Tag Archives: female warriors

Spotlight: Transformers – Female Autobots

In the beginning days of Thoughts on the Edge of Forever, I wrote a post called “Odd Girls Out.” This title did not win the article many views, so I modified it to read “Odd Girls Out: What Happened to the Original Female Autobots?”

The post has since picked up in views, for which I am thankful. The question is an honest one, readers; the Transformers franchise is naturally aimed at boys. There really are not that many girls who like cars and trucks and machines as much as boys do. Boys and girls are different and therefore have different amusements. It is totally, totally normal.

However, when it comes to characters, girls like those as much as boys do. This is probably why, in the original series, several of the male Autobots were paired off with a female counterpart in the episode The Search for Alpha Trion. In that episode, we were introduced to the leading ladies for Optimus Prime, Ironhide, Inferno, and Powerglide, who had accidentally been left behind on Cybertron when the male Autobots left to find a way to save their world. These ladies were Elita One, Chromia, Firestar, and Moonracer.

As with other franchises, Transformers was pushed to add more female characters to its roster as the years passed. So there have been many female Autobots in the franchise, readers. Most of them were added to the comics that followed the advent of the original Transformers television series in the ‘80s. I could not name them all for you for the simple reason that I do not know the half of them. I like the Transformers franchise, but I have not immersed myself in it for a while now.   Therefore, I am only going to discuss the female characters I know of, and why I like them. If you want to know how many more female Autobots there are, you will have to look them up.

So, first off, we have the most important female Autobot to ever grace the franchise…

Elita One

Elita One: Elita One is Optimus Prime’s girlfriend, for want of a better term, in the 1980s TV series and several of the comics. She has appeared sporadically throughout the subsequent Transformers’ media, including the absolutely awful Transformers: Revenge of the Fallen, where she had no real speaking part and was killed in the final battle.

Though I have some gripes about her design and paint scheme in the original story (WHY did they have to paint her PINK?!?!?), as a character, Elita was made of some pretty interesting stuff. She had the regular sugar, spice, and everything nice, but she was also a good leader and a worthy counterpart for Optimus in that show. And she was quite capable of taking care of herself in most situations, too.

Regrettably, following portrayals of the character strayed away from this winning debut over the years. After all, these days a woman cannot be classy and a warrior; she has to be too tough to handle. This is the way the writers took the character, especially in the comics related to the Transformers films. It was sickening, after I first saw The Search for Alpha Trion, to read about how the writers had torn out everything that made Elita “strong enough” not only to be gentle but to be graceful and smart. (They also kept her pink color scheme – the one thing that should actually be changed! Pbbbbhhhh!)

If the writers ever wanted to go back to the original version of Elita’s character from the ‘80s, making only a few minor tweaks to her appearance and character to bring her up to date, I would ask them to do so. But they seem to find Elita One to be a total embarrassment to the franchise. Years after her first appearance, she is back collecting dust in the Transformers archives. Until someone pulls her out and places her in a new series, I will be missing this character very much.

Image result for chromia

Chromia: In The Search for Alpha Trion, Chromia was to Elita One what Ironhide was to Optimus Prime.   The mentor of and wise subordinate to her commander, Chromia was a veteran of many battles and Ironhide’s longtime girlfriend. She had a rougher edge to her than Elita One; she spoke with a brisk, rough tone of command and she was not the least bit afraid of a two-bit Decepticon pushover. She was also extremely loyal and not prone to showing sentiment – at least, not until Ironhide had to say good-bye and go back to Earth. Then she gave him a smile and a big hug.

To some, Chromia might come off as a proto “Strong Female Character.” But that hug she gives Ironhide at the end of the episode hints at a soft side that she does not often show – but which differentiates her from the “SFC” trope.

Unlike Elita One, Chromia has been able to appear in later series and comics in a better light. She is the only female Autobot to survive the final battle in Revenge of the Fallen and was even considered as a guest character in the series Transformers: Animated. It is probably because of her rougher, battle-tested edge that she has received this treatment. Since she already seemed to be an Amazon warrior, the writers felt they did not need to make as many changes to her as they did to Elita One.

As I said above, I do not consider Chromia the stereotypical Amazon of modern impetus. She is a character I would like to see more of in the future – but I do not think there is much chance of her appearing on the small screen any time soon, unfortunately.

Image result for Firestar transformersImage result for Firestar and Moonracer

Firestar and Moonracer: These two Autobots appeared in the same episode as Elita and Chromia. Firestar did not have a big speaking part, so I cannot say much about her – other than she liked to fight fires and appeared to be the perfect female counterpart to her boyfriend, Inferno.

Moonracer, on the other hand, was portrayed as the rookie member of Elita’s crew. She was eager to fight and tended to make mistakes more often than the other ladies. But she was the “best shot in the universe” as she told her boyfriend, Powerglide, before she successfully shot down a pole without actually looking at it.

Firestar and Moonracer both appeared in the comics after this, but I do not know enough about those appearances to say much about either of them. However, I would like it if the writers for new Transformers TV series would include them in the cast list. Why not use the female characters you have before you go off making new ones, or why not show us the originals in addition to the new ones? Some people have no sense.

Arcee (1986)

Arcee: Of all the original female Autobots, Arcee is the only one to return to the small screen with relative consistency. I do not watch her in the reruns of the third season of the 1980s Transformers series because I do not like Rodimus Prime/Hot Rod. It also strikes me that she comes across as something of a powederpuff in the original series. I may be wrong; I have never really watched her in that show and so I cannot say anything about her part there with certainty.

I can say that I was not impressed with her appearance in Transformers: Energon. The third Transformers series I was exposed to, I was very happy when a “girl Transformer” finally appeared on screen. But as Arcee became less and less involved with the main cast, and as she proved to be less and less of a fighter, I lost interest in her. This might have been around the time that I got tired of the color pink, too. I could never understand why a tough female Autobot would want to flaunt such a wimpy, frilly color on the battlefield.

My third introduction to Arcee was in Transformers: Animated in a flashback with Ratchet. She was still pink, which was exasperating, but she was also interesting because she added a new dimension to Ratchet’s crusty character. In the flashback, the two had been captured by a Decepticon bounty hunter. Since Arcee had vital Autobot information in her mind and could not escape the ship as easily as Ratchet could, she begged him to wipe her memories to keep the Decepticons from getting the information.

Ratchet was not eager to do this because he had fallen in love with Arcee, as she had fallen in love with him; the procedure was so dangerous he might make her forget him. But eventually Ratchet was forced to erase her memories just before he got the two of them away from the Decepticon. Jubilant at their escape, he told what he thought was a groggy Arcee that they had in fact made it out…

…only to find that the procedure had wiped Arcee’s entire memory. Not only did she no longer remember the important information or Ratchet, but she had forgotten her name and everything she had experienced prior to Ratchet’s address to her.

The fourth time I met Arcee was in Transformers: Revenge of the Fallen. That was a brief meeting because she and her “sisters,” Elita One and Chromia, had hardly any lines in the film. Arcee also died along with Elita in the final battle, so their entire part in the movie was nothing but a big waste of time.

Arcee (Transformers Prime)

The last time I saw Arcee was the only time I had a genuine respect for the character. This was Transformers Prime’s Arcee. Not only was she painted blue with only a few pink highlights, she was no powderpuff. She was strong, fast, and sharp, but more than that, much more, she was vulnerable.

At the beginning of the series, Arcee lost her partner on Team Prime, Cliffjumper. It was hinted, but never expressed, that she and he were an item. His loss hit her hard, making her snappy, angry, and bitter for the first few episodes of the series. So you can imagine how she came across to the human boy she was assigned to protect.

Jack Darby had his own problems as well. Abandoned years ago along with his mother by his father, Jack worked a dead end job and rode a bicycle everywhere he needed to go. The whole reason he and Arcee met was because he thought her motorcycle form was beautiful and he stopped to admire her. The interplay between the two characters at the beginning of the series was great, especially as Arcee thawed to Jack and developed a maternal, protective attitude toward him.

Unfortunately, I think the series drifted away from giving this relationship its due. I am all for having the Autobots’ and Decepticons’ interpersonal relationships shown to the audience, but I would like it balanced with a good showing of the Autobots’ interpersonal relationships with their human friends as well. Prime eventually tilted in favor of the former, leaving the promising friendship between Arcee and Jack hanging. If we ever get a chance for this kind of friendship to reappear in a Tranformers series again, I would like to see a better balance between the two relationship sets when we do.

Blackarachnia and Airazor: These two characters appeared in Transformers: Beast Wars, which I never saw. I cannot say anything in favor of or against Airazor; from what I understand, she was the little sister of the group, a sweet, kind, and naïve ‘bot that the rest of the gang loved. Blackarachnia I know a little more about because she sounded interesting. A Decepticon/Predacon who defected to the Autobots/Maximals out of love, Blackarachnia is a well-remembered ‘bot in the Transformers’ franchise.

However, she was reimagined in an unflattering way all around in Transformers: Animated. In that series, Blackarachnia was Elita One. This combination of the two characters had been infected by giant organic spiders on a mission with the future Sentinel and Optimus Primes. She became a half-organic, half-technological being who held a grudge against Optimus for leaving her on the planet when it looked like she had died in a fight with the spiders.

Aside from my obvious dislike of this version of Elita One (the only one I know of that wasn’t PINK), the rebooting of Blackarachnia did not do justice to my impression of the Beast Wars character. Next time, Transformers writers, if Blackarachnia must be a half-organic, half-technological Transformer, can we PLEASE keep her original character arc in place? I am flexible on everything else, but making her Elita One – for Pete’s sake!!! X(

Image result for Override transformers

Override: Now Override has a bizarre history outside of the U.S., so I am not even going to go there. She was a female Autobot in the Canadian translation of Transformers: Cybertron and in the Transformers canon that has been developed in America following the Transformers films. This is the version I am going to talk about, so if you want to dredge up the confusion surrounding the character in other countries, do it on someone else’s blog, reader(s). Are we clear?

Good. All right, the fact is that I really, really like Cybertron’s Override. She was everything I had wanted out of Arcee in Energon and more. The leader of the planet Velocitron, Override was the fastest racer on that world. She had been for years. By the time the Autobots met her in Cybertron, Override had begun to get bored because there was no real competition for her on Speed Planet.

Then Megatron and Hot Shot arrived on Velocitron in search of its Cyber Planet Key. Megatron raced Override for information about it and actually made her fight for the finish line (she won, though), while Hot Shot told her about the universe-eatng black hole that was the big bad of the series and asked her what she knew about the Key. At first, Override was torn. She did not know who to trust, as Megatron took advantage of her ignorance to claim that the Autobots were evil and he was the good guy. (Studiously leaving out the name of his organization in the process; even Megatron knows that the word “Decepticon” does not exactly inspire confidence in too many people.)

In order to solve the issue, Override let Hot Shot race her. Even the fastest of the Autobots could not keep pace with Override, but Hot Shot would not give up. There was too much at stake and he had never met anyone who could beat him before. He pushed and pushed himself to the breaking point as Override worried about which Transformer to believe. Finally, she decided to settle the issue the way that Velocitronians settle most problems – with the biggest race in Velocitronian society, the Speedia 5000.

Hot Shot eventually won the race, but before he did that, he saved Override from a boulder when she had an accident mid-race. The gallantry he demonstrated made an impression on Override and she began to favor the Autobots. This became full-blown allegiance to them on her part when Megatron tried to grab Velocitron’s Cyber Planet Key after Hot Shot won the race.

Override became a valued member of the team following these events and – unlike Energon’s Arcee – she did not fade into the background during the series. She was not as front and center as she had been during the Velocitron arc of the story, but she was never far away from the action. Also, unlike the Amazonian trope, she was not averse to receiving gentlemanly aid. After finishing with Velocitron, Hot Shot would again act to protect Override on Jungle Planet, while other male Autobots would also give her a hand from time to time as the story progressed. Override was happy to say thank you at these times, even though she could usually handle herself in a fight.

I was especially happy when Override got the chance to shoot her Decepticon counterpart, Thunderblast. Of all the galling female Decepticons I have ever seen (and I have not seen many), I would have to say that Thunderblast takes the absolute cake. She was such a petulant, snide, girly contrast to Override that I was somewhat disappointed when the two never had more than one direct confrontation. But I totally agree with Override’s comment when Thunderblast and she first met: “Sheesh, where did they find her?!

Image result for Strongarm transformers

Strongarm: I have mentioned Strongarm, of Robots in Disguise fame, a couple of times in other posts before today. The one that I can remember off the top of my head is “Robots in Disguise: Why Are the Autobots Always Outnumbered?” But I think I mentioned her elsewhere as well.

I have a lot of issues with Strongarm. Now these are my issues and mine alone; they do not have to be yours, readers. First, in Transformers: Energon, her name belonged to a male Omnicon. I think several other series in the franchise had a male character who was an Autobot named Strongarm as well. So the fact that the Robots in Disguise crew decided to saddle a female character with a MALE character’s name grinds my gears even now.

My other problem with Strongarm is that she swallowed the rule book. As of this season in the series, she has gotten better about reading from it. She rarely pulls out the regulation manual these days, though she can still cite it without looking at it. This makes her stiff and unlikeable; I am all for following the rules, but that does not mean I have to be beaten over the head with them. The fact that Strongarm devours regulations like her favorite food reminds me too much of Ultra Magnus, another Autobot with his nose contiually stuck in the system. (I am not the only one who is reminded of Ultra Magnus when Strongarm cites the legal code; another fan suggested that she could be Magnus’ daughter.)

This penchant for worshipping the rules and regulations stifles Strongarm’s creativity. She has been getting better recently, but not by much.

The other thing about Strongarm that bugs me is that, to me, she is so obviously meant to be the “Strong Female Character” on the Bee Team. This is evidenced by the fact that even for a Transformer, Strongarm has more bulk in one arm than Override or Elita One had in their entire bodies. I am not saying that all female Transformers should look like these girls, but the fact is that Strongarm’s muscle structure looks unnatural even for a Cybertronian.

When such an evident character design is presented in a show like this, I cannot help but feel that the writers are stabbing me in the eye with the cause celeb of the moment. The reason I feel this way toward the writers regarding Strongarm is because, a) she was the first female Autobot we saw in the series, so they had to be making a statement; b) she was supposed to be a cop ‘bot, so they wanted her to be all muscly and brawny to make the statement that “girls can be cops, too.”

I flat-out do not like the character the way she was created; the emphasis was on her physique, not her character, and it shows. That is lazy storytelling and it does not sit well with me. I do not like Strongarm; I merely tolerate her to watch a show I enjoy. This leads me to the second female Autobot we see in Robots in Disguise….

Image result for Windblade transformers

Windblade: Windblade is a fan-made Transformers character. Hasbro had a series of polls prepared, and they used these to ask fans what kind of new Autobot toy they wanted made. The answers the fans gave to the questions built the framework the writers and toy creators used to design Windblade.

I have to say that Hasbro’s whole idea in this regard is fantastic. If Marvel would adopt a program like this, for stories as well as new characters, they might clean up a lot of their problems overnight – not to mention find some new talent for their dwindling reservoir of artists and writers. But I will not be holding my breath for them to try this; we fans are not the “in-crowd” they listen to these days.

Anyway, back to the subject at hand. Windblade is a much better character than Strongarm. I base this opinion solely on what I have seen of her in Robots in Disguise; I have not read any of the comics where she appears.

In the show Windblade at first comes across as somewhat arrogant and overconfident. This attitude of hers smoothes out as the series progresses; though she remains confident in her skills and keeps her whiplash-quick voice box, she shows a softer side as well. Windblade demonstrated protective, almost daughter-like feelings for Optimus Prime while working with him in season two. This made her confident, teasing banter seem less sharp than it had when she first arrived and (rightly) criticized Strongarm’s stiff behavior. She proved to be gentle as well as competent, and that means a lot in a female warrior character.

All in all, Windblade is a character I want to see more of. I think she can hold her own among the ranks of female Autobots already extant and shows promise of not falling into the “Strong Female Character” trope which gave us Strongarm.

However, this does NOT mean that I do not want Elita One, Chromia, Firestar, Moonracer, Override, Blackarachnia, or even Arcee back in future series. I maintain that Elita and her female friends are still “Odd Girls Out” and that they should be brought back in future stories. I do not want them to be “Strongarmed” versions of the originals or arachnoid manhaters; I want them to be the classy female characters they were when they were introduced – though I am all for ditching the pink color schemes. Until Hasbro does that, I will have to be satisfied with just having Windblade.

‘Til next time, readers: “Autobots, roll out!”

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Spotlight: Strong Women – A Return to the Question

Image result for the walking drum

We had met as equals, rarely a good thing in such matters, for the woman who wishes to be the equal of a man usually turns out to be less than a man and less than a woman.  A woman is herself, which is something altogether different than a man. – (Emphasis added.)

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This quote is from The Walking Drum, written by Louis L’Amour.  While Mr. L’Amour is best known for his Western fiction, the truth is that he wrote a great many other stories as well.  He served in World War II and “yondered” much of his early life.  He was many things and he saw many things.  The Walking Drum is a novel he wrote – and it is set in the twelfth century.

Why start a post off with this quote?  Because it is a timely admonition.  A woman ends up being less than herself when she is trying to be something she is not.  And yet we have no end of “experts” proclaiming that women are equal to men.  It makes the observant wonder just what they are selling.

The research I did for the post “Offended, Insulted, and Not Shutting Up” is what got this article rolling.  And before anyone asks, no, I have not shifted my position on Marvel’s decision to make Jane Foster the latest version of “Thor.”  It is a stupid decision which they will soon learn is not helping them.

My research into the opinions of others regarding “Thorette” allowed me to find comments and articles that expressed what I have thought for some years.  They were not all as delicate in their statements as I would have been but, to borrow a line from Mr. Spock and the Vulcans, that is part of the wonder of living in a world of “Infinite Diversity in Infinite Combinations.”  With this research tumbling around in my head, I began to think not only about “Thorette” but about what the intelligentsia says we are to praise in the female characters being created these days.

This brings us back to the question I asked in the previous “Strong Women” post.  Just what makes a strong woman?  Looking at “Thorette,” it seems safe to say that many writers and artists think a woman is only strong when she has an above-normal muscle structure.  This sort of physique also happens to look good in some form of armor-plated swimsuit or underwear, which conveniently guarantees a male audience of some size.  (These are probably not the guys a girl should accept the offer of a date from, by the way.)

Being a curious observer, I have a question to ask the writers and artists at Marvel and elsewhere.  Do they know how many female fans Carol Danvers has?  Do they know how many women are in Thundra and “Thorette’s” fan clubs?  Has anyone taken a poll of female Marvel fans to ask them what they think of these characters – not to mention what they think of all the other heroines on Marvel’s roster?

If Marvel were to poll its female fans, I believe that they may get answers like mine.  For instance:  I have never liked or admired Carol Danvers.  And I cannot seriously contemplate Thundra, a character from an alternate dimension where women are the dominant sex, without stifling the reflexive urge to throw up.  She has to be one of the few characters Marvel has created which I find utterly repulsive.  I know and prefer her only as a convenient villainess.

My opinion of Jane Foster/“Thorette” is well documented.  Jane Foster has been warped and nearly destroyed as Marvel’s writers, editors, managers, et al attempt to gain fashion and political points from her “new look.”  But what they fail to comprehend – or perhaps to admit – is that she looks horrible!

Now, does everyone feel this way about these characters?  Hardly.  But in my humble view, these female characters do not appeal enough to be worth any kind of money.  Judging by “Thorette’s” anemic reception and the letters Marvel received about Carol Danvers years ago, I do not think I am that alone in disliking them.

What kind of female characters, then, impress me?  Allow me to pull out another quote from Mr. L’Amour to illustrate my answer:

 

 Image result for chancy by louis l'amour

A man you can figure on; a woman you can’t.  They’re likely either to faint, or grab for a gun, regardless of consequences. – from Chancy

 The Cherokee Trail

These are the kind of women who fascinate me, and whom I wish to emulate.  Remember, fainting can easily be faked.  How is a man to know a real faint from a false one without putting himself in danger?  Louis L’Amour’s female characters are like this.  They are iron-willed women who have bones of steel.  They can handle a pistol, a rifle, or they can use some other object as a weapon.

You will not find any of L’Amour’s female characters holding up stages, taming broncos, or riding the range as cowgirls, it is true.  But you will find women in his stories that are leading cattle drives, managing ranches, and defending their homes from Indians or bandits.  And plenty of his women are quite happy to back up their men in a fight by holding a shotgun on the group of ruffians looking to make trouble.  The women in L’Amour’s novels of seafaring and in his football stories are no different.  Admittedly they do not carry guns in the vicinity of a football game, but they are just as determined and forceful as the frontier women who were their ancestors, in spirit if not in fact.

What does all of this have to do with Marvel?  The comic book company already has a Rolodex of formidable heroines.  To name a few, there is the Wasp, the Black Widow, Mockingbird, Wanda Maximoff, Silverclaw, Jean Grey, Rogue, Storm, the Invisible Woman….  The post “Offended, Insulted, and Not Shutting Up” has a more comprehensive list, if you would like to learn of more heroines in Marvel’s Universe(s).

The fact is these women can all hold their own in a fight.  Yes, these characters have an extra asset of some kind during combat.  Mockingbird and Black Widow have extensive hand-to-hand combat training, while Storm, Rogue, and Jean Grey have mutant powers.  Many other female characters within the Marvel brand also have superpowers.  But a pistol or a rifle is an asset, too, and no frontier woman who wanted to survive would shun either weapon because it was not natural to her.  It was often the only thing standing between her and harm – or death.  You respect that kind of tool; you do not toss it aside.

So do any of these Marvelous assets cheapen who these women are as characters?  No, they do not.  Nor do they enhance their characters; they are simply stand-ins for the rifles, pistols, or the various weapons women have used throughout the centuries.  Sometimes they are even extensions of the abilities women have always had:  intelligence, mental agility, and outright strength of will.

As a result one never knows just what any of these heroines are going to do in a given crisis.  One can never know just how they are going to play the game, how they are going to react to the villain’s bait.  They may play on his arrogance or they may pretend to be simpering, frightened damsels.  Whatever they do it is bound to be interesting and exciting, for the simple reason that it has the potential to be totally unexpected.

Image result for carol danvers

Carol Danvers or Thundra, in comparison, can always be counted on to hammer at a problem until it goes away.  Why is this so?  It is so because they are women who are less than women.  The writers have decided to make them something they are not.  As a result, they have personalities that are as stilted as a puppet’s limbs, making them very uninteresting.

The other heroines do not have this built-in handicap.  They are women who are not afraid of being women.  This means that they do not think like the men around them.  This gives them their edge in a battle.  It is not their superpowers, skills, or weapons.  It is who they are as people, as women.

When these heroines are safely captured, they are often deemed by the villains as no longer a threat because they cannot use their powers, kung fu, or technology.  With Danvers or Thundra this is usually a true assessment.  They are not used to thinking outside the box – or thinking much at all, from what I have seen.  In a pitched battle they simply react.  This makes them relatively easy for their opponents to overcome or dispatch.

Many of Marvel’s other heroines, however, never stop thinking.  They are always watching, listening, assessing, and working out a plan of some sort.  If the only possible plan they can make is to wait for back up, then that is what they have to do.  Their male counterparts have experienced similar crises, though you will not hear these mentioned by very many critics.  If they could survive the wait and not be diminished by it, then why can’t their female counterparts?

From Marvel to DC, from Star Trek to Andre Norton’s Witch World series, from Star Wars to Howl’s Moving Castle and its sequels, there is no end of proof that women can be as bold and brave as the men in their lives – and they can be as bold without compromising their womanhood.

This is what modern writers, filmmakers, and artists no longer consider.  In fact they are actively running away from this truth because it has become passé to portray a woman as she actually is.  Instead a fictional heroine must be displayed as something other than a woman.  You go to the theaters to see the latest films and most of the women in these movies have no problem cutting off men’s heads or disemboweling them.  Not only do they have no physical problem doing it, which many of them should, but they also have no moral qualms about doing it.

Image result for wonder woman filmThe Wonder Woman movie out next year promises to be a case in point.  I was once a big fan of Wonder Woman.  This was not because of her strength or because of her Lasso of Truth.  No, I liked her because of these things and the fact that she was still a woman.  Throughout her adventures with the JLA, Diana learned to respect and like her male teammates, to appreciate their abilities and welcome them as friends.  Later series even had her dating Batman!

But recent rewrites by DC Comics have turned Wonder Woman into a bloodthirsty man-hater.  It is true that in the coming film she is going to fall in love with Steve Trevor (portrayed by Chris Pine).  While she is doing that, though, she will also be happily carving men to pieces and telling women that being secretaries is the equivalent of slavery.  You would think she came from an alternate universe and not an island inhabited by Greek warrior women.

All of this detracts from the real power of women.  By portraying a woman as what she is not, these writers and artists are not elevating women.  They are demeaning and demoting them.

The fictional heroine who easily encapsulates what a real warrior woman can and should be is Éowyn of Rohan from The Lord of the Rings.  Secretly joining the Rohirrim’s army as it marches to battle in Gondor, she is the one who defeats the Witch-king, the leader of the Nine Ringwraiths or Názgul.  Merry, taken into Gondor by her when she wore the guise of a male Rider, helps her with a well-placed sword-thrust.  But it is Éowyn who ultimately strikes the fatal blow and wins a great victory in the glorious Battle of the Pelennor Fields.

Still, many Feminists go into apoplectic fits over Éowyn’s role in The Lord of the Rings novels despite her amazing display of courage and fighting skill.  Why?  They do this because Éowyn leaves war behind forever when she decides to accept Faramir’s proposal of marriage after recovering from her battle with the Witch-king.  That particular passage reads thus:

Image result for eowyn battle of pelennor fields

Then the heart of Éowyn changed, or else at last she understood it. And suddenly her winter passed, and the sun shone on her.

‘I stand in Minas Anor, the Tower of the Sun,’ she said; ‘and behold! the Shadow has departed! I will be a shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren.’

Image result for eowyn and faramirThe thing Feminists do not understand – or the thing which they absolutely refuse to accept – is that Éowyn’s triumph in battle does not define her.  She did an amazing, wonderful thing, which most other people could never accomplish.  Her decision to marry Faramir does not render her defeat of the Witch-king any less; rather, her decision to marry is the reward she earned in that fight.

Éowyn’s part in the Battle of the Pelennor Fields does not define her identity, and most Feminists want that stereotype to define and limit her.  This is most of Éowyn’s own problem in the trilogy until she falls in love with Faramir.  Up to that point, she believes that battle will give her satisfaction.  Poisoned along with Théoden by Wormtongue’s whisperings, in her confusion and slow descent into despair Éowyn decides that only death in battle will give her a chance at glory and renown.

Now, readers, the fact is that death is not a fulfillment of life.  It is the end of life, and if you ally yourself with death, you are allying yourself with the Enemy.

In Minas Tirith – originally named Minas Anor or ‘Tower of the Sun’ – Éowyn finally comes to see that battle is not where she can be most useful when she is at last confronted by Faramir’s genuine love for her.  Being a warrior is not her calling, although she can certainly wield a sword as well as any man.  Her vocation in life is being a woman, a wife, and eventually a mother.

Through Éowyn the author of the trilogy, J.R.R. Tolkien, demonstrates that a woman is not made by her fighting ability.  She is distinguished by her will, her womanhood and – if she is lucky – by her motherhood.  “For the hand that rocks the cradle is that hand that rules the world.”  Mothers shape their children, daughters and sons both.  These daughters and sons will grow up to change the world through the things they do, the things they create, and the children they bring into the universe.

Modern media has largely forsaken this understanding of womanhood at the behest of the Hegelian/Nietzschean complex, the modern incarnation of Sauron.  There has been a war going on for the past century or three which most have not paid heed to.  This has led to nothing but a lot of pain for women, who have been persuaded as a group to throw away the knowledge that they once possessed. Their honor is their womanhood and it is our societal honor to know them as such.

Mockingbird

This is why I have taken issue with Jane Foster’s identity change, not to mention the identity change of several other formerly male characters.  This is why I have written two posts on strong women.  It is an attempt to remind women of what we truly are and what we can actually achieve.  For when women stop valuing themselves as women, society stops valuing them as well, and then that society sooner rather than later treats them like chattel.

ISIS does this on a daily basis.  Slave traders and sex traffickers rely on such attitudes to do “business.”  The shout of “I am Woman, hear me roar!” has led to nothing but pain and sorrow for millions of women.  They have chosen to debase themselves.  This means they are no longer worthy of special respect and value to men.  For if women do not value themselves as women, as potential wives and mothers, then why should men?

Does all this mean that a woman cannot fight?  Pshaw.  Éowyn fought, did she not?  It is not possible that she forgot how to swing a sword after marrying Faramir.  She simply did not make a living fighting – and for the record, neither did he!  The heroines of Marvel Comics fight; the women in Star Trek and Star Wars fight.  The will to fight is the influential factor.  Just ask the mothers and wives who grabbed a gun to help defend against Indian raids or bandits back in the Old West!  Or those that defend themselves and their families similarly today.

But if a woman wants to make a career as a warrior, she cannot try and be the equal of the men.  This can never be, for the simple fact that no amount of human interference – psychological or scientific – can overwrite what she is.  And if a woman decides she wishes to be a “shieldmaiden,” then she had better be prepared for what could happen to her on the field of battle.  Torture, the loss of life and limb, rape – these are just some of the risks which I can see ahead of a female soldier.  An enemy who does not value life – and there are many of those today – can be abominably creative in the management of prisoners.  Just ask Dean Koontz.

Han and Leia

Does all this mean that I believe a woman should not be prepared to fight?  Civilization is a very, very fragile construction.  One small thing goes out of whack and entire nations fall to their knees.  Women definitely need to know how to defend themselves.  They have always needed to know this.

But what women need to relearn is that it is not battle which will define them.  Battle does not define a man, so how can it define a woman?  A man or a woman is defined by who and what they are.  A man is defined by his manhood, a woman by her womanhood.  That is all there is to it.

This is not weakness.  It is not slavery.  Knowing who and what you are is not a defect; it is a strength.  Being proud of being a man or a woman is what gives one the will to fight, to protect oneself from those who do not appreciate you for who and what you are.  Muscles, weapons, skills – these are the tools.  They are not the determining factors.  We, men and women, are the weapons.

Until writers at Marvel, DC, Star Trek, and elsewhere figure that out, though, we will have to endure continuous watered-down portrayals of heroines in many stories.  Until these “artists” ask themselves, “What really makes a strong woman?”, they will continue coming up with the wrong answers.

Readers, I will give Mr. L’Amour the last word on this subject:

Image result for the warrior's path by louis l'amour

She’ll stand to it.  There’s a likely craft, lad, and one to sail any sea.  You can see it in the clear eyes of her and the way she carries her head.  Give me always a woman with pride, and pride of being a woman.  She’s such a one. – from The Warrior’s Path

Amen, readers.  Amen!

The Mithril Guardian