Previously, Diana Wynne Jones’ novel Howl’s Moving Castle was reviewed here at Thoughts. It was so good that I thought an analysis of the sequel was in order. Castle in the Air has the great distinction of improving upon the framework in the original story, something that doesn’t always happen in modern fiction.
It begins in the Sultanates of Rashpuht, a country far to the south of Ingary, the nation where Howl’s Moving Castle takes place. A young carpet merchant named Abdullah is standing in his booth at the Bazaar, daydreaming about being a prince. Though Abdullah’s father was a rich carpet merchant, everything but his booth went to his first wife’s in-laws because he was disappointed in his son.
Just why he was upset with his son Abdullah doesn’t know. And at this point, it doesn’t matter to him, either. Despite his daydreams, Abdullah is a very happy carpet merchant. He sells enough goods to make a comfortable living, and he is content to never be wealthy or leave the Bazaar. In truth, he really does not have a reason to want to leave; his reveries just add a touch of romance to his otherwise ordinary life.
In the middle of his latest fantasy (which, for the first time, features a beautiful princess), a customer appears and asks to sell him a carpet. He wants five hundred gold pieces for the rug, but Abdullah is skeptical. The mat is in bad shape, and even if he wanted it, he certainly wouldn’t pay five hundred gold coins for it.
So when the man says it is a magic carpet, Abdullah is intrigued but disbelieving. He allows the stranger to enter the booth proper in order to have him prove that the carpet can fly. Even when a commotion occurs in the next stall, the carpet merchant keeps an eye on his customer as the man orders the rug two feet into the air.
The carpet does as it is told and, after checking to make sure none of the usual tricks could have been pulled to fake its flight, Abdullah agrees to buy the carpet. Several hours are spent haggling over the price, and he finally pays two hundred fifty gold pieces for the mat before going out to lunch. Worried the rug will fly away when he leaves, Abdullah ties it the center pole of the booth to make sure it stays put.
It does. But in order to keep an even better eye on it, Abdullah puts the carpet on top of his bed (which is made up of other carpets piled one atop the other). During the night, Abdullah wakes to find himself in a luscious garden. There he meets a girl – a princess – who mistakes him for a girl.
How can she make that obvious error? Simple – the only man she has ever seen is her father, the Sultan. Confused, but convinced this is all a dream, Abdullah tells the princess about his daydreams. And because he thinks he is still asleep, he makes it sound like his daylight fantasies are the truth.
The delighted princess, who identifies herself as Flower-in-the-Night, absorbs his tale with avid interest. But when the two try to experiment with the carpet, they accidentally give it the wrong command, sending Abdullah back to his booth post-haste. He wakes up again the next morning feeling blue, until he realizes that he was not actually dreaming. The carpet transported him to a real palace where he met a real princess named Flower-in-the-Night.
Abdullah spends the rest of the day buying paintings of different men so he can bring them to Flower-in-the-Night (who is still convinced he is a woman). Once he has done this, he tries ordering the carpet back to the palace at once. But it doesn’t budge, throwing Abdullah into despair. There appears to be a secret code word that will “activate” the magic carpet, but since he does not know it, he is stuck.
Once he calms down a little, though, Abdullah reminds himself that the carpet definitely took him to the palace the previous night. Deciding that he must have mumbled the code word in his sleep, he asks the rug to transport him to Flower-in-the-Night as soon as he speaks the word in his sleep. Meanwhile, he waits anxiously for nightfall so he can go to bed and return to his princess.
The plan works, and Abdullah shows Flower-in-the-Night the pictures. She studies them all, especially the ones showing the most handsome specimens, then declares that none of them are as handsome as her midnight visitor. Confirming that she is now sure he is, in fact, a man, Abdullah falls to discussing marriage with her. As it turns out, Flower-in-the-Night is to be betrothed to the Prince of Ochinstan (the Rashpuht name for Ingary). Upset upon learning that it is common for men in Rashpuht to have more than one wife, Flower-in-the-Night declares that to be an unfair arrangement, especially when Abdullah says he thinks even the Prince of Ochinstan already has several wives.
The discussion of marriage eventually brings the two to talk about their relationship. It isn’t long before they both decide to elope, and Abdullah begins to set the plan in motion. He narrowly escapes being married to his two fat cousins before the following nightfall. After selling off his stock and sewing the money into his clothes, he goes to sleep on the carpet.
Sometime later, he awakes in the garden. Flower-in-the-Night rushes out to meet him, and it looks like their fairy tale life together is about to begin…
…Until an enormous, dark djinn arrives and snatches up Flower-in-the-Night.
Things begin to pick up from here, but I won’t spoil the rest of the story for you, readers. Suffice it to say this novel is as good – if not better – than its predecessor. The humor is top notch, the characters are well drawn, and the story is executed beautifully. It is a great read.
But you don’t need to take my word for it. Pick up Castle in the Air and Howl’s Moving Castle at your earliest opportunity and read them for yourselves. You won’t regret it!
Until next time!