Some Captain America: Civil War “Easter Eggs”

There were a lot of “Easter Eggs,” as they are called, in Captain America: Civil War. I did not see them ALL, but I noticed/thought of a few to share with you, readers.

For one, is it not interesting how much the Accords anger Sam Wilson/Falcon? This may hearken back to the original comics. In the “mainstream” Marvel universe, the government had tried to control the Avengers back in the 1970s (I think). They reduced the team’s active roster to seven individuals whom they selected.

One of their choices was Falcon, who loved being an Avenger. Already a long time partner of Cap’s in the other’s solo series, Sam was happy to finally be a part of his friend’s exclusive superhero club. What he did not love about the arrangement, though, was why the government put him on the team.

The government wanted the Avengers to be a “more diverse” team, and so they added Sam to the active roster simply because he was black. No other reason. Not his fighting skills, which he had honed at Cap’s side; not his empathetic link with his trained falcon Redwing – heck, not even his wing pack was the reason they chose him to be on the team!

No. They chose him because of his race, so they could make a political point/gain a political advantage from his life. Yeah, that is super flattering, isn’t it?

Sam’s attitude with his teammates was genial, fun-loving, and practically sunny during this time. His relationship with their government liaison, Henry Peter Gyrich, was stormy and antagonistic. He hated being a token player, and he was not afraid to say so in front of the public. Sam wanted to be an Avenger on his own merit – which he was, in the eyes of his teammates. But the government put him on the team just to make a statement.

And Sam hated that.

So his dislike of the Accords in Civil War could be seen as a nod to this, in a way. Sam fears he and his friends will be locked up in a dungeon somewhere to rot if they sign the Accords, and his fears are well founded. History has shown that when one signs one’s freedom away it is almost impossible to get it back. The only way Sam and the rest of Team Cap regained their liberty in the movie was through outside help from Steve. And even now that they can breathe the free air again, the law considers them criminals. Outlaws with no Sherwood Forest to inhabit, Team Cap is going to have to do some fancy flying until the Infinity War films.

I think they can pull it off, though.

Now, about that fight Clint and Vision had when the archer went to pick up Wanda at the Compound. In the original comics, Hawkeye is (or maybe now was) the same age as the Maximoff twins. He became enamored of Wanda and was always flirting with her. The Scarlet Witch never returned the favor; she did not hate Clint, but she certainly seemed to find his advances annoying.

When Vision came along, Wanda fell head over heels in love with the android. After a while, the Vision developed his own personality and reciprocated the Scarlet Witch’s feelings. The two announced that they wanted to get married, which caused a huge ruckus. Quicksilver, for one, did not want his sister marrying a synthetic man.

And Clint was not happy about this sudden competition for Wanda’s affections, though by this point the battle was already lost. Neither Wanda nor Vision would be swayed, and they finally tied the knot. After they did this, Hawkeye left the Avengers because he could not stand to see the Scarlet Witch married to someone else.

Thankfully, this romantic triangle is NOT part of the film! Hallelujah!!!!! I am soooo happy!!!!

Okay, fan victory lap complete. Next!

Right, I said I was going to give you a bit of trivia about Wanda. When Tony goes to the Raft, the first inmate he sees is the Scarlet Witch, who is wearing a straight jacket and shivering in her prison cell. The manner of the Maximoff girl’s incarceration here is probably a nod to X-Men: Evolution. In that television series Wanda’s father – Magneto – had her locked up in an insane asylum because she could not control her anger, which made her probability manipulation powers run wild. While she was there she ended up wearing – guess what? – a straight jacket. She did not enjoy it in that series, either.

The inhibitor collar we see Wanda wearing in her last scene during the movie was not part of her incarceration in Evolution. However, such collars are a fixture of X-Men lore. These devices are the only things the comic book authorities have which are capable of suppressing mutant powers. Heh, I guess Disney/Marvel got something mutant-related into their films under Fox’s nose after all!

As an interesting side note, while I do not know how likely it is, if the film writers want to keep pulling plot points and tidbits from the comics, we may see Wanda in a mid or end credits scene in Doctor Strange this November. In the original stories, Wanda’s probability manipulating powers were so hard for her to control that she went looking for help to get them totally under her command.

Her choice of tutor, however, was rather… unconventional. Agatha Harkness, a bona fide witch/sorceress from Salem, Massachusetts, taught Wanda enough magic for the younger woman to make her “hex” power more stable and reliable. In doing this, Harkness realized that Wanda had great potential in the realm of magic. This led to Strange calling on the Scarlet Witch from time to time for help fighting his occult enemies. Eventually, Wanda tapped into this magical potential, becoming the “mainstream” Marvel universe’s most powerful sorceress.

This led to her going loopy at least two, perhaps three, times in the “mainstream” comics. She destroyed the Avengers (and Hawkeye) the first time. The second time, she eradicated most of the mutant powers on the planet (along with Hawkeye, temporarily). The third time, everything else in the Marvel “mainstream” universe was also flying haywire, so Wanda’s mental instability in that event was almost negligible.

Wanda’s powers in the films have so far given no real sign of being out of her control. Still, the writers could pull anything out of their hats between Civil War and the Infinity War films. This is speculation, of course, but it bears mentioning.

Now, about the Raft itself. In the comics, the Raft is a high security super villain prison. Not that you could tell, since it has been subject to prison breaks in the past. Designed to be something of an East Coast equivalent to Alcatraz, the Raft is farther out in the Atlantic in Civil War than it is in the comics. In the books, the Raft is on an island. In the film, it is an island! (It is also, apparently, kept under water until the people running it are expecting visitors.)

During the comic book Civil War, Tony and the government enforcers for Superhero Registration working with him incarcerated captured anti-Registration heroes in an inter-dimensional super villain prison known as 42. 42 was really not a safe environment for the captured heroes. Of course, since Marvel was determined to make Tony a villain (they had succeeded last I looked), this hardly mattered to him or his bosses. The heroes under Cap’s leadership who were caught were bundled off to 42 without a trial, public or otherwise, and left to rot with the criminals they had spent their lives bringing to justice.

The film, of course, could not handle the intricacies of such a prison, so the Raft was substituted in its place. That is all right by me. I do not think I could have handled 42 being jammed into the movie! The Raft was a perfect substitute – especially since its only inhabitants were the guards and the imprisoned members of Team Cap. A picture is worth a thousand words, and the Raft said a million in fewer than ten minutes.

Now for Baron Zemo. Yes, in the movie, he is not a baron. (Whoop-dee-doo, so what?) In the comics, Baron Helmut Zemo is the last of a line of German nobles who have historically had an unhealthy habit of becoming evil. It practically seems to be bred into them, a trait passed from father to son as some sort of weird genetic inheritance. I do not know if there was ever a “good” Zemo in the whole family tree.

Baron Heinrich Zemo, in the comics, was one of Cap’s World War II enemies. A Nazi scientist, Heinrich Zemo had just managed to make a super glue so powerful nothing could break the adhesive. Cap showed up at about that moment and, during the ensuing battle, broke the container for the glue. The liquid spilled onto Heinrich Zemo’s head, which was covered by a hereditary hood/mask.

The mask was then permanently stuck to Heinrich’s face by his own super glue. It made eating and a few other things a bit of a problem. After he was awakened by the Avengers, Cap eventually faced Heinrich for the last time in Brazil. Light from Steve’s shield, reflected back in Zemo’s face, threw the Baron’s shot way off course. The misfired bolt started a rockslide, which killed Heinrich Zemo. Cap saw to the Nazi’s proper burial – which is more than Heinrich Zemo would have done for him – and went home.

A few years later, Zemo suddenly showed up again. Except this Zemo is not Heinrich; it is instead his son, Helmut. The guy has hung around ever since and been nothing but a plague. He can usually be seen leading his own team of anti-Avengers, which he calls the Masters of Evil.

This is one of the things from the “mainstream” comics to make it into the Civil War film. Helmut Zemo having a wife and son is new, but his father – that is old hat. In the comics, Helmut Zemo’s entire vendetta with Cap is based on the fact that he believes Steve killed his father in Brazil. The younger Baron is unwilling to distinguish between his father’s mistake and Cap’s lucky timing. Cap made his father miss, and it does not matter to Helmut that his father’s death was, basically, inadvertent. It happened, Cap was there, and so it is his fault.

Gee, that resembles Zemo’s grudge with the Avengers in the film, now doesn’t it?

In Civil War, Zemo holds all of the Avengers responsible for the deaths of his family, including the demise of his father. Though the inclusion of the senior Zemo is a seemingly throwaway bit of story, it is actually a nod by the writers to the original storytellers. Nifty little trick, I must say.

This is going to surprise some people, but the next thing to point out is that amazing internecine battle at the German airport. I do not know of any Avengers battles taking place in airports in the “mainstream” comics. They probably happened; I just do not know about them. But there is an X-Men battle from the original comics which took place in an airport that I know about. And unfortunately, this airport was not empty when the fighting started!

While seeing the Professor off on a well-earned vacation one day, the X-Men were confronted by a villain calling himself Eric the Red. He had taken control of Alex Summers/Havoc, the younger brother of Scott Summers/Cyclops. (Yes, I know this order has been reversed in the new X-Men films. Another reason I hate them.) Havoc knew he was being dominated, but he could not fight off the villain’s influence. Still, he was able to talk to his older brother and the other X-Men, proving that he was aware of what Eric the Red was doing to him.

Lorna Dane/Polaris, Havoc’s mind-controlled girlfriend … not so much. She was completely under the Red’s spell, and the fight spiraled out of control when she knocked Jean Grey a good one.

Storm retaliated in kind out of fury, since she and Jean were tight friends. This counterattack by Ororo in turn enraged Havoc. Mind control or no mind control, you did not want to go after his girlfriend. Not if you wanted to keep breathing!

It is a long shot to see a parallel between these two battles, I admit. But heck, the Marvel universe is full of long shots! They both took place in an airport. If nothing else, that is an odd coincidence!

Then there is Tony recruiting Spider-Man to Team Iron. When Spidey at last realizes he was used as an “ace in the hole” by Tony Stark for Civil War, there are going to be Whigs on the green. But for now, the important part is his new suit.

Uh-huh, I just said the important part of that scene was Peter Parker being given a new suit by Tony Stark. During the “mainstream” comic book civil war event, Spidey was convinced to join the pro-Registration side of the argument by Iron Man. He revealed his identity to the world, and Tony gave him an electromechanical suit which could sprout three extra legs and shoot repulsors from the hands, among other useful tricks.

In the film, this idea is presented in a slightly different manner. Parker cobbled his original suit out of old fabric in the movie, adding a set of secondhand goggles so he could better process information. The whole effect was far from intimidating. It was not even very appealing.

Tony states he needs an upgrade, which we get to see at the German airport. This suit, while it resembles the original outfit for Spider-Man in the comics, definitely has some Stark flair added to it. The fabric is high grade, almost like a suit of nanite skin, and there are camera lenses in his mask, enabling Parker to focus in on an object, person, or some such. (The lenses can also widen to show his shock when Ant-Man becomes Giant Man!) His webshooters are also more tricked-out than they were previously.

Although the results are different, the gift is essentially the same. Tony thought Spidey’s old suit in the comics needed a little more Iron in order to better protect him. In the movie, however, Parker really was in dire need of a new, better suit. Tony messed up a lot of things in Civil War, but we have to admit he did a very good thing for Spider-Man here!

Finally, there is King T’Challa. Many will already have put this together, but here it is again. In the “mainstream” comics, the mantle of Black Panther is passed down from one warrior in the royal family to another. King T’Chaka is not mentioned as ever having been a warrior or the previous wearer of the Black Panther mantle. More’s the pity.

Anyway, in the comics, T’Challa took the responsibility of being the Black Panther after his father was defeated and killed by one Ulysses Klaw. T’Challa, a child of maybe thirteen at the time, managed to scare Klaw off – destroying his right arm in the process – after the mercenary had betrayed and killed his father. T’Challa’s uncle ruled Wakanda as regent until the prince was old enough to undergo the trials he needed to pass to take up the mantle of the Black Panther. Once that was done, T’Challa suited up, kicked Klaw’s backside, threw him in prison, and became king of Wakanda. Following on that success, he joined the Avengers.

This is similar to the story we see in the film. T’Challa only dons the suit of the Black Panther after his father’s death, so that he may avenge him. In the film, Bucky is the one who takes the rap for killing King T’Chaka, which brings T’Challa into the fight on the side of Team Iron.

A last interesting note is that, in the “mainstream” comics, Panther at first declared neutrality in the comic book civil war event. But he and his wife, Ororo Munroe/Storm, eventually sided with Cap when it became clear Tony had completely gone off the deep end and was going to run everything into the ground, probably killing someone along the way. Unfortunately, the Marvel writers still managed to have him do that. Sorry, Panther.

Well, readers, I have delivered on my promise to discuss the hint I mentioned about Wanda’s incarceration – and then some! So as of now, I will sign off and give you all a chance to have fun elsewhere.

Avengers Assemble!

The Mithril Guardian

Avengers: Age of Ultron – Hawkeye/Clint Barton

Here we go again, readers. I am back in the world of Marvel movies, thanks in no small part to seeing Avengers: Age of Ultron in theaters after a four month waiting period. And, yes, as you can see by the title, this post is about the only normal human in the Avengers: Hawkeye a.k.a. Clint Barton. So what? He is one of my favorite Marvel characters. I could no more forget him than I could let go of Captain America, Rogue, Storm, Wolverine, or any other character I like.

Now strap in, sit tight, and hold the eye-rolls for after you have read the fan-rant written by this truly wicked blogger! 🙂

Hawkeye has a whole lot more to do in Age of Ultron, and as a fan of this character, I thought it was great to see more of him this time around! I was really impressed by how much he got to do in Ultron, as opposed to The Avengers. Whedon handled Hawkeye well in both films, but had to write the World’s Greatest Marksman a fairly small part in The Avengers. Otherwise, he would not have been able to properly introduce the audience to the Avengers as a team coalescing under pressure.

This is not the case in Ultron. Hawkeye gets a lot more screen time and many more opportunities to show off, such as the time he hits a dart board dead center, when Tony has been plying the thing for a few minutes and only hitting the inner ring. The glare Tony throws him and the “what do you expect?” shrug Hawkeye returns is wonderfully true to form – for both characters.

Another scene where he gets to show off is in the Avengers’ first battle with Ultron. When Cap needs his shield, it is Hawkeye who sends the vibranium “Frisbee” flying toward America’s ultimate superhero, who catches it and uses it to cut an Iron Legionnaire in half.

For those of you who have not read Hawkeye’s profile or followed the Avenger for a long time in the comics, in Marvel’s “mainstream” comics, Clint Barton did time as Captain America after Steve Rogers’ “death” in the Civil War story arc. He was in the role for a few days, tops, before deciding that he did not like “replacing” Steve Rogers. But the reason Iron Man handed him the First Avenger’s uniform and shield is because Clint Barton is one of the very few people on the planet who can handle the shield the same way that Steve Rogers does.

This is not simply because Cap trained him after he joined the team. Doubtless, that training helped, but Hawkeye is skilled in throwing things accurately as well as in shooting precisely. When he throws an item, he often throws it in such a way that it ricochets/rebounds to hit his real target. Thus, he could throw a baseball at someone, who manages to dodge the ball, thinking they have outsmarted Hawkeye. Except that the ball hits a wall or some other object behind them, and rebounds to strike them in the head, knocking them out. Cap’s shield works on a similar principle in battle, which is why Clint can handle it at all.

Hawkeye practices all the time to keep his accuracy this exact, and seeing him toss Steve the shield was an unexpected treat and a half for me! I would like to see him actually use the shield for a couple of throws in Captain America: Civil War, but we will have to wait and see what happens there.

And did I mention that he gets to do some fancy flying in this movie? Clint is a great pilot, and watching him swing the Aveng-jet around in complicated, dizzying maneuvers was fun! As opposed to the scene where his quinjet is shot down in The Avengers, in Age of Ultron we get to see him display his true piloting skills.

Also, remember how Clint flew the quinjet while Natasha shot at Loki using the plane’s mini-gun in The Avengers? Well, in the battle against HYDRA at the beginning of Age of Ultron, this scenario is properly up-ended. Natasha is driving a jeep toward the HYDRA base the team has set out to destroy, while Clint gets to do what he does best: shoot down everything that gets in the jeep’s way.

Perfect! 😀

Now, no fan-rant about Hawkeye’s part in Ultron would be complete if it did not mention his family. If you check out Prognostications for Age of Ultron, Part 4 on this blog and make it all the way to prognostication number six, then you will see that I openly suspected the house in the teaser scene where Cap and Tony were chopping wood was Hawkeye’s house.

Beneath that are a number of theories about what is in the house, and I would never, ever, have believed that the second hypothesis would pan out. I had no idea whatsoever that Whedon would add Hawkeye’s family from the Ultimate comics to the film. And if you had told me at the time that that supposition would come true, I would have said something like, “Yeah, I wish.”

So when a friend told me that Hawkeye had a family in the film, I was flabbergasted, but not in a bad way. I have always thought he would be a good father and husband. When I learned that he is both in the film, I was even more eager to see the movie.

The hints given in the movie about the Barton family’s existence are good, too. When getting treated for an injury sustained while fighting HYDRA, Hawkeye jokes about being made of plastic. Dr. Cho corrects him and says his own girlfriend will not be able to tell where he was hit when she is done with him. Hawkeye quickly mutters, “I don’t have a girlfriend.” But he does not look anyone in the face when he says it, instead gazing at the wall.

Later on, Cap catches Clint on the phone with someone. He says the team has a lead, then asks who Clint was talking to on the phone. It takes Clint a total of five seconds to come up with a suitably evasive but partly true answer. “My girlfriend,” he says quickly. Cap does a double-take, knowing that Clint has professed to not have a girlfriend in the past. For his part, Clint does not seem to enjoy the fib he has just fed Cap. He will not look him directly in the eye and it took him too long to formulate an answer.

Speaking of which, has anyone else ever noticed that Clint seems to have a problem with lying to his teammates? Telling them an outright lie seems to be pretty hard for him. I guess he could flatly lie to HYDRA or some other bad guy if he wanted to, but he seems to be very bad at even fibbing to the Avengers.

Now, because of some early, scathing comments about Age of Ultron, I was worried that I would not like Hawkeye’s wife, Laura. Turns out, I actually think she was really impressive. The comments on the Internet made her sound like an airhead, but that is not the way that she struck me at all. Her husband goes up against modern day Nazis, aliens, robots, and the occasional arms dealer, not to mention brings the rest of the Avengers home without so much as calling ahead, and she takes it all in stride. She supports him all the way around and has his back. That was more than those comments on the Internet led me to believe, I can tell you!

On top of that, it was nice to see Hawkeye showing his softer side when dealing with his children. As I said above, I have often thought he would make a great dad, and seeing him in the role was fan-tastic. If anything, it was the icing on the cake! I can see why Whedon had fun writing for Hawkeye in this movie. I would have had fun writing for him – here or in other stories/mediums!

Interestingly, the family Clint has in the film is not the same as the family he has in the Ultimate comics. Laura is his wife in both mediums, but in the Ultimate comics he has two sons and a younger daughter. The Barton children’s names also do not match their names from the comics. Callum was the oldest Barton boy in the Ultimate comics, and Nicole was his daughter’s name. In the movie, Clint’s oldest son is named Cooper, his second child is a daughter named Lila, and his youngest is Nathaniel Pietro Barton.

I do not know what possessed Whedon to change Clint’s family line up for Age of Ultron, but I am hardly complaining. It is possible that he rearranged the Barton children’s line-up so that they would have a better shot at surviving in the films, as Clint’s wife and children were all killed in the Ultimate comics. I thought the Barton family was just fine in Age of Ultron, and I have my fingers crossed that we get to see them all again – hopefully not as casualties of War or any other subsequent Marvel movie conflict!

Speaking of Whedon, it bears mentioning that the scenes at Hawkeye’s farm were very nearly cut from Age of Ultron. Whedon told Marvel Studios’ executives that he wanted to expand Thor’s vision in the dream well.  They said he could if he cut the “farm scene.”

Whedon told the Marvel Studios executives that he did not want to cut the “farm scene.” The Marvel Execs insisted that if Whedon wanted to expand Thor’s vision, he would have to cut the “farm scene.”  Whedon would not budge, though, and things apparently got nasty.  So Whedon cut a good part of Thor’s visit to the dream well out of the film.

I would guess that this may be one of the reasons he has removed himself from Marvel Studios (however temporary it may prove to be), aside from the fact that he was directing a great deal more people in this movie than he ever has previously.

I admit, I am going to miss having Joss Whedon behind the Avengers’ films – although it may mean that fewer Avengers are killed off in later movies! 🙂 In all honesty, though, without Whedon helming or having input on the Avengers’ films, I fear we may not have Hawkeye’s family in the movies for very much longer.

And if that happens, I am going to be VERY angry at Marvel Studios’ executives. They may lose a viewer for their films if they decide to make good on the argument they had with Whedon over adding Hawkeye’s family to the movie.

 

Something else I thought was great, and I have touched on this before, is the relationship between Clint and the Maximoff twins. You can find more about that in the post Avengers: Age of Ultron – Quicksilver and the Scarlet Witch, at least as it relates to the twins themselves. As it relates to Hawkeye, I thought it showed a lot about him.

Clint does not like the twins, really and truly, until the final battle against Ultron in Nova Grad, Sokovia. There, he gets the chance to give Wanda a great pep talk. And, even though it occurs when Pietro dies, he settles for a genuine respect for the male Maximoff twin.

If anything, the reason he warmed up to the two might be due to the fact that he himself has children. And the Maximoffs are still children. They have been since their parents’ deaths; they know how to take care of themselves, but their understanding of the world around them is badly skewed due to a lack of genuine parental guidance.

When Wanda started to fall apart, I think Clint sensed how young she was, mentally, more than he had before. So he responded to her in almost – almost – the same way that he would if it was his own daughter losing herself to panic. Plus, he has been in her shoes in the past. Loki mind-controlled him into being part of his “take over the world” scheme. He knows how being used as a part in something that evil feels, and so when Wanda started down the “this is all my fault” path, he stopped her before she had a chance to become a whimpering wreck. Way to go, Hawkeye!

I think Clint may have seen a little of himself in Pietro as well. The brash, abrasive manner Quicksilver demonstrates throughout the movie is similar to Clint’s own scrappy attitude. Not to mention the two both have a tendency to come up with witty wisecracks and quips in moments of calm as well as battle. And they have been good friends in the comics for a very long time.

Of course, Clint’s friendship with Natasha is better shown in this movie than it has been previously. The two dig at each other good-naturedly and show more of their battle brother-sister habits throughout the movie. This is clearly proved when it is shown that Natasha alone, out of all the Avengers, is the person Clint trusted with the knowledge of his family. He has also apparently prepared everyone in his family to meet his team in case he ever had to bring the Avengers home one day. Why else would they all be so calm about meeting four superheroes – Bruce Banner, Thor, Captain America, and Tony Stark – who otherwise would have startled and frightened most other children and wives?

It is additionally demonstrated that Clint gets along well with the two “science brothers” on the team. I cannot recall anything extremely specific with regard to Banner, but the friendly taunts and jibes Clint and Tony exchange show they have gotten to know each other fairly well, and they have come to trust each other a lot since they started working together.

Thor tends to get “poked” by Clint more than the others, it seems. I am guessing this is because of Clint’s taunt about Mjolnir’s worthiness enchantment. Since Thor is the only alien they have on the team, he is open to a lot of teasing. He has become more familiar with Earth’s cultures since he came to Midgard, but in some ways Cap has had less trouble assimilating to the 21^st century than Thor has.

Also, he is a prince, and he can fly. Clint is going to want to make sure Thor keeps his head out of the clouds even more than he watches Tony’s penchant for getting big headed. Still, since Thor was willing to abandon the battle at the HYDRA base halfway through to get Clint back to the Aveng-jet for preliminary medical treatment, and stayed with him while the others went on fighting, he does not seem to resent Clint’s ribbing much, if at all.

 

I was, I must say, most impressed by the friendship between Clint and Cap in the film. I was watching this in particular because I learned the World’s Greatest Marksman would be siding with Captain America in Civil War. And I was also studying it closely because, in the original “mainstream” comics, Clint and Steve had a tendency to butt heads on almost everything. Clint was Pietro’s age when he first joined the team in the comics and because of that he occasionally felt that he would be a better leader for the Avengers than Cap was.

Well, obviously, this is not the case in the movies. Clint is much more mature in the films, and his friendship with Steve shows that. Mostly it is in little scenes. His saying, “C’mon, Cap!” when Steve goes to pick up Mjolnir was hint number one. When he watched Tony try the hammer, his manner was more sarcastic and disbelieving. He had an idea that Tony would not be able to lift the hammer, and Tony’s declaration that physics would help him do so did not increase Clint’s confidence in him a whit.

But when he encourages Cap, he sounds more convinced. It is as if, were the team to be placing bets on which one of them could lift Mjolnir, he would put his money on Steve. Cap does not lift the hammer, however; probably to avoid embarrassing Thor at what is supposed to be his going-away party. So it is a good thing no one put money on anybody else, because otherwise they would all have lost.

Hint number two is the fact that it takes Clint five seconds to decide to lie to Cap about the call he was caught making to his wife. He has been keeping the secret for so long that telling even Cap about it is a daunting idea. Cap does not like it when things are kept from him, though Clint’s keeping his family under wraps is more sensible than all the secrets SHIELD was hiding from Steve. I think Cap was more than willing to let Clint slide on that one.

But Clint still did not like lying to him. It was written all over his face. And he knew that Cap had realized there was a disconnect between this explanation he had just given and his earlier declarations of not having a girlfriend. But telling Cap about his family in the Tower, when Ultron is all over the Internet and in the surveillance systems, not to mention in every other computer system on the planet, is not a good idea. So, sensibly, Clint told Cap as much of the truth as he safely could.

The third hint comes in Seoul. Cap is hanging off the back door of a truck trailer when he says that he is going after Ultron. Interestingly, it is not Natasha who warns him how dangerous this plan is. Instead it is Clint who says, “You’re no match for him, Cap.”

“Thanks, Barton,” Cap mutters, being quite well aware of that fact himself.

The fourth hint is also in Seoul. Clint lost Natasha when he picked up the Cradle, and for a few seconds, we are once again looking at the original comics. Clint repeatedly asks Cap if he knows where Natasha is, and Cap continually orders him back to Avengers Tower. Then time and space re-converge and Clint does as he is told – though he hits the consoles in front of him to show his frustration and anger.

Last but not least, for all his seeming “impartiality” in the arguments among the Avengers, I was certainly under the impression that Clint was always silently siding with Cap, even when the First Avenger brought the twins to the Tower. Though he says that Wanda’s seal of approval on the Vision will mean nothing to him, his statement is directed toward her, not Steve. Cap’s decision he will follow, but not hers – yet.

I was glad to see that Clint and Steve got along so well in the film. I had been hoping they would, since they have become better friends over time in the comics. They are a lot alike, though getting Clint to admit that takes some serious work.

They are cut from similar cloth and almost always fight on the same side. I do not know for sure, but I do not think they have ever come to blows in the same manner and spirit that Steve and Tony went after each other in Civil War. No matter how angry they have become with each other in the past, they have remained great friends. If anything, their arguments actually appear to strengthen their friendship instead of tearing it down!

Considering how well Clint got off in Age of Ultron, I am hoping he does as well in Captain America: Civil War. If he does better, then you will again be reading a glowing fan-rant about him on this blog, readers. You can put money on that! So, until I write again –

Excelsior!

The Mithril Guardian

Spotlight: Strong Women

The scene I want to Spotlight! today occurred during Marvel’s The Avengers. It is the scene where Coulson arrives to enlist Iron Man’s help in stopping Loki, ruining “twelve percent of a moment” between Pepper Potts and Tony.

In this scene, Pepper realizes that something important is in motion and, to stop it, SHIELD needs Iron Man’s help. Tony, naturally, does not want to help SHIELD. Apart from the fact that he rightly distrusts the huge ‘peacekeeping’ agency, he does not want to leave Pepper. She is, quite frankly, the first woman he has ever truly loved in his life, and people do not want to part from those they love.

But Pepper, on seeing the “homework” Coulson has detailed for Tony, realizes that their “moment” must wait a little longer. Tony is needed elsewhere, and as much as she would prefer he stayed with her, if he does they may still be separated later on and in a worse way. So she does the sensible thing and tells him to go help SHIELD. Pepper does not tell him to do this because SHIELD needs help, but because there are lives at stake, maybe even their own. In verbal shorthand, she instructs Tony to go out and save the world; she will be waiting for him when he returns.

From my perspective, this is Pepper’s strongest moment so far in the Avengers’-themed films. In this scene, Pepper proves herself the fictional descendant of Ulysses’ wife Penelope. Penelope waited for Ulysses’ return from both the Trojan War and his years of roving. The Trojan War took ten years, and Ulysses went wandering the seas for ten years. So Penelope waited for Ulysses’ return for twenty years, during which time everyone else in his home town believed him dead. Waiting for him to come back took determination, to say the least!

Now allow me to contrast Pepper with another female Marvel character. This may get me in hot water, but I have yet to learn why so many people fawn over Carol Danvers/Captain Marvel. For those of you who have never encountered the character, Carol Danvers was a U.S. Air Force pilot who ended up with Kree abilities (the Kree are a humanoid alien species which inhabit the Marvel Comics universe). Danvers possesses the capabilities of near supersonic flight, near invulnerability, the ability to fire energy blasts from her hands, and apparently the ability to predetermine her opponent’s moves in battle – though this one is news to me and seems to be a recent addition to her power roster.

I have to admit, Danvers’ powers are impressive. The sad fact is that Danvers’ powers are the only remarkable things about her. If a person stands Danvers next to other female Avengers such as Black Widow, Scarlet Witch, Wasp, Rescue (Pepper Potts), or Mockingbird, that person quickly gets the impression that a novice’s sculpture has suddenly and inexplicably been set amidst statues fashioned by the Ancient Greeks. Danvers seems too clean cut, too perfect, when compared with her fellow Avenging females. She has immense power, yet she thinks and reacts like a California “Valley girl” (which may explain why she is so susceptible to psychic attacks and mind control).

I have considered Carol Danvers to be a “hollow character” since I first researched her. Her existence as a character appears – to me – to be based solely on her physical strength and not on the force of her personality (or lack thereof). In contrast, Pepper has a lot of personality: she is witty and smart, but also kind and compassionate – sometimes to a fault. Danvers lacks the former traits and if she has the latter then they are, at best, exhibited lukewarmly and infrequently.

Why do I bring up Carol Danvers in relation to Pepper Potts and her best scene from The Avengers? Because of the two, Danvers has received more acclaim from reviewers and fans than Pepper. Most seem to think Danvers is strong and Pepper is not – at least, they do not think Pepper is “strong” until she swallows an unstable Super Soldier Serum and gains inhuman abilities from it.

Today we are constantly inundated with news reporters or other TV talking heads yapping about what makes a strong woman. Hollywood frequently praises female leads that shoot impossibly large guns, use martial arts, super powers, or some other weapon when fighting their enemies. I know what you are thinking, and what you may well think throughout this post on this often-argued topic. So first let me state that I am not belittling the achievements of women anywhere.

No, I am asking a question, one I think too many people forget to ask. That question is, “What makes a strong woman?” Who is the strongest female character you have ever encountered, readers, and why is she strong? I do not mean what makes her physically strong, but what makes her a strong woman?

Most of us can think of a number of popular, strong female characters off the top of our heads. Storm, Black Widow, Wasp, Princess Leia Organa Solo, Mara Jade Skywalker, Stella from Silverado, Katniss Everdeen, Seven of Nine, Captain Janeway, and Lieutenant Uhura are all strong ladies who jump immediately into many minds.

But what do these women possess that makes us consider them strong? Is it their super powers (i.e. Storm, Wasp)? Is it their skill with a gun (Princess Leia, Lieutenant Uhura) or a bow (Katniss Everdeen)? Is it their skill with science and technology (Captain Janeway, Seven of Nine)? Or is it their spy skills (Black Widow, Mara Jade)?

If you answer yes to these questions and follow the reasoning to its conclusion, you find a rather thin strength, do you not? After all, what happens in a situation where Storm cannot access her powers, Uhura loses her phaser, or Black Widow is trussed up tighter than a Thanksgiving Day turkey and cannot use her martial arts skills to fight her way out of a tight spot?

And yet, all these fictional women – and a great many others – have fought their way through such situations regardless of the loss of powers, weapons, technology, or skills.

But, by continuing to use the reasoning that said these women were strong because of their assets – powers, weapons, etc. – we are left with a flimsy, incomplete picture of these fictional heroines. After all, if Storm loses her powers – the abilities that make her “strong” – then she is no longer strong when she cannot use them.

As a fan of the X-Man Storm from youth, when I was younger I would have found such a statement insulting to her. “Storm is strong without her powers!” I would have shouted angrily.

Thankfully, time brings growth, and I am at least old enough now to know that not all battles can be won by shouting – although that may be my initial, instinctive reaction. Suppose that, today, someone was to say to me, “Storm’s great, but she’s only strong as long as she has her powers.”

Stifling my kneejerk reaction to shout and lose my temper, I would stumble and say, “No, she’s strong even without her powers. If Storm were to lose her powers – which she has, on occasion – she would still be a force to be reckoned with. Because even without her powers, Storm is determined to survive – when she fights, she fights to win.”

And that is the point right there. “It’s not the size of the dog in the fight, but the size of the fight in the dog,” as they say. Storm and the other leading ladies I have listed here all have a strong will, the determination to survive adversity and evil. These fictional women are not disposed to yield to those who threaten them and/or those they love. They will fight anyone who threatens them. Whether they fight with weather warping abilities, or with something as “simple” as a spoon or a rock, they will fight to the death to protect themselves and those they care about.

So is the true strength of a woman (or of a man) to be judged by how much they can physically do? Should it be judged by the flash, flamboyance, or elegance with which they do it?

Or should the true strength of a man or woman be judged by the force of their will to be strong?

History is already witness to many women with strong wills achieving great things. Women such as Artemisia, Boudicca, Margaret of Provence (queen of France and wife of Louis IX), Catherine of Siena, Maria Theresa of Austria, Isabella I of Spain, Madeleine de Verchères, and Catherine the Great were all strong-willed women who achieved much in their lifetimes. Actresses Hedy Lamarr, Lucille Ball, and Maureen O’Hara accomplished much in their lives as actresses and as career women.

Yet still there are those who see only the outer shell, or who refuse to see it. Still you will hear the shrill Cabbage Patch dolls on TV or in Hollywood proclaim that this leading female in that film is strong simply because she can swing a sword, shoot a gun or a bow, use magic, or ride the wind and cast lightning bolts out of a clear sky. It is sad that so many in this age choose to view women in this light.

So then what do I think makes a strong woman, readers? I think a strong woman is defined by her will to keep fighting, by her determination to do her part, small though it may appear to be. No matter how much it hurts or how unfulfilling it appears, how thankless or humble a job it is, these fictional heroines have kept going. Theirs is an honorable position, whether it is Pepper’s waiting for Tony to return to her or Captain Janeway guiding Voyager on its journey home. It is an honorable duty they each work to fulfill to the best of their abilities. They should be given respect for that strength of will, not for their physical skills.

In conclusion, I will say this, readers: I preach no sermon, I advocate no crusade. I simply ask you an honest question:

“What do you think makes a woman strong?”

Later,

The Mithril Guardian

Words

Words.  They are such simple little things.  They are as common as sunshine, rain, and breathing.

Words.  We forget what they mean because we use them so often.  Glibly, idly, sharply, softly, happily, or angrily, most everyone uses words to communicate.  But do we really think about the words we use?  Do we ever pause to consider if the word that leaps immediately to mind in a conversation is the word we want to convey our idea as exactly as possible to another person?  I try to do that, but I do not always succeed.

I have favorite words.  I guess everyone has a favorite word or two.  The words I favor are words I enjoy pondering occasionally.  And the list of favorites grows all the time.  But today I thought I would list only a few of them, in the interest of sharing them without overwhelming everyone with reams and reams of those simple little things we call “words.”

 1. “Star”

Star is a small word.  Rhymes with “far.”  Maybe that is why I like it so much.  It makes me think of possibilities, of that something that is just out there, waiting to be seen, experienced – it reminds me that it is just over there.  Just out there…

 2. “Lady”

I have always liked this word.  It sparkles, sort of like a star would.  I think I have liked it since I saw Lady and the Tramp.  A little, two syllable word that rolls off the tongue.  It is a small word, but it can often convey a wealth of respect.

 3. “Roustabouts”

This is a fun word.  It reminds me of the German word ‘raus,’ which means ‘out.’  A roustabout is any unskilled or semiskilled laborer.  It also means “one who stirs up trouble,” according to the Merriam-Webster dictionary. The term is most often applied to oil field workers.  It is also the common name for circus workers, those who raise the tents and handle the animals and equipment for the performers.  “Roustabouts” makes me think of lots of people jumping into a job and having fun doing it.  It is, as I said, a fun word.

 4. “Silver”

This is a word that ripples like water in moonlight; hearing it said, I could care less about the metal it names.  I have seen so many trinkets in Hollywood movies that I often wonder if real gold or silver would rouse any avaricious urges in me.

Regardless, the word still sings to me as Prince Valiant’s sword did, with the music of a distant, little bell.  I hope it always does.

 5. “Storm”

Fury.  Beauty.  Strength.  Power.  Chaos.  That is what the word “storm” brings to my mind.  I have been witness to a lot of thunderstorms in my lifetime.  Some have been absolutely terrifying experiences.  Others have been passing moments of pure excitement.  Whether I ever see another one or no, “storm” will always bring to me the roiling, tumultuous magnificence of those fierce thunderstorms I have seen.

 6. “Singing”

I enjoy music, as everyone should know by now.  But it is not a particular song I am mentioning here.  No, I am talking about the label we give to words someone’s voice sets to music:  “singing.”  If anything else ever gave me the idea of what having wings would feel like, it would be singing.  Somehow, when words are combined with the proper rhythm, I just want to fly.

Of course, the feeling and the reality hardly complement each other, since I have no wings with which to fly.  But someday I may not have that obstacle.

 7. “Trust”

This word rhymes nicely with ‘rust.’ And oh, how quickly “trust” can “rust” away when it is misused or taken under false pretenses.  I would much rather have trust than all the jewels in Smaug’s stolen hoard.  This one small word, delicate as old metal, is more precious (pardon the pun) than even the brilliant Arkenstone of Erebor to me.  And yet I think you could more easily discover a hundred Arkenstones in a day than you could find simple little “trust” in a lifetime.

 8. “Hope”

“Hope” is a word I was ruminating on almost a year ago now, when I was contemplating what my first blog posts should be about.

“Hope” is a small word, like most of the others I have so far listed.  Say it quickly or carelessly, and its lifespan is as short as frail glass.  Say it carefully and thoughtfully, though, and you may find that it lingers in the air somewhat longer than a snowflake in mid-August.  “Hope” is a small but stubborn word.  It always manages to pop up in a sentence somewhere, “I hope they have the book I want at the library!”; “I hope I win the lottery!”; “I hope it doesn’t rain!”; etc.

It peeks out at us the way that elves peek out at the heroes in fairytales from behind trees.  Elusive, spritely, and full of cheer, it can also be as stubborn as a taut rope.  When all seems bleak, dark, and lost, something keeps us tied tightly to the possibility of tomorrow.  Something small, fragile, but durable as a diamond:  “hope.”

 9. “Life”

The most mysterious small word in the English language – second only to “love” – is, possibly, “life.”  So many people struggle to define this small, four letter, and one syllable word.  Even biologists, those students of “life,” cannot agree on its exact meaning.  What is “life”?

It is a word I taste more than I see or hear it.  It has a dewy, moist taste.  This word settles on my mind, when I sit down and really think about it, like mist settles on my tongue on a foggy day.  Mystifying, yet electrifying, full of risk yet beckoning with promise.  As I think about “life” I suddenly feel as though there are no boundaries in the world.  As if I could just get up and run out the door to the endless horizon and keep going, a la Bilbo Baggins.  But if I ever give myself the chance to answer that seductive urge, I may just leave behind more than my pocket handkerchief!  There are moments when I want to leave behind all necessities and just rush off after that tempting something whispering to me from the distance.  Someday, I might just chase after it.

And then I will completely understand what Louis L’Amour meant when he told his daughter, “Adventure is just a romantic word for trouble.”  J

These are a few of my favorite words, words I enjoy meditating on in quiet moments.  What are the words that you, my readers, enjoy?

Later,

The Mithril Guardian