Tag Archives: TV series

MORE Favorite Animated Intro Themes

Here are a few more animated introductory themes for you to enjoy, readers! It has been a while since I saw most of them, but they are still entertaining cartoons. I certainly recommend them for the young ones in your life. 😉

Catch ya later!

The Mithril Guardian

Transformers Prime

 

Transformers: Robots in Disguise (2015)

 

Rescue Heroes

 

Speed Buggy

 

Hong Kong Phooey

 

Tom and Jerry

 

The Superfriends

 

The Justice League

 

Young Justice

 

Batman (1990s)

 

Batman (2005)

Advertisements

Spotlight – Zoids: Chaotic Century – Van Flyheight

Last year I promised that I would begin doing Spotlight! posts about the characters from my favorite Zoids series, along with articles about the “mechanical combat units” themselves. Today, I am making good on that promise; here we will discuss the hero of Zoids: Chaotic Century – Van Flyheight.

Van is fourteen at the start of the TV series (the translators in Canada mistakenly have another character in the show say he is seventeen). Raised in the farming town of Wind Colony, Van’s father died five years before the series begins. Imperial soldiers came to the Republican colony when Major Dan Flyheight and a group of Republican soldiers were nearby. The commander of the Imperial division threatened to burn the village to the ground, but Dan Flyheight and his white Command Wolf, Zeke, took the entire unit down single-handedly.

So at the beginning of the show, Van is being raised by his older sister, Maria, in the Wind Colony. Every chance he gets, he sneaks away from her to explore the ruins of nearby military bases. Judging by their appearance, these bases long predate the current war in the show. Van does this to seek adventure and scrounge for scraps of salvage, despite his sister’s constant warnings that this is dangerous – not to mention her insistence that he do his chores.

Image result for zoids van flyheight

Van Flyheight

But come on, what fourteen year old boy who wants to be the greatest zoid pilot ever is going to listen when his big sister tells him to do boring chores? As the village priest tells her, “You can’t stop the boy from wanting to find a zoid of his own.” And that means she cannot stop him from running off to the desert.

Open, energetic, and easily excited (or offended), Van once again escapes his sister to go exploring in the first episode of Chaotic Century: “The Boy From Planet Zi”. But he gets more than he bargained for when a bandit named Bole begins chasing him in a newly acquired blue Guysack (scorpion-type Republican zoid – more on that another day).

Van escapes Bole by the skin of his teeth, hiding in the ruins. Then Bole’s compatriots/babysitters, Bianco and Nero, come to dig their young charge out of the rubble. Before they do that, they shoot at the ruins to trap Van inside so he cannot go running off to tell the villagers he saw them. That would bring the Republican Army down on the Desert Alca Valino Gang, and none of them want official trouble.

Inside the ruins, Van notices a heretofore hidden door which is now askew. He goes down the path to find a secret room with two green stasis pods inside. Accidentally opening the first, he encounters and befriends Zeke.

Image result for zoids zeke

Van Flyheight and his organoid, Zeke

More information about their first meeting can be found here and here, readers, if you want to start watching the series. Even all these years later, I absolutely love this show, and Van is a big reason why.

Despite the fact that he starts out reckless, hotheaded, and callow, Van quickly wins a viewer’s affection with his willingness to pick himself up and dust himself off. His kind, selfless nature make up for his naïveté and impulsive behavior. Over time he matures into a stronger boy, eventually becoming a great young man you still want to cheer on.

While it seems like mere luck that Van lives long enough to become the “greatest zoid pilot ever,” there is actually a lot of raw talent backing him up. Van has the potential to be a great pilot right from the start; he is perceptive, inventive, and quick-thinking. All he needs to learn at the beginning of his career as a pilot is how to put that together with his fighting skills instead of charging blindly into a battle.

It must be said that no one viewing the show would love zoids very well without Van Flyheight. A boy “with a strong fascination with zoids,” Van loves the mechanical animals almost as much as he loves those who are related to him or who are his friends. The entire reason he and Raven, his archnemesis through most of the show’s run, begin their feud is because the latter takes pleasure in brutally destroying zoids.

Image result for zoids van vs. raven

Raven vs. Van Flyheight

And when I say brutal, readers, I mean brutal. Van rightly calls Raven’s attacks evil, but we would not really notice how evil they were if not for our hero’s instinctive reaction to Raven’s fighting style. This brings another characteristic of his to light; much like Captain America/Steve Rogers, Van has a heightened sense of right and wrong. He may not be able to explain how he knows the difference between good and evil on occasion, but when he sees some wrong being committed – no matter how small it may be – he instantly recognizes it and acts to correct the transgression.

Of course, some will ask how I can say this, given Van’s penchant for sneaking away from his sister and disobeying her. First, it is important to remember that I did not say Van was a saint. I said he was good – about as good as Captain America, though he may be a few bars lower on the scale. Besides, avoiding chores does not make anyone a criminal-in-training; it certainly seems that Van was obedient most of the time. And who knows where we would be if he had not snuck out to play in the desert every once in a while? Zi would be worse off if he had stayed home, I can assure you!

This exemplary standard of goodness in Van has a profound effect on those he meets. They are impressed, either immediately or over time, by his innate goodness, his determination, and his no-quit attitude. We see this most in the first adult friends he makes outside Wind Colony: Irvine and Moonbay.

Related image

Irvine

Irvine and Van meet in the episode “Memory.” A wandering mercenary who fights or “protects” for money, he is in the area when Van and Fiona get lost in a sandstorm. On the hunt for an organoid to increase his power and strength, Irvine decides to try and steal Zeke from Van. You would think this would make them enemies and, for a while, they certainly are not friends.

But Irvine is not yet so far down the Dark Path that he is immune to Van’s inborn decency. Before you know it, he is traveling along with Van, Zeke, Fiona, and Moonbay. Though he says several times he is just waiting to find an opportunity to steal Zeke, it quickly becomes apparent this is no truer than Han’s statement in A New Hope when he says he is only interested in the money. Van’s goodness awakens and enhances Irvine’s, bringing it to the fore and making him a better person. The two eventually become brothers – not just in the sense of being fellow pilots of high skill, but in the fact that they watch out for, care about, and protect each other.

Moonbay fills the role of mother for Van in the beginning, a little like Hera Syndulla does for the crew in Star Wars Rebels. But where Hera is calm, cool, and very hard to ruffle, Moonbay can and will raise her voice in fury when someone ticks her off. Like Irvine, she has also become jaded by “real life” and she has a mercenary streak. More than once we see her wheeling and dealing on the side to earn more money than others think she needs. Van only directly confronts her once during one of these deals when she almost pulls a genuine swindle, telling her that he “can’t explain it using big fancy words but… [he] sure know[s] the difference between right and wrong!”

Image result for zoids moonbay

Moonbay

In reality, Moonbay is not much of a mercenary. She just loves traveling, which means that she needs enough money to support herself – not to mention the rest of the gang while they are roving along with her. As a disciplinarian, she is able to get more and better results out of Van than Maria for the simple reason that she is not his older sister. She treats him like the kid he is and tells him off when he deserves it – sometimes with a punch, if she feels he has earned one. At the same time, Van’s goodness keeps Moonbay honest and makes her strive to be better, even if she won’t necessarily admit that out loud.

Zeke remains Van’s best friend and fellow combatant throughout the series. The two are devoted to each other, almost like twin brothers (as opposed to the older brother/younger brother relationship Van and Irvine share). Much like Van, Zeke seems to be possessed of an inherent gentleness and goodness. Where others might have beaten this out of him, Van’s natural kindness enhances Zeke’s and keeps him innocent.

Image result for zoids fiona

Van and Fiona

Finally, we come to the relationship Van has with Fiona Elisi (Alicia?) Linnet, the Ancient Zoidian girl he finds in the same ruins where Zeke is hidden. When Fiona is released from her stasis pod, she initially has no memory of who she is or where she came from. She cannot remember her real name (Elisi Linnet), only the name “Fiona.” Despite being irritated by her constant questions in the first two episodes, Van immediately works to help Fiona, taking her to his village so she can be safe.

Image result for zoids fiona

While they start out as friends, over the course of the show the two obviously fall in love. Though we only see them kiss once (when Fiona has to talk to Van via a psychic image and/or hologram), the rapport between the two is not that of a brother and sister or of two friends traveling together. It is most definitely romantic, and in the best kind of way. This is made blatantly clear in episodes such as “A Voice from Afar” and “New Liger,” where Van can hear Fiona’s voice in his mind. The two early on show signs of developing a romantic bond, which seems to be the basis for the psychic tie that arises between them.

But the relationship which has the most profound impact on Van’s character is one we never see. This is his bond with his father, Major Dan Flyheight. Though we never watch them interact on screen, Van’s dedication to becoming “the greatest zoid pilot ever” is due entirely to his admiration of, and his love for, his deceased father.

Related image

Dan Flyheight

We only see Dan Flyheight once in a flashback in the episode “The Distant Stars.” However, that brief glimpse shows us where Van gets not only his piloting skills, but also his kindness, gentleness, and strong sense of right and wrong. Dan’s last words – his last thoughts – are for the two children he will leave behind, showing that the strength of Van’s love for his family and friends was learned at his father’s knee. He even names his best friend Zeke after his father’s zoid. In a world where the power of the father is laughed off and derided as unnecessary, Van proves the exact opposite with his fond remembrance of the father he lost too early.

The plot for Zoids: Chaotic Century is the joys and travails not only of a boy becoming a man, but of a page becoming a knight. Van is needed now more than ever for viewers, boys and girls both. Girls will learn what really makes a man by watching this series, while at the same time boys learn the virtues which will be their guides and friends throughout their lives.

Related image

If, as is possible, someone intends to make a film (or a series of them) about Zoids: Chaotic Century, they HAVE to get Van Flyheight right. If they do not do that, then the movie(s) they make will be worthless, or very close to it. Along with Captain America, Aragorn, Optimus Prime, and Sir Galahad, the one character in the universe who you CANNOT mess with is Van Flyheight, readers.

But you do not need to take my word for it; just visit the posts I have about the show to see what will be lost if Van is not brought to life properly. Or, better yet, hunt down Zoids: Chaotic Century’s eleven DVDs on www.amazon.com and watch the show yourselves. If you hate it, I will be surprised. If you love it – welcome to Zi, readers! We’re happy to have you on the battlefield!

Catch ya later! 😉

Related image

Avengers Assemble – A Long Way from Home

Ahoy, readers! Ar ye ready to sail in uncharted waters? Avast! It is time we be spinning tales of those famed heroes from Earth, the Mightiest of Champions – the Avengers!

You will see why I played around with the pirate lingo when we reach the end of the post. 😉 Normally, piratical speech is not my thing. It is used way too much these days for effect – or as a form of mockery for pirate tales – which means it tends to irritate me. So when one of Avengers Assemble’s episodes played around with the vernacular, I had to grit my teeth from time to time. It was either that or cover my ears, and since I wanted to keep track of the story, I put up with it.

The first episode we will discuss aired before Christmas of 2017. Titled “New Year’s Resolutions,” it starred Tony, Cap, Howard Stark and – at long last – Peggy Carter, voiced by Haley Atwell herself. Yay…!

Mostly. Sorta. Kind of.

Okay, okay, I had major problems with Peggy’s portrayal in the cartoon. The writers had her showing Steve up too much and generally did not let her be the Peggy I saw and enjoyed in Captain America: The First Avenger. I am guessing this has something to do with her depiction in her own series, Agent Carter, which leaned heavy on the Femi-Nazi and light on the story/character.

From what little I know of the series Agent Carter, Peggy came across as an angry, “let-me-prove-I’m-just-as-good-as-the-men” character, something which was certainly not the case in The First Avenger. It was more than a little sad to see her get short shrift in this episode, which I had been looking forward to viewing for some time. Peggy had her moments here, but they were few and far between.

Thankfully, “New Year’s Resolutions” was not all bad news. The interplay between Tony and Howard in this episode almost made up for Peggy’s disappointing deportment. We actually got to see the younger Stark bond with his father WITHOUT being a total brat or jerk about it. It was an unexpectedly sweet touch to what otherwise would have been a depressing, watered-down show.

Speaking of pluses, watching the four beat Kang was pure fun. And Arno Stark got to show up as Tony’s descendant rather than his hidden, younger brother. There was no Arno-should-have-been-Iron-Man stupidity here, for which I am very thankful. Although I must admit, I would have liked to have heard the thirtieth century Stark toss out a zinger or two, just to show the genes had not faded over the millennium between him and Tony.

Image result for Avengers Assemble New Year’s Resolutions

All of this is to say that “New Year’s Resolutions” is an episode worth watching, despite its substandard treatment of Peggy Carter. Now if Marvel would just do what I asked and give the Avengers an adventure that took place on Christmas Eve or Christmas Day, showing the team celebrating the holiday, I would know we were making some progress here. (No, I am not holding my breath while waiting for them to do that.)

Next we come to “The Eye of Agamotto, Parts 1 & 2.” By a stroke of good fortune, I got to see Doctor Strange before these episodes came out. Strange has never been anywhere near my Favorite Marvel Characters’ list, so the film and his appearance in the shows served more as filler material than anything else for me. But the fact that I got to see the movie meant I was prepared for Strange’s changed look; prior to the movie, he had long hair in Assemble. It is now shorter and much more practical.

Part 1 one of “The Eye of Agamotto” showed the Avengers – Cap, Hawkeye, Falcon, Black Panther, and Carol Danvers – defending a SHIELD storehouse from HYDRA agents. Well, mostly defending it. The bad guys got away with whatever magical doohicky they wanted, but Cap and Panther succeed in tracking it down.

Unfortunately, said gem is already in the hands of Strange’s arch nemesis, Baron Mordo. (The artists did a good job making him look like his film counterpart.) This is Panther’s first encounter with a bonafide sorcerer, but he handles himself pretty well here. We also see him getting calls from his little sister, Shuri, who has to ring him up for Wakandan business at the most inopportune times. It gets so bad that he shunts her calls to voicemail.

Image result for Avengers Assemble The Eye of Agamotto part 1

So when she shows up on his and Cap’s six unannounced, it nearly ends in disaster. Declaring that “no one puts [her] on voicemail,” Shuri insists on tagging along for the adventure, triggering the traps Mordo set up with a bracelet gizmo she designed herself. She has to help T’Challa and Steve best Mordo after the latter uses a spell to steal Cap’s powers.

T’Challa does well in this episode and so does Steve – for the most part. While I enjoyed seeing Shuri at long last, the writers could not resist plugging the “girl power” motif during this adventure. It was not simply annoying, it was Matronizing, and obviously so. I can handle Shuri having a list of degrees which nearly circles the world, but that should not be what makes her interesting. She comes from a culture of warriors, people! For Pete’s sake, her brother’s personal bodyguard corps is made up entirely of women so that peace can be maintained among Wakanda’s tribes. I do not think they have any of our “problems” with “women’s representation.”

Image result for Avengers Assemble The Eye of Agamotto part 1

Shuri

In this episode, Shuri is used to pantomime the idea that “brains beat brawn” – especially if they are female brains to men’s brawn. No, Marvel writers. No, no, no, and no. Women are not physically strong enough, as a general rule, to overpower men, yes. Having Shuri outsmart Mordo was great, yes. But if you want her to be T’Challa and Cap’s equal, show her not as a snobby, easily offended young woman looking down her nose at them, but as a young woman who can roll with the punches when she cannot dodge ‘em. The writers did not do that properly here, which rankled. Badly.

Other than this irksome theme, we got a good show which demonstrated the strength of Cap and Panther’s friendship, and which showed Steve being his usual, gracious self. It also put the spotlight, however briefly and dimly, on Shuri, which is great. All in all it was not a bad romp. It could have been better, but it was not bad.

Image result for Avengers Assemble The Eye of Agamotto part 2

Part 2 of “The Eye of Agamotto” was very entertaining, and it made up for the lousy element in Part 1. Following their previous adventure, Cap and Panther bring an odd sorcerer back to Avengers’ Compound after he tells them he needs to see Stephen Strange. We only see them doing this after a cute exchange between Hawkeye and the Hulk, as the archer is busy going through receipts for the damage Big Green dealt out – accidentally or on purpose – while doing his job. (I am surprised the piles of receipts were not bigger and taller.)

Strange arrives at the Compound while this is going on, launching an attack against Cap and Panther while they are trying to land. It takes him awhile, but he eventually manages to explain that he was not shooting at them per se. Whatever or whoever is with them has some bad magic which is making the Eye of Agamotto that Strange wears go bonkers.

Turns out, the man Cap and Panther met at the end of the last episode is Agamotto himself. He’s come back to get his eye (guess what the Eye of Agamotto is in Assemble, readers), and casts a spell which knocks down Cap, Panther, Hawkeye, and Kamala Khan. At the same time they get knocked out, evil shadow duplicates of them appear to attack Strange and the Avenger who depowered to avoid getting magicked – Hulk/Bruce Banner.

You will want to see this episode for the ending alone, readers. It is a hoot, a scream. About halfway through I was laughing so hard that it is amazing I could keep up with the dialogue for this show. I mean it – this episode was pure, undiluted fun! Strange and Hulk even became friends by the end of the show. Bonus points!

After these episodes came the first four “Secret Wars” installments which gave the season its name. The first episode here was “Beyond.” At the start of the show, the Avengers arrive in Central Park when a glowing crack appears in the ground. Then they try to fall back as it widens and white light erupts from it. Seconds later (as far as anyone can tell), the team wakes up in a desert at night. Right on cue, Avengers Tower rises out of the sand next to them. Naturally, they go inside to see if this is really their old home, finding it is and that everything inside is in perfect working order.

During their investigation, they also find an uninvited guest. Having spread a feast on the table for them, he invites them to sit and chow down while he explains everything. No one sits down, of course, or starts eating. They just demand to know who this guy is and what the Sam Hill he has done to them.

For those new to the Marvel universe(s), this unwelcome guest is the Beyonder. He is far different from the Beyonder I met in the 1990s. That Beyonder was not a sick, twisted megalomaniac – at least, I did not think he was. I do not know what he is/was like in the comics, so I cannot say how true his appearance in either series is to the original material, but the Beyonder in the ‘90s was a sight nicer than this guy. Another difference here, aside from his personality, is that this version of the Beyonder uses advanced technology for his little experiment. In the ‘90s he was some cosmic magician who could snap his fingers and do almost anything he wanted.

You are probably getting the idea that I was expecting to see the Beyonder this season. I certainly had a suspicion he would appear; the ‘90s “Secret Wars” arc of the Spider-Man TV series was one of my favorites. Like the original Star Trek episode The Savage Curtain, the animated ‘90s “Secret Wars” saw the Beyonder send Spider-Man to an alien world that had never known evil. The Beyonder introduced some of the worst villains from Earth to this world, then dispatched Spidey to choose a team of superheroes to stop the bad guys, proving once and for all whether good was really stronger than evil.

Image result for 1990s Spider-Man Secret Wars

Secret Wars – ’90s Style!

Spidey and his team won, of course, but it was this storyline which made me expect to see the Beyonder in Assemble. I was looking forward to seeing him again, though in light of the 2015 sham “Secret Wars,” I was worried about what would become of our heroes in the cartoon. Now I see that I should have been worried about the Beyonder, too. But maybe he was originally an evil super genius bent on satisfying his curiosity at all costs, making this portrayal of him a return to the norm. I don’t know which it is, though, so I will leave this subject alone now.

Anyway, after pinning our heroes to the walls with his tech, the Beyonder explains that he has taken pieces from different worlds and dimensions to create a new planet he calls Battleworld. (Battleworld comes from the 2015 “Secret Wars” and, from what little I know of that travesty to comicdom, Beyonder’s description here sounds about right for that Battleworld as well.) Like in the ‘90s, he is apparently trying to determine here whether good or evil is stronger.

The big problem with his plan in Assemble – aside from the fact that he took everyone from Earth, Asgard, and every where else without a by-your-leave – is that the longer the separated chunks are away from their homeworlds/dimensions/what-have-you, the more unstable those realms become. So, if the pieces are not returned to their proper places (and fast), the whole universe/multi-verse is going to explode and die. Not a pretty picture for our heroes, to be sure.

“Beyond” sees the team spread out to learn the layout of Battleworld and begin finding a way to put everything back together again. The particular part of Battleworld where Avengers’ Tower is situated is called Egyptia. Why it is called this I do not know, unless there is another realm/dimension/thing out there called Egypt. So far, Egyptia just seems to be a distorted Egypt from Earth.

Related image

Back to the show; Cap and Widow are the ones reconnoitering Egyptia. Finding a pyramid in the middle of the dunes, they go to investigate and run into a bunch of sand mummies/zombies. Things look grim for the home team but, luckily, the wandering super genius known as Iron Man drops in to save the day. The Beyonder took part of the dimension he was trapped in for his Battleworld. That part of the “planet” is called No-Tech Land, presumably because most modern machinery does not work there. This allows Tony to reunite with his friends, and the high jinks and battles ensue before he, Cap, and Widow rejoin the rest of the team at the Tower.

“Underworld” is the follow-up episode, and it begins with Loki raining on the reunion by declaring he wants to join the Avengers because the Beyonder wrecked Asgard for his little experiment. Predictably, the answer to Loki’s request is a lot of lightning bolts, repulsor blasts, arrows, and punches – none of which land, sadly. “Capturing” him, Thor, Tony, and Hulk learn that Loki is the one who told the Beyonder Earth’s location, giving them more reason to be angry at him. But since parts of Asgard are now mushed into Battleworld, and because Loki has personal knowledge of the Beyonder, Tony states that they need him and the four head out to New York City.

Related image

The reason this episode is called “Underworld” is because NYC is under a rock – literally. When Beyonder ripped it off of Earth, he put the city underground. And beneath New York, he put a bunch of Asgardian rock trolls. So when the Avengers show up, they have to defend the New Yorkers who were transported along with their city from the rock giants.

Loki does his whining “why-do-we-have-to-save-the-humans” routine, but turns into a big help when the Enchantress shows up. He almost sacrifices himself to fix the Bifrost, which is underground with New York, but Thor stops him and they escape. Then the Beyonder shows up and Hulk jumps at him to do his smashing gig –

…Only for the Beyonder to split the Hulk and Banner personalities into two people with his tech. Did not see that coming, and I have to say, it worries me. Bruce came out the worse for wear either before or after 2015’s “Secret Wars.” I am pretty sure he went nuts, and I know who “killed” him (you are in so much trouble for that, by the way, Marvel writers), so I worry that we will see something similar in Assemble. If what I think may happen does occur, then the “writers” running Marvel are in even BIGGER trouble with me.

Aside from this one worrying point, this show was a hoot. Hulk had the most fun here at Loki’s expense, and the only thing I want more than to see Hawkeye finally give the Trickster what he deserves is to watch Hulk pick on him. As for Loki turning “hero,” I predict that that will not last long. There may be a little good in Loki, but the problem with that is it is too darn small a piece of good. The bad outweighs the good, and while the Trickster of Asgard may be an open and shut case of “hope over experience,” I believe the Avengers should temper hope with sense by keeping their hands close to their weapons.

Next we have “The Immortal Weapon.” This episode was good, clean fun, and it actually gave me something I have been begging the writers for since the series started: a new hero. Iron Fist at last makes his debut in Avengers Assemble here. Though he is voiced by the same actor from Ultimate Spider-Man, Iron Fist is unquestionably an adult in Assemble. It was nice to see him again; he got short shrift from season three of Ultimate Spider-Man onward, and it is good to have him back in the spotlight no matter how briefly he appears.

Image result for Avengers Assemble The Immortal Weapon

Anyway, among the many things the Beyonder stole from Earth was K’un-Lun. But unlike New York, K’un-Lun is above ground and it is peaceful. Everyone is going about their daily business as if nothing has changed, puzzling Falcon and Black Panther, who have been sent here to pick up an item to repair the destroyed Bifrost. Things get even more confusing when the two explain to Iron Fist that they need Heimdall’s sword to help rebuild the Bifrost and set everything right. For no apparent reason, Danny attacks the two, stating emphatically that they cannot take the sword.

Neither Avenger listens when Iron Fist repeatedly states that taking the sword will unleash a great evil. So both are surprised when Falcon retrieves the weapon and Dracula pops out of the stone where it was embedded. (Nice sword in the stone reference, Marvel jerkfaces.) Turns out, Danny could not explain why the sword had to stay put because Dracula cursed him so that he could not say his name, period, in relation to anything. If anyone had asked Iron Fist about Bram Stoker’s novel, it is likely that Danny would not have been able to name the book because of the curse.

But Falcon and Panther, who have been having the “I’m-not-a-kid-anymore/I’m-a-king” argument from the start of the show, did not stop to put two and two together. Danny gets a really good scene when this argument starts back up again, putting one hand to his face and shaking his head, before telling the two to knock it off and get their act together. Tension is added to the show when the three learn of a familiar alien substance that has bonded to Dracula to make him immune to sunlight. The vampire king plans to find more of these familiar substances to make an army of daywalker vampires, but our heroes put the kibosh on the plan.

Really, this episode was nigh flawless. I had no real reservations while watching it or after it ended. It was a fun caper with no dark portents for the future of the series, and it gave all three heroes a chance to shine brightly for a change. This one earns a big, wholehearted “YAY!” from this viewer.

Image result for Avengers Assemble The Vibranium Coast

Finally, we have “The Vibranium Coast.” This is the show which gave vent to the piratical turns of phrase you encountered at the beginning of this post, readers. Ant-Man and Kamala Khan are headed to the Vibranium Coast – the one part of Battleworld, so far, which does not appear to be related to Earth at all – to pick up the Vibranium Tony and Loki need to rebuild the Bifrost and fix everything.

Scott is nervous about the job, feeling the pressure of not messing the mission up royally, while Khan continues to be her annoying, useless self. She misidentifies a pirate ship as Atlantis or another place, and the first misidentification should not have popped out of her mouth. For Pete’s sake, even on Battleworld, Atlantis would have to be under water. Most Atlanteans cannot breathe air or stay on land for long periods of time, and so far, the Beyonder has not demonstrated a desire to wipe out the populations of the places he steals all in one go. If they die over time, he will shrug it off, but the fact that NYC and K’un-Lun still have inhabitants shows he wants live specimens for his “experiment,” not cities full of dead bodies.

But we digress. Scott and Khan’s jet is shot out of the sky by the ship and the two are picked up by Typhoid Mary, who lays on the pirate act and lingo real thick. I have to say, my first introduction to Typhoid Mary did not make me like her. She reminds me too much of Harley Quinn, the Joker’s sidekick from DC Comics. Whether that is the intention of the writers or not, the fact is that her resemblance to the Joker’s apprentice wins her no favors with me.

Image result for Avengers Assemble The Vibranium Coast

Despite this, Typhoid Mary actually made this zany episode palatable for me. Having Red Skull and Crossbones playing pirates makes them seem silly, until you are faced with the even crazier Typhoid Mary. After her, anything else out of the ordinary looks mild. Her part in the story took the edge off the foolishness of seeing Red Skull be called “Dred Skull,” the master of the “Dred Skull Sea.” 😉

Ant-Man did not do badly in this show, which was a real improvement over his first four episodes this season. He got to be smart, manly, and funny without compromising his character or his masculinity. That alone would make this episode worth watching, but with Typhoid Mary’s craziness thrown in the mix, I suggest you check out the show for the laughs, too. There is also a GREAT scene at the end which had me in fits because it was so perfect. You should definitely watch this episode, readers. It is FUN!

However, despite this glowing review, I must admit that I had my usual problems with Khan here. The writers are working overtime to make her appeal to viewers, and it is not helping. Aside from a few verbal mistakes, Khan does not trip or fall flat on her face the way a normal rookie would in this show. Scott’s and the other Avengers’ care for and kindness to her are great for them, but it does nothing to make Khan more appealing or enhance her part in the series.

If you put Inferno or Firestar or Spectrum in her place in “The Vibranium Coast” as the new rookie on the team (no matter their age), it would work better because the writers would not be bending over backwards to make the audience love them the way they are for Khan. Seriously, everything they do for Khan is pure political pandering, and it shows. Somehow, in this episode, she is the only Avenger present who knows how to use swords, all because her parents let her take fencing lessons?!?

That does not fit with what little I remember reading about the concept behind Khan’s creation. There it was stated that her parents are terrified of letting her anywhere near a boy her own age, forget an adult man. So why would they suddenly let her take fencing lessons? In fact, why is she even allowed out of the house in normal clothes? Shouldn’t she be wearing something more traditional? And why not let her use her powers or natural skills to duck and dodge swordstrokes? If she is so great, then why do the writers have to give her the simple, Feminista out of, “And she can fence, too!”?

The more the writers set her up to be an uber woman settling into her place in the Avengers, the less interesting she becomes, just like her namesake. Khan adds nothing to the Marvel universe(s) or Assemble.

Related image

Dust

Dust was more interesting because she was actually allowed to make mistakes, worry about her traditional upbringing and her career as an X-Man, and learn to stretch her wings. Khan is not allowed to even voice such fears or problems in the show; she has no vulnerabilities – other than a penchant for geeking out when she meets a famous hero/villain – and it makes her dull as dishwater. She is useless, plain and simple, and she is getting on my nerves.

I do not expect the Marvel writers to change Khan and make her more interesting, readers. I expect them to double down on her portrayal with a vengeance. They cannot be wrong, while we peons are always wrong and should hate ourselves for it. (Bah.) If they want to think that way and try to financially survive while they are doing it, then they can knock themselves out. Nothing anyone says to the contrary will stop them.

This leads to my final points. For the most part, as is obvious from this article, I enjoyed these episodes. However, the higher you fly, the farther you can fall. It is quite possible that whatever comes next will be an absolute disaster for fans of the true, the good, and the beautiful who love not only Assemble, but Marvel in general. We could end up with a serious mess on ours hands when the next installment of Avengers Assemble: Secret Wars rolls around.

We could just as easily rise to new heights with only little pinpricks of annoyance (and irritating, politically correct sham characters) to bother us from here on out. While I hope for that, I intend to try and follow my own advice to the Avengers about Loki: be prepared for experience to trump hope again. When it comes to mortal man, experience is something to be remembered, even when hope begs for “just one more chance” to get things right.

I have my keyboard ready, Marvel. I am still watching you. Mess up, and expect to see me say something about it. Because if you play “the heroes and heroines are actually villains and the villains are heroes” card too much more, you will go out of business. I do not want that for you, but you are sure acting like that is what you want. Do not think I will avoid speaking my piece about it. You should know me better than that by now. 😉

‘Til next time, readers – Avengers Assemble!!!

Spotlight: Thundercats – Panthro

Image result for thundercats panthro

Last year I did a post on one of my favorite television series, Thundercats. A fantasy/sci-fi series for children, Thundercats revolved around a handful of humanoid cats, some of the last survivors of their race. It had magic, science fiction (sort of), and cats. For me, it was irresistable.

One of the seven Thundercats in the series was Panthro, voiced in the ‘80s by the late Earle Hyman. The strongest of the Cats, he was almost unbeatable in hand-to-hand combat. Based on the panther, he had blue skin, was bald, and had ears that immediately put me in mind of a Star Trek Vulcan.

He quickly dispelled whatever illusions I might have had about his sharing the Vulcans’ stoic refusal to show emotion, however. Panthro was one of the most cheerful characters I have ever “met.” He loved to laugh, which I found contagious when I began watching the show. He was a happy warrior; in battle he liked to taunt his enemies, a wide smile on his face. In the first episode he jumped into a formation of Jackalmen, one of whom tried to hit him in the back with a mace.

Image result for panthro thundercats

Quick as a cat, Panthro turned and caught the weapon’s head, chuckling as he did. “If you were as mean as you are ugly,” he said, “then maybe you’d be trouble!” After this, he promptly crushed the mace and started throwing punches.

The writers for the original Thundercats series stated that Panthro’s character was “based on strength.” This is why he was, physically, the strongest Thundercat in the series. But his might did not show just in his feats of physical power or fighting prowess. It showed in his hearty, barrel-chested laugh and firm commitment to his fellow Thundercats, along with his adherence to the moral Code of his home world, Thundera.

Panthro could be serious and he could be frightened. He could also be angered. But none of these emotions ever made him lose his head. He was strong enough to admit, at least to himself, that he was afraid or angry, and then focus on the task at hand.

Image result for thundercats panthro exodus

Panthro’s Nunchuck

Of all the Thundercats, Panthro was probably the best fighter, not only with his bare fists but with his signature weapon. This was a nunchuk with a red and blue baton attached at each end. A technological genius, Panthro hid different tricks in both batons that he could activate in certain situations.

His spiked suspenders could also be used offensively, though Panthro did not often activate them as weapons. The spikes could be fired from the suspenders so that they would plunge into a rock wall or some other surface. This would anchor Panthro and halt any tumbles he took, preventing him from falling splat to his doom. It was possible, too, for him to fire these spikes out and have them windmill around his torso, forcing opponents to back off fast.

Related image

The weapon he loved most, though, was his Thundertank. Remember when I said Panthro was a tech genius? After the Thundercats crashed on Third Earth, he salvaged the machinery he could from their wrecked ship and put together the Thundertank. Though he later built other vehicles for the Thundercats, along with most of the machines in Cat’s Lair, the Thundertank was Panthro’s “baby.” Even Lion-O was not allowed to use it without his permission; the one time he did, he almost crashed it.

While he was not my favorite character in the series, I have to say, I loved Panthro a lot. In the 2011 series….I had a few issues with the way the writers re-presented him to modern audiences.

Image result for panthro thundercats

Panthro 2011

Voiced by Kevin Michael Richardson – an actor whose talent I greatly respect – the writers made the 2011 series’ Panthro a bigger, brawnier, and taller Cat than he had been previously. I think I could have accepted this change, but the fact that they also made him broody and angry upset me a great deal. Gone was the laughing warrior with the wit that cut like ice and the quicksilver smile. In his place stood a glowering sourpuss (pun intended), who was occasionally used for comic relief and made to look the fool.

By this I mean that Panthro had one crippling fear in the original series. It was never explained, but it really did not need to be. Some people are afraid of things for no conceivable reason; you ask them why this or that frightens them, and all they can say is it does.

What could scare the strongest Thundercat, you ask? Bats.

Yes, bats were Panthro’s biggest terror in the original show. He knew fear from other sources, of course, but he could and did master those fears. Bats were the one thing he could not get over. And that was okay; like I said, some people have irrational fears they cannot conquer no matter how hard they try. This one chink in Panthro’s armor did not lessen his strength. It just made him human. (Yes, I know he is technically a humanoid cat, not an actual human. It’s called poetic license. Live with it.)

For the 2011 series, the writers made Panthro afraid of heights. They also made him unable to swim. Previously, every member of the Thundercats could swim. They may not have enjoyed it all the time or to the same degree, but they all knew how to swim. Taking that away from Panthro, making him afraid of water and heights – it made him seem like a big baby who was frightened of anything he could not hit or blow up.

That was and remains a wrong choice on the part of the new show’s writers, since it directly interfered with Panthro’s role in the story. Instead of being the strongest Cat in mind and body, Panthro was reduced to being merely strong on a physical plane. The new show’s writers cut out his real heart and put a mechanism in its place, which upset me quite a bit.

Image result for panthro loses his arms thundercats

Another change I found less than pleasant was the scar they put over one of his eyes. Then the new show’s writers cut his arms off above the elbows. That was the last straw. Bad enough they disrespected his strength, to go so far as to make him a double amputee in need of mechanical arms was a bridge too far.

Laughing warriors are in short supply in current fiction, readers, as proved by the 2011 writers’ mistreatment of Panthro. Strong heroes are also going out of style. Nowadays a laughing warrior is portrayed as a bloodthirsty psychopath, while strength usually equals stupidity. Both these depictions are harmful stereotypes which must be abandoned if fiction is to continue to be a vehicle for truth.

Panthro is not the only strong, laughing warrior in literature, of course, but he was one of the best. New writers could learn a great deal about making tough, hearty heroes by studying him. And I mean studying him for love of their craft, not for love of money. We saw the results of the latter in 2011; the finished 1980s product is far superior to the one the new writers handed us.

So if you are a fiction writer, and you want to know more about Panthro, I recommend you look up the original series. The 2011 show did not do him justice; neither did the comics, in large part. And please remember that a happy warrior is not a psychopath or a maniac who likes killing, destroying, or maiming.

A happy warrior looks and acts like Panthro. So does a strong hero. We need more of both.

Thundercats – HO!

Related image

Spotlight: The Lion Guard – Kion

Image result for kion

Yes, I watch Disney’s The Lion Guard. So what? I am not as big a fan of it as some are, but with my other choices being The Walking Dead or Beavis and Butthead, I have made do with what I have. (For those of you wondering how I can skip out on such a compelling show as The Walking Dead, please remember that I have stated that I do not like horror stories, the genre which includes zombies.) I will take talking lions and cheetahs and baboons – oh, my! – over the undead and stupid caricatures at every opportunity.

The Lion Guard focuses on Simba’s heretofore unknown son, Kion. The second born cub of Simba and Nala, and Kiara’s younger brother, Kion is given the responsibility of protecting the Pridelands and the “Circle of Life” by leading a team known as the Lion Guard. Their mission is to defend the Pridelands from invasion, as well as the imbalance due to the greed of the creatures that live in and around the territory controlled by Simba and his pride.

Other than his royal heritage, what gives Kion this right and responsibility? He has inherited the power of the “Roar of the Elders.” When Kion roars, the great lions of the Pridelands’ past roar with him. This gives his own roar quite a big boost, allowing him to knock down and scatter the enemies that continue to trouble the Pridelands and threaten the Circle of Life. Turns out, Scar had this roar, too, when he was a cub. But he got to like wielding it too much and thought he could use it to get Mufasa out of the way and make himself king.

Well, when he asked or demanded that his Lion Guard – made up of lions from the pride – help him overthrow Mufasa, they refused. Enraged, Scar used the roar on his own Lion Guard. This presumably killed them, and the fact that Scar used the roar for evil cost him his ability to use it. It also made him the skinny, unhealthy looking lion we saw in the first Lion King film.

Image result for the lion guard

Now there has been a big to-do over Kion’s Lion Guard. This Guard is supposed to show “diversity” in that the only lion in the Guard is Kion. The rest of the animals in the Guard are Bunga, a honey badger; Ono, an egret; Beshte, a hippopotamous, and Fuli, a cheetah.

It is more than slightly laughable to think that this mixed bag of animals is a good representation of “diversity” for children. Eventually, the children will grow up to learn that animals in the wild do not mix like this. Egrets, honey badgers, and hippos all do their own things, while cheetahs will get up and leave a kill when a lion starts walking toward it and them. Because lions are bigger than cheetahs, the smaller cats have very, very little to do with them, mostly because they do not want to be the lion’s side dish at the dinner table.

You can see that I give the “diversity” aim of The Lion Guard the respect it deserves. Why, then, do I continue to watch the show – even to avoid a series like Beavis and Butthead? I watch the show because the lead character and his male friends are actually allowed to be smart, chivalrous boys.

Allow me to explain: if you watch Sofia the First or Elena of Avalor with your daughters/nieces/sisters/whichever, you have seen the girls lead the boys in everything. They are braver, smarter, more compassionate, and completely better in every way than the men in their lives. Although the main male characters in these shows might not be bumbling, fumbling fools ninety percent of the time, the side male characters often are.

Now, admittedly, The Lion Guard has a character that falls into this category ninety percent of the time. This would be the honey badger, Bunga, Kion’s best friend and the adopted nephew of Timon and Pumba. Bunga’s position in the Guard is the bravest – he is so brave he “[borders] on stupid,” to quote Kiara. Most fans find him annoying and want him dead.

Image result for the lion guard

I think that last part is a little harsh. I agree that Bunga is irritating, but this is a children’s show, people. And Bunga’s voice actor should get a chance to pay for his college education, too, so I do not want his character dead. If he could be a little less stupid and a little more observant, I would not say no to that; dead, I will not accept.

Bunga is the only member of the team to act in a consistently dense manner. The other two male members of the Guard – Beshte and Ono – are far from unintelligent. Beshte is the hippo and the strongest in the Pridelands. He is therefore the quintessential gentle giant, and there is nothing wrong with that. Andre the Giant was a gentle giant; gentle giants are good characters. And Beshte also has a temper that will flare up occasionally, so he has a little spice mixed in with the sweetness.

Ono leans toward the studious know-it-all trope. The keenest of sight in the Pridelands, Ono acts as the Guard’s eyes, looking for trouble and yelling it out to the Guard. While Ono has many of the nose-in-a-book stereotypical trappings, the difference is that he will fight without too much hesitation. He has mixed it up with vultures, hawks, and land animals, no mean feat for a bird that is not a raptor. It usually makes up for his skittish or know-it-all failings.

Kion is, by far, the one who breaks the mold of the modern formulaic boy. He is polite, friendly, calm, fierce, and quick-thinking. Even Avengers Assemble struggled with portraying the male heroes in this fashion, as you will find if you read the posts about the series here on my blog. The male Avengers – especially Hawkeye – were portrayed as fools in most of the episodes at the series’ start. This is due to the fact that the writers began telling the story of Assemble through a liberal-ified lens in the first season and kept it going through the second (and they seem to be reverting to that form with a vengeance for season four).

Image result for sofia the first

If you drop by the Disney channels, even for the advertisements alone, you will find them to be mostly girl-centered. This is not just with shows like Sofia the First, Doc McStuffins, and Elena of Avalor. Disney has a whole series of ads called “Dream Big, Princess” to inspire girls to be anything they want to be. They also have advertisements for Lab Rats, Descendants, and other shows which make boys look like brainless idiots and girls look like uber women in training.

This is not only unrealistic and disheartening, it is dangerous. What is your son/nephew/brother or the boy next door supposed to achieve with these caricatures as his models? Disney has no “Dream Big, Prince” television ads encouraging boys to be great men like Prince Phillip, Prince Eric, or even Kristoff in their last big film, Frozen. Instead they push the popular narrative that boys are mini-barbarians or mini-buffoons in training who will someday grow up to be Big Barbarians or Big Buffoons.

If I had to bet, this is one of the reasons why The Lion Guard has taken off. Throughout the series so far, Kion has rarely failed to be a good little boy. In the first episode of the series, Kion ends up in the Outlands after chasing some marauding hyenas out of the Pridelands. While on the other side of the border, he bumps into a female hyena named Jasiri.

Image result for the lion guard jasiri

At first, Kion is suspicious of Jasiri, referring to her as “hyena” and being snappish when he speaks to her. But when Jasiri proves to be totally unlike the other hyenas, Kion starts treating her better. He proves that his earlier conduct toward her was a lapse in judgement and a jump to a conclusion when he comes back to defend Jasiri from the same marauding hyenas at the end of the episode. Though Jasiri proves to be a capable fighter, there is never a hint that Kion should apologize for coming to help her or defer to her as some fighting goddess he should worship.

In fact, at one point during the battle, he thrusts Jasiri to the ground in order to headbutt a hyena she has not seen coming. Not only does the move show fast thinking, it proves that Kion’s earlier behavior was a mistake he has since recognized and corrected.

And so far in the series, when fighting alongside a girl, Kion does not leave his manly concern for her at the edge of the battlefield but keeps it with him at all times. Jasiri even thanks Kion for his help in this show, a rare thing in modern media. (Just look up Avengers Assemble’s “Captain Marvel” episode from season three to see why I say this.)

This is not the last time that Kion behaves in a chivalrous manner toward a girl, either. Although they have the regular spats any pair of siblings would, Kion treats Kiara with a respect that is the exact opposite of simpering worship. It also has overtones of a greater reverence than most boys in modern media show their sisters. It is an esteem which comes from a healthy dose of – *gasp* – chivalry!

Yes, I just said that the lead character in The Lion Guard possesses chivalry. Kiara is still a poor fighter in the series; this is to presrve the timeline for the story. We saw Kovu point out twice in The Lion King II: Simba’s Pride that Kiara’s fighting tactics were less than stellar, and the television show did not change this fact. In The Lion Guard, Kion had to come to his sister’s direct defense in “Can’t Wait to Be Queen.” He also showed a fair bit of attachment to, and concern for, her in “The Rise of Scar.” Kion also demonstrates a chivalrous deference and love for his mother, Nala, in the episode “Never Roar Again.”

But the best episode to show Kion’s sense of chivalry so far was “The Search for Utamu” because it was his most obvious display of the virtue. It also added a healthy dose of chilvalry to the other Guard members’ characters as well.

Image result for the lion guard fuli

In this episode the lone female member of the Guard, Fuli the cheetah, overexerts herself while she is supposed to be resting. Cheetahs can only keep their amazing speed going for a few minutes. After that, it can take them up to half an hour to get their breath back. Once a cheetah makes a kill, it has to sit beside the animal for at least that long to get its breath and then it can eat.

This is why it will get up and walk away when it sees a lion coming to check out the kill. Not only is the cheetah smaller and weaker than the lion but, when out of breath, it cannot outpace the lion.

Fuli is still a cub, and as of this episode she did not believe that she had any limits. Her inevitable exhaustion after her lone escapade leaves Fuli vulnerable to an attack from a group of vultures. When the male Guard members learn about her danger, they all rush to their female friend’s defense. Kion especially shows anger at the vultures when he blasts them into the distance with the Roar of the Elders (which is probably why we did not see them for some time after this episode).

So while Fuli and Jasiri are both female characters who can manage their own affairs – and who often say they can look after themselves without interference from “foolish males” – they have both landed in situations where they needed Kion and the other boys’ aid. And while Kion respects the abilities and competence of his two female friends, he also treats them with the special regard that they deserve as girls.

This does not diminish the girls’ fighting and survival abilities and, amazingly, it does not make the boys’ desire to protect them when they cannot defend themselves appear silly. This showing of chivalry is a great thing, as it spotlights a virtue which male characters have been denied in similar series – created by Disney and other companies – for far too long.

Image result for the lion guard tiifu and zuri

Another way our male lead demonstrates his chivalry is by his dealings with Kiara’s airheaded “friends,” the lioness cubs Tiifu and Zuri. While the Guard has Bunga, the typical “boys drool” character, Kiara is saddled with two lioness cubs who are more concerned with their looks and social status than with anything even vaguely important.

Kion treats both these fluff-brained characters in general with a respect they have never earned, only rolling his eyes once when talking to them in “The Rise of Scar” and telling them off, rightly, when they allowed Kiara to go to a meeting with a known enemy on her own in “Can’t Wait to Be Queen.” The only explanation for his willingness to consider these two girls as anything remotely resembling “family” is the fact that they are girls – and oh, yeah, they happen to hang out with his sister.

As I have already mentioned, Kion continually shows quick-thinking during the series. Unlike Star Trek: The Next Generation’s unending roundtable discussions in the midst of calm and battle, most of the Guard’s tactics and strategies are actually made by Kion, either on the spur of the moment or through hours of training between patrols. The other members of the Guard follow his orders and decisions, though not always without question or input. In comparison to other male leads (in the modern Disney brand and other franchises), Kion is far more intelligent than the talking heads would have children believe boys can be.

It is also refreshing to see that, even when Kion must trust his friends to come up with a plan, he does not effusively kowtow to them after this. He accepts their advice and praises his friends’ plans without being a sycophant, congratulating them on their quick-thinking before turning back to the task at hand. Or paw, in his case.

Related image

Something else to note about The Lion Guard is Kion’s fighting prowess. The four leading male characters in the show are good fighters, but Kion is the best of the bunch. Where the girl often comes to the boy’s rescue in current children’s television shows, Kion is rarely in need of such a save. And when he does need the help of a female character, such as in “Never Judge a Hyena by Its’ Spots,” Kion shows by his dialogue that he thinks just as deeply and quickly in such situations as those where he is supposedly “in control” of the circumstances.

Thus far, The Lion Guard has proven to be a better series than I had anticipated. It is a show with a male protagonist who is chivalrous, competent, and smart. Though I take issue with some of the show’s themes, one thing which I really appreciate and cheer on is Kion’s quiet, unabashed, and completely proper masculinity.

Hopefully, this is the beginning of a trend. Shows which focus on female leads are wonderful inspirations for girls, certainly. But boys need television shows with male characters who are not only unafraid to be boys, but who have a sense of chivalry, along with smarts and fighting ability. They have been denied this for a long time, readers, and The Lion Guard is a more than welcome anticipation of a change in the fads. From what I have seen so far, we need more shows like this one. So, ‘til the Pridelands end –

Lion Guard defend!

Zoids: Chaotic Century – A Series Review

Technically, I already did a review of the Japanese series Zoids: Chaotic Century. But not too long ago I became curious to see if Zoids had become a topic of conversation on WordPress. After all, that was the raison d’etre for my Spotlight! posts; I started them to put the word out about not only my favorite Japanese “mecha,” but to start a conversation about my much loved anime.

At least, that was what I hoped would happen. Aside from a few likes, nobody seems really interested in discussing Zoids, whether it is Chaotic Century’s zoids or any of the other series. So I sort of let the matter drop, going back to my usual Spotlight! posts and remembering the show fondly, as always….

Then I had the trailer for Zoids: Field of Rebellion recommended to me, and my Zoidian fervor re-engaged itself – with a vengeance!

Not that my love for zoids is ever very far away from me. One of the things I have learned about the stories I enjoy is that, no matter where I go or what makes me set them aside, my favorite characters in fiction will reassert their importance to me when I least expect them to do so. They also seem to like doing this to me when I need them most.

One of the reasons that Chaotic Century has a special appeal to me is not simply because I was young and impressionable when I first saw it. I associate certain things with how the show makes me feel. A beautiful autumn day, an open horizon, a certain tangy, alluring bite in the air – these are triggers which still make me itch, even now, to find a zoid and hop in its cockpit.

I know that zoids do not exist. I have known this for years. But there is still something that I can sense in the air sometimes that makes me feel as eager as I only did when I watched or thought about Zoids. The trailer for Field of Rebellion not only intensified that childish wish, it made me hope for a film based on at least the zoids themselves, if not on Chaotic Century.

If Takara Tomy or another Japanese company is actually thinking of turning Chaotic Century into a film, then all I can say is: “Go for it! Go For It! GO FOR IT!!!!” I have wanted a zoids film – or a series of films about zoids – for as long as I have been a fan of Chaotic Century. But as I grew older and watched other shows I enjoyed made into films, seeing how they were abused and mangled by Hollywood, I began to fear that a film about Chaotic Century would destroy the story and the characters I loved so dearly.

Image result for zoids chaotic century

For this reason, I have decided to inaugurate a series of Spotlight! posts that will focus on the characters from Zoids. I do not want these great characters who still visit me when I need their encouragement to be destroyed as the Teenage Mutant Ninja Turtles, the Transformers, and other childhood friends have been. No amount of CGI zoids or fantastic storytelling would save a film that abused these characters, and this is something I wish to make perfectly clear to anyone who may be considering creating a film based on Zoids: Chaotic Century.

But before I get to those posts, I thought it best to review what makes Chaotic Century such a powerful series. It is not the music (which is stellar); it is not the artistry (which is appealing), and it is not the English dubbing (which is not perfect but still works quite well).

It is the characters, the zoids, the plot, and the themes of the series that make Zoids: Chaotic Century such a magnificent story worthy of the best efforts of those who paint pictures on the silver screen. There are four main plot points in Chaotic Century that MUST be present in any film based on the show. These are:

Friendship, Love, and Redemption

Related image

I will touch on this more in the character posts, but one of Chaotic Century’s biggest selling points was its character growth. Though the story starts out somewhat slowly, the friendships between the characters develop so well and so thoroughly that you do not notice just how far they have come until the stakes begin to rise. Then you suddenly get jerked into a position that lets you realize that these characters have grown due to their contact and interaction with each other. You realize that they would never have become the people they are in X episode if not for the fact that they fell in with each other earlier and have been traveling together since.

The love aspect is present in the main romance in the series, which lasts from episode one to episode sixty-seven. We never see the end result, but we are left to believe that the main characters do indeed live happily ever after when the credits finally roll. A few side romances are shown as well, and these are all handled with an adroit touch. The main couple only exchanges one kiss, and that was not a smooch of the physical variety. If the writers for the movie will not honor these relationships in any film about the series, I will not be watching that movie.

Redemption is a big part of the series as well. Many of the villains in the story turn over a new leaf during the course of the show, while several remain evil to the bitter end. These redemptions never feel forced, as the one for Helmut Zemo did in Avengers Assemble’s “House of Zemo.” They never feel tacked on, either, as the redemption of Doctor Octopus in Ultimate Spider-Man’s series finale did.

Image result for maleficent

Best of all, there are no saving twists for the villains, such as we see in Maleficent. The bad guys either reform or they croak. A couple of villains do kind of reform before they die, but that is probably for the best, as their redemption arcs weren’t likely to last beyond that episode.

Redemption in Zoids takes place gradually; it is natural, the result of progressive character growth and discovery. It is not a spoonfed, hamfisted “let’s all sing Kumbaya and admit that our dads were jerks” moment. (Now that I think about it, not one of the fathers in the series was even a mild jerk, let alone a horrible, horrible person. Score another point for Zoids: Chaotic Century!)

A film about this series has to include these elements; it has to build the friendships and the romances smoothly and quietly. It has to be just as soft on the redemption arcs for the villains as well. Any movie about Chaotic Century that does not do this will not do the series justice, and I will NOT pay to see it.

I know these character arcs would not be easy to condense in a film (franchise), which is the other reason I have been leery of the idea of translating the TV show into a film (series). But if a Chaotic Century movie (series) is in the works somewhere, or on someone’s mental backburner, this character growth is going to prove a challenge for them. It will be a worthwhile challenge, but they may not get the necessary thanks they deserve for this work – even from a Chaotic Century fan like me, unfortunately.

Never Give Up Hope – Or the Fight

Image result for zoids chaotic century kruger and irvine

Mostly, it is the main character, Van Flyheight, who has the never give up/never lose hope attitude. This attitude is passed on to his friends by him, thereby infusing the entire story and tying it tightly to reality. We have all faced moments when the going gets so tough, so nigh unbearable, that we cannot stand to think of dealing with the pain for another instant.

Zoids: Chaotic Century shows that even Van is not invulnerable to these moments. What makes him different is that, for him, these moments are rare and they do not last. This allows him to inspire others to hold on to hope when it appears that the battle is already lost.

I cannot tell you how valuable this plot point in Chaotic Century has been for me during my life. I am as weak as the next person; there have been moments when I can see the bottom of the pit of despair, when I have thought life would never, ever get better.

Chaotic Century has been, in some ways, a life-saver for me in these moments. Sure, I have had the “it’s-a-cartoon-and-has-nothing-to-do-with-real-life” thoughts about it. But Zoids taught me that you only really lose the fight when you give up hope. Maybe you cannot always feel hope, as Van seems to, but the show taught me that quitting simply is not an option. Through this show you learn that giving up simply cements your loss while holding out in spite of the pain means you might actually be able to turn the tide of the battle.

A film (or series of them) based on this TV show has to reference tenacious hope as often as its progenitor did. Otherwise, it will not be based on Chaotic Century but on the producer/director/writer’s agenda. The only agenda for a movie (series) based on Chaotic Century should be that hope is more powerful than despair, no matter how grave matters appear to be.

Pursue Your Full Potential – As a Pilot and as a Person

Image result for zoids chaotic century kruger and irvine

A sub-theme, if we can call it that, in Chaotic Century is that in order to become the best (or at least a competent and good) pilot in the world, the pilot and his zoid have to reach their full potential as a fighting unit. As one wise character in the series told Van’s friend, “Zoids can sense [their pilots’] feelings and emotions and use them to enhance their own capabilities [in battle]. Once [the pilots] recognize that, the possibilities are endless.”

Anyone who has ever watched zoids remembers the “awe and excitement” we felt when we first saw these enormous, mechanical “spirit animals” running across the screen. We wanted to be that strong, that fierce, and that able to fight. We wanted to be the heroic pilots of our favorite zoids.

The problem Chaotic Century addresses is that zoid pilots can lose sight of this potential in the thick of battle, and thus they lose sight not only of why they became a pilot, but of who they are as people. This leads them to consider their zoids and everyone else’s to be “ordinary” fighting machines which are only useful as tools, pets, or weapons. They stop seeing zoids for what they truly are and see only what they can get out of them.

The challenge Zoids: Chaotic Century presents to its characters – and thereby to its viewers – is it asks us whether or not we have kept our eyes on the prize. The prize is our “full potential” which, while it can never truly be reached in this life, is the only thing worth striving after. Money, power, luxury – these are distractions, in many cases deadly ones. The true potential of a man (or a woman) cannot and should not – must not – be gauged by these foolish categories. What matters is whether or not you are striving after your full potential. Because it is only by chasing after your full potential in this life that you can actually achieve it in the next.

This theme ties directly into the fourth premise any filmakers who wish to bring Zoids: Chaotic Century to the silver screen must keep in mind….

Wonder

Image result for zoids chaotic century

This theme is so obvious that we fans tend to forget it. Wonder radiates palpably from Chaotic Century; but we viewers become so accustomed to the zoids that, like their pilots, we tend to stop marveling at these magnificent mechanical creatures as we should. We become so used to the vast desert vistas, the high mountains, the plateaus, the hills and plains in the series that we forget how beautiful they are. The music – which still sends tingles along my skin and inspires me to smile like a maniac – becomes so much a part of the background that we hardly notice it.

The way Chaotic Century keeps us on our toes is by having the characters point out the wonder of these things. Time and time again, characters remark on the beauty and splendor of the zoids, reminding us of how special these creatures are. The appreciation that the ordinary village folk in the series show for the countryside they live in reminds us that these vistas are available to us wherever we live. We simply have to actually look out the window and see them as they are. The sacrifices the characters make for each other, the little gestures of friendship and romance sprinkled throughout each episode, call on us to realize how valuable our own friends and families are to us.

Above all, Chaotic Century prompts us to keep our eyes on the prize. It constantly reminds us to strive after hope in hopeless situations, to fight to maintain our urge to discover our true potential. We may not be zoid pilots (no matter how much some of us wish we were!), but we are people who are gifted with different talents, different purposes in this life.

Are we pursuing these vigorously, working to find the “endless possibilities” open to us as we work on these things that we love? Or have we become “jaded” and forgotten what made us want to be a mother, a father, a football player, a Marine, a piano player, a writer, an artist, etc. in the first place? Are we striving for the good, the beautiful, and the best that we can achieve – or have we completely lost our sense of direction?

Image result for zoids chaotic century

Many of the characters in Zoids: Chaotic Century have lost sight of the real reason they became zoid pilots. They have lost sight of the real reason why they wanted to get in the cockpit. As the series progresses, they relearn this – allowing us to learn to look at our own lives with new eyes because we have seen the characters do it.

A film – or a series of them – based on Chaotic Century must have these four qualities. If it (or they) does not, then it has failed to give homage to its progenitor franchise, just as the new TMNT movies and the first three Transformers films did. But a zoids film (franchise) that acknowledges its source material, that shows an appreciation for it, can only be pursuing the series’ full potential on a grander scale.

I leave you to discover Zoids: Chaotic Century for yourselves, readers, as I did in my last post. In addition, I also leave you the longest trailer for Zoids: Field of Rebellion. If they could make this video (which is ABSOLUTELY SPECTACULAR FROM A VISUAL STANDPOINT), then they can make a film out of Chaotic Century!

I do not know if they will do this. I want them to do it, as long as they do not try to rewrite the series when they make the film(s). If they can tell this story, whole and entire on theater screens, I will be in seventh heaven. You will have to tie me to the seat and gag me in order to get through the movie, but I will be happier than a clam if Zoids makes it into theaters.

But that is not my decision to make. I can only watch the TV series and the trailers for Field of Rebellion – and dream. For now, that is enough.

See you on the battlefield, readers!

Stargate SG-1, the TV Series


Related image

All right, if there are any fans of the series Ancient Aliens who are following this blog, raise your hand.

I cannot see you, but I know you have probably just perked up right now and are paying attention. Personally, I cannot stand Ancient Aliens. I have been around when it is on the television, and sooner or later, I end up snarling at the screen because someone said something with which I disagree. And every time someone on Ancient Aliens or another show like it brings up Ancient Egypt, I immediately moan and groan, “Not them again!

You might think this means that I hate Ancient Egypt. I admit to having my fill of it – especially from people who do not know what they are talking about, but who act like they do. That drives me crazy anyway, but in relation to the Ancient World, it is a good way to get me mad. I like history, so I know a lot about it. For example, I happen to know that the Ancient Greeks wore thick bronze and linen armor when they went into battle, not fancy leather suspenders like you see in 300. Catching five minutes of that movie had me raving for two to three whole days with fury.

So I know my history. I am no Egyptologist, but I know my history. So why do I moan and wail whenever someone on the History Channel or Ancient Aliens turns to the subject of Ancient Egypt? I wondered about that and, with the help of El Rey just a little while ago, I finally figured out the problem: I have heard practically all of these people’s theories before. Specifically, I heard them when I was a child watching and enjoying Stargate SG-1.

Yes, I was a child when the show first came out. And I watched the show until its final season’s finale. I even watched two or three of the made-for-TV movies that came out with it. I watched the sequel series Stargate Atlantis to its conclusion, but I managed to miss Stargate Universe and Stargate Infinity. From the sounds of things, I dodged a couple of bullets when I missed those related shows.

After Star Trek, Star Wars, and probably the Marvel media I was exposed to, Stargate SG-1 was my go-to sci-fi fix. I already knew Richard Dean Anderson from the reruns of MacGyver, but I found I liked him a whole lot more as Colonel Jack O’Neill (with two L’s) in Stargate SG-1. I had never heard of Michael Shanks or Amanda Tapping before, but I found I liked them as well. I also think, rewatching the television series now, that Tapping’s character, Samantha Carter, grew as the seasons progressed. Some of her first appearances were waaay too stiff and full of “girl power” motifs, and the writers wisely stopped being so heavy-handed with this stuff as the series ran its course.

Image result for stargate sg-1

Finally, we had Teal’c. Christopher Judge was the best possible choice for the character. It turns out that I heard him in X-Men: Evolution as the voice of Magneto without ever knowing who he was until years later, when I realized his voice was oddly familiar. Teal’c was the fish out of water before Thor, and Judge did a perfect job pulling off the confusion, shock, and outright clumsiness an alien in modern times would experience. It took the reruns on El Rey to remind me how much I liked him and the rest of the crew – and how much I missed them.

Of course, I cannot leave out the star attraction of the series. This was the alien Stargate for which the series, and the movie that spawned it, is named. But this Stargate is nothing like the Star Gate in Andre Norton’s novel of the same name. (You can find a post on that book here, too, readers.) This Stargate generates an artificial wormhole that connects two points in space together for up to thirty-eight minutes, less if you know how to shut the device down on your own.

To make the device work, you have to “dial out” by inputing some of the symbols inside the ring through a DHD or “dial home device” connected to the Stargate. Like an old dialing telephone, these symbols will rotate through the circular Stargate and stop beneath one of the red “Chevrons,” which will open and glow to lock in the coordinates as the gate “dials out.”

When the necessary seven “chevrons” are “locked,” you had better not be standing directly in front of the Gate. That watery substance may look pretty as it “flushes” out at you, but anything organic and most metals that touch that initial “flush” of liquid-like material will be incinerated by it. The same sort of thing will happen if your hand, arm, leg, or head is in the portal when the Gate is shut down; part of you stays on one planet while the other part comes back to Earth.

If you are thinking this was awfully gross for a kid to watch, no worries, my parents made sure I never saw the really disgusting stuff. This meant that I did not get to see much of the main alien antagonists for the series, either. These aliens were the snake like parasitic/symbiotic Gou’aould. They were intelligent and could not survive in their regular forms outside of water or some liquid like it. So to get aruond, they would highjack human bodies.

They did this often enough that they set themselves up as deities in Ancient Egypt – the deities all those Egyptologists and Ancient Aliens people like to rave about. According to the story, the Ancient Egyptians eventually rebelled against their Gou’aould controlled oppressors, who went off into the galaxy in search of greener pastures, continuing to play gods as they did.

Now, readers, we must fastforward to the time of the movie. In the film Kurt Russell plays Colonel Jack O’Neill and James Spader plays Daniel Jackson; these are the roles which Richard Dean Anderson and Michael Shanks eventually took up. (And boy, in the early days, was Michael Shanks a ringer for young Spader!) I have never seen the film, but through the TV series I gather that Jack and Daniel, along with other Air Force soldiers, passed through Earth’s Stargate to a world called Abydos. On Abydos they found a civilization that was like a page out of an Egyptologist’s dream book – which is to say that Daniel loved it, because he was an Egyptologist.

While they were there, one of the Gou’aould, using a new host but the old name of Ra, dropped by to collect tribute from the Abydosians. Long story short, the SG team killed him, came back home minus a few members, and pretended that they had blown up Abydos and the gate before they came back. Daniel was supposed to have died in the conflagration with Ra, too, but this was a lie; he actually married one of the Abydosian girls and did not want to leave the planet, so the SG team left him behind to live happily ever after.

Image result for stargate sg-1

Enter the TV series. In the first episode, a new Gou’aould, Apophis, visits Earth through the Stargate to see what can be seen. He picks up an Air Force officerette who was stupid enough to approach the device the Gou’aould threw through the Gate to see if Earth could support life. She did not last long, in case you were wondering, in Gou’aould land.

Well, Apophis’ arrival blows a big hole in the story Jack and his team told command about Abydos. So a new SG team, headed by Jack and including Samantha Carter, goes back to Abydos to ask Daniel’s help in figuring out Apophis’ identity – because who in the Air Force can tell one Ancient Egyptian inscription from another?

Well, Daniel’s been living happily with his wife, Sha’re, and the Abydosians for two years, but he has not been idle. He has deciphered a series of inscriptions in a place near the main Abydosian settlement, and he thinks there are a whole lot more Stargates out there. A whole galaxy full, to be exact.

But while Jack, Daniel, and Sam are out at this location, Apophis pops in to the main Abydosian camp and kidnaps several of the people there. This includes Sha’re and her younger brother Skaara, who is close to Jack. Our team Gates back to Earth, gets permission to go on a rescue mission, but arrives too late to save Sha’re from being made host to Apophis’ wife.

Daniel does not take this well, as you might imagine, and Jack does not take Skaara’s being turned into one of the “children of the gods” any better. But it looks like they may not have a choice about any of this when Apophis orders his guards, led by Teal’c, to do away with SG-1 and the other captives.

Only Teal’c has other ideas. Forced to serve the Gou’aould with all the other Jaffa, Teal’c is one of the few who knows the Gou’aould are false deities. But he and the others who know this are not in a prime position to do anything overt about it because the rest of their people are firmly under the Gou’aould’s thumbs. And since most of the other peoples in the galaxy that Teal’c has met are technologically inferior to the Guo’aould, he has not been able to defect to a stronger side to stop the false gods from doing what they are doing.

That is, he had not met anyone to whom he could defect until Jack, Daniel, and Sam showed up. Recognizing their technology to be superior to the other races’ – though not the Gou’aould’s – Teal’c decides the time is right to strike back at the slave masters who control his race. He frees SG-1 and the others in the room with them, but has nowhere to go after this until Jack tells him, “For this, you can stay at my place. Let’s go!”

Thus begin the epic adventures of Stargate One, SG-1 for short. This “army of four” manages to often single-handedly defeat the Gou’aould at every turn during the series, and it is a thrilling ride to run with them. They kind of lost me after Richard Dean Anderson left the show.   Seasons eight, nine, and ten also went a little weird…but it was still Stargate, and I could not find anything better that I liked at the time. I had to see the show through to the end, and I did, though I liked everything up to season seven or eight better than what I saw in season nine to ten.

One of the really appealing things about the series for me, early on, I think, was the fact that SG-1 was going up against false gods. Now, even at a young age, I loved history. I learned about Cortez and his march through Mexico, how he stopped the Aztecs’ bloody worship of stone idols and tore those stone statues down. I have since learned more details about the Aztecs’ sacrifices, and I can say with all certainty that the Spanish did us a favor by putting a stop to their murderous mayhem.

SG-1 reminded me of that a lot as a little child. Everyone around them believed that the Gou’aould were actual deities and, time after time, SG-1 would have to prove that the Gou’aould were anything but gods. It was a fun series with plenty of great sci-fi and character exploration, but one of the things I will never forget about the show is that it presented a group of modern “Conquistadors” who were not afraid to knock down idols others treated as divine and show them who the man behind the curtain really was.

If you are wondering if this is why I end up screaming at the History Channel and Ancient Aliens, you come close to the right answer. The fact is, all those theories the people on those shows have about Ancient Egypt have been thought of before – and I should know, because I saw them played out in Stargate SG-1. I do not need them repeated to me, and so when I hear someone waxing eloquent about these things, I cannot help getting a little…testy. That is why I usually avoid those shows. 😉

Well, readers, that is all I have for now. Other than to shamelessly plug the fact that El Rey is rerunning one of my favorite series, that is. If you have never seen Stargate SG-1, then this is your best chance to catch it on television. So what are you waiting for?! Dial up that Gate and go have an adventure!

Jaffa, kree!

Image result for stargate sg-1