.  But for some odd reason, they have decided to turn it into a television series.

I can’t say I’m a huge fan of the idea – I thought the movie ended things perfectly and, as a viewer, I was quite willing to leave it there.  But Disney has decided to make it a television series and at this point, there is no use arguing with them about it.

It’s not all bad news, though.  The series comes with some cute perks, especially its Tangled: Short Cuts.  These short episodes fill in time between the series’ events and they have been a hoot so far.  More are sure to come, but here are the ones that I have seen and enjoyed.  As a bonus, the short Tangled Ever After is included at the bottom of the post.

Enjoy!

Prison Bake 

 

Make Me Smile

 

Check Mate

 

Tangled Ever After

Book Review: The Rescuers by Margery Sharp

Hello again, readers! This post is about a book by Miss Margery Sharp called The Rescuers. Now, any of you who are remotely familiar with Disney films will probably recognize the title. Disney made two movies featuring the famous Rescuing mice Miss Bianca and Bernard: The Rescuers and The Rescuers Down Under. (The latter was my favorite of the two.)

These animated features were based on Margery Sharp’s books. But beyond the Prisoners’ Aid Society, Bernard, and Miss Bianca, there is not much that the books and the films have in common.

In the films, Miss Bianca and Bernard both work for the Prisoners’ Aid Society from the get-go. In the books, this is not so. Bernard certainly is part of the Prisoners’ Aid Society at the start of the novel. He even has a medal for “Gallantry in the Face of Cats”!

But in the books, Miss Bianca is the pet of the Ambassador’s son. She lives in a cage, inside a Porcelain Pagoda, and is waited on hand and paw. And she has no fear of cats!!!

Now, the premise of the book The Rescuers is this: the Madam Chairwoman of the Prisoners’ Aid Society branch in (presumably) England has heard about a certain political prisoner being held in a terrible, horrible place called the Black Castle. This particular prison is infamous even among mice. The assembled mice all shiver and shudder at the very name of it. Only one mouse ever got in and out of the Black Castle, and he is now a very old fellow well out of his prime.

This particular political prisoner is Norwegian, and he is a poet. All this sounds very sad to the mice, until Madam Chairwoman drops a bombshell on them. She does not want to send someone to the Black Castle to be the Norwegian poet’s companion and comfort in his suffering. No, she wants to send at least two mice to the Castle to rescue him!! And what is more, she wants the help of the pampered Miss Bianca in this venture!

This leaves many heads awhirl with confusion, anger, resentment, and astonishment. No one has ever escaped the Black Castle. It is a bare, black building built into a bare, black mountain. It is seated on bare, desert moor country, and the track leading to the front gate is littered with the bones of prisoners who died on their forced march to the Castle.

But the most startling thing is the Madam Chairwoman’s choice of Miss Bianca to help accomplish the rescue. Miss Bianca is rumored to be an idle mouse, having lived her whole life in luxury. Does she have the courage to do something so daring?

Madam Chairwoman only wants Miss Bianca’s help in finding and securing the aid of a Norwegian mouse for the rescue. After all, the prisoner she wants to free is Norwegian, and it is not likely that he will understand English. They need someone who will be able to speak to him in his native language. (Mice have a universal tongue which they all understand, and naturally speak the language of whichever country they were born and raised in, so they have no problem communicating with each other.)

Well, Madam Chairwoman selects Bernard to ask or even bully Miss Bianca into helping them. Since the Ambassador is headed to Norway with his family, and since Miss Bianca goes wherever the Boy goes, she will be perfectly capable of finding a Norwegian mouse to assist in the rescue.

Well, Bernard makes his way up to the Boy’s room and finds that the rumors are at least partly true: Miss Bianca has been raised in the lap of luxury and therefore has no practical experience in the outside world. But the rumors never mentioned her beauty, which strikes Bernard to the heart. From the moment he sees her, he is madly in love with her. His love and courage are what inspire Miss Bianca to agree, hesitantly, to the plan. And from there the adventure really begins!

This is all that I am going to spoil of The Rescuers, readers. It is a very good little adventure story, and I was glad to read it. I do not think it will usurp the place in my heart where The Rescuers Down Under resides, though. But I am glad to know where Disney’s Miss Bianca and Bernard came from. After all, without Margery Sharp’s stories, there would be no movies!

If you can grab a copy of this book, I highly recommend it. It is well written and fun, especially for children, its target audience. It is certainly worth checking out of the library, anyway!

Adieu!

The Mithril Guardian