Avengers Assemble – A Long Way from Home

Ahoy, readers! Ar ye ready to sail in uncharted waters? Avast! It is time we be spinning tales of those famed heroes from Earth, the Mightiest of Champions – the Avengers!

You will see why I played around with the pirate lingo when we reach the end of the post. 😉 Normally, piratical speech is not my thing. It is used way too much these days for effect – or as a form of mockery for pirate tales – which means it tends to irritate me. So when one of Avengers Assemble’s episodes played around with the vernacular, I had to grit my teeth from time to time. It was either that or cover my ears, and since I wanted to keep track of the story, I put up with it.

The first episode we will discuss aired before Christmas of 2017. Titled “New Year’s Resolutions,” it starred Tony, Cap, Howard Stark and – at long last – Peggy Carter, voiced by Haley Atwell herself. Yay…!

Mostly. Sorta. Kind of.

Okay, okay, I had major problems with Peggy’s portrayal in the cartoon. The writers had her showing Steve up too much and generally did not let her be the Peggy I saw and enjoyed in Captain America: The First Avenger. I am guessing this has something to do with her depiction in her own series, Agent Carter, which leaned heavy on the Femi-Nazi and light on the story/character.

From what little I know of the series Agent Carter, Peggy came across as an angry, “let-me-prove-I’m-just-as-good-as-the-men” character, something which was certainly not the case in The First Avenger. It was more than a little sad to see her get short shrift in this episode, which I had been looking forward to viewing for some time. Peggy had her moments here, but they were few and far between.

Thankfully, “New Year’s Resolutions” was not all bad news. The interplay between Tony and Howard in this episode almost made up for Peggy’s disappointing deportment. We actually got to see the younger Stark bond with his father WITHOUT being a total brat or jerk about it. It was an unexpectedly sweet touch to what otherwise would have been a depressing, watered-down show.

Speaking of pluses, watching the four beat Kang was pure fun. And Arno Stark got to show up as Tony’s descendant rather than his hidden, younger brother. There was no Arno-should-have-been-Iron-Man stupidity here, for which I am very thankful. Although I must admit, I would have liked to have heard the thirtieth century Stark toss out a zinger or two, just to show the genes had not faded over the millennium between him and Tony.

All of this is to say that “New Year’s Resolutions” is an episode worth watching, despite its substandard treatment of Peggy Carter. Now if Marvel would just do what I asked and give the Avengers an adventure that took place on Christmas Eve or Christmas Day, showing the team celebrating the holiday, I would know we were making some progress here. (No, I am not holding my breath while waiting for them to do that.)

Next we come to “The Eye of Agamotto, Parts 1 & 2.” By a stroke of good fortune, I got to see Doctor Strange before these episodes came out. Strange has never been anywhere near my Favorite Marvel Characters’ list, so the film and his appearance in the shows served more as filler material than anything else for me. But the fact that I got to see the movie meant I was prepared for Strange’s changed look; prior to the movie, he had long hair in Assemble. It is now shorter and much more practical.

Part 1 one of “The Eye of Agamotto” showed the Avengers – Cap, Hawkeye, Falcon, Black Panther, and Carol Danvers – defending a SHIELD storehouse from HYDRA agents. Well, mostly defending it. The bad guys got away with whatever magical doohicky they wanted, but Cap and Panther succeed in tracking it down.

Unfortunately, said gem is already in the hands of Strange’s arch nemesis, Baron Mordo. (The artists did a good job making him look like his film counterpart.) This is Panther’s first encounter with a bonafide sorcerer, but he handles himself pretty well here. We also see him getting calls from his little sister, Shuri, who has to ring him up for Wakandan business at the most inopportune times. It gets so bad that he shunts her calls to voicemail.

So when she shows up on his and Cap’s six unannounced, it nearly ends in disaster. Declaring that “no one puts [her] on voicemail,” Shuri insists on tagging along for the adventure, triggering the traps Mordo set up with a bracelet gizmo she designed herself. She has to help T’Challa and Steve best Mordo after the latter uses a spell to steal Cap’s powers.

T’Challa does well in this episode and so does Steve – for the most part. While I enjoyed seeing Shuri at long last, the writers could not resist plugging the “girl power” motif during this adventure. It was not simply annoying, it was Matronizing, and obviously so. I can handle Shuri having a list of degrees which nearly circles the world, but that should not be what makes her interesting. She comes from a culture of warriors, people! For Pete’s sake, her brother’s personal bodyguard corps is made up entirely of women so that peace can be maintained among Wakanda’s tribes. I do not think they have any of our “problems” with “women’s representation.”

Shuri

In this episode, Shuri is used to pantomime the idea that “brains beat brawn” – especially if they are female brains to men’s brawn. No, Marvel writers. No, no, no, and no. Women are not physically strong enough, as a general rule, to overpower men, yes. Having Shuri outsmart Mordo was great, yes. But if you want her to be T’Challa and Cap’s equal, show her not as a snobby, easily offended young woman looking down her nose at them, but as a young woman who can roll with the punches when she cannot dodge ‘em. The writers did not do that properly here, which rankled. Badly.

Other than this irksome theme, we got a good show which demonstrated the strength of Cap and Panther’s friendship, and which showed Steve being his usual, gracious self. It also put the spotlight, however briefly and dimly, on Shuri, which is great. All in all it was not a bad romp. It could have been better, but it was not bad.

Part 2 of “The Eye of Agamotto” was very entertaining, and it made up for the lousy element in Part 1. Following their previous adventure, Cap and Panther bring an odd sorcerer back to Avengers’ Compound after he tells them he needs to see Stephen Strange. We only see them doing this after a cute exchange between Hawkeye and the Hulk, as the archer is busy going through receipts for the damage Big Green dealt out – accidentally or on purpose – while doing his job. (I am surprised the piles of receipts were not bigger and taller.)

Strange arrives at the Compound while this is going on, launching an attack against Cap and Panther while they are trying to land. It takes him awhile, but he eventually manages to explain that he was not shooting at them per se. Whatever or whoever is with them has some bad magic which is making the Eye of Agamotto that Strange wears go bonkers.

Turns out, the man Cap and Panther met at the end of the last episode is Agamotto himself. He’s come back to get his eye (guess what the Eye of Agamotto is in Assemble, readers), and casts a spell which knocks down Cap, Panther, Hawkeye, and Kamala Khan. At the same time they get knocked out, evil shadow duplicates of them appear to attack Strange and the Avenger who depowered to avoid getting magicked – Hulk/Bruce Banner.

You will want to see this episode for the ending alone, readers. It is a hoot, a scream. About halfway through I was laughing so hard that it is amazing I could keep up with the dialogue for this show. I mean it – this episode was pure, undiluted fun! Strange and Hulk even became friends by the end of the show. Bonus points!

After these episodes came the first four “Secret Wars” installments which gave the season its name. The first episode here was “Beyond.” At the start of the show, the Avengers arrive in Central Park when a glowing crack appears in the ground. Then they try to fall back as it widens and white light erupts from it. Seconds later (as far as anyone can tell), the team wakes up in a desert at night. Right on cue, Avengers Tower rises out of the sand next to them. Naturally, they go inside to see if this is really their old home, finding it is and that everything inside is in perfect working order.

During their investigation, they also find an uninvited guest. Having spread a feast on the table for them, he invites them to sit and chow down while he explains everything. No one sits down, of course, or starts eating. They just demand to know who this guy is and what the Sam Hill he has done to them.

For those new to the Marvel universe(s), this unwelcome guest is the Beyonder. He is far different from the Beyonder I met in the 1990s. That Beyonder was not a sick, twisted megalomaniac – at least, I did not think he was. I do not know what he is/was like in the comics, so I cannot say how true his appearance in either series is to the original material, but the Beyonder in the ‘90s was a sight nicer than this guy. Another difference here, aside from his personality, is that this version of the Beyonder uses advanced technology for his little experiment. In the ‘90s he was some cosmic magician who could snap his fingers and do almost anything he wanted.

You are probably getting the idea that I was expecting to see the Beyonder this season. I certainly had a suspicion he would appear; the ‘90s “Secret Wars” arc of the Spider-Man TV series was one of my favorites. Like the original Star Trek episode The Savage Curtain, the animated ‘90s “Secret Wars” saw the Beyonder send Spider-Man to an alien world that had never known evil. The Beyonder introduced some of the worst villains from Earth to this world, then dispatched Spidey to choose a team of superheroes to stop the bad guys, proving once and for all whether good was really stronger than evil.

Secret Wars – ’90s Style!

Spidey and his team won, of course, but it was this storyline which made me expect to see the Beyonder in Assemble. I was looking forward to seeing him again, though in light of the 2015 sham “Secret Wars,” I was worried about what would become of our heroes in the cartoon. Now I see that I should have been worried about the Beyonder, too. But maybe he was originally an evil super genius bent on satisfying his curiosity at all costs, making this portrayal of him a return to the norm. I don’t know which it is, though, so I will leave this subject alone now.

Anyway, after pinning our heroes to the walls with his tech, the Beyonder explains that he has taken pieces from different worlds and dimensions to create a new planet he calls Battleworld. (Battleworld comes from the 2015 “Secret Wars” and, from what little I know of that travesty to comicdom, Beyonder’s description here sounds about right for that Battleworld as well.) Like in the ‘90s, he is apparently trying to determine here whether good or evil is stronger.

The big problem with his plan in Assemble – aside from the fact that he took everyone from Earth, Asgard, and every where else without a by-your-leave – is that the longer the separated chunks are away from their homeworlds/dimensions/what-have-you, the more unstable those realms become. So, if the pieces are not returned to their proper places (and fast), the whole universe/multi-verse is going to explode and die. Not a pretty picture for our heroes, to be sure.

“Beyond” sees the team spread out to learn the layout of Battleworld and begin finding a way to put everything back together again. The particular part of Battleworld where Avengers’ Tower is situated is called Egyptia. Why it is called this I do not know, unless there is another realm/dimension/thing out there called Egypt. So far, Egyptia just seems to be a distorted Egypt from Earth.

Back to the show; Cap and Widow are the ones reconnoitering Egyptia. Finding a pyramid in the middle of the dunes, they go to investigate and run into a bunch of sand mummies/zombies. Things look grim for the home team but, luckily, the wandering super genius known as Iron Man drops in to save the day. The Beyonder took part of the dimension he was trapped in for his Battleworld. That part of the “planet” is called No-Tech Land, presumably because most modern machinery does not work there. This allows Tony to reunite with his friends, and the high jinks and battles ensue before he, Cap, and Widow rejoin the rest of the team at the Tower.

“Underworld” is the follow-up episode, and it begins with Loki raining on the reunion by declaring he wants to join the Avengers because the Beyonder wrecked Asgard for his little experiment. Predictably, the answer to Loki’s request is a lot of lightning bolts, repulsor blasts, arrows, and punches – none of which land, sadly. “Capturing” him, Thor, Tony, and Hulk learn that Loki is the one who told the Beyonder Earth’s location, giving them more reason to be angry at him. But since parts of Asgard are now mushed into Battleworld, and because Loki has personal knowledge of the Beyonder, Tony states that they need him and the four head out to New York City.

The reason this episode is called “Underworld” is because NYC is under a rock – literally. When Beyonder ripped it off of Earth, he put the city underground. And beneath New York, he put a bunch of Asgardian rock trolls. So when the Avengers show up, they have to defend the New Yorkers who were transported along with their city from the rock giants.

Loki does his whining “why-do-we-have-to-save-the-humans” routine, but turns into a big help when the Enchantress shows up. He almost sacrifices himself to fix the Bifrost, which is underground with New York, but Thor stops him and they escape. Then the Beyonder shows up and Hulk jumps at him to do his smashing gig –

…Only for the Beyonder to split the Hulk and Banner personalities into two people with his tech. Did not see that coming, and I have to say, it worries me. Bruce came out the worse for wear either before or after 2015’s “Secret Wars.” I am pretty sure he went nuts, and I know who “killed” him (you are in so much trouble for that, by the way, Marvel writers), so I worry that we will see something similar in Assemble. If what I think may happen does occur, then the “writers” running Marvel are in even BIGGER trouble with me.

Aside from this one worrying point, this show was a hoot. Hulk had the most fun here at Loki’s expense, and the only thing I want more than to see Hawkeye finally give the Trickster what he deserves is to watch Hulk pick on him. As for Loki turning “hero,” I predict that that will not last long. There may be a little good in Loki, but the problem with that is it is too darn small a piece of good. The bad outweighs the good, and while the Trickster of Asgard may be an open and shut case of “hope over experience,” I believe the Avengers should temper hope with sense by keeping their hands close to their weapons.

Next we have “The Immortal Weapon.” This episode was good, clean fun, and it actually gave me something I have been begging the writers for since the series started: a new hero. Iron Fist at last makes his debut in Avengers Assemble here. Though he is voiced by the same actor from Ultimate Spider-Man, Iron Fist is unquestionably an adult in Assemble. It was nice to see him again; he got short shrift from season three of Ultimate Spider-Man onward, and it is good to have him back in the spotlight no matter how briefly he appears.

Anyway, among the many things the Beyonder stole from Earth was K’un-Lun. But unlike New York, K’un-Lun is above ground and it is peaceful. Everyone is going about their daily business as if nothing has changed, puzzling Falcon and Black Panther, who have been sent here to pick up an item to repair the destroyed Bifrost. Things get even more confusing when the two explain to Iron Fist that they need Heimdall’s sword to help rebuild the Bifrost and set everything right. For no apparent reason, Danny attacks the two, stating emphatically that they cannot take the sword.

Neither Avenger listens when Iron Fist repeatedly states that taking the sword will unleash a great evil. So both are surprised when Falcon retrieves the weapon and Dracula pops out of the stone where it was embedded. (Nice sword in the stone reference, Marvel jerkfaces.) Turns out, Danny could not explain why the sword had to stay put because Dracula cursed him so that he could not say his name, period, in relation to anything. If anyone had asked Iron Fist about Bram Stoker’s novel, it is likely that Danny would not have been able to name the book because of the curse.

But Falcon and Panther, who have been having the “I’m-not-a-kid-anymore/I’m-a-king” argument from the start of the show, did not stop to put two and two together. Danny gets a really good scene when this argument starts back up again, putting one hand to his face and shaking his head, before telling the two to knock it off and get their act together. Tension is added to the show when the three learn of a familiar alien substance that has bonded to Dracula to make him immune to sunlight. The vampire king plans to find more of these familiar substances to make an army of daywalker vampires, but our heroes put the kibosh on the plan.

Really, this episode was nigh flawless. I had no real reservations while watching it or after it ended. It was a fun caper with no dark portents for the future of the series, and it gave all three heroes a chance to shine brightly for a change. This one earns a big, wholehearted “YAY!” from this viewer.

Finally, we have “The Vibranium Coast.” This is the show which gave vent to the piratical turns of phrase you encountered at the beginning of this post, readers. Ant-Man and Kamala Khan are headed to the Vibranium Coast – the one part of Battleworld, so far, which does not appear to be related to Earth at all – to pick up the Vibranium Tony and Loki need to rebuild the Bifrost and fix everything.

Scott is nervous about the job, feeling the pressure of not messing the mission up royally, while Khan continues to be her annoying, useless self. She misidentifies a pirate ship as Atlantis or another place, and the first misidentification should not have popped out of her mouth. For Pete’s sake, even on Battleworld, Atlantis would have to be under water. Most Atlanteans cannot breathe air or stay on land for long periods of time, and so far, the Beyonder has not demonstrated a desire to wipe out the populations of the places he steals all in one go. If they die over time, he will shrug it off, but the fact that NYC and K’un-Lun still have inhabitants shows he wants live specimens for his “experiment,” not cities full of dead bodies.

But we digress. Scott and Khan’s jet is shot out of the sky by the ship and the two are picked up by Typhoid Mary, who lays on the pirate act and lingo real thick. I have to say, my first introduction to Typhoid Mary did not make me like her. She reminds me too much of Harley Quinn, the Joker’s sidekick from DC Comics. Whether that is the intention of the writers or not, the fact is that her resemblance to the Joker’s apprentice wins her no favors with me.

Despite this, Typhoid Mary actually made this zany episode palatable for me. Having Red Skull and Crossbones playing pirates makes them seem silly, until you are faced with the even crazier Typhoid Mary. After her, anything else out of the ordinary looks mild. Her part in the story took the edge off the foolishness of seeing Red Skull be called “Dred Skull,” the master of the “Dred Skull Sea.” 😉

Ant-Man did not do badly in this show, which was a real improvement over his first four episodes this season. He got to be smart, manly, and funny without compromising his character or his masculinity. That alone would make this episode worth watching, but with Typhoid Mary’s craziness thrown in the mix, I suggest you check out the show for the laughs, too. There is also a GREAT scene at the end which had me in fits because it was so perfect. You should definitely watch this episode, readers. It is FUN!

However, despite this glowing review, I must admit that I had my usual problems with Khan here. The writers are working overtime to make her appeal to viewers, and it is not helping. Aside from a few verbal mistakes, Khan does not trip or fall flat on her face the way a normal rookie would in this show. Scott’s and the other Avengers’ care for and kindness to her are great for them, but it does nothing to make Khan more appealing or enhance her part in the series.

If you put Inferno or Firestar or Spectrum in her place in “The Vibranium Coast” as the new rookie on the team (no matter their age), it would work better because the writers would not be bending over backwards to make the audience love them the way they are for Khan. Seriously, everything they do for Khan is pure political pandering, and it shows. Somehow, in this episode, she is the only Avenger present who knows how to use swords, all because her parents let her take fencing lessons?!?

That does not fit with what little I remember reading about the concept behind Khan’s creation. There it was stated that her parents are terrified of letting her anywhere near a boy her own age, forget an adult man. So why would they suddenly let her take fencing lessons? In fact, why is she even allowed out of the house in normal clothes? Shouldn’t she be wearing something more traditional? And why not let her use her powers or natural skills to duck and dodge swordstrokes? If she is so great, then why do the writers have to give her the simple, Feminista out of, “And she can fence, too!”?

The more the writers set her up to be an uber woman settling into her place in the Avengers, the less interesting she becomes, just like her namesake. Khan adds nothing to the Marvel universe(s) or Assemble.

Dust

Dust was more interesting because she was actually allowed to make mistakes, worry about her traditional upbringing and her career as an X-Man, and learn to stretch her wings. Khan is not allowed to even voice such fears or problems in the show; she has no vulnerabilities – other than a penchant for geeking out when she meets a famous hero/villain – and it makes her dull as dishwater. She is useless, plain and simple, and she is getting on my nerves.

I do not expect the Marvel writers to change Khan and make her more interesting, readers. I expect them to double down on her portrayal with a vengeance. They cannot be wrong, while we peons are always wrong and should hate ourselves for it. (Bah.) If they want to think that way and try to financially survive while they are doing it, then they can knock themselves out. Nothing anyone says to the contrary will stop them.

This leads to my final points. For the most part, as is obvious from this article, I enjoyed these episodes. However, the higher you fly, the farther you can fall. It is quite possible that whatever comes next will be an absolute disaster for fans of the true, the good, and the beautiful who love not only Assemble, but Marvel in general. We could end up with a serious mess on ours hands when the next installment of Avengers Assemble: Secret Wars rolls around.

We could just as easily rise to new heights with only little pinpricks of annoyance (and irritating, politically correct sham characters) to bother us from here on out. While I hope for that, I intend to try and follow my own advice to the Avengers about Loki: be prepared for experience to trump hope again. When it comes to mortal man, experience is something to be remembered, even when hope begs for “just one more chance” to get things right.

I have my keyboard ready, Marvel. I am still watching you. Mess up, and expect to see me say something about it. Because if you play “the heroes and heroines are actually villains and the villains are heroes” card too much more, you will go out of business. I do not want that for you, but you are sure acting like that is what you want. Do not think I will avoid speaking my piece about it. You should know me better than that by now. 😉

‘Til next time, readers – Avengers Assemble!!!

Spotlight: Some Under-Used Marvel Heroines, Part 2

Yesterday, I posted an article listing the names and histories of several lesser known, unrecognized, and underappreciated Marvel heroines. Too many people now are whining about the “lack” of super heroines in comics and, quite frankly, they are crying over nothing. I can – and have – said this in previous posts, so I will not rehash it here.

But I will say that I am VERY tired of this collective moaning. There are hundreds of super heroines in comics. Marvel – which I prefer over DC, though they also have many heroines in their ranks – does not have a dearth of strong female characters. It has lived too long not to build up a roster of tough women in its universe(s) – whether they have powers or not.

These two articles endeavor to communicate this fact to the outside world. If you are going to see a superhero film in theaters, readers, take the time before or after to look up the source material for the movie. If you can do it for Downtown Abbey, Poirot, Hercules, Robin Hood, King Arthur and his knights, or even Percy Jackson and Harry Potter, then what is stopping you from doing it for Marvel’s films?

But I digress. Without further ado, here is some more comic book information for you to absorb, readers!

Spectrum/Monica Rambeau: A former policewoman and an active member of the New Orleans Harbor Patrol, Monica Rambeau was exposed to some kind of radiation on one of her missions. This gave her the power to turn her body into a beam of light, along with every known energy wavelength on the electromagnetic spectrum. She can use this ability to travel across the country or around the world at the speed of light, not to mention fly at roughly supersonic speeds in a battle. Her power to generate light energy means she can make impressive holograms of herself as well.

She can also shoot beams of light or energy from her hands, and is intangible when she assumes her energy forms. Monica can be seen when she turns herself into visible light, but when she becomes some other form of energy she is no more visible than air.

Monica had a hard time with her powers initially. She went to New York to make her name as a super heroine and was lucky enough to meet Spider-Man. He brought her to the Avengers so she could have some official superhero training. While she was there Captain America and the Wasp tutored her in combat and the use of her abilities. (To this day, Jan is one of her best friends.) Monica has also led the Avengers at least twice, maybe three times, in her career. Even now, she is a valued reserve member.

Because of her police training, Monica is a good markswoman, able to use many different kinds of guns. Since she works for the harbor patrol, she is also a strong swimmer, while her time in the police made her a good detective and leader. Cap’s training, combined with the skills she learned from the police and the patrol, make her a great hand-to-hand fighter who is hard to beat.

One of the heroines who had to go through several codenames before selecting Spectrum, Monica’s first nom de plume was Captain Marvel. But on finding that name already belonged to the Kree hero Captain Mar-Vell, she changed it to Photon. However, this call sign was taken, too, so she changed her nom de guerre again. She later learned this moniker was already in use by someone else, and so on and so forth. In frustration, Monica finally chose Spectrum on the spur-of-the-moment as her codename. It has managed to stick so far.

Like Firestar, Spectrum was relegated to limbo there for a while. Comics published prior to 2015 brought her into a few storylines and fights, but she is definitely one of Marvel’s most underutilized heroines. I do not know why they have not put her in the limelight more often; she is tough, smart, strong, and a good fighter. If I were working for Marvel, I would make her an active member of the Avengers on principle alone.

X-23/Laura Kinney: I am more familiar with Laura’s X-Men: Evolution history than her comic book backstory. But the general gist is that Laura, a.k.a. X-23, is a genetically modified clone of Wolverine.

Because of his healing factor, Wolvie’s DNA can remain stable enough for successful cloning – that is, his clones won’t up and die after a certain period, or physically destabilize and fall apart when they are killed. Those who attempted to clone Wolverine, however, still failed twenty-two times before they made some genetic modifications in their next attempt, which led to Laura’s birth. And yes, I do mean she was born. She didn’t come out of a test tube or a cloning cylinder, people. Laura had an actual, physical mother. Everything else about her life was messed up, but not that part.

Since she is Wolverine’s clone, Laura has his enhanced senses. She can smell, see, and hear as well as any predator on the planet. She also has a healing factor, just like Wolvie’s, except that hers works faster because she is younger than he is. Unlike Logan, Laura was born with two claws in each forearm and one in each foot, making her twice as deadly and dangerous as Wolverine is in close quarters. These claws were removed during an operation and coated in adamantium, the same metal Logan had forcibly bonded to his skeleton and claws at some point in his life. I think Laura has an adamantium encased skeleton, too, but I am not one hundred percent sure of that.

Laura’s life prior to meeting and joining her “father” was awful. Trained from infancy to be the perfect weapon, Laura knew next to nothing about social norms, family life and love, or friendship. It made her angry at her captors, at the world in general, and Wolverine in particular.

Once he learned about her, Logan did his best to take care of Laura, eventually bringing her to the X-Men. Having struggled during his career with the team over the same issues which Laura deals with, he has had to teach her about the good side of life from scratch. All of this made the dynamic between the two a lot of fun. But what I did not and do not like is the writers’ attempt to replace Wolverine with Laura in the post-2015 comic book stories.

I think Laura is a great character, readers. She would not be on this list if I hated her. I am all for having her go out on her own adventures, having boyfriend troubles, etc., but I do not want her to replace Wolverine. Logan is one of a kind, and there is no substitute for him. Giving Laura her own place in the Marvel Universe(s), while allowing her to occasionally go home and ask Dad for help (or just to spend some downtime with him), would be great. I am all for that.

But I do not want Marvel’s heroes feminized, and I do not want their heroines turned into men. I want their heroines to stand on their own two feet, to have their own careers (intertwined with the men’s whenever possible), and to kick butt their own way. They cannot do that if they are taking over for the guys, fighting the men’s arch-nemeses on equal terms, and trying to be something they are manifestly not.

Laura is not Logan, and I wish the writers would stop treating her as though she is. She may be his clone, but that does not diminish her own personality. The sad fact is that this person is someone the writers apparently do not want her to be.

Black Cat/Felicia Hardy: Technically, Black Cat is a qualified villainness. I did not know this for a long time because my first introduction to the character was the 1990s Spider-Man TV series. In that show, she was a heroine; in the comics, she has wavered back and forth.

Felicia Hardy is the daughter of a rich woman who somehow married a cat burglar. Mr. Hardy managed to keep his nightly work a secret for many years, but when Felicia’s mom finally learned the truth, she divorced him and he went to jail.

In the comics, Felicia loved her father so much she decided to imitate him. She started stealing by night, too, for the thrill of it rather than for the money. She took on the moniker Black Cat in honor of her father, who had been known as the Cat during his thieving days. To emphasize her namesake, Felicia rigged her original heists so that it looked like she could give the authorities bad luck. This is how Spidey met her; he later convinced her to give up her extracurricular activities and she went back to her rich lifestyle.

Unfortunately, somewhere down the line Felicia actually gained the ability to cause people bad luck. She became the Black Cat again and went back to stealing, though her attraction to Spider-Man means she has put herself in harm’s way or done heroine work to help him from time to time.

During the ‘90s cartoon, Felicia did not gain bad luck abilities. Her father was a cat burglar in this series, too, but he was convicted and sent to prison when she was really young. This meant that she did not remember him or his work very well, although she definitely still loved him a great deal.

What no one knew until the Kingpin got his hands on Mr. Hardy in that series was that Felicia’s father had been a spy while a boy during World War II. Hired to find out about the Nazi’s Super Soldier program, Mr. Hardy memorized the formula for the serum that was used to give Red Skull and Captain America their powers. But to his surprise, the test subject for the project he was spying on was not given the paraphernalia of a Nazi collaborator. He was, instead, given a suit and shield bearing the stars and stripes!

Figuring out that he had been duped, Mr. Hardy ran away from his employers without giving them the information they sought, making Red Skull kind of angry. Years later, he still remembered the serum formula perfectly. The Kingpin wanted the serum, so he sprang Mr. Hardy from jail at the same time he kidnapped Felicia. To make sure he got the real formula, the Kingpin warned Mr. Hardy that the juice would be used on his daughter once it was complete. Unable to harm his daughter, Mr. Hardy complied with the Kingpin and gave him the real Super Soldier Serum.

Black Cat was thus born. In the series, she went on to become a vampire hunter with Blade and her boyfriend, a near-vampire named Michael Morbius. (She had odd taste in men, what can I say?) Despite this, Felicia still had a thing for Spidey, and he knew he could rely on her if he needed help. I have missed this characterization of her ever since.

Silver Sable: I do not know a lot about Silver Sable. From what I recall reading about her, she is royalty of some kind and rules a country in Eastern Europe. I think it might be next door to Dr. Doom’s residence, Latveria; she has had diplomatic dealings with him on a couple of occasions.

Despite her status, Silver Sable has gone into the mercenary business. She leads a team of mercenaries called the Wild Pack. I do not know why she formed the team, nor do I know why she fights for money; all I know is that she does both these things. And she is very, very good at both her mercenary and royal jobs.

While I think the Wild Pack has had a shifting roster over the years, I believe that Sable has almost always been their leader. In addition, it must be mentioned that she has a cold personality. Sable has an emotionless attitude that can only be cracked when a member of her family is threatened. She reacts with wild, uncontrolled fury if someone related to her is harmed or put in jeopardy.

Although a mercenary, she has helped Spider-Man and, I believe, other heroes every now and then. That makes her a heroine.

Shuri: Shuri is King T’Challa/Black Panther’s younger half-sister. His mother died not long after he was born, and some time later his father remarried. Shuri was born to T’Chaka and his second wife, Ramonda. She has worn the mantle of the Black Panther a couple of times, substituting for her big brother when he could not carry the title himself for some reason.

Shuri and her big brother, King T’Challa/Black Panther

Beyond this, though, I am afraid that I cannot tell you much about her because Wakanda and its culture are out of my regular Marvel purview. I like T’Challa, but he’s about as far as I go when it comes to Wakanda. Things get confusing when I try to learn more about his country, so I haven’t looked it up thoroughly enough to understand it all. This includes learning more about Shuri – though from what I have read, she has never really had a big part in most of the Marvel Universe, which is a shame. From what I have discovered about her, she sounds really interesting.

Jessica Jones Cage: People will wonder why Jessica Jones Cage, wife of Luke Cage/Power Man, is on this list. Jessica has a TV series named after her and she features prominently in Netflix’s The Defenders series, so how can she be an under-used heroine?

Well, for a start, the writers for Netflix’s Jessica Jones seem to have completely misunderstood the character and her arc. Jessica was a normal girl who went to the same high school as Peter Parker/Spider-Man. She also had a big crush on him but, in a strange reversal of fortunes, he barely knew she existed. Then Jessica lost her family in a car accident, was adopted by another family, and went on to gain super powers. These included flight, relative invulnerability, and super strength. Ecstatic about her new abilities, she tried to get into the superhero world using the codename Jewel. She was convinced, however, to wait a while before becoming a full-fledged super heroine when her first attempt to save the day nearly backfired spectacularly.

Then things took a bad turn. Jessica was captured and enslaved by the Purple Man (so named because whatever gave him his powers also turned his skin purple). Purple Man is a telepath and, though he does not have great range, he can control people within a certain radius completely. Only people with very strong wills can refuse his control, and even they occasionally need help from outside sources to fight him off.

Purple Man was able to easily enslave and use Jessica – along with a number of other girls and women – for his “personal pleasure.” Then he found out about her powers and had her use them to his advantage as well. I do not remember if he had her kill someone in the comics like he did in the TV show, but I think that may be what happened.

Jessica was eventually freed from his domination by the X-Men (I think), who took her in to help her deal with the trauma as she realized how she had been abused over the years by Purple Man. Her best friend at the X-Mansion was none other than Jean Grey, who put psychic shields up in the younger woman’s mind to prevent Jessica from being easily controlled or manipulated ever again.

The reason Jean had to do this is because Jessica was one of the people in the Marvel Universe(s) who had no real ability to fight off psychic assault/control on her own. Most of the superhero community either already has enough willpower to eventually free themselves from mental manipulation or they gain this ability through experience over time (one of the notable exceptions to this rule is Carol Danvers, but that’s another story). Jessica was too young and inexperienced to fight telepathic control, which is why she was so vulnerable to Purple Man in the first place.

Although they helped her get back on her feet, the X-Men were not able to help Jessica heal completely. Gone was the optimistic, bright and bubbly girl who had tried to be the super heroine called Jewel. She was now a hardened, cynical woman who, after trying to be a super heroine known as Knightress, eventually gave up the idea of being a superhero at all. Instead she became an anti-social private detective prone to drinking. I do not remember exactly how they met, but Jessica encountered Luke Cage at some point and they had a brief fling. At least, Jessica considered it brief; Luke was quite smitten with her and came back to ask her for another date.

So it shows a lot about his character when he helped a stone drunk Jessica Jones home from a bar one night, only to learn from her that their fling had resulted in her becoming pregnant. Luke took the news in stride and decided he didn’t want Jessica for a girlfriend. He wanted to marry her.

It took a while for Jessica to come around to the idea. She had been abused, after all, and though she liked Luke well enough (while she was sober) marriage was a big step. But with a baby girl in her arms she had to come to a decision, and she decided to marry Luke Cage.

Of course, Purple Man chose this point to step back into her life, trying to make her his pawn once again by showing her visions of Luke cheating on her with her female friends. But the shields Jean Grey had put in Jessica’s mind helped her realize she was being manipulated and she fought back against his control. This time she won, putting him behind bars so she could finally close that chapter on her life and move on to a better place.

Jessica, Danielle, and Luke Cage

The Cage wedding went off without a hitch and, at least prior to 2015, Jessica was doing fine. She and Luke were raising their daughter, Danielle (named after Luke’s best friend, Daniel Rand/Iron Fist), and she had maintained her job as a PI. She also helped to counsel other girls who had been assaulted, such as Kate Bishop. She was, in my opinion, one of Marvel’s best poster characters for how to survive and thrive after enduring enormous pain.

The TV show threw this history out the window. In the Netflix series, Jessica is a jerk even before Purple Man takes control of her. From what I have heard, her character has practically no growth at all through the first season of her own show. She only gets to change in The Defenders, which is a real shame. Jessica Jones Cage is not my favorite Marvel heroine by a long mile, but I certainly thought she was interesting and had a compelling story in the comics. New comics and her own TV show, however, have reduced her to a “really dark, really noir” character who does not grow or change at all, but who remains mired in the “oh woe is me, the world sucks” swamp. Jessica deserved far better than that, readers, which is why she makes my under-used heroines list.

Kate Bishop: Kate Bishop is one of the three “Young Avengers” I actually had an interest in. While I consider the premise behind their team’s appearance in comics more than a little stupid, Kate and her boyfriend, Patriot/Elijah Bradley, were still characters I found interesting. (The third Young Avenger I liked is listed below.)

From what I remember reading about Kate, her mother died when she was young. Her father was very involved in his business dealings (Kate and her family cannot afford fifty private jets, but they are well off), and so he never really got to know his daughters. Kate has an older sister who mothered her while the younger woman was growing up, before marrying and leaving the house. Last time I checked, she and Kate were still on good terms.

Assaulted in Central Park when she was fifteen or a little younger, Kate started taking classes in self-defense and weapons’ training to avoid ever being a victim again. This eventually allowed her to take up Clint Barton’s bow and quiver when the Young Avengers were established. She is also proficient with battle staves like the ones Mockingbird uses, as well as swords and a variety of other arms.

If none of this was enough, it was revealed at some point that Kate has a photographic memory and photographic reflexes like Marvel’s Taskmaster. These reflexes work in the way that her memory does; Kate can watch someone pull off a flip, tumble, punch, etc. and do the same move perfectly herself. This trait, however, does not reach superpower level in her as it does in Taskmaster. On top of all this, she is a skilled cellist.

Kate took to super heroine work like a duck to water. She is feisty and fiery, which meant that it made sense for her and Clint Barton to get along. It did not hurt that she had taken everything but his codename when she joined the Young Avengers, of course. The writers made it blatantly clear that the two would have some kind of relationship in the future.

Clint did eventually take Kate on as a student, the way most of us thought he would. The two worked together for some time in the comics before going their separate ways in Matt Fraction’s Hawkeye series, although Clint still lets her use the Hawkeye moniker along with him. I am not pleased with how their story arc was finished. Not at all.

See, Clint was the perfect surrogate father for Kate, whose frosty relationship with her real dad left a painful void in her life. She needed a strong man supporting her, especially after being raped in Central Park at the age of fifteen. Her biological father was not filling this role, making this the perfect opportunity for the writers to set Kate and Clint up in a father/daughter relationship like the ones Wolverine had with Kitty, Rogue, Jubilee, and later Laura.

But if my information is correct, the writers wasted their opportunity. They also, typically, have worked to replace Clint with Kate, to which I say no, No, NO, and NO!!!! (For Pete’s sake, to make her reach his level of physical strength, you had to give her Taskmaster’s photographic reflexes, Marvel writers! Do not tell me she is the physical equal of Clint Barton. She is manifestly not his equal when it comes to strength – and I was totally okay with that! You did not need to pull this stunt to make me like her more!)

Pardon that interruption, readers, but it needed to be said. I like Kate as a character; she would not be on this list if I thought she was a horrible addition to the Marvel Universe(s). I loved the idea of Clint fathering her, growing because of his care for and attachment to her as a daughter figure. I loved the idea of Kate becoming a worthy super heroine because of his mentoring, too. But anything outside of that which goes on to have her replace him in the comics does not fly with me – period.

This is the reason why I wish the writers would give her a codename of her own, instead of leaving her to use the Hawkeye call sign in conjunction with Clint. Kate Bishop is NOT Clint Barton; she deserves to make a name for herself which belongs to her alone, like Atalanta or Diana or something. She deserves to be a heroine in her own right, independent of Clint Barton but with the ability to go to him as a father figure in times of extreme need. The writers have not done that for her or for him, and it bugs me.

Another area where the writers disappointed me is how they handled Kate’s budding romance with Patriot. I thought it was a sweet touch to the two characters and that it meant we would see them go lots of interesting places together. Instead, the writers put the kibosh on this and went on to treat both these new characters like trash. It was poor storytelling all around, and it has only gotten worse with the passage of time.

Stature/Cassie Lang: For those who do not know Ant-Man/Scott Lang’s history or who have not seen the film bringing him into the MCU, Scott is one of the few Marvel superheroes who got to have a child. He had Cassie before he entered the superhero gig, but even after making Avenging and saving the world his 24/7 job, he managed to block out plenty of time for his daughter.

Cassie and her dad, Scott Lang/Ant-Man

If anything, his new career choice made Cassie love him ten times more than she already did. In the comics, Cassie was born with a heart condition that would have killed her. Desperate to save her, Scott fell back on his skills as a burglar to get enough money for the surgery necessary to save his daughter’s life, stealing the Ant-Man suit to do the job. This put him on the Avengers’ radar, and not in a good way. But once they learned the reason behind his actions, they cut Scott some slack and offered to teach him how to use the suit – after helping him take care of the bill for Cassie’s surgery, of course.

This put Cassie in touch with the superhero community at large. She was on such good terms with it, in fact, that she could blithely call Iron Man “Uncle Tony” and jump into his arms whenever he dropped in to see her father. When Scott died in the Avengers: Disassembled and House of M storylines, Cassie was determined to take up his mantle in order to honor him.

Acquiring shrinking and growing tech of her own, she became a founding member of the Young Avengers, using the codename Stature. (See, this is what legacy characters should do; find their own monikers, paths, and suits, while at the same time honoring their predecessors/mentors/fellow heroes and heroines. Why do the writers keep throwing this understanding in the garbage?) Cassie quickly proved to have her father’s mettle, along with the smarts necessary to fight big time and small time crooks. Unlike her dad, she focused less on shrinking and more on growing, making her a tough target to bring down.

During her time with the Young Avengers, Cassie dated a rebuilt Vision and a teen Kang the Conqueror. (Really, Marvel writers? You truly could not find her a boyfriend who did not have a history with another girl or who wasn’t a proto-power mad tyrant? Grrr….) She got on well with her other teammates, too, acting as something of a grounding/peacemaking force in the friction-filled atmosphere among the Young Avengers. After Vision, she was the Young Avenger most qualified to directly jump into full-fledged Avenger status.

Sadly, Cassie’s career as a super heroine did not end well for her. She got to go back in time to save her father, only to die herself some issues later. To the best of my knowledge, that is where the writers left her. And yes, I think this is totally unfair not only to Cassie, Scott, and the entire Marvel Universe(s), but to us fans as well. We were robbed of a great legacy heroine for no good reason. I wish they would bring Cassie back (not to mention get her a good boyfriend), and let her really stretch her wings with the ACTUAL, adult Avengers.

Unfortunately, I do not see that happening any time soon.

Well, readers, there you have it. This is not a complete or comprehensive list by any means, but I hope I have succeeded in arousing your curiosity about these Marvel heroines. While the writers have mistreated many of them to the same degree they have abused their male compatriots, they are still worth knowing about and discussing.

Before I go, though, I want to pose a question to you: do we really need more heroines in comics? We might want more of them, but wanting is not the same as needing. As I have pointed out before, Marvel has plenty of heroines in their universe(s), several of whom they are not utilizing to the full in their comics. So they – and therefore we, the fans – do not “need” more super heroines in comic books.

What we need right now is for the comic book arm of the franchise to treat the heroines they already have with the respect they deserve. Once they do that, we can have a discussion about adding new characters, male and female, to the roster. Without respect and love for what has gone before, there is no moving forward.

Based on what you have read in these posts, feel free to vote for which under-used heroine you like best and want to see more of in future Marvel stories:

 

Until Marvel learns to respect and love its history, you will probably be hearing more from me on this matter in the future. I wish it was not so, but there seems to be no way around it. I cannot keep my keyboard away from this subject, although I do my best to branch out into other topics. Since there seem to be people willing to read my posts about these things, perhaps I am not as alone as I once believed.

For all the views and votes, I thank you, readers. It is nice to know people are interested.

‘Til next time – Avengers Assemble!

Spotlight: Some Under-Used Marvel Heroines, Part 1

One of the most annoying things that I keep encountering on the web is the call for more heroines in comics and the films based on them. I understand that comic books are not everyone’s forte – before saving a few from the trash, I had been drifting away from them myself.

But if the actors and actresses who play these characters onscreen have to read the comics to prepare for their parts, I wish at least some of the people who review the films and TV shows they make would do an Internet search about the material, too. If they did this, it would go a long way to improving the dialogue swirling around newly released films and shows.

This is one of the reasons why I started Thoughts on the Edge of Forever, readers. I could not stand running across article after article on the ‘Net that either misunderstood something in a Marvel film or which was toeing the “comics need more heroines” line. The overwhelming ignorance/laziness/political agendas of these writers drove me up the walls, and I had to get my two cents out there or burst.

I do not know how good a job I have been doing. All I can say is that I tried my best, first to tell everyone the truth, then to stop the destruction of an entertainment medium I have come to enjoy. Whether or not that has made a difference anywhere is not for me to know.

However, you came here to learn more about under-used Marvel heroines, not to hear me complain! 😉 Today I am listing some Marvel heroines no one talks about in large media circles – even with the debut of the bizarre, dark New Mutants movie and other ongoing projects. While Sue Richards was discussed for some time by the media, since the Fantastic Four movies finished she has sort of been forgotten. Given the fact that she was the first heroine in the Marvel universe, I think she deserves a mention, which is why she is on this list.

Anyway, readers, I hope this two part directory is helpful to you. Marvel has many, many more heroines on its Rolodex. They cannot all fit in a film, which is why we do not see too many of them on the silver screen in the Marvel Cinematic Universe. But they do exist. If you want to know more about them, Google some of the ladies below and see where the links to their friends and acquaintances take you. You might be surprised and excited by what you find.

Excelsior!

Mirage/Danielle Moonstar: Danielle Moonstar was introduced in the 1980s as a member of the New Mutants. The New Mutants were a team of mutant tweens and teens being taught regular academics at the X-Mansion, where the X-Men live. In addition, they were trained in the use of their powers, landing them in battles with the baddies from time to time.

A Cheyenne Indian, Dani is an empath with quasi-telepathy. She can scan the minds of those around her and use this scan to project a 3-D image of these people’s worst fears or greatest desires.This is where her codename, Mirage, comes from. She can also use this power to communicate with most any animal on the planet, and I know of one off-world creature she can “speak” to by this method as well. This power allows her to live in the woods undistrubed by wild animals and grants her a Jedi-like “danger sense” as well.

When her powers first manifested, Dani could only project images of people’s or animals’ worst fears. Not knowing how to turn her ability on and off, she ended up alienated from everyone she knew. This was made worse when her parents disappeared, leaving her in the care of neighbors who didn’t like her. Eventually, she ran away to live with her grandfather, who was later killed by a member of the villainous Hellfire Club. It was not a great way to grow up.

Life at the X-Mansion was not exactly a piece of cake for her, either, in the beginning. Gradually, Dani learned to control her power and use it to generate images of a person – or an animal’s – greatest desire, not just their worst fear. She also went on to make a lifelong friend in a fellow New Mutant from Scotland, one Wolfsbane/Rahne Sinclair. (Rahne rhymes with “rain,” just so you know. ;)) Rahne’s mutant power allowed her to morph into a wolf, or to stop halfway between human and wolf, making her look like a werewolf. Because of her ability to “speak” to animals, Dani could talk to Rahne while the other girl was in either of her alternate forms.

It was painful for her to do this at first. Since Rahne is human, her mind is not like an animal’s, which meant that Dani’s power did not work with her as it did with beasts. After a while, though, “speaking” to Wolfsbane like this stopped being painful, and the two women have been close friends ever since.

Dani is also a Valkyrie. Yes, I do mean Valkyrie, like the one Tessa Thompson plays in Thor: Ragnarok. The only difference is that Dani, while a member of the Valkyrior, is still mortal. And, yes, she’s an American Indian.

Mirage became a Valkyrie after finding one of their winged horses out in the woods. This horse, Brightwind, was more intelligent than any other animal she had met to date, though he is still not a rational creature. Not long after finding him, Dani was surrounded by mounted Valkyries out looking for Brightwind. Learning that she could see both them and the horse, they asked her if she wanted to join their ranks. She said yes.

Because she is a Valkyrie, Dani can tell when someone is in danger of death. The person is surrounded by a “deathglow” only she (and other Valkyries) can see. This “deathglow” signals a person’s imminent demise, but it does not mean the person will die. Besides being able to see the threat of impending death, as a Valkyrie Dani has the power to tell Death or death deities – like Asgard’s death goddess, Hela – to buzz off. She can literally defend a person from death, though this does not grant whomever she is protecting immortality. It just means their death date gets moved forward to an unspecified time. Still, this is a pretty cool power to have, don’t you think?

On top of this, Dani is a very athletic woman. She is skilled in hand-to-hand combat and the use of various weapons such as spears, swords, and knives. She is also an excellent archer; she once won some arrows from Hawkeye in a shooting contest. Dani can use a rifle really well, too. She is a good swimmer and horsewoman, a talent she had before she met Brightwind. Danielle Moonstar is one tough cookie, readers – and even with the post-2015 comics, the writers don’t give her nearly enough credit these days.

Misty Knight: Anyone who has seen Netflix’s Luke Cage, Iron Fist, or Defenders series probably knows something about Misty Knight. Admittedly, I am not an expert on her. What I do know is that Misty is a normal human detective from New York. She was room mates with Jean Grey in college, too.

So in the comics, she came to the aid of the X-Men on occasion, and she did/does work with Heroes for Hire pretty often. Considering Daniel Rand/Iron Fist is her boyfriend, this is not much of a surprise. At some point, I believe she also ran a private detective agency with her friend, Colleen Wing.

While working for the police, Misty lost her right arm. It was replaced with a prosthetic created by Stark Industries, and it hides a number of tricks in it that vary from comic to comic. I think it can cloak itself to look like a flesh and blood arm, too. With this arm, Misty is a lot stronger when she uses that “hand,” but only so long as whatever she’s lifting is not extremely heavy. The arm itself is stronger than she is, so she has to be careful about what she decides to pick up, or whatever it is could squash her. Or break her back. Or have some other unpleasant result that will lay her out flat on the floor.

Throwing and punching with this arm – well, there’s a little more leeway in that regard, I think. At the very least, I would recommend not offending her to the point that she decides to hit you with her mechanical hand.

In addition to her prosthetic arm, Misty is well trained in the use of firearms, making her a good to excellent markswoman. I believe she also knows some martial arts; I could be wrong but her romantic tie to Iron Fist may have been what led to her training in this area.

Despite her line of work, my impression from the one “encounter” I had with Misty Knight in the comics was that she was a generally positive and friendly character. I do not know if any of that makes it into the Netflix shows or if it has been beaten out of her in the comics. All I can say is that it is a shame if she has lost this balance between work and her own personality over the years. I also think it sad that she sided with Tony Stark in the first Civil War event in Marvel Comics, while Iron Fist sided with Cap. Ouch, that is totally not fair, Marvel writers.

Firestar/Angelica Jones: Among my favorite TV shows growing up were reruns of the 1980s Spider-Man and His Amazing Friends. This series focused on Peter Parker/Spider-Man (naturally), Bobby Drake/Iceman, and Angelica Jones/Firestar. They fought as a team against villains like Magneto, Swarm, the Green Goblin, Red Skull, and several other bad guys every Saturday. I absolutely loved that series.

So it was a surprise when I learned, years later, that Firestar was not original to the Marvel Comics universe(s). As it turns out, she had been created specifically for this TV series and had never graced any page in the books. Luckily, she was so well-received that Marvel decided to add her to the comics in the ‘90s.

In Amazing Friends, Angelica was introduced as a mutant whose powers manifested at an early age. She could generate heat and, later on, blasts of fire from her body, specifically her hands. Eventually, she learned to use her power to fly as well. Due to her mutant power and the fact that her father, who was raising her alone, had little money, Angelica was an outcast among the neighborhood children during her youth.

But this persecution did not get her too down in the mouth. She had her father, who accepted her strange power, and she experimented with her abilities in order to get them under her control. In the ‘90s comics, she joined the Avengers as a teenager alongside a fellow mutant who used the moniker Justice. Justice was a nice boy with telekinetic powers. He was greener than grass and gung-ho, while Angelica was a little more nervous and reticent.

A good illustration of her character in the comics came when she put on a costume designed for her by Janet Van Dyne/Wasp. The suit resembled the one she wore in Amazing Friends except that it had a deep V down the front, and no face mask. Angelica felt the V in her suit was highly inappropriate, a sentiment Justice did not exactly share. “Fine!” she retorted when he would not stop goggling at her reflection in the mirror. “If you like it so much, you wear it! I’ll wear yours!”

Her sense of modesty eventually won out, and Firestar’s comic book costume came to resemble the one she wore in Amazing Friends, complete with the red mask over her eyes. Unfortunately, the writers have let Angelica fade into the background in both the comics and the cartoons since the mid 2000s. As a fan of this character, I think the writers’ decision to relegate her to limbo is a mistake. She is an underutilized heroine whom I wish the show writers would bring back – pronto.

She-Hulk/Jennifer Walters: I do not know if Jennifer Walters qualifies as an under-used heroine, readers. I believe she is actually rather popular – though you would not know it, since she has not appeared on television since the end of the Hulk-focused TV series Hulk and the Agents of S.M.A.S.H. If anything, she deserves a mention for being ignored on the small screen following the cancellation of that show.

The cousin of Bruce Banner, Jennifer Walters was a tomboy who was outgoing and loved sports. She would stand up to the bullies who pushed Bruce around and tried to do the same to her. It is no wonder, therefore, that she grew up to become a lawyer.

Back in the days when Banner was still a hunted fugitive, he dropped by to visit Jennifer for something/some reason. This was actually fortuitous because Jen’s latest court case almost got her killed. She landed up in the hospital after an assassination attempt, and the only way to save her life was with a blood transfusion. As a near relative, Bruce’s blood was a perfect match to hers. So Bruce threw caution to the wind and gave Jen his blood secretly.

At first it did not seem to work. Then the bad guys came to finish the job and Jennifer, angered and frightened by their appearance, Hulked out. Unlike her cousin, she kept her mind and remained able to speak coherently when she did this. She knocked the hit men over and went on to win her case in court.

It was not long after this that she entered the superhero gig, of course, keeping a hand in the legal world at the same time. Much more level-headed and calm than her cousin, Jennifer usually has more control of herself when she becomes the She-Hulk. This meant she could transform at will from the get-go, not to mention speak in complete sentences and “smash” things thoughtfully right from the start. Her new power also brought out her zest for life and fun, meaning she laughed a lot when she got into a fight.

Jen’s biggest weakness is the fact that her ability to keep her head when she changes means she is nowhere near as powerful as her cousin, the Hulk. Even whipped into a deadly frenzy of rage, one of her other vulnerabilities, she cannot match him in power. That does not mean she cannot kill people in a fury nor do massive amounts of damage to everything around her. It just means that, in a cage match with Big Green, the Hulk would still win the fight.

Her other disadvantage is her susceptibility to mind control. Though not easily defeated in this arena, like Carol Danvers is, Jennifer has a history of being unable to withstand mental assaults/control for extended periods of time. It may be one of the reasons why she has never been on my short list of favorites; she’s okay, but I do not typically get excited when she appears on screen or in the comics.

Stan Lee is fond of her, though, and has compared her to DC’s Wonder Woman. I do not see the likeness, but that is probably because Jen has never been able to truly impress me. However, I will not take issue with Stan “The Man” Lee on this one. If he thinks She-Hulk is Marvel’s equivalent to Wonder Woman, then she is Marvel’s answer to Diana – end of debate.

The Invisible Woman/Susan Storm Richards: As I said above, Sue was the first Marvel heroine ever. Part of the “founding family” of Marvel Comics, Susan Storm and her younger brother Johnny were members of a space mission gone wrong. Little did they know that the accident during their flight would put them on the path to becoming that famed and fabulous superhero team, the Fantastic Four.

Sue is a great super heroine. She’s one of the few heroines in the Marvel universe(s) who has managed to have and raise children, not to mention be a homemaker, while remaining an active duty super heroine. Jessica Jones Cage has come close to this success, but since the writers lost their minds in 2015 I do not know precisely what has happened to her.

Sue has been wife, homemaker, and mother while maintaining her super heroine career for a good part of Marvel’s history. She’s made dinner for the FF and put her children to bed after dealing with alien invasions and villainous plots morning, noon, and night. If that does not impress you, readers, I guess nothing will.

One of the most powerful super heroines in Marvel Comics, Sue can bend light to become invisible to the naked eye, and she can create telekinetic shields around herself, her family/friends, or inanimate objects. She can use this same telekinetic power to lift or hold up things. If whatever she is trying to hold up or move is heavy, though, it taxes her strength a fair bit. In this same manner she can “fly” by forming a telekinetic “plate” under her feet and moving it – and therefore herself – through the air.

Sue and Reed Richards

Her power to shield things or people extends to physical attack and energy based threats, too. For instance, if Reed Richards, her husband, ever needs to reach down a long nuclear shaft to hit the off switch for the device, she can shield his arm the whole way to the console, thereby preventing the radiation from harming him. Sue is typically mild-mannered and polite, but you threaten her or her family at your own risk, readers. When the villains make Sue angry, they get hurt – bad.

Faithful to her husband through thick and thin, Sue has been the peacemaker in her super family for years now. Well respected by the superhero community, people listen when she speaks or brings a warning, as outlandish as it might seem at first glance. She’s also a great mom to her children, Franklin and Valerie (a recent addition to the family). All of this makes Sue Richards a forgotten Marvel heroine who needs waaaay more time on stage than she has been getting of late.

Princess Ravonna: I do not know nearly enough about Princess Ravonna’s history in the comics. I only “met” her in the original comics in my Marvel Masterworks # 3 volume and, briefly, in Avengers: Earth’s Mightiest Heroes. She was feisty and fierce in the comics, refusing Kang’s advances from the beginning. That was not hard to do, considering he is the galaxy’s conqueror in her time (the thirtieth century). The only reason he did not take hers and her father’s kingdom earlier is he fell in love with Ravonna on sight.

Well, after conquering her kingdom anyway, Kang ended up freeing her to save his own empire. One of his lieutenants turned traitor, and Kang needed the help of Ravonna’s people to stop him. He couldn’t get that help without freeing her, which he would have done anyway because he really, truly was in love with her. Ravonna nearly died (or maybe she did die?) to protect Kang from said traitor’s bullet at the end of that adventure.

In contrast, we only see her walking and talking once in Earth’s Mightiest Heroes. And here, she was already married to Kang. I do not want to spoil the series, but what happened to Ravonna led Kang to start giving the Avengers trouble in that show. It is a pity the writers have not brought her in to Avengers Assemble. I would like to see some of what she was before she fell for Kang. Maybe he would be less trouble for the team, too, if he fell in love with and married her.

Yeah. Sure.

Songbird/Melissa Gold: While Songbird got to appear several times in Avengers Assemble’s third season, the fact is the writers did not allow her nearly enough time there. They also did not bring her back for season four, which has me seriously miffed. I have also totally lost track of Songbird in the mess that is the post-2015 Secret Wars comics, so I think she will fit in my under-used heroines’ post rather nicely.

Melissa Gold grew up with an abusive mother. When she was a teenager, she ran away from home and got involved in an illegal women’s wrestling ring made up of supervillain girls like Titania. After a stint with this group, known as the Femizons, I believe, she joined up with a bunch of thieves who had been bionically augmented. Her augmentations were in her throat and vocal chords, which is why she took the codename Screaming Mimi, a play on the phrase and her childhood nickname. These enhancements allowed her to generate a high-pitched, earth-shattering, earsplitting scream. When she cut loose, it would be like having a jet engine passing you at five feet of distance – without ear protection.

Melissa as Screaming Mimi

Using these enhancements, Melissa could also achieve a variety of effects against opponents by screaming a different note on the music scale. She could induce dizziness, vertigo, panic attacks, nausea, euphoria, stupor, and even blindness in her opponents by hitting different notes. Rapid oscillation between notes allowed her to combine these effects on a target. Naturally, she was immune to the results of her own power, meaning she never had to worry about being blinded or queasy when she screamed.

Her boyfriend in the gang, Angar the Screamer, had similar implants, and so they were able to combine their powers in battle. But he eventually died when one of the band’s heists went wrong. When he died Melissa went into a hysterical fit and screamed her lungs out at the sky – for 43 minutes. This not only burned out her enhancements, it actually liquefied the plant life around her. Her burst of insane screaming formed a large blast crater as well, with her at its center.

She was sent to prison after this, of course, and remained there for some time. Then the Avengers – and most of Marvel’s other heroes – got zapped to another dimension after defeating an über villain known as Onslaught. (Long story, very complicated, I don’t have all the details, and I find that whole event more than a little stupid.) After this, Baron Zemo broke Melissa and a bunch of other villains out of prison. With most of the hero population in Marvel Comics gone, Zemo figured the time was right to take over the world.

Interestingly, he decided he wanted to be subtle about it rather than glaringly obvious. He outfitted himself, Melissa, and the other villains in his crew with new identities, forming a “superhero” team known as the Thunderbolts. The idea was that they would fill the public’s need for heroes and, when everyone least expected it, take over the world. Melissa’s new codename was Songbird, and she was given new technological implants that allowed her screams to manifest as “solid sound,” which she could shape using her will.

But Zemo did not count on the public adulation his new team received going to their heads and hearts. He also did not think the Avengers or any of the other heroes would return. So he got a doubly unpleasant surprise when the heroes came back from the alternate dimension at about the same time his team of supervillains decided to become real superheroes.

Hawkeye was the catalyst, saying that if the Thunderbolts really liked being heroes, they should make the change right there and then. He eventually had to go to prison to buy their pardons from the government because the Thunderbolts were all still, legally, criminals. After this, most of the Thunderbolts went back to being villains. Clint was apparently the only thing holding them back from their prior evil habits. Without his guidance the Thunderbolts fell apart, to be reformed later on by others trying to make villains into heroes. (It hasn’t worked out nearly so well for them as it did for him to date, from what I have heard.)

Songbird was the only original Thunderbolt to make the transition to heroine and stick with it, no matter the personal price. Due to her time in the wrestling ring, she is a good hand-to-hand combatant and wrestler, and she has been physically enhanced so that she is stronger than a normal woman of her height, weight, and build. Her ability to make constructs out of “solid sound” and to fly means she is a tough opponent in a fight. If you want a demonstration, readers, check out the episodes where she appears in Avengers Assemble’s third season. They presented her well in that series.

Even so I really, really, really wish they would make her a member of the team permanently. Songbird is a great heroine, and she does not get enough time in the limelight today.That is why she qualifies as an under-used heroine and is on this list, readers.

Mary Jane Watson: Yeah, I know, she is not a super heroine. But MJ is still a cool girl, and she has had a huge impact on Spider-Man/Peter Parker’s life. It is too bad, to me, that the writers split them up. I liked having them married, and I liked the MC2 idea of them settling down to have a family together.

The Spider/Parker Family

Funny thing, I also did not mind MJ’s interest in being a fashion model. I was rather put out by the writers for Ultimate Spider-Man making her a wannabe reporter, instead of giving Spidey a photography position at the Daily Bugle, a job which he had always held in the past. While I am in no way, shape, or form a fan of fashion models or modeling in general, shoehorning MJ into Parker’s act for Ultimate Spider-Man just bugged me (pun intended).

If they wanted to ditch Mary Jane’s desire for a career as a model, I think the writers could still have kept her character intact by making her an artist, a designer, or something of that ilk. Mary Jane was tough and fierce, but she was also creative, and I missed that about her in Ultimate Spider-Man. A lot. That’s part of the reason why I never wrote any articles about the show here. All I would have done was whine about it. I do enough growling already with Assemble and the comics, so I figured you did not need to hear more of it, readers.

Anyway, this is why Mary Jane Watson makes my under-used super heroine list. She does not have super powers, but she does have a tremendous heart and a quick mind. That is all any woman really needs to be powerful, readers.

Well, I think this will do for the first half of my Under-Used Marvel Heroines’ list. I will take a break here and finish up tomorrow. Stay tuned to learn about more amazing Marvel heroines, everybody! You do not want to miss who comes next!

An Avengers: Infinity War Trailer Breakdown – Sorta

Finally – FINALLY!!! The trailer for Marvel’s third Avengers film has been released! The first major teaser trailer for Avengers: Infinity War appeared on the Internet yesterday, readers. And it is a doozy!

You can find another breakdown of the trailer here, which I enjoyed reading immensely. But while I was watching (and rewatching, and rewatching….) the trailer myself the other day, I noticed a few things which Mr. Finn did not mention. Being the Avengers’ fan that I am, it seemed reasonable for me to do a trailer breakdown myself. I need some way to burn off my excitement and trepidation, after all, and this appears like a good way to do it.

Why the trepidation? Well, for a start, this is Infinity War. This is the battle between Earth’s Mightiest Heroes and the Mad Titan, Thanos, wannabe paramour of death’s female incarnation himself. The way he plans to woo her is by uniting all six Infinity Stones to wipe out most of the universal population. (Hence the title Infinity War, Mr. Pine; it isn’t about ‘infinite war’ but six mega-powerful rocks which can reshape the universe from the ground up at the whim of whoever holds them. They’re so powerful the energy they produce is incalculable, i.e. infinite.)

At least, in the comics, Thanos’ aim is to make Death fall in love with him. In the movies he might just be a galactic overpopulation nutjob worried that the universe is becoming too crowded, which means everything has to be put in ‘balance’ again. (Translation, a lot of people “have” to die – fast.) And since he is the best and brightest guy who noticed the rising population in the first place, it makes total sense for him to be the bringer of that balance to the cosmos. Yeah, sure; please insert scoffing raspberry here, readers.

Of course, this means that all our heroes are on the chopping block. We can be sure that a few will survive to be in more movies, but for others, there is no guarantee. Nada. Zip. Zilch. This brings me to my first observation about this trailer….

WHERE THE SAM HILL IS HAWKEYE?!?!?!?! (And Ant-Man, can’t forget about him….)

Two whole minutes of trailer, and my favorite archer does not even get a cameo?!?!?! Are you kidding me?!?! Where is Clint Barton? Why isn’t he in this trailer, at least as a voice? I thought we established waaay back in Age of Ultron and Civil War just how important Hawkeye is to the team. But he doesn’t show up AT ALL in this trailer. Neither does Ant-Man, who would be a BIG help when our guys run into hordes, multitudes, and fireteams of alien monsters.

Where are these two?

Okay, now that I got the big problem out of the way, we can delve into the trailer.

The first picture we see is of a storm-tossed desert planet, followed by a shot of Tony sitting down somewhere. He is rocking back and forth on his heels, apparently trying not to cry. From later shots, it looks like this is a world where he and Spider-Man get trapped after they first face Thanos.

I’m guessing Peter gets seriously hurt here. I say hurt and not killed because Tom Holland still has two or three Spider-Man films in his contract. These films are set between the Avengers’ movies, so they cannot afford to knock off Peter Parker here. Not yet, anyway, or at least not permanently. We also have a voice over throwback to The Avengers where Fury explains the Initiative to Steve on the Helicarrier. But it is Fury’s only line in the trailer as Tony, Vision, Thor, and then Natasha finish his speech for him.

The next scene shows Dr. Strange and his buddy Wong looking down at a confused and shirtless Bruce Banner, who has literally dropped into the Sanctum Sanctorum from above. Aside from the fact that this is another nice nod to The Avengers, it apparently has something to do with the end credits for Thor: Ragnarok. I am guessing, since I have not yet seen the film, that Hulk somehow got blown off of Asgard when it went BOOM and has landed, as Banner, in Dr. Strange’s house. I thought he left Asgard with Thor, but apparently he decided to take the quick way home. Probably for the best, considering what we see later on….

Next image we have shows Paul Bettany, sans Vision makeup, throwing curtains open on a rainy day/evening/dawn. Now if you watch this clip and do not stop it, you will miss an important thing. You will miss the fact that Wanda is in this room as well. Look to the left of the frozen image and you will see her in a bed. THIS IS A BEDROOM, PEOPLE!! AND SHE IS SHARING IT WITH A HUMAN VISION!!!!

Holy cow, I did not see this coming, although I did see the romance part coming. (Spoiler alert, they married in the comics. It was fine for a while, but then the writers abused them, so it got weird.) Looking at this still shot, it appears that Viz woke up and went to look out the window at something, waking Wanda up in the process. But why is he human? And when did they start rooming together (or did they actually get married in the films after all)?

Unfortunately for Wanda and/or Vision, I am pretty sure this is a hallucination. Or someone is poking around in their head(s), looking at their desires/dreams, taunting them by using these fantasties. (Vision cannot ever be physically human, readers; that is why I say this is a fantasy.)

One of the reasons I think this may be a hallucination is because the Black Order, five or six alien warriors who follow Thanos and who want to bring death to everyone everywhere, are said to be a part of this film. Given that the next scene shows the Mind Stone still in Vision’s forehead, I am thinking Ebony Maw or Supergiant, two telepathic/psychic members of the Black Order, are playing around with either his fantasies or Wanda’s. If it is Wanda they are messing with, I hope the Scarlet Witch pastes them. If it is Vision, the Black Order might have captured him, meaning that they may be trying to interrogate him.

Another theory I have for this scene is that this is Wanda’s fantasy, and Vision is working to snap her out of it. Or Vision has found a way to disguise himself so that he looks human, which means that he and Wanda are actually living together here. This might explain a later scene which makes it appear that the Scarlet Witch hasn’t been hanging out much with Team Cap. If she’s been living with Vision, then the guys on Team Red, White, and Blue knew she was safe and happy, so they let her go with Viz to live off of the U.N.’s radar while they kept Avenging.

Our next throwback scene shows Thor looking out of what appears to be the Milano’s viewports. How he ended up with Quill and the gang when he was supposed to be taking care of the Asgardians he saved in Ragnarok is anybody’s guess at this point. I think those who have seen the film probably have better theories about the how than I do, so let me finish by saying why this is a throwback scene. Anybody remember Fury standing in a similar position aboard the Helicarrier in The Avengers? I sure do!

Next we have Bruce, in full attire, standing beside a Hulkbuster fist in what is apparently Wakanda. He is sharing a smile with a blonde Natasha Romanoff. (Really? Blonde? She originally had black hair in the comics, what was wrong with that color…?) I do not know if they will be picking up their relationship where they left off in Age of Ultron. I kind of hope they do; it was so unexpectedly sweet and suited them so well that I would really like to see them get back together. But we may get a Natasha/Bucky romance during Infinity War and its sequel instead. I would be happy with that, too, mind you, but the romantic in me still wants Bruce and Natasha to start dating again.

Up next we have scenes of Tony, Bruce, Strange, and Wong in the Sanctum, with a voice over by Thanos. We follow this up with Peter Parker’s arm hairs rising. This could be a sign of his Spider sense activating, or it could be that the massive alien teleportation ring we see hovering over New York is generating enormous amounts of energy. Static electricity, after all, makes hair stand up straight. The energy the ring is producing may not be powerful enough to make long hair stand up, but it could make arm hairs raise. Just saying.  🙂

Then we have Tony, Bruce, and our two sorcerers standing out in the street staring at the big Ferris wheel in the sky. At least Strange and Wong are powered up and prepared to fight. Even Bruce is standing in ready position. Tony’s the only one doing the “Oh, bleep!” blind staring act here.

Does he have another arc reactor in his chest? It is hard to see, since Tony’s jacket is almost zipped closed, but I think there is actually another arc reactor powering his heart here. How did that happen? I thought it was removed in Iron Man 3. Did he have it taken out, or just replaced? If the latter, why haven’t we seen it in the other films? Or is this a new, fancy Iron Man suit that he can hide under normal clothes, like some of the ones he has in the comics?

Well, we’ll find out one way or the other. After this we see someone stepping over the bodies of a lot of dead people, followed by a shot of Loki holding the Tesseract out to Thanos. (Big surprise there – that rotten little weasel would get away from a dying Asgard with the Infinity Stone he promised to deliver to Thanos way back in The Avengers….grrrr.) From the looks of the backdrop and the apparel on the dead bodies, I would say this scene occurs in Knowhere.

Loki, you @#%*$!!!

This is very bad, since this could be where Thanos goes to pick up the Aether/Reality Stone from the Collector. Not to mention it seems he killed a whole lot of people here for no good reason…. But then, he wants to kill everyone for no good reason. So this scene isn’t really a surprise at all.

And Spidey got an Iron Spider suit. Shiny – and it is good at grabbing the rotating innards of that portal gizmo. Nice. Does it come with missiles and extra legs, too? Those would be helpful right about now…

Whoops, looks like Thor is standing in the center ring of an even bigger portal doohicky. And he is trying to tear it apart. Or is he trying to activate it? Those look like the controls for the Milano in his hands, but that big bubble-wand is not Peter Quill’s ship. So what are we looking at here, exactly? And what is Thor trying to do?

All right, quick, stop that next scene!!! Did you see that?!?!?

No? Try again, as many times as you have to. We know who catches the glowing blue trident, but did you see who threw it?!?!

If you missed her despite your best efforts, don’t worry, I did, too. A lot. But then I managed to catch a glimpse of her. That, my dear readers, is Proxima Midnight – one of the leaders of the Black Order and a nasty, nasty lady. Did I say she was nasty? She gives nasty a bad name. That trident is her signature weapon.

Proxima Midnight

It is hard for me to say just where she is standing. Looks like it could be an airport or a subway tunnel; maybe a factory or a gas station. Either way, it is dark, so someone cut the power here, or this scene happens at night. Proxima Midnight – Near Midnight. Ha-ha, very clever, Marvel.

The person she threw the trident at is none other than Captain America. (Seriously, let the man shave already!!! Beards are not meant for combat – they’re too easy for an opponent to grab and hold. Evans may get away with a beard, but Cap does not!!!) He is still shieldless but just as clearly still on the job.

I say this last because of the next scene where we see Steve. After Proxima tries to shish-kabob Cap, we see him step out of the shadows, looking like Star Wars Rebels’ Agent Kallus. Nevertheless, Wanda appears to be very happy to see him. To me, she almost seems ready to cry at the sight of him. Judging by the stuff in the background and the fact that her hands are glowing, it looks like Wanda engaged Proxima first, which means Steve came to back her up.

But if she is about to cry on seeing him, that might mean she was not expecting him to show up. This concerns me; Steve may not be using his Captain America moniker for the beginning of Infinity War, but he is not the kind of man who will sit back and let evil have its day. The fact that he shows up fully suited and combat ready, if a little scruffy, suggests he has been maintaining his superhero status since the end of Civil War.

I thought the rest of the anti-Accords Avengers would be with him. But if Wanda is so near tears when she sees him stop Proxima’s trident, plus the fact that she is wearing civvies and looks like she showed up to the fight underdressed, does that mean Cap disbanded his team and went solo? That doesn’t add up. They’re stronger and safer together, at least in pairs. I also don’t see the guys letting Wanda run around on her own, not after Ross locked her up in solitary on the Raft in Civil War. That is not like them.

Of course, maybe she didn’t give them a choice. Maybe she left of her own volition and has been staying off the radar her own way. If I were the guys, I still wouldn’t be willing to let her go off alone. The fact that no one kept an eye on Wanda in the early ‘90s after she had suffered a serious string of bad luck was one of the factors which led to her going crazy in the Avengers: Disassembled and House of M comics. If the writers are planning to go in this unhealthy direction in the films, I will not be happy. But if this is the result of the fact that she has married, or is living with, Vision – that I will accept.

Yes, I know I skipped T’Challa’s speech. But the part here with Wanda was really important. T’Challa’s words are totally in keeping with his character, and they do him immense credit, so I do no think I have to really dwell on them. Though I will say that I went a little squeaky when T’Challa said, “And get this man a shield.” Eeeek! Way to go, Panther! Make sure it is colored right, please! Yay!!!!! Captain America forever!!!!

Okay, next we see a new and improved (we hope) Hulkbuster in Wakanda, followed by Natasha jabbing someone in the midsection with a staff. Judging by the scenery behind Widow, I would say this is the same fight where Cap shows up to help Wanda battle Proxima Midnight. (Please let Natasha be stabbing Proxima Midnight, please let Natasha be stabbing Proxima Midnight, please, please, please…!)

Then we have Dr. Strange relaxing/freaking out (?) after doing a little magic (I mean, super-duper fast quantum calculations). Then we have a giant black pyramid thing – one of several – landing in what appears to be Wakanda. I am with Mr. Finn; if the Soul Stone is not in Wakanda’s basement treasury, I will be surprised and disappointed. There is no way Thanos and his aliens are after the vibranium – not when they can get better, stronger material in space. They have to be after something else here.

After this we see Cap (without a shield), Panther, and a lot of Wakandans mixing it up with four-armed, big-toothed aliens. Then we see Spidey get slammed into the dirt by Thanos, followed by a shot of a distressed, unsuited Tony Stark. Next we see someone standing on Vision’s chest while stabbing the Mind Stone in his head, using a staff shaped like the one Loki had in The Avengers. This begs the question of whether or not Loki is the one doing the stabbing; looking at the shape of the stabber’s feet, I am inclined to say it is actually Ebony Maw or Corvus Glave, but I could be wrong.

I was actually much happier to see Bucky than I expected to be. That is a really nice gun, there, Buck. And you have a shiny new arm! (Please tell me it is made of vibranium; please tell me it is made of vibranium…!) Then we see T’Challa turning to look at the screen. If you freeze the shot, you will notice that Natasha is standing next to him. Her hair is in the lower right corner.

Go get ’em, guys!

This is followed by assorted scenes of combat, as a horde of aliens tries to invade Wakanda. The only Avengers we can confirm are present in this battle so far are Cap, Widow, Bucky, Hulk, Panther, Falcon, and War Machine (I guess they fixed his back). Finally, we get a glimpse of Thor asking who in the Sam Hill the Guardians of the Galaxy are.

The Guardians of what again?

You can just see the air go out of Quill’s tires when he says that. Four years on the job as Guardians and yet the Prince – now King – of Asgard has not heard of him and his crew? Come on, man!

The Guardians of the Galaxy

This is going to be a rip-roaring ride. I cannot tell who may or may not die. Personally, I hope Thanos and the Black Order all get obliterated from the universe during this film, or during Avengers 4. And if bad stuff does happen to our heroes – and I do not see how they can escape scars, bruises, etc. here – I hope that six of ‘em each get a hand on an Infinity Stone and use the rocks’ combined power to set things right.

Some will say that is cheating, and maybe it is. But as I have said elsewhere, I do not go to these movies for the villains. I do not go to them to be told, “Lie down and die.” If I wanted that message, I would go to a DC film or to see the latest installment in the X-Men franchise.

I go to the Avengers films because they tell good stories, using heroes I love, and they give me hope. That last is in VERY short supply in most of the fare we receive from Hollywood these days. Only the Lord of the Rings and the Hobbit movies gave me the same sort of satisfaction as the Avengers have, with Star Trek a close runner up. I would not even be going to cinemas now if it were not for the Avengers cinematic saga.

So whether anyone likes it or not, I am not raffling off any of the heroes for death in this movie or its sequel. If the writers kill them, I am stuck; if the actors who play them have quit and necessitated the killing, I am stuck. I will not complain if they are sent off with honors. However, whether they live or die, I will not desire their deaths or the deaths of any other heroes in the films.

I do not worship death, as some of the people who follow these movies seem to do. I worship God, Whose hand I have seen in most of these stories. If the film writers turn away from Him, then they can kiss my cash goodbye. It has been a great ride, and I hope they end it well. If they do not, it will be a tragedy; but I have trusted God to steer them right so far. I trust Him to do it again. After Avengers 4, I will be able to either peacefully enjoy what comes next, or disengage from the franchise with a fond farewell. What shall be is not yet determined. It is out of my hands; I can only wait and see.

Ha, haha. For once, waiting does not seem quite as hard for me now as it has been in the past.

Avengers – Assemble!

Spotlight: X-Men – Storm/Ororo Munroe

You may or may not remember the introduction I wrote for the Spotlight! post on Rogue, readers. I happened to find some articles about the “Strong Female Character” model Hollywood and the usual suspects have been trying to force on us lately. I have already written two posts of my own on this subject, both with the title “Strong Women,” but these other articles got me thinking harder about the subject. How can Marvel’s heroines, most of whom have superpowers, be strong women without being “SFC”s?

Well, in the case of Storm/Ororo Munroe, that question is not hard to answer. But it is a little time consuming, as I am going to give you a history of the character to deepen your understanding of her. A lot goes into making a competent heroine, while not much goes into the making of a stereotypical SFC, and the difference should be illustrated.

One of the reasons I was disappointed by the X-Men films was Storm’s appearance. Storm had always been one of my favorite X-Men. In fact, when reading the Animorphs series, I was upset when one of the characters was compared to Storm. This character was Rachel, a blonde, blue-eyed beauty with the heart of an Amazon. I was not happy with another character choosing to compare her to Storm; the only thing Rachel and Storm had in common were their blue eyes, readers. After that, they were as different as apples and oranges.

So I thought having Storm in the films would be great. But when I saw Halle Berry playing the character, I was let down by the fact that a) she did not look like the Storm I knew, and b) she seemed to be completely watered down as a character.

If you are scratching your head and wondering why I would think this, allow me to explain. Storm is actually an African-American character, something that is never mentioned in the movies. Her mother was a Kenyan princess but her father was an American photojournalist. This is presumably where Storm gets her blue eyes; I cannot say for sure, but I think her father may have been white. I know he was American, and this is what makes her African-American.

Anyway, the couple married and moved to Cairo, Egypt, after Storm was born in New York City, New York. When Ororo was four years old, her parents’ apartment complex was accidentally bombed by a fighter jet flying overhead. Both of Ororo’s parents were killed and she herself was buried in the rubble for days. The extended confinement at this tender age left her with severe claustrophobia; even as an adult who has fought hundreds of battles against the nastiest people you can imagine, Ororo is terrified of small spaces. It is her biggest weakness, but luckily it is not always exploited by her enemies.

After she was orphaned, Storm lived on the streets of Cairo for the next few years of her life. She made a meager living by picking pockets and stealing during this time. (That was not a very heroic start to life, huh, readers?) Finally, about the age of twelve or thirteen, Ororo did decide she had had enough of this life and left Cairo on foot.

On her way further into Africa, Storm met her future ex-husband T’Challa, who would someday become King of Wakanda and an Avenger. They did not stay together long, as Storm still did not feel at home in the area where they met. So she kept walking until she found a place that felt right to her (this place was, presumably, Kenya, her mother’s homeland). Here her mutant powers manifested and the locals worshipped her as a deity. In the X-Men: Evolution series, they gave her the name “Wind Rider.”

This village is where the Professor found and recruited Ororo into the X-Men. Partly because she had been playing goddess, partly due to her royal heritage, Storm became one of the most unflappable members of the team.

But there is more than mere instinct and training involved in Storm’s calm demeanor. You see, remaining calm is the best way for her to control her powers. Unlike Thor Odinson, Ororo cannot make a storm or even raise a wind out of thin air. This is Thor’s ability because his hammer does not need existing weather patterns to drum up wicked weather – it can create new weather patterns as instantly as Thor can think of them.

Storm has to use existing weather patterns to create the weather she needs/wants. She has to draw moisture into one area from another or pull wind from one area to her.

In confined spaces, such as the X-Men’s Danger Room or another building, this is no real biggie as far as I know. Ororo can get the needed air and moisture from the building and nature will not become unbalanced because the internal temperature and moisture of a building is kept at a regular level by the heating/cooling systems.

This is not the case outside of this restricted environment. When she is flying above a city or a continent, if Ororo pulls too much hot air from one region and too much moisture from another, she can upset the balance of the weather in that area for a long time. She may even upset it forever, if she overdoes it.

So while Storm’s powers are fantastic and amazing, she has to be careful when she uses them. Her powers are tightly tied to her emotional state; if Ororo gets angry or becomes frightened, the weather will turn wild and ugly in response. This is the other reason for her quiet, tranquil attitude; Storm cannot lose control of herself in the smallest degree, because the effects will be far larger than a normal temper tantrum or a righteous scolding would allow. She could flood entire cities if she lost her restraint and this is why she rarely lets her temper out of the bag.

However, this does not mean that Ororo does not have a temper. It just means that you have to work hard to get her to show it. Mystique pulled that off at the beginning of Evolution’s third season; she had kidnapped the Professor and pretended to be him for the last few episodes of season two.

But her deception was only revealed at the end of season two, to be picked up at the beginning of season three. This was after the X-Men’s first public battle, where some of their members were captured by the government. After Nick Fury gave the X-Men information on their captured teammates, Storm began to plan the rescue operation…

…Only for Mystique to forcibly take command of the rescue mission away from her and put herself in charge. She did this, she claimed, because the Blob had been taken into custody along with the captured X-Men.

Already upset by the previous day’s chain of events, Mystique taking command of her team really got Ororo angry. Without thinking, she drummed up an instantaneous thunderstorm that might have had dire consequences for the town nearby. It took Jean Grey’s quick reminder about Mystique’s threat to the Professor’s life to make Ororo put the genie back in the bottle. The fact that she was able to “turn her powers off” so quickly is a testament to how much self-control Storm exerts over her emotions in times of stress such as this.

So how does this make Storm something other than an SFC? For one thing, Ororo is far more poised and graceful than most of the SFC characters I have seen. She is calm (usually), polite, composed, and does not think herself the better of any of the men in her life. Case in point would be the above episode I mentioned, where Storm bottled up her temper and her powers in order not to put the Professor’s life in jeopardy. It would have been far more of a struggle for Carol Danvers to do that, readers.

Another thing which separates Ororo from the SFC model is her motherly tendencies. These first manifested in the comics when young Kitty Pryde – eventually codenamed Shadowcat – joined the team. Thirteen at the time in the comics, Kitty and her family had already been approached by a sinister telepath named Emma Frost. Kitty did not like the woman at all, but she sang a different tune when the X-Men – including Ororo – knocked on her parents’ door to ask to see her.

Kitty and Ororo apparently hit it off at once, and Storm has always been something of a “battle mother” for the younger X-Men. Shadowcat was not the last child she took a shine to; Ororo has “mothered” many other X-Men during their first days on the team, though I do not think she did it as obviously in most cases as she did with Kitty.

The possible exception might have been in Evolution. In that series, Storm was given a sister who was married and had a son, Evan. Ororo is an only child in the original stories, but the writers for Evolution added a sister so they could bring her nephew, Evan Daniels, into the series. Codenamed Spyke, Evan’s mutant power was shooting greenish, bony spikes from his body. This meant that he had to drink a lot of milk to keep his calcium levels on a healthy plane.

But Evan was also a typical New York teen who thought he was tougher than he actually was. Ororo’s maternal inclinations were mostly directed toward him for the series’ duration as she tried to teach him that being tough meant more than talking hard and playing rough. She was also continually trying to get him to be more disciplined, as Evan had a bad penchant for fooling around or goofing off when he should have been studying – either at school or in the Mansion’s Danger Room.

This shows that, unlike the stereotypical SFC trope, Ororo has never demonstrated a dislike of motherhood. She has expressed on occasion a fondness for the role and a desire to someday be a mother, something she achieved in several alternate timeline comics with T’Challa. In two different timelines (or the same one) they had two sons; one was named after T’Challa’s father and the other was named Azari. So Ororo definitely does not check the Feminista boxes for hating children and motherhood.

Storm and T’Challa’s son, Azari, in action.

Storm also does not have the super education the Femi-Nazis like to hold over everyone’s heads. Like Rogue, she learned most of her lessons on the streets, not in a brick and mortar school. And she actually had to learn those lessons from a younger age; Ororo was living on the streets of Cairo from the age of four. That was not easy or fun, readers.

This does not mean that Ororo is stupid or a rube. But it does mean that she is not a mechanic or super scientist. She is, as Evolution put it, a “weather witch” and a mother figure. Her interest lies in people and nature – and not in the way that the Feminists would want her to focus on these things.

I have never had any gripes with Storm prior to the X-Men film franchise. Halle Berry, most likely due to the directors’ interference, does not do the character justice, even all these long years later. My only gripe with the character in the comics was her first combat suit and a recent remake, which exposes way too much of Storm’s body. Newsflash, Marvel writers, combat includes getting shot at and having knives or other sharp objects thrown at you. The absolute LAST thing a woman – or a man, for that matter, unless he is the Hulk or someone like that – should be wearing on the battlefield is a revealing suit. It looks great on the runway but it is a bad, bad, bad idea in a fight.

As I said in my post about Rogue, I think Storm is one of the few characters who can skate by with long hair. With her powers, very few people can actually get close enough to her to grab her hair, let alone any other part of her body. And even if they do manage to tackle her out of the sky, her hair will be the absolute last thing they will reach for because they will not want to grab and hold her. They will want to knock her out as fast as possible so that they can slap an inhibitor collar around her neck.

So no, I do not want Ororo’s hair cut short, as Halle Berry has occasionally worn it. And no, I DEFINITELY DO NOT WANT STORM TO HAVE A MOHAWK. PERIOD!!!!!!!

I can also give Storm a pass on the cape she wears. Normally, I do not care too much for superhero capes. You can thank The Incredibles for this one, readers; the film made a point that capes look great but they can also be as dangerous as long hair.

In Ororo’s case, her capes have rarely been in her way. She also used her cape at one point in the book, Kidnapped in the Catacombs, to snare Callisto’s foot. (Callisto is the leader of the Morlocks, enemies of the X-Men you can learn more about in the post “Spotlight: An Introduction to Marvel’s X-Men, Part 2.”) When Storm pulled on her cape, she sent Callisto flying headfirst into a wall.

The reason she was able to do this with her cape was because it was not a full cape; it was a crescent shaped cape that connected to the back of Storm’s suit and at the cuffs of her sleeves, leaving a space in between her arms and the cape. A regular cape, I do not think, would be able to do this, but I could be wrong.

Either way, my favorite suit for Storm was the silver one we saw in the 1990s X-Men series. The one she wore in Evolution was not bad, but it was too dark for my tastes.

Well, readers, this is my take on Storm/Ororo Munroe, and these are the reasons why I cannot picture her as a Feminista. She just does not have it in her. The writers could try to add it to her character, of course, but that would go over about as well as the Mohawk they gave her did. Storm is not the modern idea of an SFC and she can never be this because she was designed to be a heroine, not a talking point on a Feminist bulletin board.

The idea that some people might put her there, for any reason, is enough to get me pretty angry. If it has not yet been made clear by my posts about Cap, Hawkeye, Gambit, and Rogue, you do not want to mess with my favorite characters.

Excelsior!

Why I Hate Halloween – Or, My Hallowe’en Candy Came Early

Normally, I would wait to review the Avengers Assemble episode “Why I Hate Halloween” until more of season four had aired. But given how good an episode it was, and how often I rant and rave against Marvel’s PC posturing, I figure they deserve to know when I think they have done something right.

And I have to tell you, readers, they did “Why I Hate Halloween” just right!!! 😀

For one thing, this episode was entirely lacking in PC appeasement. For another, neither Captain nor Miss Marvel was present. When I saw the title for this show listed on Wikipedia, I thought for sure I would have to sit through another episode featuring Khan and Danvers trotting across the screen, belting out the lyrics to “I am Woman, hear me roar!” for half an hour. I was not looking forward to this episode.

When it started, though, I realized my old friends were back on screen. And it was Hawkeye, one of my top two favorite Avengers, rattling off the introductory details through a series of hilarious zingers.

On top of this, Hulk was smashing down doors and HYDRA goons; Cap was slinging his shield while Iron Man, Black Widow, Thor, and Falcon attacked the bad guys as well. I began to smile, feeling my tense anticipation of a lecture dissolve as I did. Far from finding an episode I would hate, a treasure had been dropped in my lap. So I did not look said gift horse in the mouth but accepted the original Avengers’ reappearance with happy eagerness.

I have to tell you, readers, this show delivered. Bonus points, it is almost entirely centered on Hawkeye, who is tasked with protecting HYDRA scientist Whitney Frost (a.k.a. Madame Masque) from King Dracula and his vampire hordes.

According to Assemble, this is not the first time Drac has had issues with HYDRA. Back in World War II, he formed an alliance with Cap and the West to protect his home turf, Transylvania, from a HYDRA invasion. And no, Cap was not exactly happy to be working side-by-side with the vampire-in-chief. But at the time HYDRA was a bigger threat, so he did his duty and protected Transylvania, fighting shoulder-to-shoulder with the leader of vampires everywhere while he did it.

“The enemy of my enemy is my friend” only goes so far, though. In the present day Cap and Drac are far from allies or friends.

And on this particular day – Halloween – things really are not going the Avengers’ way. Having just mopped up Frost’s HYDRA base, they find the genius scientist has been trying to augment HYDRA soldiers using vampire DNA.

Yeah, I know. This is a stupendously brilliant idea. Use vampire DNA to make an army of keen-sighted, super strong, super fast soldiers. On paper, it sounds great and nothing could possibly go wrong with it.

But anyone with a lick of sense knows better than to tick off one vampire, let alone the vampire king. This brainless HYDRA woman has just bought herself a mess of trouble, which she does not realize until vamps start popping up in the HYDRA base to get her. Dead vampires are a whole lot less scary than the ones that can jump on you and turn you into a vamp, readers. Just ask Harry Dresden.

Well, the Avengers being the heroes they are, they defend Frost from this first wave of attacking monsters. But they cannot keep her among them and prevent the vampires from getting to her, or her from running away when their backs are turned. So Cap orders Hawkeye to take Frost to one of the team’s hidden bunkers called “the Beach House.”

What is Hawkeye’s immediate reaction? “What?! No way! C’mon, you know I hate the Beach House!”

I nearly laughed out loud. As it is, I was smiling so hard I’m lucky my face did not crack.

Despite his protest, Hawkeye does as he is told. Using a HYDRA sky cycle, he takes Frost to the Beach House, which is actually in the mountains in Vermont. He sets up the defenses for the place and brings Frost inside to wait out the night.

But things get complicated when HYDRA tries to spring his charge from house arrest. They send Crossbones and Crimson Widow (Yelena Belova) to evac Frost, but the two only succeed in getting caught inside the house when Drac and an army of vamps show up.

The king of the vampires tells them to hand over Frost and he will let them all live. (Yeah, sure…) Again, Hawkeye has the perfect comeback, “Not gonna happen, Tooth Boy!”

Again, I nearly laughed out loud.

Hawkeye points out that vampires cannot enter houses unless invited in, stating he knows the rules about how they operate. Since they need an invitation, Hawkeye can keep them out simply by telling them to take a hike. Drac admits he has a point, but then asks what good that will do if there’s no house in which he and the others can stand. He subsequently orders his minions to start tearing the Beach House down, leaving Hawkeye to take charge of the three HYDRA villains in order to fulfill his duty to protect Frost.

I will do my best to avoid spoiling the rest of the story, readers. If I have succeeded in whetting your appetite, please take the time to find this show and watch it. It is worth the almost thirty minutes of your time that it will take up.

But, you ask, why do I like this show so much – other than the obvious reason that it stars one of my favorite characters? It is not just the fact that “Why I Hate Halloween” focuses on Hawkeye. It is how Hawkeye behaves in this episode which made me like it so much.

Going back in Thoughts on the Edge of Forever’s archives, you will find a number of posts about Avengers Assemble’s first and second seasons. In most of them, you will find I have a big bone to pick with Marvel’s writers. During the show’s first two seasons, they portrayed all the Avengers – but especially Hawkeye – in varying stereotypical, liberal ways. Of the seven, Hawkeye got the shortest end of the stick, and I was NOT pleased with that. (See previous posts to learn why.)

Season three of the series changed tack, allowing the heroes to act more like themselves than they had in the prior arcs. This gave Hawkeye a chance to shine, and I duly admitted my contentment with this change. Accordingly, I also expressed my displeasure with the first few episodes of season four when he and the others were forcibly removed and replaced with two PC characters (Danvers and Khan) and one with a liberal chip on her shoulder (Wasp).

This episode showed the World’s Greatest Marksman doing everything I had ever wanted the writers to allow him to do in one half hour package. During this installment Clint got to show his resourcefulness, his compassion, his skills, his sense of humor, and his confidence to the utmost. The writers finally let him prove that he is very intelligent, not to mention quite capable of thinking on his feet when others could be or are panicking. From start to finish, the writers let Clint Barton be Clint Barton. They let him be the mature, confident marksman with the snappy patter and heart of gold which he has been for years in the comics. (High falutin’ time they did this, too!)

They also let the HYDRA jerks pick on him and call him the weakest Avenger, an old jibe which has never failed to get under his skin and make him wonder whether or not he actually belongs on the team comprised of “Earth’s Mitghtiest Heroes.” Hearing it delivered in varying ways throughout the show would have made me angry if Clint had not managed to hide how much the taunts actually bothered him. Only at the end did he admit that the sneers had started to undermine his confidence. Seeing him vulnerable, for just a minute there, made up for the mistreatment the writers heaped on him in the first two seasons.

In turn, the writers also let him teach Frost a lesson or three. A proud woman who is supposedly a genius, I have to say, she came off as dense for most of the episode. Which, actually, is true to life; joining the Dark Side does not make you smarter, readers. If anything, it makes you stupid. Case in point would be this dame’s decision to subject vampires to scientific tests to augment living humans’ natural abilities. Vampires – seriously?! How harebrained is that?! Do you WANT to die?!?

But the most important point here is that the writers for this chapter at long last did justice to their character and his environment. They made a compelling standalone show of great value which restores Clint’s dignity as a character, a superhero, and an Avenger. I am not kidding when I say my Hallowe’en candy came early with this episode. It did, and it was long overdue, readers!

By this I mean that I finally got to see one of my favorite Marvel heroes being everything I knew he was and could be. At the end of this show, I was cheering with delight – even when the writers resorted to the old gag of getting Clint in trouble with the Hulk. Since this time it was the result of an honest mistake on his and Big Green’s part, I can let this one joke slide. It seemed to round out the episode nicely – although why Hulk would think to wear that particular costume after a night fighting vampires is beyond me!

Speaking of the not-so-jolly Green Giant, Hulk came through this show with flying colors, too. So did Cap. Neither of them had huge amounts of screen time, for transparent reasons, but what time they did have was used well and artistically. They also behaved according to pattern, and Cap actually got to tell a joke without looking stiff or uncomfortable doing it. I mean, the only thing the writers did not do with this episode was gift wrap it. It was practically a present to Marvel fans – and Cap, Hawkeye, and Hulk fans in particular. It was almost like a thank-you letter straight from the writers’ desk to the fans.

Of course, some may wonder if this is a sign that things are looking up in the Marvel Universe(s). I rather doubt that. This episode was wonderful, stupendous, and utterly amazing – and it could very well have been a one off. Marvel has a new series of “Legacy” comics out now which I do not like the look of at all. Sam is still using Cap’s suit and shield (and still spewing anti-American claptrap); Jane Foster is still prancing around as Thor, and Ironheart has replaced Tony, who has somehow vanished. This is after he had been in a coma since Civil War II. Apparently, they had him using a holographic interface to communicate with the outside world before he pulled a Houdini (putting the lie to the myth that comas equal permanent vegetative states or brain death when they did this).

It also turns out that HYDRA Cap was some kind of clone or something, not the real Steve Rogers. This means that the Real Cap is dealing with the fallout his dopplegänger caused while he was elsewhere. It seems that HYDRA Cap took over half the world and put a lot of people in front of firing squads or some such thing. Naturally, this totally ruined Real Cap’s reputation now that he has returned from the Nevernever – or whatever Marvel equivalent there might be – to clean up the mess.

You know, maybe they should rename it “Awful Comics” instead of Marvel Comics. There is not much marvelous in these new stories; just a lot of depressing horse pills which leave a lousy taste in readers’ brains.

So no, I do not think “Why I Hate Halloween” marks the beginning of a trend. At least, I do not believe that right now. Considering the pleasant surprise the writers handed me this week, I could be in for more. While such a hope is faint, “hope springs eternal in the human breast,” and I am not going to lose hope that Marvel can right their ship. I am just not going to hold my breath while I hope for it to happen. I like living too much to try the opposite.

Anyway, readers, take the time to look up “Why I Hate Halloween.” This is good Marvel fare, believe me. If you are a Hawkeye hater, you can at least enjoy it for Cap and Hulk. Or the explosions. Or the vampires. And if none of that will win you over… (Author shrugs.) Oh, well. I tried.

Avengers assemble!

Captain America: Civil War – The Final Questions, Part 2

Yesterday we had a discussion about several Captain America: Civil War details which have not been covered in the character-centered posts here at Thoughts on the Edge of Forever. I went into specific detail about how Marvel’s United Nations’ assinine attempt to take control of the Avengers is a failure. I also showed that Team Cap’s quest to stop Zemo was not useless, nor was it the main cause of the battle in the Leipzig airport.

Today we will discuss the final item of importance in Captain America: Civil War, and that is the line-up of characters on both sides of the conflict. This line-up shows that the members of each team are counterparts to the other. One team is all about brains and synthetics; the other is all heart.

Cap and Tony are the epitomes of this equivalency between their two sides. Tony is the super genius, the billionaire, the playboy philanthropist who can build futuristic technology in a cave using nothing but “stone knives and bear skins.” He is accustomed to treating everything like an intellectual puzzle or a math problem. And yes, it is a useful, life-saving skill, as well as a viable superpower. But Tony has spent so much time developing this particular skill that he has nearly divorced his brain from his heart. Like a broken clock, his instincts will occasionally kick in and tell him to do the right thing. For the most part, though, he lets his brain run the show – even when he knows it is wrong.

Steve is on the opposite side of the scale. He can think critically and, although not a tech whiz, he knows how to use machines. It also does not take him long to figure out how to break them, something Tony regularly struggles to accomplish. Cap’s heart is, as we like to say today, in the right place. He instinctively knows what the right thing is. This is not what makes him special; even a murderer with a heart blacker than tar instinctively knows the difference between right and wrong.

What makes Steve extraordinary is that, no matter how difficult the decision or how much pain it causes him, he always makes the right choice. This is made plainest by his refusal to sign the Accords. How many of us, on seeing everyone else in the room agreeing to something we know to be wrong, challenge the status quo and speak the truth? How many of us, when we are told to do something we know is wrong, acquiesce just so we do not stir the pot and lose our friends? The answer is: too many.

Cap does not do this. He is not pushy, argumentative, or aggressive, but he is firm. When something he knows is right and good and true is challenged, he will confidently defend it. And he is so good at it, with words or with weapons, that no one can truly gainsay him when he speaks definitively on an issue. This is what makes him America’s Galahad.

And this is what angers Tony about Cap’s defiance of the Accords. He wants to be right, to be better, smarter than the old man for once. This is proved time and again in the film, such as when Tony tells Natasha she cannot take her words back in the Compound. As we see Cap answer his phone, we hear Tony say behind him, “Okay, case closed. I win.”

I win. How immature is that?! “I win” just because Natasha has finally agreed with him for the first time in living memory? Just because three out of the five Avengers present (I am taking Steve and Tony out of the equation) agree with him? Not every vote has been cast at this point, and yet Tony is still declaring himself the winner of the argument.

Readers, this is the reasoning of a petulant teenager. Tony already knows more about science and technology than Steve ever will, but for him it is not enough. This modern, teched out world is his world. He grew up in it; Steve did not. He ought to be right about important issues more often than Steve for this reason. But that is never what happens or will happen, in part because Tony is acting like a spoiled child.

Tony may be envious of Steve as well, which he implies by constantly referencing his father’s vociferous admiration for Rogers. But I wonder if the real reason he is jealous of Steve presently is because Steve is so much better than he is. Steve finished school and was acting like an adult even before that. Tony frittered away his life from the time he was sixteen until Stane had him ambushed in Afghanistan. Then he woke up and started acting like a semi-adult, reverting to his more childish tendencies when reality became too hard to bear. Maybe the reason he gets mad at Steve in the airport is because he is jealous.

It might also be due, in part, to the fact that he thinks he is turning into his father. Whatever filial affection Tony had for his father, it dwindled as he grew, so that now only embers remain. The idea that he is finally seeing what his father saw in Steve, and is coming to regard him in the same manner, may annoy him on some level. We all know that Tony wants to distance himself from his father, to be his own man. In doing this he is still playing the role of the spoiled child, which we see on display most in the airport and in the Siberian HYDRA base.

But what, you may ask, does this say about Teams Cap and Iron? It says that these teams are made up of heroes who resemble their leaders and that they therefore correspond to one another. Falcon and War Machine are the ones everyone will point to at once. But while the two are alike, they are not actually counterparts. Sam has known Steve only a short time and, though they are great friends, they still have not fully connected with each other. Steve and Bucky have known each other since childhood. In this way they are counterparts to Tony and Rhodey since they have known one another for years as well.

We see when Rhodey tumbles out of the sky and lands in the dirt that Tony takes it personally when his friend is hurt. Steve and Bucky react similarly when the other is attacked, although Bucky’s long years of slavery and torture have made him react with less control than he once displayed when this occurs. On the HYDRA train through the Alps and when he would pick off HYDRA goons trying to bushwhack Cap, Bucky was calm, cool, and collected.

But because of HYDRA’s mistreatment of him, though he still has control of himself, there is now a harder edge to his fighting style. He is more brutal, with less finesse in his movements. This is nothing against him; he is not the man he once was. Like Wolverine the pain he has endured for so long has hardened him and given him an almost animal fierceness in combat. This is the reason for all those animal yells and screams he gives; for a long time, HYDRA reduced him to little more than an obedient, two-legged beast.

With Tony and Rhodey the roles are reversed. Rhodey has been fighting longer than Tony and so, even when he is angry, his maneuvers are controlled. As Tony demonstrated in Siberia, when he loses his temper his tactics take on a wild intensity that is more dangerous than Bucky’s. Bucky is perilous, certainly, but he only has one metal arm, and he has the will to keep himself under control. Tony is covered from head to foot in armor. If he decides not to be careful, he can bash a man’s skull in without half-trying. Though Robert Downey Jr.’s fight trainer said his style was modified so it would not look like he was “going wild and trying to kill somebody,” in the Siberian base Tony was trying to kill Bucky.

By comparison, Steve was most definitely pulling his punches. And despite his ferocious attacks, Bucky was clearly holding back as well. The two of them were obviously intending to stop Stark, not to kill him. He was just as plainly planning to at least kill Bucky and possibly to seriously injure Cap.

In this respect, Bucky and Rhodey are counterparts to each other. It is not something most of us recognize or think about because they never come into conflict in the airport battle. But they are comparable all the same.

Natasha’s counterpart is obvious but, at the same time, easily overlooked. Wanda is the equivalent opponent to the Black Widow during the airport battle, though they only come into direct conflict once. They are not equals simply because they are the only women on their respective teams. That is too trite an answer and it looks at nothing but the surface. Just as Natasha was manipulated and “enhanced” by outside, evil forces, so was Wanda. Burning with a desire to protect her country and to pay back the man she believed responsible for her parents’ deaths, Wanda agreed to an enhancement procedure.

This is the one thing in her story that is different from Natasha’s; the Black Widow was never asked if she wanted to serve the U. S. S. R. in any way. She was picked up off the street somewhere when she could barely walk and subjected to a rigorous program that would have destroyed an adult who had agreed to the regimen. The two women are both growing out of the stilted worldview forced on them by totalitarian outsiders. They are growing away from this dark vision to the light of freedom.

Another connection between the two is that they both feel great guilt. In Civil War we watch Wanda make her first costly mistake in battle. It leaves her riddled with honest guilt and regret. She becomes mopey and dispirited until Hawkeye teaches her how to take control of her feelings and focus on the job at hand. By the time the two women confront each other in the battle at the airport, it is obvious that Wanda now has control of her guilt and can function properly in combat. Natasha does not accomplish this until she holds T’Challa in place to protect Steve and Bucky.

Most people would say that Wanda’s equal is Vision. But Vision’s actual counterpart in the battle is Falcon. Like Sam, Vision’s powers are technologically based. Vision’s entire body is synthetic, something which cannot be changed.   Only his mind and heart can become human. Falcon already has this because he is fully human. In order to run with the Avengers, however, Sam has to rely on his suit to maintain his place on the team. He pointed this out in The Winter Soldier when he said that he does what Steve does “just slower.” In the Falcon suit, Sam can match Steve’s pace. It is what gives him his edge in combat. Without it he could not keep up with the rest of the team in a fight.

So where Falcon cannot physically match the rest of the team without technology, Vision is not yet able to match their emotions and reason because he is not only a physical and technological entity, but a child as well. He has to rely on logic and reason for the time being, though in the case of the Accords, he over-relied on logic. Logic, despite what the Vulcans would have you believe, is not the same thing as reason. Logic can be used to support good or evil; if you study the bad guys’ speeches, you will find there is logic in them. There was logic in Ultron’s arguments and in Loki’s. It was flawed, selfish logic, but it was logic all the same. There is logic to the Accords. We see it on display when Tony, Natasha, Rhodey, and Vision all say why they welcome the Accords.

The logic that Vision and Team Iron use in this film is very flawed. Rhodey’s logic for signing the Accords is that the document is the first major piece of legislation that the entire world has agreed upon. Also, a decorated former general is proposing it to him. Tony wants to stop feeling guilty and he wants to get Pepper back, so signing the Accords should make regular people and Pepper happy with him again. Natasha wants to atone for her sins, so she signs the Accords.

Vision’s logic is that the world is “filling up with people who can’t be matched. Who can’t be controlled.” What he is “too young” to understand – too unwise in the way of the world and humanity – is that no one can completely control another person without resorting to force. This makes Vision’s support of the Accords the most forgivable. He does not understand that his logic is flawed and unreasonable, nor does he know that the control of beings with free will always requires force. So his mistake is not to be held against him.

But the fact is that this is where Falcon has the better of Vision. Falcon is physically slower than most of his teammates without his suit, but mentally and emotionally he is as “fast” as the rest of them. Through his inexperience, Vision is usually behind the eight ball when it comes to reason and emotions when compared to the other Avengers.

Scott Lang and Peter Parker are very plainly equals. Spider-Man arrives on the scene because, overawed by Mr. Stark, Peter goes to Germany. Sam’s tapping of Ant-Man appears to bring Scott to Leipzig for similar reasons.

The two characters are both science whizzes who have gained powers neither of them wanted. Spider-Man got his abilities from a radioactive spider bite while Scott was mentored in the use the Ant-Man suit by Hank Pym. This was because Pym sought to protect his daughter; Scott was, as he himself said, expendable. Both are new to the superhero gig, solo or with a team, and the two are instantly star struck by the men who call on them for help.

The differences between them are two-fold; Scott is not a kid. He has nothing to prove and more to lose than Parker does. One wrong move will get him sent back to prison, where he will miss more years of his daughter’s life. Despite this sword of Damocles hanging over his head, Scott answers Cap’s call and maintains his allegiance to the team once he realizes going against the law means doing battle with the other Avengers.

Scott does this because (a) Steve is honest with him upfront. He tells him in no uncertain terms that this mission will land him in trouble if he joins them and that if he does not want a part in it for any reason, the door is open and no one is going to prevent him from walking away. They will be disappointed, but they will understand if he does not want to land on the wrong side of the law. (b) Scott realizes that Team Cap has not requested his help simply for his skills, suit, and scientific knowledge. Those are big reasons, but they are not the only ones. Team Cap has requested his help because they trust Falcon’s judgement. And trust is something he values.

Allow me to clarify: Team Cap trusts that Scott believes in the same things they do and will fight for the same values they treasure because of Sam’s assessment of him. To have strangers put such faith in him – the new kid on the block who has less experience than the Scarlet Witch – is a humbling compliment and a huge honor. Scott does not want to let people who believe in him down, which we know from Ant-Man. He became the Ant-Man because of Cassie’s belief in him, her belief that he was a good man who would do the right thing no matter what.

Lang sides with Cap because of the team’s belief in him and his daughter’s belief in him. If the other five Winter Soldiers were to get loose and destroy the world, what would happen to Cassie? Would they kill her, or would the conditions of their new world order do that? Or would they condemn her to a fate worse than death – a life of slavery, with death as the only escape route? Scott will not let that fate befall his daughter and he knows that Team Cap does not intend to let that happen to her or anyone else. He sides with Steve and the rest because they are like him, and he is like them.

This is not the reason that Peter joins Team Iron. Tony does not see very much of himself in Peter. Peter does not see much of himself in Tony, either; he sees what he wishes to be. He sees the splash and dash; Tony is the tech master who has everything the tech geeks like Peter wish they had. He has the money, the looks, the tech, the money, the fame, the power, and the money that Peter and his aunt so conspicuously lack. How can he say no to the richest, most famous tech guru on the planet?

Well, there is one reason that he would say no. He cannot tell Aunt May about his powers because he knows she would not want him to get hurt, though she would be proud of him for his desire to use his gifts to protect other people. But the fact is that he is a minor without so much as a learner’s permit, let alone the training that the Avengers have had over the years which allows them to dish out and take massive amounts of physical pain. Being thrown in your locker by a football jock is not good preparation for combat injuries, readers.

Aunt May does not want her young nephew going out to get hurt when he is so unprepared for the world. If he were older, say around Wanda’s age, she might let him go, but the kid is fifteen! Wanda is in her early twenties; she legally and physically qualifies as an adult who can choose her own path. Peter does not. But when Peter points this out, Tony shuts the door on him. He wants Spider-Man on his team and he is going to take him whether the kid likes it or not.

And sooner or later, Peter is going to figure this out. Sooner or later he is going to learn about Zemo running off to Siberia, where he could have awakened the other Winter Soldiers. Peter is not stupid, and he is truly trying to do the right thing. Once he learns that Tony dragged him to Germany to stop Captain America from saving the world, he is going to be furious because it means that Tony lied to him. That Peter did the wrong thing thinking that he was on the right side of the argument. It will mean that he let Stark coerce him into what was not his fight, and it will reveal that Tony did not do this because he believed in Spider-Man. He did it because he needed an unknown variable in the equation.

I do not want to be Tony when that happens.

Now we come to T’Challa and Clint. You were, of course, expecting me to discuss them earlier in this post, given my affection for Hawkeye. That is one of the reasons they are being discussed down here instead of up there. Why does T’Challa go to Germany, readers? He goes because he wants revenge/justice for his father’s death. He has lost his father, a man he loved very dearly and with whom he was quite close. None of us would do any better than T’Challa if we were in his situation during Civil War. In the film, T’Challa joins the fight because of his family.

So does Clint Barton. I have pointed this out before, but the drum must be beaten until I have everyone’s attention: What did Clint have Fury do with the files on his family? He had Fury erase them. According to all the files on the planet, Laura Barton and their three children do not exist. Clint kept them a secret from all but one of his friends and his boss, mostly because he simply could not keep Fury out of the loop and make it work. His family lives out in the sticks without television, iPods, computers, and most other modern digital items. Why? Because Clint does not want them found by his enemies. He wants his children to grow up safe and happy, and the only way to do that is to act as though they do not exist after he leaves the house. How much of a wrench would the Accords have thrown into their happy, safe existence?

A big one. We know how Loki threatened to have Clint kill Natasha on the Helicarrier in The Avengers. It is no stretch of the imagination to think he would threaten Clint in the same way regarding his family. So would HYDRA and half of the mercenaries, assassins, drug lords, mobsters, hired killers, terrorists, etc., on the planet. They would happily and sadistically murder Laura, Cooper, Lila, and little Nathaniel Barton on film and videotape so that Clint would never be able to forget what his family suffered before they died.

If Clint signed the Accords the U.N. would want to keep track of his movements at all times. And when he left the team for some R&R – if the bureaucrats in the U.N. could be persuaded that he actually needed it – they would want a way to contact him in a split second if they “needed” to do so. That would mean they would want to know where he went for months at a time, why they could not find the place on a map, and why he wanted it kept so hush-hush. And once they learned about his family, if for some reason Clint refused to obey their orders, they could and would use the safety and happiness of his wife and children as leverage to get him to do their will.

The entire reason Clint joins Team Cap is to protect his family. If anything happened to them, he would go down the same road as T’Challa. It would not be quite as obvious; while they are both professional fighters, Clint does not react to grief and pain with hot anger. It might make his hands and arms unsteady and then he would not be able to shoot.

This bears greater explanation. As we saw in The Avengers, even when he is absolutely furious, Clint’s rage does not usually show itself in an explosive manner. It cannot for the simple reason that his primary fighting technique is to shoot from a distance. His is a ranged weapon; one false move can make him miss his target. So Hawkeye’s anger in combat more often manifests itself as icy ferocity, which is more dangerous than the blatant anger T’Challa demonstrates in Civil War. It means that Clint has not stopped thinking.

Both of these combatants are in the fight for their families. The two also have well-controlled fighting styles. Not withstanding his archery skills, Clint is also a good hand-to-hand fighter. T’Challa’s acrobatics, gymnastics, and hand-eye coordination show not only professional mastery of these arts but a great deal of control.

If you do not believe that Clint needs control and coherent thought as well, readers, think again. In order to fire his arrows, Clint has to maintain control of himself and keep track of such factors as the angle from which he is firing, the wind speed, the distance between him and his target, as well as the size, weight, and speed of his arrow. Archery is not only physically but mentally demanding; it does not take a genius to fire a bow but it definitely takes the ability to reason and think comprehensibly. If you do not believe me, readers, then check out www.archery360.com to learn more about the ancient art of archery.

This puts the two men on an even platform during the airport battle, and it is the reason Hawkeye introduces himself to the Black Panther when it becomes clear their fight is moving into close-quarters. Clint realizes that he is up against another expert and that this man is stronger than he is. His introducing himself is actually a sign of respect for an adversary whose advantages are superior strength, a metal suit, and a good deal of righteous anger. Clint cannot directly compete with any but the latter and he is not angry enough at T’Challa to lose his temper with him. He holds T’Challa for as long as he does through sheer determination.

Despite unceremoniously defeating Clint in order to follow Cap and Bucky, T’Challa does seem to respect the master archer for the same reason. After all, though he hits him hard enough to prevent the archer from giving chase, he could have simply knocked him cold. Instead, he knocked him over and gave him a monster headache. He knows a professional when he sees one and, despite his claim that he does not care for Clint’s introduction, he also does not seem to care to badly injure or permanently damage a worthy opponent. While it is a heck of an introduction, something tells me this is the start of an interesting friendship between the two.

Well, readers, this is all I have left to say on the subject of Captain America: Civil War. It has been a fun ride and I am going to miss writing about these old friends of mine until next year, when Avengers: Infinity War hits theaters. You may get more out of me about Thor: Ragnarok, but I doubt it. The film is sure to be a hoot – and I am glad to hear that Mjolnir will somehow be reconstituted after Hela destroys it. What is the Prince of Thunder without his hammer?

I will probably have some things to say about Avengers Assemble’s new season and the comics. But until the next Marvel movie to catch my attention comes out, or until I have some more information to form theories regarding the upcoming films, Marvel Studios is not going to be too hot a topic on Thoughts on the Edge of Forever. Wow. I did not realize how much I was going to miss them all.

Anyway, readers, go ahead and check out what comes next or what has gone before. I am not sure just what will come next, but we’ll figure it out as we go along. ‘Til then….

EXCELSIOR!!!!!!

Captain America: Civil War – The Final Questions, Part 1

You would think I had said my piece about Captain America: Civil War, readers. Each main character has a descriptive post here on Thoughts on the Edge of Forever, and even the minor players have a post dedicated to them. Altogether, I have almost written myself dry on this subject. But there are a few final things which I want to discuss before I put Civil War to bed.

In the previous post we covered Zemo’s character and his plot to destroy the Avengers pretty thoroughly, but there was something about his plan which did not make it into that article. Zemo, as I said, believes that he has won and destroyed the Avengers, while the U.N.’s apparent victory has turned into a defeat after Cap’s rescue of his teammates from the Raft.

But, some ask, what about that battle at the airport? Surely we see the futility of it now. We see how Zemo played the Avengers here, having them fight over Bucky to destroy one another in the Leipzig Airport. We see now how empty Team Cap’s quest to stop Zemo was, since the evil commando did not go to Siberia to awaken the five Winter Soldiers but to kill them and our heroes. This battle is part of his victory, temporary though it will be.

Actually, readers, the airport battle had nothing to do with Zemo’s plan. It had nothing to do with Bucky, either, or the deaths of Tony Stark’s parents. In fact, this battle would never have happened except for the U.N.’s interference. Zemo’s original plan was to have Iron Man and Captain America fight over Bucky after he confirmed that HYDRA had used the Winter Soldier to assassinate the Starks. The rest of the Avengers would have fallen like dominos afterward.

You see, if the other Avengers had been at the Siberian HYDRA base when the video was shown, several of them would have pulled Tony off of Cap and Bucky while the rest went after Zemo. They would then have forced Iron Man to calm down before deciding what was to be done with Bucky. Probably, they would have simply let him go.

Tony would not have forgiven Bucky on the spot, of course. And Bucky would have accepted that, feeling it was too small a price to pay for his actions while he was under HYDRA’s control. Cap and the others would have kept the two of them apart until some sort of reconciliation could be reached. After that, while Tony and Bucky would not have been friends, Tony would at least have been able to tolerate him.

So in order for his plan to work, Zemo needed to confront Tony, Steve, and Bucky privately. He needed to separate them from the rest of the team and show them something that would enrage Stark. We will never know how he would have managed that feat alone because this part of his plan was handled for him by an outside force: the Sokovia Accords.

That was the causus belli in the German airport. Bucky was the catalyst and, from his point of view, wracked with honest guilt as he was he probably believed that he was the reason for the fight.   But he was not the proximate cause of the airport battle. He was barely the secondary cause.

As for Team Cap’s quest to save the world from Zemo and the five Winter Soldiers, that was in fact a success. Zemo is locked up as of the film’s finale, which means that he cannot hurt anyone else. Even if he is only incarcerated for a little while he is off of the streets at the moment and that, as Martha Stewart liked to say, “Is a good thing.”

The other five Winter Soldiers will never cause anyone grief ever again. Even though Zemo is the one who killed them, the fact remains that they are not going to be able to turn Earth into a giant gulag or North Korean prison camp. And they are not going to be missed. Team Cap’s mission was, essentialy, accomplished by Zemo’s capture and the deaths of the other Winter Soldiers. It was not pretty and it did not go the way Team Cap planned, but the results are unquestionably healthy for the human race.

Zemo’s ultimate plan also did not work the way he intended, nor does it take away the fact that the fight at the airport was over the Accords, not Bucky and his checkered past. If Zemo had not put his plan in motion at this time and if Bucky had remained hidden, then the airport battle would still have occurred. The catalyst would have been different but the results would have been roughly the same. The Avengers would have split along the same lines; the only difference is that T’Challa would not have been in the battle.

If you are still unconvinced, readers, please consider this: four of the Avengers signed the Sokovia Accords, thereby agreeing to go wherever the U.N. council would send them and to follow their orders to a T. Four other Avengers refused to sign the Accords. They also refused to retire the day after the bill was signed into international law. They did not say it in so many words in the debates prior to Zemo’s bombing of the U.N., but they were thinking it.

Readers, it is possible to force a soldier out of the military, or a cop out of the police force. However, neither of these types of men will ever lose their military or policing instincts. Some will try to fit into other patterns of life, say by becoming a school teacher or an office drone. But others will find a way to keep using their skills.   They will find a profession that allows them to keep doing what they do best and which will still provide them with opportunities to protect people the way that they were trained to do in these services.

This is one of the areas where the U.N. miscalculated. They believed that they could force the Anti-Accords Avengers to retire if they did not sign the document. But what if Cap, Sam, Clint, and Wanda, while not registered under the Sokovia Accords, started a P.I. service called – oh, I don’t know – Heroes for Hire? It would be a purely legal business where they could still use their skills to help people. Could the Accords stop them from doing this? Even if they could force Wanda and Cap to register as superhumans, the U.N. would be hard-pressed to put private citizens in prison for running a lawful business.

The Avengers are very creative people. The bureaucrats in the U.N. are as imaginative as stumps. They thought they had the anti-Accords Avengers over a barrel but that is foolish. Without the bombing in Vienna, Cap and the others would have found a legitimate way to stay in the game until the next world-ending crisis appeared.

This is the second mistake on the U.N.’s part. They want to control the Avengers so that they can have their own private force of superheroes at their beck and call. They want slaves who will give their political careers the sheen of glamour and legitimacy.

What they forget is that, thanks to SHIELD’s meddling with the Tesseract in The Avengers, Earth has landed on the cosmic map. Tapping into the Cube’s power alerted the more advanced peoples of the universe to the fact that humanity, though comparatively primitive and childish technologically speaking, was growing up. Having noticed that, they might then enslave us or think we could be taught to do other things. Or be trained as expendable foot soldiers. Or manipulated for our resources, or be scientifically reengineered for other alien purposes and whims, the way that Marvel’s Kree tried to reengineer humanity into an obedient super army centuries ago.

Just because the Chitauri were defeated and Ultron was destroyed, this does not mean the universe has forgotten that an Asgardian made a grab for Earth. If an Asgardian thinks that the Earth has value, that will turn everybody’s head – and not all those heads will be filled with pleasant thoughts. We in the audience know this because we have been fed glimpses of the Mad Titan Thanos throughout the Avengers’ films and the Guardians of the Galaxy movies. We know that Loki’s invasion attempt turned heads on the galactic scene.

But Marvel’s United Nations has not had these hints given to them, so they do not know this. The Avengers suspect it. Tony’s vision in the Sokovian HYDRA base still gives him the heebie-jeebies. He is not as frantic to put a “suit of armor around the world” as he was in Age of Ultron, but that does not mean he does not know that something is out there, waiting, watching, and ready to pounce on Earth when Earth least expects it.

Cap is not ignorant of this, either, but he needed no Scarlet Witch-induced vision to tell him of this threat. He remembers Thor’s words on the Helicarrier in The Avengers; that SHIELD’s testing of the Tesseract was a “signal to all the Realms that the Earth is ready for a higher form of war.” And if that signal has been broadcast to the universe at large then, sooner or later, someone is going to come looking for war. Cap is a soldier, a warrior. He knows war better than almost any of the other Avengers. He knows peace is only won through strength and constant vigilance. Just because he has to spend most of his time defeating Earth-bound threats does not mean he is not watching the skies at night, wondering when the hammer from the stars will fall.

So both Iron Man and Captain America are aware of the threats from space. Because the Chitauri have not returned and no other alien force has come to Earth, the U.N. has fallen for this illusion of safety and gone back to “business as usual.” Disregarding the potential cosmic threats, they have attempted to leash the Avengers to their left wrist via red tape in order to secure their own power.

This leads us to the U.N.’s third mistake: they have forgotten Thor and the Hulk. The U.N. knows that Thor is not on Earth and that Bruce Banner is in the wind. Neither they nor the Avengers have been able to find him. Though the team might have tried to discover Banner’s location, they stopped searching as of Civil War. It is doubtful that very many people outside of the Avengers know where Thor has gone and why he has left Earth. The team would not want to start a panic, of course, so it makes sense that they would not tell too many people Thor’s suspicion that they are being used as pawns in an elaborate, galactic game of power.

This ignorance on the part of the U.N. is also fed by the fact that they do not expect either Thor or the Hulk to return. They do not know Bruce Banner or the Hulk the way that the Avengers do. The Avengers may have stopped searching for Bruce but they have neither abandoned him nor given up hope of ever seeing him again. They know he is out there somewhere and that, when another extinction level threat rears its ugly head, Bruce will come running to help them.

They also fully expect Thor to return at some point, either when he has found the answers to his questions or when evil should come knocking on Earth’s door again. They know their two heavy hitters have not abandoned them; they have taken a leave of absence for an indefinite period of time and they will return when they are needed.

Like the Avengers, we expect to see Thor and the Hulk in Infinity War and its sequel. We know where they have gone and why, we know they will come back.   The U.N. is so busy exulting in their faux power that they have not considered it. They have also not considered the ramifications of trying to force an alien prince and “a thousand pound green rage monster” to do their bidding. The odds here are in Thor and the Hulk’s favor; the U.N. has about as much chance of leashing them as it would have of chaining lightning or catching the wind. And look at how dismally the U.N.’s attempt to bend the rest of the Avengers to their collective will has gone so far!

The fourth mistake the U.N. made was shown in the first post-credits scene in Civil War. While they believe they have conquered the Avengers, the fact is that they have not. The U.N. forgot that Black Widow is alive and adept at disappearing; she will not be found unless she wants to be found. Bucky is still alive, as is Cap, and he is a man who does not leave his friends behind. He frees his teammates from their confinement in the Raft before the film ends. At the same time this occurs, Tony suddenly stops being amenable to orders, a “variable” in their equation which they did not anticipate. And without his friends in government custody, the U.N. has lost the greater part of its leverage against Tony Stark.

This means the six members of Team Cap are now free agents. They are watching for acts of injustice so that they can pounce upon the perpetrators and stop them from harming innocent people. They are waiting for the chance to come out of the shadows so that they may do their job in broad daylight once again.

This should make the people in the U.N. uneasy. How many illegal operations have they been running on the side while “governing” or “representing” their countries in the U.N.? What skeletons are in their closets which Cap’s Secret Avengers may discover and bring to light? What will be the price they will ultimately pay for trying to make the mighty Avengers an extension of their collective will?

The U.N. comprehends Cap and the Avengers as little as Zemo does. They are selfish people trying to understand selfless heroes. It is impossible for them to accomplish this feat because a selfish man, in his self-absorption, has lost his ability to imagine anything greater than himself. The selfless man does not surrender his imagination or intellect by yielding his self-will but, in his forgetfulness of himself, he becomes able to “see the bigger picture” and to recognize Someone far greater than he is.

Another mistake the bureaucrats at the U.N. make is that they believe the people of this planet to be a resource to be used, a species to be managed, drunk with power as they are.

The people are coming or will come to realize this. In the Marvel Cinematic Universe this means that, while their governments signed the Accords, the people themselves did not. The Secret Avengers are left apparently friendless in the world, but that is not true at all. They have T’Challa sustaining them as he shelters Bucky from the world’s prying eyes. They have Sharon Carter waiting in the wings to give them aid. They have Natasha Romanoff as an ally. They have, possibly, Nick Fury and his associates feeding them information and/or resources. They have the support of Clint and Scott’s families, who believe in and trust them (though for Scott’s ex-wife and her new husband, that may be problematic). They have, perhaps, Hank Pym and his daughter as allies (this is, again, the author’s own conjecture).

Most importantly, the Secret Avengers have the support of ordinary men and women who know they owe them. These people may not be able to express how they know that the Accords are evil, but they instinctively understand that any treaty of this sort is wrong. Thus they have not turned their backs on the Avengers.

Remember, readers, that the U.N. does not represent the United States. It barely acknowledges our interests in the world. Nor does the U.N. represent everyone in Nigeria, the rest of Africa, Australia, Europe, Asia, or South America. In Marvel they don’t even represent all of Sokovia. The penny ante dictators and politicians in the U.N. who have come to love power forget that the millions of citizens they supposedly serve have loyalties of their own. They forget, in fact, that the people often do have a greater devotion to truth and virtue than they do.

The Secret Avengers do not lack for allies. They will not be looking for them, but they will soon find them, in places and at times when they least expect them. As selfless heroes more concerned with others than themselves, they will be surprised when a storeowner lies to the authorities and says they have not seen anyone matching the Secret Avengers’ description. This will be in spite of the fact that they are actually hiding within the store at the very moment these authorities are questioning the storeowner. The team will be surprised when a stranger, upon recognizing them, offers them monetary or medical aid while promising not to turn them in to the government. They will be surprised when someone who knows they are the Secret Avengers flies them to a place they need to be and promises to throw the authorities off their scent.

In short, they will be surprised by the generosity of ordinary men and women who know that they owe a handful of extraordinary people their very lives. This will be their edge against the tyrants in the U.N. in Infinity War and its sequel. This will be their reason for fighting Thanos. This is why they are heroes.

I am going to leave it here for today, readers, and come back with the final points about Captain America: Civil War tomorrow. This is a long farewell, I know, but I hope it will be worth it.

Do Marvel Fans Hate Women and Diversity? Not Hardly.

Hey, readers! Did you happen to hear that Marvel’s comic book sales are declining?  If you did not, then you probably missed what Marvel’s VP of Sales, Mr. David Gabriel, had to say about it.  Read on to find out just what he said:

“What we heard was that people didn’t want any more diversity. They didn’t want female characters out there. That’s what we heard, whether we believe that or not. I don’t know that that’s really true, but that’s what we saw in sales.  We saw the sales of any character that was diverse, any character that was new, our female characters, anything that was not a core Marvel character [sic], people were turning their nose up against.  That was difficult for us because we had a lot of fresh, new, exciting ideas that we were trying to get out and nothing new really worked.”  (Source:  http://www.express.co.uk/entertainment/films/787249/Marvel-comics-diversity-Ironheart-Kamala-Khan-female-Thor-Iron-Man-Avengers-Infinity-War)

This is news Marvel apparently got from the retailers selling its comics. While some retailers saw an influx of new clientele, most saw a big drop as people ignored the new comics because their favorite characters – Captain America, Iron Man, Falcon, Hulk, Thor, etc. – were being killed off and/or humiliated, which means that their audience felt depressed and/or mortified.  Marvel’s comic book sales have weakened in proportion to the steady stream of replacement, politically correct characters and stories the company has been trying to shove down our throats for the past three or four years.

I was astounded to see this statement from Mr. Gabriel. I have known for years that Marvel would lose revenue if it abused its audience by maltreating or destroying its characters.  If you have followed my blog for a while, you know this is so.  What surprised me was that a member of Marvel’s hierarchy actually admitted that sales were dropping because of the “new materiel” they were introducing.  I told ‘em this was going to happen, but did they listen to me?  ‘Course not.  And now they are shocked that people do not want to buy comics that make fools of and/or destroy their favorite characters.  Well surprise, surprise, surprise, Marvel!  How could you have missed that fastball?

I can hear some of you fainting right now. You think I am an awful person for celebrating this news, no?  That I hate women and diversity, too, n’est pas?

Well, no, I don’t. Allow me to explain what made me rejoice over Mr. Gabriel’s statement:  what made me happy about his announcement was that he has finally admitted, on behalf of the company he serves, that politically correct characters are turning fans off of the Marvel franchise.  He has finally acknowledged the obvious; that so-called “characters” like Jane Foster/Thorette, Amadeus Cho/New Hulk, Riri Williams/Ironheart, Kamala Khan/Ms. Marvel, and Gwen Stacey/Spider-Girl, along with other “new,” “diverse,” and “legacy” protagonists – which are supposedly “meant to bring women and minorities to the forefront of social consciousness” – are really hurting instead of helping Marvel’s brand.

So if I like what Mr. Gabriel had to say, then why am I writing this post? I am writing this post because he and his colleagues are missing the point of why their sales are falling.  Mr. Gabriel says what they believe; that legions of Marvel’s fans hate women and diversity, and so they need to keep doing what they are doing in order to win their “deplorable” fans – you and me – over to their view of the world.  In essence, they are accusing the thousands of people who support their business of widespread bigotry, intolerance, and stupidity; completely ignoring the beam in their own eye to pluck out the mote in ours.

This is what has Marvel fans so upset. This is why they have stopped buying the new comics.  Marvel fans definitely do not hate diversity or women.  The latter is proved by the fact that Marvel already has hundreds of established female characters with existing fanbases – although you would not know that if you were new to the Marvel multi-verse or have only heard about it from the mouths of twits (most comic book film critics).  Go to my post “Offended, Insulted, and Not Shutting Up” for a roll of Marvel’s female characters and a link to a longer list where you can learn about more of them.  The fact is that these reviewers could care less that Marvel has a panoply of female characters for the simple reason that it is not part of their agenda.

As for the idea that Marvel fans hate diversity, this is a laughable argument because it is so easily invalidated. Marvel has been diverse since it was founded, something that is shown through characters like Storm, Falcon, Black Panther, Misty Knight, and Luke Cage, all of whom are black.  Separate sources have consistently claimed that either Black Panther or Falcon was the first black superhero to appear in comics, beating out DC’s Black Lighting.  I think that Storm might predate the three of them, but I am not sure.

Quicksilver and the Scarlet Witch are Gypsies, readers.  Red Wolf, Mirage, and Thunderbird are American Indians; and Colossus and the Black Widow are Russians who have become U.S. citizens.  Then there is Nightcrawler, who is German and who barely resembles a human; Silverclaw, who is Brazilian; Sunfire, a Japanese man who follows the tradition of the samurai, and Bengal, a Vietnamese superhero who lives and works in Vietnam.

If Marvel were not diverse, readers, then these characters would never have been created by Stan Lee and the original writers. If Marvel’s fans hated diversity, none of these characters would have lasted more than one issue.  Before 2015, they were all alive in the Marvel multi-verse, which means they have, collectively, been around for nearly seventy years.  How can people who have kept these characters “alive” for so long hate diversity?  Answer:  they cannot, and therefore they do not, hate diversity.

So if Marvelites do not hate women or diversity, then why is Marvel losing revenue on its new comic books? Hmmmm…. Maybe these books are doing poorly because the fans, new and old, actually like Thor Odinson as the Prince of Thunder and not some prancing female using his hammer and claiming to be something she is manifestly not. Maybe fans truly liked Bruce Banner as The Incredible Hulk and really hate the fact that Marvel had one of his best friends kill him. Maybe fans are in fact more than a little bit upset by Marvel’s decision to make Steve Rogers a secret agent of HYDRA and a flaming NAZI. Maybe they genuinely like Tony Stark as the Invincible Armored Iron Man who can build his way out of a trap with a broken laptop and some chewing gum, instead of a fifteen year old science whizz-kid who could do her own thing instead of shoehorning herself into his act.

And maybe they do not like one of the first black superheroes – Falcon – being shoved into the role of Captain America, since it smacks of condescension and patronization.  This move by Marvel is obviously meant to appease the PC police.  And by doing this to the Falcon, Marvel’s writers are essentially stating that they think Sam Wilson – and therefore his fans – should not be satisfied that he is one of the first two black superheroes in comicdom.  They would rather destroy the Falcon to make a new, “modern” Captain America that is anything BUT an American.

So maybe the reason sales are dropping is because fans think that pushing Falcon into Steve’s suit, handing him Rogers’ shield, and leaving him to spout anti-American claptrap like a ventriloquist’s dummy actually demeans African-Americans instead of “elevating” them or making Sam “more relevant” to the times.

Yeah, I think these facts may have more to do with your declining sales than sexism or racism, Mr. Gabriel.  Too bad you and everyone else at Marvel have not realized this yet.  Or, realizing it, you have decided that you know what we want because you are the “better and the brighter” of society and YOU are never wrong.  We are just peons who cannot see the mote in our eye.  That might be true, but you are missing the enormous beam in your own eye, buster.

So much for the customer is always right, eh, readers?

The reason I am writing all of this is because the people presently helming Marvel – and their enablers/cheerleaders in the world of critics – do not want more diversity or female characters. They want an emasculated male populace and homogeneity.  They want black to be white, left to be right, and the population of the world to be nothing less than mental clones of them.  Though they are doomed to failure, this does not mean that we can simply sit on the sidelines and let them ruin the Marvel universe(s).  It means that we have to fight back against their dehumanizing push for sameness.

This leads me to another problem that Marvel is currently experiencing. An article at http://io9.gizmodo.com/marvel-vp-blames-women-and-diversity-for-sales-slump-1793921500 states that another reason for the drop in Marvel’s sales is due to the increasingly schizophrenic story arcs the company has been churning out for two years. I actually think this problem goes back to at least the Disassembled and House of M story lines.  The reason I trace the problem back that far is this is when I noticed that Marvel was going off the rails. Disassembled and House of M may not have been the starting points, but they were the arcs which made me bite my lip and think, “@&*!, here we go with the death, despair, darkness, your-heroes-are-really-villains-in-disguise downward spiral.”

Just think about it, readers. After House of M the Marvel universe – which was originally upbeat, positive, and generally told decent to good stories – took a nosedive into the muck.  After House of M we were fed the atrociously immoral and disgusting “Ultimate Universe.”  Then we were handed the insipid “New Avengers” storyline and endured the advent of the largely lukewarm “Young Avengers” crew.  We were handed the demoralizing Civil War arc next.  Then we had the sickening Avengers vs. X-Men event; the asinine “Unity Squad” story line, and the Original Sin plotline which led to the putrid rewrite of the Marvel universe(s) in the Secret Wars event of 2015.

According to Beth Elderkin, the writer of the article at io9.gizmodo.com, there have been “at least 12 events and crossovers [in the past two years]. Events, in particular, have become more of a chore than a reward. There’s little build-up or anticipation because you know another one’s right around the corner. They also can completely screw over beloved characters for the sake of drama, like turning Captain America into a fascist as Sam Wilson has taken [on] his mantle.”

She says this makes it hard for new readers to focus, and I will not argue that these endless events do not help new fans to get their footing in the Marvel multi-verse – or, rather, what is left of it. But the problem she does not address is that none of these events or crossovers is positive. These stories are all negative and thus display brazenly the idea that Marvel’s management, who believe themselves the “best and the brightest” (but are truly the dumb and the dimmest), know what’s best for the rest of us. They also continue to drive the homogeneity mantra onto readers’ minds like a suffocating pillow. Not one of these events leaves a reader feeling uplifted and ready to face the world again. How do I know this?

Because that is what simply reading descriptions of these story arcs did and still does to me. And I am not alone, something which Mr. Gabriel’s admission about moribund comic book sales proves. Every last one of the story arcs I listed above may be compelling and addictive to some readers, but to most of us they reek of negativity, despair, and nihilism. How many people want to stew in an emotional/mental/spiritual refuse pile like this? If the downturn in Marvel’s comic book sales is as steep as Mr. Gabriel seems to believe it is, then I think I am safe in saying that ninety percent of normal, everyday people do not want this junk. This means that Marvel is selling to a narrow market which is shrinking day by day.

But why is Marvel having this problem at all? If the difficulty is too many dispiriting events, the company could easily fix the problem by turning the characters over to new authors, right?  Possibly, but from what Beth Elderkin says this entire problem is born of the fact that “….There’s been a steady decline in Marvel’s talent pool, because of better offers and independent retailers. One retailer mentioned at the summit that it’s especially hard to keep talented writers and artists when they can make creator-owned books at publishers like Image. Not only does it give them more flexibility to tell the stories they want, but they also keep way more of the revenue.”

Again, I will not argue with her. Though I have no idea what Marvel pays its artists and writers, I do know that the writers they are allowing free reign in their universe(s) at the moment should not be allowed anywhere near a keyboard or a pen. The “stories” that many of these writers are pumping out are evidence that they are intellectual hamsters running inside fetishified exercise wheels decorated with death’s heads.

So finding new writers for Marvel who have positive attitudes and a love of truth, beauty, and goodness is going to be a challenge. Believing that Marvel would hire these people seems to be asking for a miracle. And if Marvel currently has writers who want to tell true, good, and beautiful stories with their characters, these writers appear to be few and far between. And these people are either barely hanging on to their jobs or they have left for greener pastures.

“All right, Mithril,” some of you say, “if these are the problems, just what are we supposed to do about them? Marvel is a big company and they won’t let just anyone in. They specifically tell aspiring artists and storytellers, ‘Don’t call us, we’ll call you.’ How are we going to fix a company that doesn’t want to be fixed?”

Good question. There are several options available to fans, readers. If you are like me and my friends, and you do not like the stories which Marvel is publishing, keep doing what you have been doing: avoid their new comics like the plague. This means that their sales will keep plummeting and they will, sooner or later, be forced to clean up their act in order to stay in business. Or they will finally hire people who will do this service for us. Either way, remember that money talks. If your money is not going into their pockets, then the silence will get their attention.

Another option is to become a writer yourself. If you write good stories and books and they sell well, are positively reviewed, and have the masses talking with mouths and wallets, then Marvel will probably notice you.   Then maybe – just maybe – you will get lucky and they will tap you to write for them.

If you do manage to accomplish this feat, then I would add the caveat that you do your best to keep your eye on the prize. Put your slippers under your bed, as Denzel Washington advised, so that you always have to kneel down to get them in the morning. You got where you are by telling good, true, and beautiful stories, and this is what you want to do with Marvel’s heroes. Keep that goal in mind and you should be fine.

If you are not much of a storyteller, and you are already speaking by not buying Marvel’s comics, then you can always write letters to Marvel in order to explain your displeasure with them. This is what I do; I watch Marvel’s movies, read the older comics, and critique the cartoons. Besides blogging about the characters I enjoy as much as I can, I also write letters to Marvel’s top echelons, telling them what I think of their new comics (and I don’t think much of them).

You can do this, too, readers. Marvel has five different email addresses where you can send letters, as well as a section for general feedback on their website. I have never gone that route, so I cannot tell you what to expect if you try it. However, if you write letters to Marvel, put OKAY TO PRINT alongside your email’s subject heading and send it to one or all of the following addresses: onlinesupport@marvel.com, spideyoffice@marvel.com, officex@marvel.com, mheroes@marvel.com, and/or mondomarvel@marvel.com. And do not be threatening when you write to them.  Believe me; they will notice your letters, even if they are politely phrased.

The squeaky wheel gets the grease, and we Marvel fans have more right to be squeaky than that posse of small-minded critics and “cultural gatekeepers” do. Unless these people actually buy Marvel’s comics in droves (which they very obviously do not), they are not the audience the company has to please. It was our money that made Marvel what it is today, not the critics’ pens. I say it is high time we reminded Marvel of this fact.

For myself, I will continue to do all of the above. I know I sound as though I am crusading against Marvel’s hierarchy, and I guess I am, after a fashion. But I am doing so as a customer who desperately wants to preserve an enjoyed and admired product, so that I can pass it on to others to enjoy in the future.

I want to be entertained by Marvel for many more years, readers. Right now, they are not entertaining me OR legions of their fans. They are trying to force their view of the world on us through these “new,” PC characters, destroying the good and great and true ones in the process. That is cultural bullying, which is a form of intellectual tyranny. It must be stopped. The only way that we can convince Marvel’s management to right the ship is to tell them why we are not buying their product. But we have to actually tell them if we are to have any hope of returning Marvel Comics to the good, the great, and the true, which is timeless.

Until next time, readers….EXCELSIOR!!!!

Captain America: Civil War – Helmut Zemo

I really struggled when writing this post, readers, not because I doubted my own convictions – I believed from the start that Zemo was evil. Marvel, while turning a great deal in its comic book universe(s) upside-down and inside-out at the moment, was not going to change that fact for Civil War. Zemo has been an antagonist for too long; we all knew he was going to be the villain. My problem is the excuse implicit in the storyline that people would use to defend Zemo’s actions in the film.

Zemo’s grudge against the Avengers in Captain America: Civil War is based on his family’s dying when, in the previous Avengers film, Ultron raised half of his small country into the sky before trying to smash it into the Earth to destroy mankind. Zemo was smart enough to put his family up in a house outside the city before this occurred. Naturally, he did not anticipate the city getting lifted off the ground and bits of rock falling from it to land on top of his home.

There are people who would defend Helmut Zemo’s hatred for the Avengers and his diabolical plan to destroy them. Their arguments, in effect, would say, “But his family was killed! He was mad with grief! What right do you have to call him evil?! All he wanted was retribution for the deaths of his family!”

Retribution is not ours to seek any more than revenge, for which retribution is often a synonym. It is wrong and only causes more pain for more people. It breeds an endless, vicious cycle of violence, death, and darkness for everyone in the world. As for Zemo’s being “mad,” the proper understanding of its meaning is someone who is a danger to himself because he cannot take care of himself. It is not someone who stalks a group of people for a year and then tries to kill them. Zemo does not clinically qualify as “mad” or “insane.” But he does clinically qualify as evil.

How do we know this? He tells us. Zemo condemns himself in his own words, basing his choice on hatred and jealousy. After telling T’Challa about the deaths of his family, he says, “And the Avengers? They went home.” He says this as though it makes everything he has done and all those he has killed worth the cost. While I hate to break his soap bubble, I must ask: just what is it that Zemo expected the Avengers to do after destroying Ultron, saving humanity, and preserving the lives of as many of the civilians still in the city as they could?

What more, in short, could they have done to make him their friend? They could have gone back to the city after the battle and helped with the clean up.  But would that have won them Zemo’s respect? Would he have felt better if Thor, Cap, and Iron Man had helped him dig his family’s bodies out of the rubble? Would Zemo have felt better if they had helped him to bury his family? Would their tears over his loss have made him feel avenged (pun intended)? Since Zemo was ready to commit suicide after accomplishing his “mission,” this seems highly unlikely.

You are probably wondering why I am making such a fuss about this, readers.   I take issue in this case because the writers did so, in order, I believe, to show how empty Zemo’s philosophy is.  I am also making an issue of this because those who professionally review films – the docents of decency, the perpetually petulant masters of modernity, and other “reformers” of reality (a.k.a. the culture Nazis) – have made this a tenant of their belief system. This belief and their system are both solipsistic and false.

How do I know this? There are several ways. Why, for instance, did the writers have Zemo deliver the above lines in these specific words and in this tone?   What is the big deal about the Avengers going home when their job (save the world) is done? How is it a crime for the Avengers to swoop into a certain place, stop the bad guys, and then go home to recover, the way that policemen and soldiers do? Just what is wrong with that picture, readers? Enlighten me, please; what is wrong with this situation?

The fact is that there is nothing wrong with it – absolutely nothing. The Avengers went home after Age of Ultron because they did not come to Sokovia as conquerors. They came as defenders of both Sokovia and mankind. No one – Avenger, commando, politician, civilian – could have predicted Ultron’s plan to raise the city and make it a destroy-the-human-race meteor. It was a surprise to everybody.

Before the city lifted off it was swarming with drones trying to kill those left in the city. The Avengers were busy protecting these people, leaving them precious little time to discern Ultron’s mad scheme let alone to chase down every bit of flying rubble coming off of the metropolis.

The team’s main concern was to stop Ultron and thereby save mankind. This included protecting the residents of Sokovia from homicidal drones. Intercepting debris from the airborne city was not a consideration due to the necessities of combat against overwhelming foes. It was not due to indifference and it was most certainly not due to selfishness on the part of the Avengers.

Yet Zemo is unconcerned with these very obvious facts. Why should he? It is clear to him what happened. The Avengers showed up, destroyed the maniacal machine, and went home to a heroes’ welcome.   They did not care about his people or his family. They cared about getting the glory for saving the world. That was their plan all along, as evidenced by the fact that they did not return to Sokovia to clean up the mess, nor did they prevent the disaster from occurring in the first place. In fact, they are responsible for the entire debacle; Tony Stark created Ultron. If he had not done this, then everyone who died in Sokovia would still be alive. The evident conclusion one must reach is that the Avengers do not care about anyone but themselves – right?

No, it is not. We know it is not, readers, because we have walked beside these characters through ten plus films. We have seen them selflessly put their lives on the line to protect the masses. We know that the Avengers truly care about saving as many lives as they can. They are as altruistic as one could wish of mortal man. Even Tony Stark, who is still too self-centered, remains willing to put his life on the line for strangers he will never meet. The Avengers are in the fight because it is the right thing to do, and most of them would be quite happy to skip out on the fame they have gained while doing their jobs. They cannot escape it and so they ignore it as best they can.

This is how we know that Zemo’s profile of the Avengers is mistaken and selfish, not to mention blatantly foolish. It is not because we like the characters or are attached to them that we believe they are heroes. We are certainly attached to them, and we definitely like them. But that is because they have proven time and again that they are willing to do heroic things to protect others. It is hard not to like someone for that.

Considering his background, you might think that Zemo might understand that combat is not a place where one feels “an overwhelming sense of control,” to quote Nick Fury. You might even think that Zemo could recall battles which had not gone according to plan, where people whom he and his team were supposed to protect were killed in spite of their best efforts. You might also think he would recognize that the Avengers were in that same boat in Sokovia and thus they could not be held accountable for the loss of his family.

Here we come to the important distinction between Zemo and the Avengers: Zemo led a “kill squad.” He and his men were not just commandos; they were government-sanctioned assassins. This makes it likely that Zemo and his men had little care for the lives of others. The exceptions would have been the lives of those closest to them, such as Zemo’s wife, son, and father. He may not have a problem murdering a family in another country but he would have a problem with whoever killed his family.

This is not the Way of the Avengers. When the Avengers kill, they do it to save lives. They do not do it lightly or enjoy it when the time comes to pull the trigger. They do not lose sleep over it, but if they can avoid dealing out justice on the battlefield they will spare their enemies – although they may later wish that they had not done so. They could have killed Loki in the Tower at the end of The Avengers, readers. Thor was not exactly feeling chummy with his adopted kid brother at the time and, in The Dark World, he threatened to kill Loki himself if he was betrayed.

The team had all the logic in the world to convince them to finish Loki then and there, but they chose not to do this. They instead sent him to Asgard to stand trial and receive Odin’s judgment. Despite their moniker, the Avengers are not prone to dealing out what most people would think of as revenge. They stop – or ‘Avenge’ – evil by defeating the bad guys, and by saving as many people as they can when the crisis blows up in an unforeseen manner.

One of the reasons why Zemo decides to destroy the Avengers is he is used to killing. As an assassin he became accustomed to the idea of being judge, jury, and executioner. What is more, he came to like playing these roles.

There are four things he did which prove this. One, Zemo killed a former HYDRA operative and a psychiatrist without blinking an eye.   Two, he detonated a bomb outside the U.N. building in Vienna without any qualms about the innocents who would be caught in the blast. This was in spite of his claim to the HYDRA agent that he would not enjoy using “bloodier methods” to get what he wanted.

Three, after he had control of Bucky Barnes in the German base, Zemo ordered him to kill the soldiers who came to put the Winter Soldier back under restraint. Without orders Bucky might very well have just stood there until Cap and Sam arrived to calm the situation. But to further destroy Bucky’s already blackened record, Zemo ordered him to kill these men in cold blood. He stood by and watched these men die, then feigned a bad injury to lure Cap and Sam into the room so Bucky could attack them. I can just feel the remorse radiating from him in these scenes where he used “bloodier methods” to get what he wanted, can’t you, readers?

Four, Zemo expected Iron Man would kill Bucky and then Cap would kill Iron Man. Or he believed that Cap and Iron Man would kill each other after Bucky was dead. Why did he think this? He said he studied Cap and the rest of the Avengers, did he not? Enough to realize suddenly that there was a bit of green in Cap’s blue eyes, he said. So why did he not expect Cap to save Bucky, while at the same time avoiding killing or truly harming Tony Stark?

For a professional such as Zemo, this kind of miscalculation is astounding. He is a practiced killer; if he wants to take down a target or convince a target to kill himself and another person, he has to study his prey very carefully. He had a year to study the Avengers and plan how he would kill them, or convince them to kill each other. So why, when you come to the most crucial point, did he fail to suspect that Cap would prevent Tony from killing Bucky, while at the same time not murdering Stark himself?

The reason he failed to completely destroy the Avengers – to kill them all or convince them to kill each other – is that he does not understand them. He did not, does not, and will never comprehend them as long as he maintains his choice to do evil rather than good. This is shown most plainly by his underestimating Captain America, the Galahad of modern literature. He expected Cap to react to pain and loss as he would. But Cap is not like other men; he is different. Where most men can achieve only a “good” status in this world, Cap has achieved a “great” status. This is not perfection but it is very, very close to it.

Now some of you are going to say, “But what about Steve’s vow to kill every HYDRA operative after Bucky fell off the train in the Alps? That was revenge!”

No, it was not. What Cap specifically said was that he would not stop fighting HYDRA “until every HYDRA agent is dead or captured.” (Emphasis mine.) This means that he would capture and imprison those members he could, and kill those who resisted. He said and did this for the same reason the British wiped out the Thuggees, murderers who worshipped the Hindu death-goddess Kali. HYDRA is no better than the Thuggees; they need to be exterminated so that innocent people intent on living peaceful, happy lives will be safe to live and work as they choose.

Nothing that Cap said or did after Bucky fell from the train in The First Avenger was vengeful. He was not motivated by a desire for payback. He wanted the world to be free of the evil that was HYDRA so that Bucky’s sacrifice – and the sacrifice of thousands of other men on both sides of the war – would not be in vain. So that the world would be free of HYDRA’s evil once and for all.

By his own admission, Zemo was not trying to free anyone in Civil War. He was trying to destroy a team of people who routinely put their lives on the line to protect mankind from the evil without and within it. He wanted revenge, not justice. He wanted payback, not freedom. He was and remains willing to let the entire world fall into death, destruction, and slavery so that he can feel he has revenged the deaths of his family.

Readers, what is so admirable about Zemo’s choice? Why should we, as viewers, sympathize with a character that is willing to condemn the whole human race to an evil fate just so he can feel vindicated on behalf of his dead loved ones? Should we sigh, wipe away a tear, and say, “Yes, we feel your pain,” or “We understand you,” to a character who would throw away every human life on the planet to satiate his lust for blood? No, we should not. But this is what some people want us to do for Zemo.

I will not do this. I will not commiserate or identify with a character that would gladly doom millions to death and millions more to slavery in order to get vengeance for his family, who were unfortunate casualties in a battle. As Rocket Raccoon pointed out in Guardians of the Galaxy, “Everybody’s got dead people. That’s no excuse to get everyone else dead along the way.”

Zemo has no excuses for his choice to destroy not only the Avengers but the people they protect. He wanted to throw the rest of the world under the bus to fulfill his desire for vengeance. No one has the right to do that. But that is what Zemo tried to do with the world population when he targeted the Avengers in Captain America: Civil War.

Later, at the end of the film, we watch Martin Freeman’s character, Everett Ross (no relation to the General turned Secretary of State), visit Zemo. He begins gloating to Zemo about how his master plan has failed.

Like Thunderbolt and the U.N., Everett Ross believes that Zemo’s master plan has gone down in flames whilst the United Nations’ own has succeeded. They have four of the six members of Team Cap incarcerated while Iron Man, War Machine, and Vision are leashed and awaiting orders. Black Widow, Captain America, and the Winter Soldier are wanted fugitives who will soon be found and locked up with their friends. The private police firm known as the Avengers is now legally under the direct control of the bureaucrats and politicians in the United Nations. Zemo, meanwhile, is locked up and out of the way. Yes, their plan has worked flawlessly whilst Zemo’s has not.

Slowly, Zemo smiles and says, “Did it?”

At these words we get to watch the smile gradually slide off of Everett Ross’ face. (It is such a satisfying thing to see!!!!) Zemo is correct to point out that his plan did not entirely fail. But the fact is that Zemo’s plans did not accomplish his true goals.

None of the Avengers are dead, as Zemo desired. Their strength is halved, but they are all alive, and this makes a future reconciliation possible. Zemo does not see this because, as stated above, he sees the Avengers through a glass darkly. He cannot comprehend the gulf between his mind and their souls. Part of his plan has been accomplished; the Avengers are no longer what they were. They are weakened, and severely so….

But they are all alive.

The Avengers’ advantage over Zemo is their heroism; it will defeat him every time. Like the phoenix of old, like the sun on a daily basis, the Avengers will rise again. And they will be whole and stronger than before when this happens.

Evil will never win the war, as Zemo believes he has. He has won a battle. But the war was won a long time ago, and the Avengers are on the winning side. Even the arrogant ones, such as Tony Stark, will be victorious in the end. Their strength is not their own. It comes from Another, and He is watching over them, as He watches over all those who serve Him. He is their strength. As long as Zemo stands against the Avengers, he stands alone against Him, the irresistible and unconquerable. He will win, and Zemo will lose.

‘Nuff said, readers. ‘Nuff said.