Take a Trip on Down to ‘Bama

These three songs are the only ones by the band Alabama that I know by name, but they have to be some of the group’s best work. Try them out for yourselves, readers!

The Mithril Guardian

 

Mountain Music 

 

I’m in a Hurry (And I Don’t Know Why)

 

Roll On (Eighteen Wheeler)

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Perhaps you’d like to buy a flower by Emily Dickinson

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Perhaps you’d like to buy a flower,

But I could never sell –

If you would like to borrow,

Until the Daffodil

Unties her yellow Bonnet

Beneath the village door,

Until the Bees, from Clover rows

Their Hock, and Sherry, draw,

Why, I will lend until just then,

But not an hour more! – Emily Dickinson

Book Review: Off the Mangrove Coast by Louis L’Amour

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Louis L’Amour is a household name due to his wonderful tales of the men and women who made the West. But he would not have gotten there if he had not started his career as an author writing short stories for magazines. Since his father’s death Mr. L’Amour’s son has been going through the author’s archives to collect the short stories which the publishers did not have. Those he finds are put into collections such as the one we will look at today.

Off the Mangrove Coast, while the title story, is not the first piece which we encounter on opening the book. That is “Fighters Should Be Hungry,” which focuses on one Tandy Moore, a young man with boxing potential who is currently a hobo. Entering a hobo jungle outside Astoria, Oregon, one of the fellas his own age makes a comment which irritates Tandy. He shakes the guy a little, only to be told by one of the other tramps to let the kid alone. Tandy rounds on the older man and gets socked in the mouth after trying to start a fight with him.

Friendships have many strange beginnings, and the camaraderie between Tandy Moore, Gus Coe, and Briggs is no exception. Realizing that Tandy can really fight, the two fellas take him under their wing and teach him some moves before they put him in the ring. But it isn’t just money these men want; they’re intent on taking down a criminal and the boxer who works for him. Tandy especially wants a crack at the other fighter for something that happened a long time ago….

Next we have “It’s Your Move,” a short story set somewhere on the Northwest Coast. It’s about a dock worker who likes to play checkers and is good enough to whip everybody else who works there.

So what do you think happens when he meets a guy who can beat him?

After this comes “Off the Mangrove Coast,” a straight-up treasure hunting story. It focuses on four men who go in search of a sunken ship in the South China Sea. This ship was carrying a gold shipment when it went down and, when there is gold involved, trust becomes scarce. The young hero of this story is not close to any of the men he sails with, and two of them look less than friendly when they talk of the prize they seek. The third, a black man named Smoke Bassett from Port au Prince, seems much nicer. But when the chips are down, who will stand beside their friends, and who will end up shark bait?

I liked these first three stories a fair bit. Smoke Bassett is one of the L’Amour characters I think the most of, even though he only appears in this story. He was a good fella and a strong friend – and yes, I am dropping a veiled spoiler on you here. Therefore, we will go to the next story, which didn’t entertain me near as much as these three did. This would be “The Cross and the Candle,” which is set not long after World War II in France. Here the unnamed hero meets a fellow American who lived and worked in the country before WW II broke out. He had a girl who worked for the Resistance during the Nazi occupation, but she was killed by a traitor. Ever since, this man has been searching for her murderer – and he thinks our unnamed protagonist can help him catch the guy.

“The Diamond of Jeru” is the next story in this collection. It is funny; when I was a child, my father would mention “The Diamond of Jeru” on occasion. So when I saw the title in Off the Mangrove Coast, it rang a bell that took some time to bring back the memories from my youth. For some reason, this title always made me think of an Indiana Jones adventure someone had written up but which I had never seen.

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To be fair, “The Diamond of Jeru” does have some Indiana Jones flair to it. This tale is about Mr. Kardec, a man who went to Borneo in search of diamonds. He found – and lost – a fortune of them, which left him stranded in the country. With no money to pay his way home he has guided others up the Baram River in search of the gems. It means he can meet his bills while keeping body and soul together… but it does not earn him enough to buy a ticket home.

So when a Mr. and Mrs. Lacklan arrive and offer to pay him to be their guide, things begin looking up. Until two problems arise: one, Mrs. Helen Lacklan is younger than her husband, being nearer in age to Kardec than to her man. She is also strong, able, intelligent, and courageous as well as physically attractive. Two, Mr. Lacklan wants to take her up the river with Kardec and himself, which could attract the attention of the natives. But since Kardec desperately wants to go home, he works out a deal with the two despite these problems. Then, a few days before they are to go, the Lacklans return so that Mr. Lacklan can tell Kardec they have found someone who will take them up river much cheaper.

Kardec is angry at first, mostly because everything had been set up and this cancellation is on very short notice. Then he figures out that the Lacklans are being set up by an old head hunter who lives up the Baram – Jeru. Using an enormous diamond, Jeru has lured other treasure hunters up the river, none of whom have ever returned. Kardec tries to warn the two about this but, since it was one of Jeru’s followers with the diamond and not the old man himself, Lacklan decides Kardec is just making trouble. Further angered, Kardec says it’s their funeral and lets them go…

However, the thought of Helen’s head being added to Jeru’s collection finally gets to him, and he packs up to follow the couple upriver.

While this was a riveting story, I cannot say it was one of my favorites. It is much darker than L’Amour’s normal fare – and Indiana Jones’ stories, for that matter. Also, L’Amour rarely had this type of love triangle go on in his stories, but when he did do it, I always found it annoying. So though “The Diamond of Jeru” was well done and relatively interesting, it isn’t a story I like to reread much.

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This means that the piece following this one, “Secret of Silver Springs,” was a breath of fresh air when I picked up the book first. As the title suggests, this is a Western; four men meet on a stage route and, being short on cash, they decide to rob the next coach coming down the line. Instead, they end up saving it from men who want to kill the passengers on said stage. The story starts with this intriguing reversal and, though it gets a bit dark, it is in general the type of Western I have come to expect from L’Amour, making it well worth the read.

Following this we have “The Unexpected Corpse,” a detective piece about a PI who gets a call from an old friend who is now an actress. Having found a dead man in her home, she calls our hero to “hush…up” the mess, but he calls the cops instead. Though he knows the woman has the ability to kill, our detective is ninety percent sure she didn’t commit this crime. But it all comes down to proving that – before the police put her behind bars.

While this story was a little dark, it is not as sinister as “Jeru.” Nevertheless the next tale, “The Rounds Don’t Matter,” was a much better installment. Patty Brennan, an up and coming boxer engaged to the daughter of a police chief, is trying to help the cops catch a mobster who works as a boxing manager. This mobster likes to have the other boxers throw the fight so his man wins the match; those who won’t take the money get taken out. One of those honorable fighters was Patty’s best friend, and he intends to see this guy pay for murdering his pal.

After this we come to the final story in the book, which is called “Time of Terror.” This has to be the darkest story L’Amour ever wrote – it is certainly the most frightening one of his that I have ever read. While having a drink at a bar one night, the hero of this tale sees a man walk into the bar – a man who should be dead. Turns out that this old friend isn’t so friendly; he made a fortune faking his demise, but there are a few loose ends he has to wrap up before he can feel safe enough to live on his ill-gotten gains.

One of those loose ends is our hero.

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In all, Off the Mangrove Coast was not a bad read, though “Jeru” and “Terror” both creeped me out. None of that blights the other tales in this collection, however, which is why I recommend it. Off the Mangrove Coast would be worth the read for the title story alone, but add “Silver Springs,” “The Rounds Don’t Matter,” “It’s Your Move,” and “Fighters Should Be Hungry” into the mix, and you can pass a good evening with this collection.

Despite my criticisms, “Jeru” and a couple of the other stories here were interesting for their historical accuracy. (Plus, the husband in “Jeru” proves that the rotten professor isn’t a recent development, so L’Amour gets points for that.) The only piece in this book that I wish I had not read is “Time of Terror.” THAT was a spooky read. *Shivers.*

These are my opinions, of course; if dark tales are to your taste, you may like the stories I hate and hate the ones I like. All this blogger has done is praise the pieces in the collection which she found most enjoyable. “Terror” and “Jeru” might be right up your alley, readers.

But you won’t know that for sure until you check this book out! 😉 Have fun looking up Off the Mangrove Coast, readers – and feel free to come back with a comment telling me which stories you liked best!

‘Til next time!

HAPPY INDEPENDENCE DAY!!!

HAPPY INDEPENDENCE DAY, READERS!!! God bless you, and God bless the United States of America!!!! Have a great day!

The Mithril Guardian

America the Beautiful

 

God Bless the U.S.A.

 

American Soldier

 

Made in America

 

The Star Spangled Banner

Transformers: The Last Knight – A Review

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Yeah, yeah, I know, this review is waaay past a day late and a dollar short. But I have been busy, and the film was so poorly reviewed that watching it as soon as it hit DVD was not a priority for this blogger. Not until a friend decided to see it and asked that I join in to watch the (hopefully) entertaining film.

*Sigh.* Mi compadre liked the film; I have mixed feelings about it. There were elements/characters/scenes of The Last Knight which I enjoyed, and then there were things I did not like. I will list the problem parts to get them over and done with quickly before mentioning the positive aspects of the movie:

Problem #1: The Plot – As one reviewer said, if you want to watch this movie, enjoy the robot fight scenes and forget about the plot. Even I, a relatively well-informed Transformers fan who kept (most of) the plot for this film clear, found it switchbacked and retread ground too often. It’s like three or four of the seven people writing this story left in elements from one another’s original script when they should have excised or changed them. There is too much going on that either happens too fast or occurs too slowly.

Problem #2: Not Enough Optimus Prime and Bad Brainwashing – In a continuation of the modern trend to delegitimize heroes Optimus Prime, the noble leader and the father figure in the Autobot faction, gets brainwashed temporarily into attacking and killing some of his allies. Obviously, I didn’t like his being brainwashed to begin with, but I could have handled that if the filmmakers had at least convinced me that he was being influenced by another’s will after enduring severe torture.

However, from what little we see of Optimus before the end of the movie, it looks more like the villainess of the film just talks him into being bad. Having the good guys snap him out of it fast is fine, but how about a little lead up to his being mind-controlled? The Avengers had a MacGuffin (the Mind Stone) which allowed for instantaneous brainwashing, but the bad girl in Last Knight is only shown beating up on Optimus twice. Bottom line, we didn’t see enough of Optimus in this movie, and most of what we did see was negative in the extreme. That’s an automatic demerit in my book.

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Problem #3: Too Much Foul Language – Truth be told, this has been one of my main problems with the Transformers films from the get-go, along with the oversexualization of the main female characters. While Last Knight dropped the more explicit sex stuff, almost everyone in the film had a potty mouth, with the worst offender being Anthony Hopkins.

This is why the Transformers movies rank at the bottom of my entertainment media. The franchise started life as an innocent children’s show, and even in its darker TV incarnations, it isn’t anywhere near this foul. I have never understood, from the POV of a Transformers fan, why the writers decided to sexualize the franchise and allow the characters – human or not – to be foul-mouthed twerps. It’s like they cannot believe anyone would take a film like this seriously unless the humans in it were screaming epithets or hooking up every five scenes.

Hello, bozos, this was a children’s franchise!!! You should have been aiming to please the PG-13 to G rated audience. So what if the critics carp about the films being unrealistic? They are not and never were the ones you had to please to sell your product. Why can’t you respect Transformers fans as much as the guys running Marvel Studios have respected theirs?

Yes, I know this is a relatively useless aside, readers. But I have been holding that paragraph in for years. It is past time I let it out – and it feels soooo good to have done it at last!

Problem #4: Merlin as a Joke and Stanley Tucci Needs a Better Agent – Seriously, the best part I have ever seen Tucci play was in Captain America: The First Avenger. Every time I see him in a new film, he is either playing a foul-mouthed jerk or a washed-up annoyance. He should fire his agent or choose better parts.

Yes, it is true that Merlin appears in The Last Knight, which decided that tying the Transformers to the Pyramids and the moon landings wasn’t enough. Now they have to go back and add Tranformers to the Legends of King Arthur, since mankind is apparently too stupid to figure out knighthood on his own. Rather than being a wise, powerful, and benevolent magician, Merlin is portrayed in the beginning of this film as a drunk and a charlatan. Thanks but no thanks, Hasbro; I like my Merlin to be a respectable magician, not a souse. Go beg for someone else’s money.

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Problem #5: Quintessa as Transformer Goddess – Okay, first off, the Quintessons were aliens opposed to BOTH races of Transformers in the original stories, and it was their homeworld which was called Quintessa. Now we get this film revamp where there is only one Quintesson – a female, at that – who claims to be the Transformers’ deity, when even in the previous films it was the Transformers’ deity Primus that made the Autobots and Decepticons? *Author pinches nose and sighs.* Can someone please stop the revisionist train so I can get off now?

Problem #6: Rewriting the Timeline – It’s not as if the films’ series of events was hard to keep track of before the writers decided to redo everything from the ground up. What exactly is the purpose of re-aligning a timeline that you have practically killed already? Your circular logic is giving me a headache, Hollywood!

Problem #7: Planet-wide Devastation? You went with that trope AGAIN?!?! – In this film, the destruction of the moon and many major population centers really hits home in a bad way. Like the X-Men films, this movie focuses on nihilism and despair; although the heroes win in the end, the enormous loss of life and near global destruction makes their victory a Pyrrhic triumph. They lose more than they save – the film ends with more torn up cities, more catastrophic human body counts, and irreparable damage done to the face of the Earth.

This is another problem I have with the TF film franchise. Heroes in most stories always try to minimize the damage the bad guys inflict on innocent civilians. It is a mainstay of the Avengers films AND the Transformers TV shows. The fact that Hollywood has most of the Autobot/Decepticon confrontations occur in large population centers, where they make sure to show massive devastation and imply great loss of life, is directly anathema to the franchise’s roots. The Autobots are supposed to care about and work hard to protect humans, but the films never really demonstrate this – and, in a couple of cases, they directly oppose the idea. This is probably due to the filmmakers’ desire to make the movie franchise “more realistic” than the TV shows.

I’m sorry, but since when were we supposed to take ANYTHING in a movie seriously?! Films are supposed to be a form of escape wherein we (the audience) are encouraged to reach for heights of grace and heroism by following the example(s) of the hero(es). They are not and should not be used as vehicles for nihilism. If that is all you want to feed us in theaters, Hasbro, then you can kiss my money and precious time good-bye. There are much better things for me to spend both those things on.

Okay, with these seven big complaints covered, I can expound on what actually made this film worth my time. Most of the reason I was able to sit through this movie was Mark Walhberg’s performance as Cade Yeager. Whether you love Walhberg or not, the fact is that he did an excellent job in this film. He sold the audience on the idea that he was talking to living, thirty foot tall robots and not tennis balls on sticks. The scenes where he deals with the Autobots under his command/care are the closest this film comes to touching on why children around the world love the Transformers TV franchise(s).

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His character, Cade, has also softened somewhat since we saw him in Age of Extinction. (You can read my review of that film here, if you would like.) Watching this movie, you can almost feel the brotherly camaraderie he has come to share with the Autobots, especially Bee. His relationship with Optimus gets short shrift in this film, but that’s the fault of the writers, not Walhberg. Cade’s transformation (pun not intended) from down-on-his-luck-independent-inventor to trigger-happy Autobot ally and fugitive doesn’t feel particularly forced, either. He is doing what he needs to do to help the Autobots survive until Optimus returns and he will not let anyone – human or Decepticon – dissuade him from his purpose.

Once again, he gives us very few screaming and “freak out” moments than we saw in the previous movies, where Shia Labeuf was always having panic attacks during a battle. The gentleness and compassion he shows to a dying Cybertronian knight in the beginning of the film is especially touching. It cannot have been an easy scene to film, either, given that Wahlberg was probably talking to a lump of plastic and a green screen.

This leads to another great aspect of Cade’s character in the film: the title Last Knight is not a reference to Optimus Prime, but to Cade Yeager. The knightly attributes which allow Cade to help save the world become more and more obvious as the film progresses. It is really nice to finally have a “chaste” character in one of these movies, even though it is too little, too late. Walhberg pulls off a splendid performance here. I have virtually no complaints about his acting, even when he has to use foul language. Given the rest of his presentation, I can put up with that relatively easily.

In a similar vein, the two girls who appear in the film are not tarts used to titilate/“intrigue” the audience. But while the fourteen year old girl (Izabella) is fun, adding depth to Cade’s character and touching on the childhood wonder of the Transformers, I am not exactly sure her presence was truly needed to complete the film. She wasn’t a bad character, but I do not think she was necessary for the story to work.

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The adult woman in the story, Vivian, has the second-worst potty mouth in the film. Though she is (thankfully) not a trollop, she is a jerk with a chip on her shoulder. It is made abundantly clear from her first appearance onward that she hates men. Normally, that would grate on my nerves and, while I am not fond of her, it was really nice to FINALLY have a female jerk in a Transformers film who did most of the screaming. This meant that I could easily accept her; in a real situation where humans meet thirty foot tall mechanical humanoids, I am fairly sure it would be the women freaking out more often than the men.

Another nice touch to her character is that she is an Oxford professor. While Izabella is given the position of mechanic-in-training, the writers somehow got it into their heads that Vivian should not be mechanically savvy. (YAY!) While Vivian is a fighter, she is not a terribly great one. It is nice to see a strong woman who is rather pathetic at physical combat but who nevertheless has a will of steel. I will take a feminist Oxford professor who fights hard but improperly, who is fluent in medieval languages, and who knows history over the faux Amazonian stereotype any day.

That reminds me, one of the best things about the addition of Vivian to this film is a brief spat she and Cade share in Hopkins’ manor house. Having been “kidnapped” by a young Autobot on Hopkins’ orders so that she can help save the day, Vivian is not in a good mood when the explainations begin. She becomes especially upset when she sees her world-saving partner is a male American fugitive. Vivian tries to slap Cade down at once but he bites back at her, criticizing her education and her dress. “Well, then, perhaps you would like it better if I took [the dress] off?” she snaps waspishly. Clearly, Vivian is expecting Cade to become embarrassed by her retort and to stutter a rejection, giving her leverage against him.

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You can see that he almost falls for the bait – almost. To my infinite delight, Cade instead does a quick one-eighty degree turn and says, “Yes [I would].” He doesn’t actually mean it; if you look at him closely, you can see he is worried that she might carry out her threat to undress in front of everybody. But his decision not to accept Vivian’s abuse quietly leaves her gaping and temporarily at a loss for words. It was probably the best scene in the movie! 😀

This scene is also important because, as she continues to verbally spar with Cade, Vivian starts to grow and change. Cade’s continuous refusal to take her vocal mistreatment makes her soften; she becomes less abrasive and demonstrates more feminine characteristics the longer they work together. In a fascinating reversal of Hollywood trends, Cade is allowed to be a “manly man” and Vivian is allowed to become a real woman. She is not the Femi-Nazi, faux Amazon warrior we are fed too often these days in modern fiction, which is a really nice change – especially for a Transformers film.

Cade and Vivian’s character arcs, while slow, were the best in the film. Bumblebee was good and even Hot Rod, a franchise character I despise, was fun. (Can we get his time gun for the Avengers? They could really use a gizmo like while fighting Thanos!) Seeing so many Autobots hidden around the world was really nice, too, since we got brief glimpses of more Transformers as characters, not just gimmicks. It was a surprisingly touching addition to the film.

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Another nice thing about it was having Josh Duhamel return as Colonel Lennox. (His comment about lawyers and Decepticons was a scream!) He pulled off the weary soldier act very well; my only complaint is that he wasn’t given as much of a chance to show his faith in the Autobots as Cade was. Hopkins’ Transformer butler Cogman was fun, too, if a little foul. The “kidnapping” of Vivian by Hot Rod was a good scene as well.

This is all I can really think of to praise the film for, which isn’t much. As my list of complaints at the top of this post made clear, this movie really isn’t recommended. But that has less to do with the actors’ performances and more to do with the way the story was executed. I will probably watch this film again in the future at some point. But when I do, there will be a lot of scenes I skip, since most of the ones I liked had Cade in them. The rest of the show can go hang; Cade is the star attraction this go around, with Bumblebee a close second.

This is my opinion of Transformers: The Last Knight. It isn’t anywhere near as palatable as Age of Extinction, but it is an improvement over the first three films, and that says a lot about the quality of those movies. There is also some genuine character growth for the humans here, which is a nice change. If none of this makes you want to see Last Knight, though, don’t worry – I understand completely. That’s why I wrote this review; The Mithril Guardian is watching out for you, so that you don’t have to watch bad entertainment to learn something good from it. 😉

‘Til next time, readers – “Autobots, roll out!”

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Spotlight: Zoids – The Dark/Red Horn

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Rosso and his Red Horn

And we are back with another post about a zoid, readers! Technically, we will be discussing two different “mechanical combat units” today. They are both the same “species” and probably count as the same zoid, just with different color schemes. Visually, that appears to be the only substantial distinction between them.

Today’s subjects are the Styraccosaurus-type Dark Horns and Red Horns. Used by the Imperial Army, Dark Horns and Red Horns are the zoids piloted by anyone holding the rank of Lieutenant on up. They are not infantry creatures; you get to use them only when you move up in the ranks.

The cockpits for both zoids are in their heads, under those glowing green eyes. They can be outfitted with almost any type of arsenal, from machine guns to missile launchers to the trademark three-barrel cannon on their backs. They also have smaller guns attached to their chins, shoulders, and hips, along with radar equipment.

View the video below to see them in action, readers:

While not exactly fixed weapons, Dark Horns and Red Horns weigh a lot and are therefore relatively slow when compared to other zoids. The fact that they are so low to the ground doesn’t help, either. Nevertheless, Harry Champ from Zoids: New Century Zero was able to reduce his Dark Horn’s turning radius and increase its speed with boosters he had installed in the zoid’s hips. But those were eventually fried because he over relied on them during his battle with the Blitz Team. That’s really not surprising, since the guy had more money than brains and generally couldn’t find his way in out of the rain unless you pointed him in the right direction.

But it did prove that the Dark Horn and the Red Horn can have their speed increased. Most pilots do not go in for such drastic modifications, probably because they can’t afford them. We never saw this device used by the Imperial Army, which means the boosters either were not available in this time period on Zi, or they were too expensive to be bought and installed en masse. Either explanation works.

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The only time I ever saw a Dark Horn piloted well was in Chaotic Century. In the episode “Raven,” Van’s old nemesis gets his hands on a Dark Horn and uses it effectively against our hero and his friend, a Lieutenant in the Imperial Army (more about him later). Raven was able to catch a Dibison’s chin on the Dark Horn’s nose horn and, using the other zoid’s momentum and weight, roll it onto its side. He was also able to make the Dark Horn leap over Van’s Blade Liger while the other was running toward him. So the Dark Horn it capable of quite a lot. Most pilots, however, are utterly incapable of getting such amazing results from it.

We didn’t see too many Imperial Red Horns during Chaotic Century’s run. The one I remember best is the Red Horn Rosso piloted before upgrading to an Iron Kong. Rosso achieved his full potential as a pilot in a Storm Sworder, although he piloted his Iron Kong with special skill. In contrast to that, his ability with the Red Horn is nothing to write home about….

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…Except for the fact that it hints at his growing talent. While we don’t see Rosso do much more than shoot and charge in his Red Horn, it is never implied that he is a lightweight in combat. Looking at the picture of him below, you would think that was obvious; Rosso is not a shrimp by any stretch of the imagination. But that doesn’t mean he was, is, or will be a good pilot. “Size matters not” in the cockpit of a zoid; as long as you can reach the controls and work the pedals, you can pilot the zoid you are sitting in.

Rosso’s Red Horn had thick armor, especially on its nose. He was able to deflect the twin shots from a Shield Liger’s back cannon with it. The maneuver didn’t require him to do anything but turn the zoid’s head, and it didn’t so much as scratch the Red Horn’s paint. Under his control, the Red Horn was also able to break through a Shield Liger’s shield with a blow from its nose horn. After Raven, he is the only pilot I could point to as being exemplary in the command of such a “mechanical combat unit.”

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The last time I can recall hearing about a Red Horn was in Zoids: Fuzors. It appeared briefly during an arena battle, and its nose horn had been modified to act like Liger Zero’s Strike Laser Claw Attack. When activated, the forward part of the nose horn would glow yellow, charged with energy so it could slice through an enemy zoid’s armor. It seems like a rather ridiculous modification to me; the Red Horn’s and Dark Horn’s best assets have always been in the tip of the nose horn in my opinion. Having the front part of the horn slice through an enemy isn’t overkill so much as it is… Stupid.

All in all, Dark Horns and Red Horns were pretty effective tanks. Slow though they were, they could deliver in terms of fire and ramming power. Again, predator-style zoids are more my thing, but I don’t recall thinking Dark Horns and Red Horns were silly “mechanical combat units” to take into combat. They could be deadly when used properly, and their arsenal was never anything to scoff at, readers.

Well, that’s it for now. I have one more Zoids post coming up, and then we will all take a break before I do any more. You won’t see those zoids posts for a while, but they will be comin’ round the mountain, don’t you worry.

Catch ya later!

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