Called and Chosen: Fr. Vincent Capodanno – A Documentary

“A true warrior does not fight because he hates what is in front of him, but because he loves what is behind him.” (G.K. Chesterton)

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Twentieth century Westerns were not my only film fare growing up, readers. I saw a lot of World War II movies as well. The Longest Day, Sands of Iwo Jima, and many others played across my parents’ television screen when I was young. The films taught me to love and respect America and the Americans that make up our military better than any speech or essay could have.

I loved watching these World War II films. The sense of unity, of purpose, the will to fight and defeat evil, thrilled me. But after 9/11, I learned that the modern world was nothing like the one I saw in those movies about the “Greatest Generation.” It has taken me long years of study to learn how the “Greatest Generation” turned into the generation which protested the Vietnam War, but I am no longer confused about the gap and the change in the way that I once was.

By this circuitous route, we come to the subject of today’s post, the EWTN documentary Called and Chosen: Fr. Vincent Capodanno. Fr. Capodanno was a Catholic priest and Navy chaplain during Vietnam. He did not begin his ministry in the Navy; in fact, joining the military was the furthest thing from his mind when he entered the Maryknoll seminary in New York at the age of twenty.

Inspired as a boy by the stories of martyred missionaries who had left Maryknoll to preach to the Chinese, Fr. Capodanno entered the seminary and was ordained a priest. He was sent to Taiwan for some years, returning home to visit his family after that missionary stint. To his dismay, he learned his next assignment would not be back in his beloved Taiwan but in Hong Kong, which was not then part of Red China.

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Desperate to return to Taiwan, Fr. Capodanno wrote letters to his superiors asking to be transferred there or to be sent home for another assignment somewhere else. He continued to do this even after his requests were rejected. So it was with some surprise that his superiors received an abrupt, new request from the priest: he suddenly wanted to become a Navy chaplain, and he wanted to be assigned to the Marines serving in the jungles of Vietnam.

Well, any request to go to Vietnam would be surprising back in the ‘60s, when the War was being manhandled by politicians and protested vigorously by the academics, the media, and their unfortunate cohorts of young believers across U.S. campuses. Nevertheless, Fr. Capodanno’s new request was granted and he underwent a year of chaplain’s training before being assigned to the Marines. He died in combat September 4, 1967, giving the Last Rites to the Marines who died when his division was ambushed by the Viet Cong.

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I will not spoil any more of the documentary for you, readers. You can find it on DVD through EWTN, Amazon, or Ignatius Press. Toward the end of the film, I had to sniff a lot to keep from crying. Fr. Capodanno’s story of love and sacrifice is moving on its own, but that is only part of the reason why this blogger had to hold back tears.

You see, even when I did not understand the stories about Vietnam completely, I did realize that the men who had served in that war were different than the “Greatest Generation.” Slowly, by degrees, I began to comprehend how they were abused by the public after they came home.

What really stymied me, however, was why they were treated like this. Referring back to the top of this article, you will recall my mention of movies about World War II. Several of these were made before the War had even ended, yet our soldiers who were fighting overseas were being cheered to the echo nonetheless. We didn’t know for a while there whether or not we would win, but the movies of that era never wavered in their morale-boosting narrative that victory was within our grasp.

The incongruence between the lionization of the “Greatest Generation” and the attacks on the Vietnam generation made so little sense to me that I did not pay very much attention to it for quite some time. Learning more about Vietnam over the years, though, I cannot convey in words the profundity of my ire for the academic/journalistic complex who mistreated our men when they came home, nor for the politicians who seized on their narrative in order to remain in power.

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Now, of course, some of you will start yelling about the politics and the reasons why the Vietnam War was wrong. The politicians and people in charge of fighting the Viet Cong did not run the war effort well, I grant you; I believe a number of them actually wanted us to lose it. Their “mistakes” also gave the academics and journalists ample opportunity to attack and demoralize our military, making matters even worse. But none of this means the War itself was wrong.

More to the point, to borrow Fr. Capodanno’s answer to those who challenged him about the War’s politics, the affairs of state were no excuse to abuse our returning veterans. Our men were fighting, bleeding, and dying in Vietnam’s jungles. They were far from home, in a place they didn’t want to be, fighting for a cause no one clearly explained (the defeat of the Communists in Vietnam to preserve freedom there and in the rest of the world).

Yet the populace who should have respected them for their sacrifice was encouraged – nay, goaded – into treating them like trash when they came back. Our men returning from the Hell that was Vietnam were subsequently hounded and derided as cowards, monsters, and demons when they came home.

They were told they were more hideous than the enemy that tortured, maimed, and killed their brothers. They were told that they were worse than the Communists who used women and children as human shields, that they were as evil and cruel as the beasts who used children as suicide bombers, spies, and soldiers. They were treated as ticking time bombs that might go postal on innocent bystanders at any moment because they had been to Vietnam, where you could not tell who was friend and who was foe. They returned from hell to face a new hell; a hell where their families, friends, neighbors, and total strangers tortured them with words, actions, or petulant, suspicious silence.

Never again. I never want to see this happen to our armed forces again. For the rest of my life I will read these stories, hear these tales, and watch these documentaries with tears in my eyes. Those tears will not just be for the suffering of our men and the South Vietnamese during the war. No, they will be for the treatment our men received when they came home, and for the retribution wrought by the Viet Cong on the South Vietnamese after we left them to the Communists.

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Vietnam was not a lost war. It was a war that was thrown away, the one war where we snatched defeat from the jaws of victory – we, who had saved the world in World War II, threw away a war we had won! “When I went under, the world was at war,” Cap said in The Avengers. “I wake up, they say we won. They didn’t say what we lost.”

We lost a lot. We lost a whole hell of a lot, readers. And we lost it because we threw it away.

The sense of shame I feel for what we did to our military and the South Vietnamese becomes so intense at times that it almost makes me physically sick. They did not deserve this abuse – not a one of them earned it. We went from a nation of heroes – a nation with “the Greatest Generation” – to a nation of indecisive cowards in the space of twenty years.

Never again, readers. We cannot – we must not – let this happen ever again.

When you watch the documentary, you will see that Fr. Capodanno understood what I am telling you right now. The Grunt Padre, as his Marines affectionately dubbed him, died making sure his men were safe. In a time when the American people largely regarded them as no less evil than the Communists they fought, one Navy chaplain made a difference by treating the Marines under his care as the human beings they were. You cannot listen to a description of his life in Vietnam and not consider him a hero, readers. Hero is too small a word to encapsulate what Fr. Capodanno did for these men – far too small.

I hope you get the chance to watch this documentary. At some point, I also hope to read and review the book about Fr. Capodanno, called The Grunt Padre, so I can learn more about this chaplain I admire so much. Knowing how much Fr. Capodanno did for those Marines lifts some of the guilt from my shoulders. It is good to know that not everyone in the U.S. hated the military during Vietnam; that there were those who treated our men with the honor, respect, and the love they deserved even when doing so was not popular.

It also firms my determination never to fall into the trap so many others landed in during the ‘60s and ‘70s. Attack the U.S. military at your own peril here at Thoughts on the Edge of Forever, readers. You will find that I do not accept such assaults. Period.

In closing I leave you with this video of the U.S. Marine Corps’ Hymn –

And with the prayer that God will bless you, the United States military, and the United States of America for many more years to come.

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Spotlight – Zoids: Chaotic Century – Van Flyheight

Last year I promised that I would begin doing Spotlight! posts about the characters from my favorite Zoids series, along with articles about the “mechanical combat units” themselves. Today, I am making good on that promise; here we will discuss the hero of Zoids: Chaotic Century – Van Flyheight.

Van is fourteen at the start of the TV series (the translators in Canada mistakenly have another character in the show say he is seventeen). Raised in the farming town of Wind Colony, Van’s father died five years before the series begins. Imperial soldiers came to the Republican colony when Major Dan Flyheight and a group of Republican soldiers were nearby. The commander of the Imperial division threatened to burn the village to the ground, but Dan Flyheight and his white Command Wolf, Zeke, took the entire unit down single-handedly.

So at the beginning of the show, Van is being raised by his older sister, Maria, in the Wind Colony. Every chance he gets, he sneaks away from her to explore the ruins of nearby military bases. Judging by their appearance, these bases long predate the current war in the show. Van does this to seek adventure and scrounge for scraps of salvage, despite his sister’s constant warnings that this is dangerous – not to mention her insistence that he do his chores.

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Van Flyheight

But come on, what fourteen year old boy who wants to be the greatest zoid pilot ever is going to listen when his big sister tells him to do boring chores? As the village priest tells her, “You can’t stop the boy from wanting to find a zoid of his own.” And that means she cannot stop him from running off to the desert.

Open, energetic, and easily excited (or offended), Van once again escapes his sister to go exploring in the first episode of Chaotic Century: “The Boy From Planet Zi”. But he gets more than he bargained for when a bandit named Bole begins chasing him in a newly acquired blue Guysack (scorpion-type Republican zoid – more on that another day).

Van escapes Bole by the skin of his teeth, hiding in the ruins. Then Bole’s compatriots/babysitters, Bianco and Nero, come to dig their young charge out of the rubble. Before they do that, they shoot at the ruins to trap Van inside so he cannot go running off to tell the villagers he saw them. That would bring the Republican Army down on the Desert Alca Valino Gang, and none of them want official trouble.

Inside the ruins, Van notices a heretofore hidden door which is now askew. He goes down the path to find a secret room with two green stasis pods inside. Accidentally opening the first, he encounters and befriends Zeke.

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Van Flyheight and his organoid, Zeke

More information about their first meeting can be found here and here, readers, if you want to start watching the series. Even all these years later, I absolutely love this show, and Van is a big reason why.

Despite the fact that he starts out reckless, hotheaded, and callow, Van quickly wins a viewer’s affection with his willingness to pick himself up and dust himself off. His kind, selfless nature make up for his naïveté and impulsive behavior. Over time he matures into a stronger boy, eventually becoming a great young man you still want to cheer on.

While it seems like mere luck that Van lives long enough to become the “greatest zoid pilot ever,” there is actually a lot of raw talent backing him up. Van has the potential to be a great pilot right from the start; he is perceptive, inventive, and quick-thinking. All he needs to learn at the beginning of his career as a pilot is how to put that together with his fighting skills instead of charging blindly into a battle.

It must be said that no one viewing the show would love zoids very well without Van Flyheight. A boy “with a strong fascination with zoids,” Van loves the mechanical animals almost as much as he loves those who are related to him or who are his friends. The entire reason he and Raven, his archnemesis through most of the show’s run, begin their feud is because the latter takes pleasure in brutally destroying zoids.

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Raven vs. Van Flyheight

And when I say brutal, readers, I mean brutal. Van rightly calls Raven’s attacks evil, but we would not really notice how evil they were if not for our hero’s instinctive reaction to Raven’s fighting style. This brings another characteristic of his to light; much like Captain America/Steve Rogers, Van has a heightened sense of right and wrong. He may not be able to explain how he knows the difference between good and evil on occasion, but when he sees some wrong being committed – no matter how small it may be – he instantly recognizes it and acts to correct the transgression.

Of course, some will ask how I can say this, given Van’s penchant for sneaking away from his sister and disobeying her. First, it is important to remember that I did not say Van was a saint. I said he was good – about as good as Captain America, though he may be a few bars lower on the scale. Besides, avoiding chores does not make anyone a criminal-in-training; it certainly seems that Van was obedient most of the time. And who knows where we would be if he had not snuck out to play in the desert every once in a while? Zi would be worse off if he had stayed home, I can assure you!

This exemplary standard of goodness in Van has a profound effect on those he meets. They are impressed, either immediately or over time, by his innate goodness, his determination, and his no-quit attitude. We see this most in the first adult friends he makes outside Wind Colony: Irvine and Moonbay.

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Irvine and Van meet in the episode “Memory.” A wandering mercenary who fights or “protects” for money, he is in the area when Van and Fiona get lost in a sandstorm. On the hunt for an organoid to increase his power and strength, Irvine decides to try and steal Zeke from Van. You would think this would make them enemies and, for a while, they certainly are not friends.

But Irvine is not yet so far down the Dark Path that he is immune to Van’s inborn decency. Before you know it, he is traveling along with Van, Zeke, Fiona, and Moonbay. Though he says several times he is just waiting to find an opportunity to steal Zeke, it quickly becomes apparent this is no truer than Han’s statement in A New Hope when he says he is only interested in the money. Van’s goodness awakens and enhances Irvine’s, bringing it to the fore and making him a better person. The two eventually become brothers – not just in the sense of being fellow pilots of high skill, but in the fact that they watch out for, care about, and protect each other.

Moonbay fills the role of mother for Van in the beginning, a little like Hera Syndulla does for the crew in Star Wars Rebels. But where Hera is calm, cool, and very hard to ruffle, Moonbay can and will raise her voice in fury when someone ticks her off. Like Irvine, she has also become jaded by “real life” and she has a mercenary streak. More than once we see her wheeling and dealing on the side to earn more money than others think she needs. Van only directly confronts her once during one of these deals when she almost pulls a genuine swindle, telling her that he “can’t explain it using big fancy words but… [he] sure know[s] the difference between right and wrong!”

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In reality, Moonbay is not much of a mercenary. She just loves traveling, which means that she needs enough money to support herself – not to mention the rest of the gang while they are roving along with her. As a disciplinarian, she is able to get more and better results out of Van than Maria for the simple reason that she is not his older sister. She treats him like the kid he is and tells him off when he deserves it – sometimes with a punch, if she feels he has earned one. At the same time, Van’s goodness keeps Moonbay honest and makes her strive to be better, even if she won’t necessarily admit that out loud.

Zeke remains Van’s best friend and fellow combatant throughout the series. The two are devoted to each other, almost like twin brothers (as opposed to the older brother/younger brother relationship Van and Irvine share). Much like Van, Zeke seems to be possessed of an inherent gentleness and goodness. Where others might have beaten this out of him, Van’s natural kindness enhances Zeke’s and keeps him innocent.

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Van and Fiona

Finally, we come to the relationship Van has with Fiona Elisi (Alicia?) Linnet, the Ancient Zoidian girl he finds in the same ruins where Zeke is hidden. When Fiona is released from her stasis pod, she initially has no memory of who she is or where she came from. She cannot remember her real name (Elisi Linnet), only the name “Fiona.” Despite being irritated by her constant questions in the first two episodes, Van immediately works to help Fiona, taking her to his village so she can be safe.

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While they start out as friends, over the course of the show the two obviously fall in love. Though we only see them kiss once (when Fiona has to talk to Van via a psychic image and/or hologram), the rapport between the two is not that of a brother and sister or of two friends traveling together. It is most definitely romantic, and in the best kind of way. This is made blatantly clear in episodes such as “A Voice from Afar” and “New Liger,” where Van can hear Fiona’s voice in his mind. The two early on show signs of developing a romantic bond, which seems to be the basis for the psychic tie that arises between them.

But the relationship which has the most profound impact on Van’s character is one we never see. This is his bond with his father, Major Dan Flyheight. Though we never watch them interact on screen, Van’s dedication to becoming “the greatest zoid pilot ever” is due entirely to his admiration of, and his love for, his deceased father.

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Dan Flyheight

We only see Dan Flyheight once in a flashback in the episode “The Distant Stars.” However, that brief glimpse shows us where Van gets not only his piloting skills, but also his kindness, gentleness, and strong sense of right and wrong. Dan’s last words – his last thoughts – are for the two children he will leave behind, showing that the strength of Van’s love for his family and friends was learned at his father’s knee. He even names his best friend Zeke after his father’s zoid. In a world where the power of the father is laughed off and derided as unnecessary, Van proves the exact opposite with his fond remembrance of the father he lost too early.

The plot for Zoids: Chaotic Century is the joys and travails not only of a boy becoming a man, but of a page becoming a knight. Van is needed now more than ever for viewers, boys and girls both. Girls will learn what really makes a man by watching this series, while at the same time boys learn the virtues which will be their guides and friends throughout their lives.

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If, as is possible, someone intends to make a film (or a series of them) about Zoids: Chaotic Century, they HAVE to get Van Flyheight right. If they do not do that, then the movie(s) they make will be worthless, or very close to it. Along with Captain America, Aragorn, Optimus Prime, and Sir Galahad, the one character in the universe who you CANNOT mess with is Van Flyheight, readers.

But you do not need to take my word for it; just visit the posts I have about the show to see what will be lost if Van is not brought to life properly. Or, better yet, hunt down Zoids: Chaotic Century’s eleven DVDs on and watch the show yourselves. If you hate it, I will be surprised. If you love it – welcome to Zi, readers! We’re happy to have you on the battlefield!

Catch ya later! 😉

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Wind River – A Review

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For the most part, there is a general rule I have about films: I watch them (or their trailers) before I buy them. The last thing I want is to spend money on a film only to find out it is not worth the powder to dispose of it. Sometimes, however, I end up breaking my own rule. It is usually pretty bad when I do not like said film myself, but when I buy it as a present for someone else and we both have problems with it – oh, the mortification!

To be fair, Wind River is a good movie. It’s just not great. I will take on the plot deficits first to get the negativity out of the way before I get to the positive, because there IS a positive here. It just does not make my overeager mistake any less embarassing.

With few exceptions, modern Westerns do not excite or interest me. This is because it has been obvious for years now that Hollywood no longer respects or loves the Western; they mock the genre in general. Nevertheless, whenever I hear about a new “Western” coming out, my ears prick up and I pay attention. It does not usually take more than one viewing of the film’s trailer for me to decide whether or not the “Western” in question is a movie I want to watch.

This also explains why Wind River slipped past my defenses; I never really saw the trailers for the film. I read the description for it months after it came out (took that long for someone to actually write a proper report about it), and it sounded interesting, almost like an extended episode of Longmire. That is an impressive series which I can no longer watch and so, with this in mind, I got the film for a friend as a Christmas gift.

For the most part, I would say we were impressed with it. But there were problems with the story. If you do not want any spoilers for the movie, sorry, you are getting them. Here we go:

The premise for Wind River is that an Arapaho Indian girl is found raped and frozen to death out on the Wind River Reservation by a Fish and Wildlife hunter (Jeremy Renner). This brings up bad memories for him, since his own daughter died similarly three years ago. Plus, the current dead girl was his daughter’s best friend. So we have a one-two gut punch here, and a pretty compelling one at that; so far, so good.

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He alerts the Reservation police to his discovery and they call in the FBI. In their typically abstract, disinterested fashion, the Feds send in a young inexperienced agent from their Nevada office (Elizabeth Olsen) to investigate the girl’s death. Having recently transferred there from Ft. Lauderdale, Florida, Olsen’s character is far from prepared to deal with the Wyoming spring. They take her out and show her the body after getting her warm clothes. Once at the scene Renner’s character, Cory Lambert, positively identifies the dead girl (again).

Now we come to the disappointing parts of the film. One recurring difficulty in the movie was that the actors and actresses tended to speak Soto Voce. It meant we had to dial the sound up way too high for comfort to hear them, and even then they were hard to understand. Then we have the villains, identified as “oil field trash,” who are guarding a couple of nearby rigs which have been shut down.

This was a big, BIG sticking point for me and my friend. I knew of the plot point going in, and though it stuck in my craw, I was willing to watch the film anyway. My friend is more accustomed to the demonization of oil field workers than I am, so that was not mi compadre’s main difficulty with that part of the film (though it was still irritating). No, what got my amigo here was something else entirely.

During an after-film discussion, my friend explained that once oil rigs are started, they do not shut down until the rig strikes oil or gas. Only after this is it shut down and then dismantled to be moved to a different site or stored inactive for use at a future time and place. Drilling rigs are generally owned by third parties, who rent or lease them to a company or other corporate entity for the obvious purpose of drilling for and finding oil or natural gas. From the time the rigs are under contract, they cost everyone involved in running them constantly. This is whether they are moved from storage to active site, active site to active site, or from active site to storage. Lease or rent is due and payable, active or idle, by whatever entity is using the rig. Thus these rigs would not be set up, ready to go, and standing idle.

Yet in Wind River, this is exactly what is going on. There is no reason given for the rigs’ deactivation and there should be. Real rigs are run through rain, sleet, snow, or shine, in Wyoming and elsewhere. To have these two turned off on an active site for as long as the story implies is assinine because it would never happen in real life. Two idle rigs standing so close together anywhere in the world today is yet another affront to reality.

The next hitch with the story was the fact that none of the culprits scarpered after killing the dead girl’s boyfriend (guess why she was running away that night). They also all come back from town drunk on their snowmobiles. Uh, what? None of them have cars or trucks? None of them, after awakening from their drunken stupor, realize, “Oh bleep, we just killed a guy” and run for the border?

Yeah, right. One or two might have been stupid enough or mean enough to stick around and try to cover up the murder and the rape, but not the whole crew. Most people scram when they realize they have murdered someone, unintentionally or not. That did not happen in this story, and it should have.

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Next we have the O.K. Corral style standoff at the oil rigs. I can actually buy Olsen’s character getting everyone killed. It is (a) a typical, by-the-book rookie/junior mistake and (b), the Feds are all about throwing their weight around. In this case, they had Olsen’s character at least being sincere, so I can forgive her character a little for this fisaco.

What is unforgiveable is that the writers did not let the Wyoming deputies (whom they showed were obviously aware of immanent danger) protect themselves. This could have been done by placing one or two of the deputies in trailing or flanking positions for the rest of the law enforcement guys in case a problem arose. These might be jaded, cynical cops who are too accustomed to “getting no help” on the Res from the Feds, but that does NOT make them stupid or unwilling to preserve their lives. This was just typical, annoying Hollywood disdain here.

Another drawback for the film was that there was not enough for the main characters to do. This story takes place over the course of two or three days, and in that timeframe barely anything happens. Even as I watched the movie all I could think was, “Yes, I get that you want to convey Lambert’s grief, and you’re doing it really well. But come on – add a little extra dialogue, some banter, or some movement, a little action – SOMETHING to help carry this scene forward instead of letting it drag like this…”

The other big catch with the movie was the rape scene. Placed as it was in the film, it was utterly superfluous to the story. If it was truly necessary, the place to use it was at the earliest possible point in the film for the purpose of emotional impact. Its location before the gunfight wastes the opportunity. It would also have been much simpler and better if the writer(s) had skipped this and used Lambert’s forced confession from the bad guy at the climax of the movie to tell us what happened. We would have gotten the gist of the rape scene just fine with that; there was no need to show us what happened.

The fact that the writer(s) wasted film on the rape scene means they were either trying to make a point about how evil oil workers are, or they wanted to make a statement about how bad it is for Indian girls on the Res. Thanks, but I did not need this scene to know it was bad. The dead body near the beginning was a pretty big clue (which even the FBI could not miss), that things are bad out there; the movie really did not need this scene.

Something else important which the writer(s) for the film neglected to mention is that Federal law ends at the borders of every Indian Reservation in the country. If an Indian commits a crime – any crime – and gets back to the Res before he is caught, then the Feds cannot go in to get him without securing the help of the Reservation police. Their assistance – real or otherwise – must be obtained before a Fed can set foot on a Reservation.They also cannot wander around the Res looking for the culprit alone.

Likewise, you can literally do anything on an Indian Reservation and get away with it. The Reservation police are the only law and order on the Res, and they are either spread too thin to cover all the territory or they look the other way, allowing people to get away with whatever they are doing – except in certain cases, I am sure.

Another flaw in Wind River is that Renner’s character, Lambert, is apparently the only Fish and Wildlife hunter for the Wind River Reservation and the territory surrounding Lander, Wyoming. It also appears that he goes to Pineville a lot while on the job, since he was there with his wife on the night his own daughter was raped and froze to death.

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How could this be a problem for the movie? I did not understand it, either, until my friend pulled out a map to show me that Pineville is far too out of the way for an overnight trip, which is what was implied in the film. Thermopolis or another town closer to Lander would have been a better choice because it could have been reached within the stated timeframe.

This leads to another snag in the story: who in their right mind would leave their sixteen year old daughter home alone to babysit her five year old brother for the night? These days, misbehavior on the part of minors is encouraged. It is rare for anyone to leave their children home alone like the Lamberts supposedly did in Wind River. It would have been more sensible for the writer(s) of Wind River to have the Lamberts’ daughter be out at a party which got out of hand and ended badly, or something along those lines, than what we were told in the film.

Finally, we come to the point of intensity for the film. The climax for the movie was satisfying, but not as much as it could have been. As my friend said, Wind River could have been an update of The Searchers, showing a longer search over time and giving us more of a look at Wyoming’s scenery. (My friend would really have liked to seen Wyoming shown in all her glory through the four seasons.) The bad guy Lambert eventually does in could have been responsible not only for this girl’s death, but for the death of Lambert’s daughter as well. Taking him out would thus have been far more fulfilling for everyone involved. None of this is to say that the climax was bad. It just could have been better, like the rest of the plot for the movie.

You can see now, readers, why I feel embarrassed for getting Wind River for mi compadre without watching it first. After sifting the story a little, we are not left with much more than a carapace, a shell of what could have been. I felt more than a bit mortified after the first three or four conversations we had discussing this movie.

Still, my friend insists Wind River is a good film, and I did enjoy it. We both would have liked it more if these glaring plot holes and virtue signals had been absent or mended, but on the whole we actually came to the consensus that the film deserves three stars. Why?

For one thing, the acting by every member of the cast is superb. I do not often say this about a movie – I really do not – but the acting here was just that good. I have seen both Renner and Olsen in and out of the Avengers’ franchise, although I admit that that is where I like them best.

I have seen Renner in Mission Impossible: Ghost Protocol and in advertisements for other movies. Frankly, while I liked Ghost Protocol and thought he was good in it, his performance there did not equal his work in the MCU. In Wind River, I think he managed to up his game; if the plot had been better, I would have enjoyed his performance even more than I did.

Olsen – I saw a little of her in the Godzilla remake. Blech, I hated it – not her, the film. My revulsion for the last Godzilla movie colored my appreciation for Olsen’s acting there. Not so in Wind River. She did a very, very good job in this film. Wind River should put her on half a dozen casting call lists at least.

Graham Greene was great as the world-weary, quietly cynical, yet still friendly Reservation police chief. I hated watching him die; for a minute there, I thought he might have been spared and that the description of the film had mistakenly listed him among the dead. No such luck – dang. He was really good; too good to croak.

The rest of the cast did a great job, too, absolutely phenominal. It will not get most of them put down for casting calls, unfortunately, but the fact is they all performed well. So the acting alone lands this movie, in my opinion, two full stars. And although we did not get to see near enough of Wyoming, I liked what I did see. Chalk up another half star for that. I should probably add that the bad guy getting his just desserts gives extra weight to this half a star.

I think, personally, that the subject matter earns the second half of the third star, along with the palpable conveyance of grief and loss. Like Longmire, Wind River tackled the issues on the Res. It did not do so in the same fearless manner that the TV series did, but that is because the writer(s) for the film played by Hollywood’s rules.

Longmire did not do this, which is why it got booted to Netflix from A&E. That series stared the rampant problems on the Res in the face and made its viewers do so, too. Wind River fell short of this mark, which is sad. While it certainly showed that the Feds do not care about the Indians on the Reservations (until the next election, of course), it also made it look like the rest of the country does not care about the people on the Res, either, and that is wrong. But the fact that anyone in Hollywood was willing to come within a hair’s breadth of admitting the real troubles on the Reservations in a film is something. Maybe it will get more people to pay attention to the Res.

We can but hope. I certainly will.

So, readers, this is my opinion of Wind River. It is worth watching – but not necessarily worth buying. If you love it, flaws and all, then go ahead and buy it. I will just sit here in my corner of the Internet and continue to suffer occasional, intense bouts of buyer’s remorse.

‘Til next time. 😉

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Spotlight: Zoids – The Gun Sniper

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Are you ready to do battle on the desert sands of Zi again, readers? All right, then, here we go! Today’s zoid is one of my favorites. This would be the Helic Republic’s raptor-type, multi-use Gun Sniper.

Its cockpit, as you may have guessed if you have kept up with my other zoids’ posts, is under that orange canopy on its head. I have yet to encounter a Gun Sniper with more than one seat; every last one of them is a single-pilot zoid. With a lightweight frame and armor, plus high maneuverability, the Gun Sniper is one of the few two-legged zoids I would take if my preferred four legged “mechanical combat units” were not an option.

Gun Snipers get their name from their main weapon. This is a sniper rifle that is hidden within the zoid’s tail. From a high vantage point or even on the horizontal, a Gun Sniper can swing around, lock into place with its large toes, and then straighten out its spine so it is level with the ground.

When it does this the pilot’s seat extends into a flat board and flips over, allowing whoever is in control of the Gun Sniper to assume a prone position. They can then take the controls for the hidden rifle, line up on their target, and fire. Usually, their enemy is down for the count after the first shot.

For accuracy and efficiency, Gun Snipers are really hard to beat. Naomi Fleugel from Zoids: New Century Zero made a name for herself in the prize fights by taking down her opponents with a single shot. When the battle would start she would retreat to a sniping vantage point, wait for her challenger(s) to walk into her line of sight, and take them down with one round.

In Chaotic Century, three precisely placed shots from a Gun Sniper’s tail were able to pierce the shield of Van’s Blade Liger, destroying the generator for the shield on the its back. When you want precision, stealth, and speed, the Gun Sniper is the zoid for you, readers.

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Most Gun Snipers are painted grey, but they can have different color schemes. Naomi’s Sniper was painted red, in order for it to match her hair and her costume. This did not make her any easier to spot, though; even with a coal-red paint job, she could hide her Sniper so well most of her rivals had no idea where to start looking for her.

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Naomi Fluegel’s Gun Sniper

The Gun Sniper is a very adaptable zoid. It can be modified to store missiles in its shoulders and typically comes with mini-machine guns on top of its forearm claws. (It’s a Republican zoid – of course they found ways to stash extra weapons inside the Sniper’s chassis.) Besides these light modifications, the Gun Sniper can have missile packs attached to its back and hips, as well as large Gatling guns situated on its hips and shoulders. There is, typically, a radar dish situated between the zoid’s shoulders in these cases as well. Lena Toros went this route, loading her Gun Sniper down with enough firepower to make it a walking gun show display. I never, ever saw her use the zoid’s built-in sniper rifle.

One of the unfortunate side effects of adding so much ordnance to the Sniper is it limits the zoid’s mobility and speed. Even though most of these extra weapons are lightweight and meant to accent the Sniper’s alacrity, they do tend to get in the way. Lena’s Gun Sniper could not make as good time at a dead run across the ground as Naomi’s could have, from what I saw of it. Another problem encountered by saddling the zoid with extra weapons is the temptation for the pilot to carpet bomb his/her enemies rather than take them out in a more economical manner.

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For instance, Lena loved blowing the countryside to pieces. She would laugh maniacally as she fired off her “Weasel Unit Total Assault” during a battle. She managed to take out run-of-the-mill fighters with this tactic but against smarter, stronger, and more able opponents, the only thing she destroyed in this manner was the ground.

Plus, she never seemed to learn to run, dodge, or duck, all maneuvers the Gun Sniper is very capable of performing. Instead of making herself a moving target you had to chase, Lena would simply stand still, like a fixed weapon, and shoot. And shoot. And shoot. And shoot….

You could tell pretty early in some battles when Lena was going to be the first Blitz Team member taken down. On average, Brad and Bit would both stay standing in a fight longer than she would, with few exceptions – inside and outside of the arenas.

Not all the Sniper pilots in Chaotic Century avoided this fate, either. In Supersonic Battle, Van Flyheight and Thomas Schubaltz were able to take out five Gun Snipers with relative ease. This was partly because they were the better pilots, but it was also due to the fact that their enemies remained standing in one place, shooting every cannon they had at them, instead of making themselves harder targets to hit.

Of course, since they were fighting the battle from the confines of someone’s palatial front lawn, the Gun Sniper pilots had less room to maneuver than Van and Thomas did. I guess that makes their staying in place understandable, if not praiseworthy or desirable.

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It is also worth noting that while a Gun Sniper is fixed in the “sniping” position – that is, it has its tail gun lined up for a shot and its toes are locked into the ground – it is basically a sitting duck. The process of lining up for a shot does not take more than a few seconds, making the Sniper able to attack before an enemy can strike (most of the time). But when coming out of that stance, seconds truly count. Unless the pilot is really good or has a friend with a different zoid backing him up, his Sniper will be taken down quickly if it is locked into firing position when he is attacked.

Still, the positives for this zoid outweigh the negatives. The Gun Sniper was so effective on its own that the Republic began forming military units of them. They were never a zoid to sneeze at or disrespect, and I have to say that I think they were right up my alley, readers. Hopefully, this post has at least made you curious to see them in action yourselves.

Before you go, I invite you to have a look at these Gun Sniper memes. I am pretty sure most of them were made at Lena’s expense. ;D

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“See you on the battlefield!”

Let It Be Forgotten by Sara Teasdale

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Let It Be Forgotten

By Sara Teasdale
Let it be forgotten, as a flower is forgotten,
Forgotten as a fire that once was singing gold,
Let it be forgotten for ever and ever,
Time is a kind friend, he will make us old.
If anyone asks, say it was forgotten
Long and long ago,
As a flower, as a fire, as a hushed footfall
In a long forgotten snow.

Avengers Assemble – A Long Way from Home

Ahoy, readers! Ar ye ready to sail in uncharted waters? Avast! It is time we be spinning tales of those famed heroes from Earth, the Mightiest of Champions – the Avengers!

You will see why I played around with the pirate lingo when we reach the end of the post. 😉 Normally, piratical speech is not my thing. It is used way too much these days for effect – or as a form of mockery for pirate tales – which means it tends to irritate me. So when one of Avengers Assemble’s episodes played around with the vernacular, I had to grit my teeth from time to time. It was either that or cover my ears, and since I wanted to keep track of the story, I put up with it.

The first episode we will discuss aired before Christmas of 2017. Titled “New Year’s Resolutions,” it starred Tony, Cap, Howard Stark and – at long last – Peggy Carter, voiced by Haley Atwell herself. Yay…!

Mostly. Sorta. Kind of.

Okay, okay, I had major problems with Peggy’s portrayal in the cartoon. The writers had her showing Steve up too much and generally did not let her be the Peggy I saw and enjoyed in Captain America: The First Avenger. I am guessing this has something to do with her depiction in her own series, Agent Carter, which leaned heavy on the Femi-Nazi and light on the story/character.

From what little I know of the series Agent Carter, Peggy came across as an angry, “let-me-prove-I’m-just-as-good-as-the-men” character, something which was certainly not the case in The First Avenger. It was more than a little sad to see her get short shrift in this episode, which I had been looking forward to viewing for some time. Peggy had her moments here, but they were few and far between.

Thankfully, “New Year’s Resolutions” was not all bad news. The interplay between Tony and Howard in this episode almost made up for Peggy’s disappointing deportment. We actually got to see the younger Stark bond with his father WITHOUT being a total brat or jerk about it. It was an unexpectedly sweet touch to what otherwise would have been a depressing, watered-down show.

Speaking of pluses, watching the four beat Kang was pure fun. And Arno Stark got to show up as Tony’s descendant rather than his hidden, younger brother. There was no Arno-should-have-been-Iron-Man stupidity here, for which I am very thankful. Although I must admit, I would have liked to have heard the thirtieth century Stark toss out a zinger or two, just to show the genes had not faded over the millennium between him and Tony.

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All of this is to say that “New Year’s Resolutions” is an episode worth watching, despite its substandard treatment of Peggy Carter. Now if Marvel would just do what I asked and give the Avengers an adventure that took place on Christmas Eve or Christmas Day, showing the team celebrating the holiday, I would know we were making some progress here. (No, I am not holding my breath while waiting for them to do that.)

Next we come to “The Eye of Agamotto, Parts 1 & 2.” By a stroke of good fortune, I got to see Doctor Strange before these episodes came out. Strange has never been anywhere near my Favorite Marvel Characters’ list, so the film and his appearance in the shows served more as filler material than anything else for me. But the fact that I got to see the movie meant I was prepared for Strange’s changed look; prior to the movie, he had long hair in Assemble. It is now shorter and much more practical.

Part 1 one of “The Eye of Agamotto” showed the Avengers – Cap, Hawkeye, Falcon, Black Panther, and Carol Danvers – defending a SHIELD storehouse from HYDRA agents. Well, mostly defending it. The bad guys got away with whatever magical doohicky they wanted, but Cap and Panther succeed in tracking it down.

Unfortunately, said gem is already in the hands of Strange’s arch nemesis, Baron Mordo. (The artists did a good job making him look like his film counterpart.) This is Panther’s first encounter with a bonafide sorcerer, but he handles himself pretty well here. We also see him getting calls from his little sister, Shuri, who has to ring him up for Wakandan business at the most inopportune times. It gets so bad that he shunts her calls to voicemail.

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So when she shows up on his and Cap’s six unannounced, it nearly ends in disaster. Declaring that “no one puts [her] on voicemail,” Shuri insists on tagging along for the adventure, triggering the traps Mordo set up with a bracelet gizmo she designed herself. She has to help T’Challa and Steve best Mordo after the latter uses a spell to steal Cap’s powers.

T’Challa does well in this episode and so does Steve – for the most part. While I enjoyed seeing Shuri at long last, the writers could not resist plugging the “girl power” motif during this adventure. It was not simply annoying, it was Matronizing, and obviously so. I can handle Shuri having a list of degrees which nearly circles the world, but that should not be what makes her interesting. She comes from a culture of warriors, people! For Pete’s sake, her brother’s personal bodyguard corps is made up entirely of women so that peace can be maintained among Wakanda’s tribes. I do not think they have any of our “problems” with “women’s representation.”

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In this episode, Shuri is used to pantomime the idea that “brains beat brawn” – especially if they are female brains to men’s brawn. No, Marvel writers. No, no, no, and no. Women are not physically strong enough, as a general rule, to overpower men, yes. Having Shuri outsmart Mordo was great, yes. But if you want her to be T’Challa and Cap’s equal, show her not as a snobby, easily offended young woman looking down her nose at them, but as a young woman who can roll with the punches when she cannot dodge ‘em. The writers did not do that properly here, which rankled. Badly.

Other than this irksome theme, we got a good show which demonstrated the strength of Cap and Panther’s friendship, and which showed Steve being his usual, gracious self. It also put the spotlight, however briefly and dimly, on Shuri, which is great. All in all it was not a bad romp. It could have been better, but it was not bad.

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Part 2 of “The Eye of Agamotto” was very entertaining, and it made up for the lousy element in Part 1. Following their previous adventure, Cap and Panther bring an odd sorcerer back to Avengers’ Compound after he tells them he needs to see Stephen Strange. We only see them doing this after a cute exchange between Hawkeye and the Hulk, as the archer is busy going through receipts for the damage Big Green dealt out – accidentally or on purpose – while doing his job. (I am surprised the piles of receipts were not bigger and taller.)

Strange arrives at the Compound while this is going on, launching an attack against Cap and Panther while they are trying to land. It takes him awhile, but he eventually manages to explain that he was not shooting at them per se. Whatever or whoever is with them has some bad magic which is making the Eye of Agamotto that Strange wears go bonkers.

Turns out, the man Cap and Panther met at the end of the last episode is Agamotto himself. He’s come back to get his eye (guess what the Eye of Agamotto is in Assemble, readers), and casts a spell which knocks down Cap, Panther, Hawkeye, and Kamala Khan. At the same time they get knocked out, evil shadow duplicates of them appear to attack Strange and the Avenger who depowered to avoid getting magicked – Hulk/Bruce Banner.

You will want to see this episode for the ending alone, readers. It is a hoot, a scream. About halfway through I was laughing so hard that it is amazing I could keep up with the dialogue for this show. I mean it – this episode was pure, undiluted fun! Strange and Hulk even became friends by the end of the show. Bonus points!

After these episodes came the first four “Secret Wars” installments which gave the season its name. The first episode here was “Beyond.” At the start of the show, the Avengers arrive in Central Park when a glowing crack appears in the ground. Then they try to fall back as it widens and white light erupts from it. Seconds later (as far as anyone can tell), the team wakes up in a desert at night. Right on cue, Avengers Tower rises out of the sand next to them. Naturally, they go inside to see if this is really their old home, finding it is and that everything inside is in perfect working order.

During their investigation, they also find an uninvited guest. Having spread a feast on the table for them, he invites them to sit and chow down while he explains everything. No one sits down, of course, or starts eating. They just demand to know who this guy is and what the Sam Hill he has done to them.

For those new to the Marvel universe(s), this unwelcome guest is the Beyonder. He is far different from the Beyonder I met in the 1990s. That Beyonder was not a sick, twisted megalomaniac – at least, I did not think he was. I do not know what he is/was like in the comics, so I cannot say how true his appearance in either series is to the original material, but the Beyonder in the ‘90s was a sight nicer than this guy. Another difference here, aside from his personality, is that this version of the Beyonder uses advanced technology for his little experiment. In the ‘90s he was some cosmic magician who could snap his fingers and do almost anything he wanted.

You are probably getting the idea that I was expecting to see the Beyonder this season. I certainly had a suspicion he would appear; the ‘90s “Secret Wars” arc of the Spider-Man TV series was one of my favorites. Like the original Star Trek episode The Savage Curtain, the animated ‘90s “Secret Wars” saw the Beyonder send Spider-Man to an alien world that had never known evil. The Beyonder introduced some of the worst villains from Earth to this world, then dispatched Spidey to choose a team of superheroes to stop the bad guys, proving once and for all whether good was really stronger than evil.

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Secret Wars – ’90s Style!

Spidey and his team won, of course, but it was this storyline which made me expect to see the Beyonder in Assemble. I was looking forward to seeing him again, though in light of the 2015 sham “Secret Wars,” I was worried about what would become of our heroes in the cartoon. Now I see that I should have been worried about the Beyonder, too. But maybe he was originally an evil super genius bent on satisfying his curiosity at all costs, making this portrayal of him a return to the norm. I don’t know which it is, though, so I will leave this subject alone now.

Anyway, after pinning our heroes to the walls with his tech, the Beyonder explains that he has taken pieces from different worlds and dimensions to create a new planet he calls Battleworld. (Battleworld comes from the 2015 “Secret Wars” and, from what little I know of that travesty to comicdom, Beyonder’s description here sounds about right for that Battleworld as well.) Like in the ‘90s, he is apparently trying to determine here whether good or evil is stronger.

The big problem with his plan in Assemble – aside from the fact that he took everyone from Earth, Asgard, and every where else without a by-your-leave – is that the longer the separated chunks are away from their homeworlds/dimensions/what-have-you, the more unstable those realms become. So, if the pieces are not returned to their proper places (and fast), the whole universe/multi-verse is going to explode and die. Not a pretty picture for our heroes, to be sure.

“Beyond” sees the team spread out to learn the layout of Battleworld and begin finding a way to put everything back together again. The particular part of Battleworld where Avengers’ Tower is situated is called Egyptia. Why it is called this I do not know, unless there is another realm/dimension/thing out there called Egypt. So far, Egyptia just seems to be a distorted Egypt from Earth.

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Back to the show; Cap and Widow are the ones reconnoitering Egyptia. Finding a pyramid in the middle of the dunes, they go to investigate and run into a bunch of sand mummies/zombies. Things look grim for the home team but, luckily, the wandering super genius known as Iron Man drops in to save the day. The Beyonder took part of the dimension he was trapped in for his Battleworld. That part of the “planet” is called No-Tech Land, presumably because most modern machinery does not work there. This allows Tony to reunite with his friends, and the high jinks and battles ensue before he, Cap, and Widow rejoin the rest of the team at the Tower.

“Underworld” is the follow-up episode, and it begins with Loki raining on the reunion by declaring he wants to join the Avengers because the Beyonder wrecked Asgard for his little experiment. Predictably, the answer to Loki’s request is a lot of lightning bolts, repulsor blasts, arrows, and punches – none of which land, sadly. “Capturing” him, Thor, Tony, and Hulk learn that Loki is the one who told the Beyonder Earth’s location, giving them more reason to be angry at him. But since parts of Asgard are now mushed into Battleworld, and because Loki has personal knowledge of the Beyonder, Tony states that they need him and the four head out to New York City.

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The reason this episode is called “Underworld” is because NYC is under a rock – literally. When Beyonder ripped it off of Earth, he put the city underground. And beneath New York, he put a bunch of Asgardian rock trolls. So when the Avengers show up, they have to defend the New Yorkers who were transported along with their city from the rock giants.

Loki does his whining “why-do-we-have-to-save-the-humans” routine, but turns into a big help when the Enchantress shows up. He almost sacrifices himself to fix the Bifrost, which is underground with New York, but Thor stops him and they escape. Then the Beyonder shows up and Hulk jumps at him to do his smashing gig –

…Only for the Beyonder to split the Hulk and Banner personalities into two people with his tech. Did not see that coming, and I have to say, it worries me. Bruce came out the worse for wear either before or after 2015’s “Secret Wars.” I am pretty sure he went nuts, and I know who “killed” him (you are in so much trouble for that, by the way, Marvel writers), so I worry that we will see something similar in Assemble. If what I think may happen does occur, then the “writers” running Marvel are in even BIGGER trouble with me.

Aside from this one worrying point, this show was a hoot. Hulk had the most fun here at Loki’s expense, and the only thing I want more than to see Hawkeye finally give the Trickster what he deserves is to watch Hulk pick on him. As for Loki turning “hero,” I predict that that will not last long. There may be a little good in Loki, but the problem with that is it is too darn small a piece of good. The bad outweighs the good, and while the Trickster of Asgard may be an open and shut case of “hope over experience,” I believe the Avengers should temper hope with sense by keeping their hands close to their weapons.

Next we have “The Immortal Weapon.” This episode was good, clean fun, and it actually gave me something I have been begging the writers for since the series started: a new hero. Iron Fist at last makes his debut in Avengers Assemble here. Though he is voiced by the same actor from Ultimate Spider-Man, Iron Fist is unquestionably an adult in Assemble. It was nice to see him again; he got short shrift from season three of Ultimate Spider-Man onward, and it is good to have him back in the spotlight no matter how briefly he appears.

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Anyway, among the many things the Beyonder stole from Earth was K’un-Lun. But unlike New York, K’un-Lun is above ground and it is peaceful. Everyone is going about their daily business as if nothing has changed, puzzling Falcon and Black Panther, who have been sent here to pick up an item to repair the destroyed Bifrost. Things get even more confusing when the two explain to Iron Fist that they need Heimdall’s sword to help rebuild the Bifrost and set everything right. For no apparent reason, Danny attacks the two, stating emphatically that they cannot take the sword.

Neither Avenger listens when Iron Fist repeatedly states that taking the sword will unleash a great evil. So both are surprised when Falcon retrieves the weapon and Dracula pops out of the stone where it was embedded. (Nice sword in the stone reference, Marvel jerkfaces.) Turns out, Danny could not explain why the sword had to stay put because Dracula cursed him so that he could not say his name, period, in relation to anything. If anyone had asked Iron Fist about Bram Stoker’s novel, it is likely that Danny would not have been able to name the book because of the curse.

But Falcon and Panther, who have been having the “I’m-not-a-kid-anymore/I’m-a-king” argument from the start of the show, did not stop to put two and two together. Danny gets a really good scene when this argument starts back up again, putting one hand to his face and shaking his head, before telling the two to knock it off and get their act together. Tension is added to the show when the three learn of a familiar alien substance that has bonded to Dracula to make him immune to sunlight. The vampire king plans to find more of these familiar substances to make an army of daywalker vampires, but our heroes put the kibosh on the plan.

Really, this episode was nigh flawless. I had no real reservations while watching it or after it ended. It was a fun caper with no dark portents for the future of the series, and it gave all three heroes a chance to shine brightly for a change. This one earns a big, wholehearted “YAY!” from this viewer.

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Finally, we have “The Vibranium Coast.” This is the show which gave vent to the piratical turns of phrase you encountered at the beginning of this post, readers. Ant-Man and Kamala Khan are headed to the Vibranium Coast – the one part of Battleworld, so far, which does not appear to be related to Earth at all – to pick up the Vibranium Tony and Loki need to rebuild the Bifrost and fix everything.

Scott is nervous about the job, feeling the pressure of not messing the mission up royally, while Khan continues to be her annoying, useless self. She misidentifies a pirate ship as Atlantis or another place, and the first misidentification should not have popped out of her mouth. For Pete’s sake, even on Battleworld, Atlantis would have to be under water. Most Atlanteans cannot breathe air or stay on land for long periods of time, and so far, the Beyonder has not demonstrated a desire to wipe out the populations of the places he steals all in one go. If they die over time, he will shrug it off, but the fact that NYC and K’un-Lun still have inhabitants shows he wants live specimens for his “experiment,” not cities full of dead bodies.

But we digress. Scott and Khan’s jet is shot out of the sky by the ship and the two are picked up by Typhoid Mary, who lays on the pirate act and lingo real thick. I have to say, my first introduction to Typhoid Mary did not make me like her. She reminds me too much of Harley Quinn, the Joker’s sidekick from DC Comics. Whether that is the intention of the writers or not, the fact is that her resemblance to the Joker’s apprentice wins her no favors with me.

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Despite this, Typhoid Mary actually made this zany episode palatable for me. Having Red Skull and Crossbones playing pirates makes them seem silly, until you are faced with the even crazier Typhoid Mary. After her, anything else out of the ordinary looks mild. Her part in the story took the edge off the foolishness of seeing Red Skull be called “Dred Skull,” the master of the “Dred Skull Sea.” 😉

Ant-Man did not do badly in this show, which was a real improvement over his first four episodes this season. He got to be smart, manly, and funny without compromising his character or his masculinity. That alone would make this episode worth watching, but with Typhoid Mary’s craziness thrown in the mix, I suggest you check out the show for the laughs, too. There is also a GREAT scene at the end which had me in fits because it was so perfect. You should definitely watch this episode, readers. It is FUN!

However, despite this glowing review, I must admit that I had my usual problems with Khan here. The writers are working overtime to make her appeal to viewers, and it is not helping. Aside from a few verbal mistakes, Khan does not trip or fall flat on her face the way a normal rookie would in this show. Scott’s and the other Avengers’ care for and kindness to her are great for them, but it does nothing to make Khan more appealing or enhance her part in the series.

If you put Inferno or Firestar or Spectrum in her place in “The Vibranium Coast” as the new rookie on the team (no matter their age), it would work better because the writers would not be bending over backwards to make the audience love them the way they are for Khan. Seriously, everything they do for Khan is pure political pandering, and it shows. Somehow, in this episode, she is the only Avenger present who knows how to use swords, all because her parents let her take fencing lessons?!?

That does not fit with what little I remember reading about the concept behind Khan’s creation. There it was stated that her parents are terrified of letting her anywhere near a boy her own age, forget an adult man. So why would they suddenly let her take fencing lessons? In fact, why is she even allowed out of the house in normal clothes? Shouldn’t she be wearing something more traditional? And why not let her use her powers or natural skills to duck and dodge swordstrokes? If she is so great, then why do the writers have to give her the simple, Feminista out of, “And she can fence, too!”?

The more the writers set her up to be an uber woman settling into her place in the Avengers, the less interesting she becomes, just like her namesake. Khan adds nothing to the Marvel universe(s) or Assemble.

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Dust was more interesting because she was actually allowed to make mistakes, worry about her traditional upbringing and her career as an X-Man, and learn to stretch her wings. Khan is not allowed to even voice such fears or problems in the show; she has no vulnerabilities – other than a penchant for geeking out when she meets a famous hero/villain – and it makes her dull as dishwater. She is useless, plain and simple, and she is getting on my nerves.

I do not expect the Marvel writers to change Khan and make her more interesting, readers. I expect them to double down on her portrayal with a vengeance. They cannot be wrong, while we peons are always wrong and should hate ourselves for it. (Bah.) If they want to think that way and try to financially survive while they are doing it, then they can knock themselves out. Nothing anyone says to the contrary will stop them.

This leads to my final points. For the most part, as is obvious from this article, I enjoyed these episodes. However, the higher you fly, the farther you can fall. It is quite possible that whatever comes next will be an absolute disaster for fans of the true, the good, and the beautiful who love not only Assemble, but Marvel in general. We could end up with a serious mess on ours hands when the next installment of Avengers Assemble: Secret Wars rolls around.

We could just as easily rise to new heights with only little pinpricks of annoyance (and irritating, politically correct sham characters) to bother us from here on out. While I hope for that, I intend to try and follow my own advice to the Avengers about Loki: be prepared for experience to trump hope again. When it comes to mortal man, experience is something to be remembered, even when hope begs for “just one more chance” to get things right.

I have my keyboard ready, Marvel. I am still watching you. Mess up, and expect to see me say something about it. Because if you play “the heroes and heroines are actually villains and the villains are heroes” card too much more, you will go out of business. I do not want that for you, but you are sure acting like that is what you want. Do not think I will avoid speaking my piece about it. You should know me better than that by now. 😉

‘Til next time, readers – Avengers Assemble!!!