Tag Archives: Professor X/Charles Xavier

Five Decades of the X-Men edited by Stan Lee

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Today’s topic is an odd one because normally I don’t read books about the Marvel characters I enjoy. This is due mostly to the fact that there are so few novelizations that don’t relate specifically to the comics. The Marvel Masterworks anthologies contain replicas of the original comic books, not black and white original tales or blow-by-blow accounts from the comics themselves.

Five Decades of the X-Men is a collection of short stories, one of which is almost certainly a translation from the first X-Men comic ever written. Published in 2002, the writing here isn’t very good. I don’t know if Stan Lee himself actually edited it but typos, bad grammar, and similar errors abound throughout the anthology. That doesn’t hurt the stories in any major way but it is annoying.

As the title suggests, each piece within this collection is from a different decade of the X-Men’s extensive history. The first tale is from the 1960s, the second from the ‘70s, and so on until the early 2000s, just before Marvel went really crazy. They were drifting that way in the mid-90s, but everything began truly falling apart around ’05, with the famous/infamous Civil War arc.

That’s a topic for another day, though. Five Decades of the X-Men begins, fittingly enough, with a near-direct translation of the first X-Men comic. Titled “Baptism of Fire, Baptism of Ice,” it is told from Bobby Drake/Iceman’s viewpoint. Jean Grey is introduced to the X-Men just before the team has their first battle with Magneto. In the finale, while on a date with a pretty girl, Iceman ends up in a fight with (possibly) a Frost Giant from Jotunheim.

As a story, this installment is just fine. It demonstrates the problems which Jean (known as Marvel Girl early in her career) had to face joining a team full of curious and flirty teenage boys. Since he was the youngest boy and uninterested in dating her, Bobby caused Jean less trouble on this front than Angel and especially Beast did. Surprisingly, Beast made some pretty blatant, determined passes at the new girl during this tale. Given his later, more mature depictions, I never expected to see this kind of behavior from him.

The end for this story was good, in no small part because it showed Stan Lee’s recognition that not everyone fears mutants on sight. Some actually like them and think they are amazing. Although these normal humans might be surprised by a display of astonishing powers, that doesn’t mean they automatically hate mutants. But on the downside this translation adheres far too closely to the original comic’s perspective. It is clearly a narration of a visual story. It gets a little better toward the end, but not by much.

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The original team of X-Men: Marvel Girl, Beast, Cyclops, Iceman, and Angel.

 

Following this tale is “First Commitments.” This piece is much better written than the previous story. Jay Sanford, a normal human, is waiting for a job interview at a company called Genetech. Sitting beside him is Hank McCoy – The Beast. To pass the time the two strike up an amiable discussion. Jay feels far inferior to Hank during their chat, as the latter’s intelligence is evident even in a relaxed conversation. So he isn’t surprised when the X-Man gets the job and he is passed over.

However, he is surprised when Genetech calls a few days later and offers him the job Hank supposedly got.

Jay sets to work with a will, studying mutant cells “donated” to Genetech for research purposes. Unfortunately, what he discovers too late is that the company is a front for an organization called the Secret Empire. As power hungry as HYDRA but a bit more subtle, the Empire has infiltrated almost every government branch, police force, etc. in the U.S. In the comics, they actually managed to frame Captain America for a crime and make him a wanted fugitive – until he defeated them on live television on the White House lawn, that is. 😉

Right now, though, the Secret Empire is still in the clandestine stage. And they have used Jay’s discoveries to turn mutants – specifically a number of captive X-Men – into human batteries. Angry and afraid, Jay cannot report the Empire to the authorities because they have been infiltrated to such a degree. Then he gets an idea. Slipping away from the spies that he knows are watching him, Jay manages to get the X-Mansion. Once there he tells the X-Men what he knows and asks for their help.

This has to be my favorite story in the collection. Jay is presented as a thoroughly decent guy who doesn’t care that mutants are different from normal humans. He only cares about what is right, to the point that he risks his life to help stop the Secret Empire in the only way he can. It’s an excellent tale, and possibly the best in the anthology.

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 “Up the Hill Backwards” is next. Set in the 1980s, it takes place after a battle in NYC that decimated the Morlocks and left a number of X-Men severely wounded. The Morlock survivors and injured X-Men have been taken to the Muir Island Research Center to recover. Since it is run by friend of the team Moira McTaggert, they know they can convalesce without fear of being attacked. But until the injured team recovers, the X-Men are officially out of commission while the downed members to recover.

While they are doing this, Storm and Wolverine head out to deal with some…personal matters. This means they can’t train the new X-Men – Rogue, Psylocke, Dazzler, Longshot, and Havok – who will be required to maintain Professor X’s dream of human/mutant coexistence. So Storm asks Sean Cassidy – formerly known as Banshee – to teach the newbies the ropes.

It is not an easy assignment. Psylocke is arrogant and far too sure of herself, while Rogue is still regarded as a potential enemy due to her mishap with Ms. Marvel. Dazzler is withdrawn, nervous, and has a grudge against Rogue due to an entirely different misunderstanding. And Longshot is as naïve as a child because he’s from an entirely different dimension and has no idea what this world is like.

Worst of all is Havok, Scott Summers’ younger brother Alex. Banshee hopes he will lead the team, but Alex doesn’t want to do it. This isn’t just because he is tired of super heroics and desires a normal life. He’s certain that Sean only wants him to lead the team because of his relationship with Scott, the legendary leader of the X-Men.

That’s not Sean’s intent at all, but Alex won’t listen to reason. He doesn’t recognize his own leadership potential, and combined with his distaste for the role, he only succeeds in making things harder for Banshee. Until an exercise with British intelligence goes horribly wrong, the group looks more like a band of squabbling children than a united team of superheroes.

In terms of storytelling, this installment is very good. Unfortunately, it comes with an attached Warning for Younger Readers. There is a fair bit of foul language present in this tale, which surprised me. I was under the impression that sort of thing crept into the comics in either the ‘90s or the 2000s. Apparently that wasn’t the case. There is also quite a bit of gore, but it isn’t particularly graphic. Not by my standards, at least. So “Up the Hill Backwards” is still a good read, but the language and gore may be a serious problem for some young readers.

Now “The Cause” I disliked a fair bit. Set in the ‘90s, this story revolves around the release of one of the X-Men’s enemies from prison. Reverend Striker – no preacher in the X-Men films – is being released on good behavior. But that performance doesn’t extend to mutants in general or the X-Men in particular.

What is more, Striker’s followers are letting them know it. Led by his right hand man Gabriel Merritt, the “Striker Crusade” has been murdering mutants left and right to send the message that they are ready and willing to kill them all regardless of race, sex, or age. They’ve stirred up a hornet’s nest that has started race riots all over the country. Merritt is pleased with these events but he is not so happy with one of his Crusaders.

More than a little crazy, this girl has developed an intense crush on Merritt. She makes her murders or the murders she participates in more gruesome and twisted for that very reason; she is hoping to impress him and make him fall in love with her. So when he gives her the cold shoulder, she’s more than a little upset. And when his attempt to boost the Crusade by having Striker murdered goes awry, “the voices in her head” give her a new target to focus on. (Hint: it isn’t Striker.)

Thinking back, I believe that this story probably qualifies for a Warning for Younger Readers, too. “Cause” starts with the brutal murder of a young mutant making a living as a stage magician, and it’s about as cruel as you can imagine. So this is a story some younger readers may wish to pass over for a few years along with “Up the Hill Backwards.”

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Finally, we have “Gifts.” Set in the early 2000s, this tale follows a more mature Rogue, a humbled Psylocke, and Nightcrawler as they race to save people from Laguardia Airport during an apparent earthquake. With Cerebro detecting mutant activity in the area, the X-Men know they are dealing with one of their own. The problem is they don’t know who they are dealing with. The damage has no discernable pattern or purpose, no one claims credit for the wreckage and, luckily, no one is killed. It looks less like their new mutant is trying to make a statement and more like he/she is just having a temper tantrum.

In addition, each of the X-Men experience strange sensations of increased power during their midnight rescues. The source isn’t immediately visible to these mutant combat veterans/ first responders, but it proves to be as amazing as it is dangerous. By the time they get everything sorted out, dawn is coming.

I enjoyed this story almost as much as “First Commitments.” “Gifts” is vintage X-Men, following the team of three as they search for a mutant just discovering the power they have. There are no villains here and, aside from the constant trouble with earthquakes, no huge stakes. Best of all, this story is very young reader friendly. No curse words, no gore, and no sex. 😉

But you don’t have to take my word for it. Pick up Five Decades of the X-Men at your earliest convenience, readers. Despite the poor grammar (and “The Cause”), this is one Marvel book anyone would be proud to have on their shelf!

‘Til next time!

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Remembering Stan “The Man” Lee

Stan Lee Confirms Three Upcoming Marvel Movie Cameos

As many, if not most, of you know by now, Stan Lee died on the morning of November 12, 2018. It was sad news for all the Marvelites who had enjoyed his universe and characters since childhood. We knew that someday Stan would have to go on the Great Adventure all his heroes were preparing us to face in the future, naturally, but we put all thoughts of his departure as far from our minds as possible.

This made it a blow when we got the news that he had passed through the curtain to the Other Side. I hope his wife and his second daughter were waiting for him when he got off the train. But as with my own fate, what has become of him now will remain a mystery until it is my turn to go through the curtain.

To say that Stan Lee and his friends at Marvel impacted this blogger’s life enormously would be an understatement. Without him and his compatriots, most of whom predeceased him, Thoughts on the Edge of Forever would not exist in the form you know it, readers. The first post I wrote here focused on Marvel’s The Avengers, the big box office hit of 2012 that kicked off roughly ten years of cinematic fun. And as long time readers know, most of the criticism on this site has been aimed at Marvel’s current hierarchy precisely because they were dishonoring Stan Lee’s legacy before he had even said his last, “Excelsior!”

None of this is to imply that Stan Lee was perfect. That would be ridiculous; he was a man, a fallen, flawed human being like me and everyone else in this world. I don’t think he was perfect. Perfect isn’t the point. He was a good storyteller and a good friend to all those who loved his and his company’s work, whether they met him in person or not.

Without his heroes – his flawed, human heroes – lots of people would have thrown in the towel on life and limb a long time ago. Captain America, Hawkeye, Spider-Man, Wasp, Iron Man, Scarlet Witch, Storm, Cyclops, Rogue, Gambit, Wolverine, Mirage, Black Widow, Falcon, Sunfire, Luke Cage, Namor the Submariner, Hulk, Thor Odinson, Black Panther, Professor X, Silver Sable – they all inspired someone. They all faced evils we could relate to, or could see ourselves encountering some day. They could have turned back from fighting evil lots of times under Stan’s leadership, but they didn’t. They all thought, “I can’t hang on much longer…!” only to come to the conclusion that they had to hang on longer, even if it killed them. Without their strength, many of us would have stopped holding on and fighting years ago.

So I will be forever grateful to Stan Lee for bringing these characters to the world, and for each story he wrote, approved, or spearheaded. Quaint or odd as it may seem, I wouldn’t be the person I am today without his help, distant though it was. Keep on going “ever higher,” Stan. We’ll be rooting for you until it’s our turn to finally glance over our shoulders, give everyone behind us a thumbs up, and say: “’Nuff said.”

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Spotlight: X-Men – Rogue/Anna Marie

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Recently, I found a number of posts dealing with a topic I have addressed on my own blog. Apparently yours truly is not the only one to notice and take umbrage with the current fascination for creating so-called “strong female characters.” There have been a couple of articles on other sites dealing with the subject. I have read them and they have gotten the gears in this cranium turning, which lead me to today’s subject: the X-Man Rogue.

First off we will go down the list of Rogue’s abilities. Those familiar with her history in the comics and television will have to bear with me, because I am going to rehash some old storylines to keep everyone in the loop.

The Marvel newcomer who is not entering the multi-verse via the poisoned comics will find Rogue in the X-Men films. This version of Rogue is close but not quite the same as the one found in older comics and cartoons. There is no slight intended when I say that the film portrayal of the character is actually a poorer presentation than the original. Anna Paquin does a good job as Rogue; it is the writers and director(s) of the X-Men films who have mishandled the character.

Anyway, if you “met” Rogue in these films, then you know that her mutant ability is to absorb the memories, talents, and/or mutant powers of anyone with whom she comes into skin contact. You also think she got that white streak in her hair after Magneto force-fed his abilities to her before the final battle in the first movie, but she had that from the moment she appeared in the comics. (I do not like how they gave it to her in the films; it takes away from her character – in my ‘umble opinion.)

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I have stated many times that I do not like the X-Men films, so I am going to stop talking about them here and go straight to Rogue’s comic book and cartoon histories. Similar to the films, Rogue’s mutant power manifested when she and her boyfriend, Cody, were having their first kiss. Rogue was thirteen at the time and so she was more than a little frightened when Cody suddenly passed out mid-smooch.

Rejected by her family for being a mutant, Rogue ran away from home, afraid to make skin contact of any kind with anyone. Mystique, in a guise other than her real blue-skinned, red-haired form, found Rogue and recruited her into her latest cabal of mutant trouble makers. She practically adopted Rogue as her own daughter….

…But she treated her as a secret weapon, using Rogue to her advantage in fights with the X-Men. Rogue was completely loyal to Mystique because she had taken her in and given her direction when no one else had and when no one else would give her the time of day. She rarely balked when told to use her absorption abilities on an X-Man, security guard, or some other person Mystique wanted knocked out or who had information she desired.

The one instance I know of in the comics where Rogue refused to use her power was when Mystique told her to absorb Angel’s abilities. Rogue was afraid that she would grow wings like his, so she did not want to touch him. As you may know from watching the films, readers, the powers Rogue absorbs eventually fade away. The memories and skills she “downloads” along with them remain like “ghost files” in her head, but they do not (usually) bother her after a while. Prior to 2015, the writers made it possible for Rogue to “recall” individual powers and abilities she had previously stolen from people, something I consider cheating. But in the case I mention above, Rogue did not have that power and she feared she would be stuck with Angel’s wings permanently if she touched him, so Mystique did not get her way in that episode.

Eventually, Rogue’s servitude to Mystique led her into a fight with Carol Danvers. At the time Danvers’ codename was still Ms. Marvel, and so her uniform consisted of a black swimsuit with a yellow lightning bolt emblazed on the front. Because her suit had no sleeves or pants, she was a perfect target for Rogue’s absorption abilities.

Thinking Danvers would be easy enough to overcome, Rogue grabbed hold of her and started draining her powers.

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But unlike Rogue’s other opponents, Danvers did not immediately pass out. Since her powers come from Kree DNA that was somehow bonded to her body, Danvers possesses almost as much physical strength as Ben Grimm. She also has the ability to fire bolts of energy from her hands, sub-supersonic flight, indestructability, a ferocious Kree temper, and a precognitive “seventh sense” that allows her to see her opponent’s next move before it happens. I have never seen this last power demonstrated – and the number of times that Danvers has been smacked, thrown around, or otherwise hit makes me think she does not actually have this power.

Anyway, the Kree DNA kept Danvers awake longer than any of the other people Rogue had touched. It also fueled her anger and she started fighting back. Frightened by Danvers’ unexpected reaction to her powers, Rogue tried to let the woman go and make good her escape.

But Danvers would not let Rogue go. The two struggled for an eternity of minutes before they crashlanded. Once that happened Rogue discovered that, not only was she physically unharmed along with Danvers, but the other woman was out cold at last beside her in the dirt.

After this, Rogue found she had absorbed Danvers’ capabilities of flight, indestructibiliy, and superhuman strength. These powers did not fade over the next two or three days, as all her other “borrowed” powers had, and it looked like they were hers for keeps.

But she soon discovered that these fantastic powers came with a terrible price. Her prolonged contact with Danvers’ meant that she didn’t just have the woman’s memories and powers; Danvers’ psyche was stuck in Rogue’s mind and body at the same time Danvers’ own body remained in a hospital in a coma. Her personality – almost her entire being – was seemingly just as much Rogue’s property now as her powers were.

This unintended arrangement left Ms. Marvel less than pleased, and Rogue soon found she didn’t like it either. If Ms. Marvel really made an effort at it, she could commandeer Rogue’s body. Rogue would black out in one place and wake up in another, sometimes wearing Danvers’ suit or accoutrements and surrounded by the things Danvers enjoyed. This was more than a little frightening and upsetting for her, and it brought her to the realization that she had practically committed murder by absorbing Danvers’ mind into herself.

As Rogue’s guilt grew, she asked her “Mama” to find a way to make Danvers go away or to transfer her out of her body. But Mystique did not know how to do that and, what is more, she did not want to do that. She might have thought that Rogue could adapt to having Danvers in her mind or something like that, too, because she wanted Rogue to go on using her powers – despite the fact that her “daughter” was sharing space with another woman who could take control of Rogue’s body at the most unexpected or unwelcome moments.

This led Rogue to run away again. Knowing the X-Men as well as she did, she went to them for help in removing Danvers’ psyche.

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Her reception was not a warm one. Danvers had worked with the X-Men on more than one mission, so they considered her a friend (for what reason, I have no idea). Wolverine was especially upset, since he and Danvers were particularly close. (Again, I have no idea why they were such good friends. Danvers should have driven Wolvie half crazy ninety percent of the time, but this did not happen, probably because the writers were working overtime to make their “uber woman” more acceptable to their audience through her acceptance by the other characters in the Marvel Universe.) Aside from the Professor, no one on the team saw anything likeable about Rogue, and she was a virtual outcast in the team she had sought out for help, as well as to begin to make amends for her past misdeeds.

But Rogue did finally earn full acceptance by the X-Men, becoming one of their most valued members and friends. Wolverine ultimately thawed to her as well, to the point that he became her informal protector and mentor during her early days on the team. She has since become one of the most recognizable and loved characters in Marvel Comics, as evidenced by the fact that yours truly is a fan of her.

What does Rogue have to do with the push for feminization in fiction? For a long time in the comics and cartoons, Rogue’s most apparent abilities were the ones which she had stolen from Danvers, to the point that I, as a young viewer, thought they were her actual mutant powers. Throughout the 1990s comics and cartoons, Rogue would punch or throw the villains into walls, knock down buildings, or hold up heavy pieces of buildings during different battles.

This meant that she was able to shake off resultant punishment in a battle as well. While fighting several Sentinels in the 1990s pilot, one of the robots hit Rogue in the back with his fist, sending her smack into the floor. Lifting herself up on her hands and knees at the bottom of the crater, Rogue shot the robot a smile and chided it for its bad behavior. Then she flew up, grabbed it under the arm, and threw it to the floor, where it promptly flew to pieces.

That is a pretty impressive display of strength, you have to admit. And I was young enough that such displays excited me. I happily rooted for Rogue whenever she pulled off an amazing feat of strength like that. I was a young, impressionable child who loved superheroes. I wanted to be strong when I grew up, strong enough to fight evil the way that I saw my heroes fighting it every Saturday morning. It is completely normal.

I do not know when it happened, but after a while Rogue’s apparent superpowers stopped being the main reason for my interest in her. It might have been the episode where she and Nightcrawler learned they were related through Mystique, or it might have been a different show entirely. All I know is that, after a while, I liked Rogue for Rogue and not for her superpowers.

Again, you ask, what does all this have to do with the strong woman trope we are having forced on us in fiction today? Some people have said that the feats of strength Rogue pulled off in the ‘90s might have been overdone.

This is entirely possible, even probable, but I would like it if these critics would keep a few things about her in mind. Some of the reasons Rogue’s fighting style in the ‘90s (and before and after in the comics) may have looked improbable were because Rogue herself did not actually know how to use her strength, or she was relying on Danvers’ understanding of how to use increased strength during a battle.

And, because she had Danvers’ indestructability, Rogue might have thrown herself into certain situations for no other reason than to protect a teammate who would squish far more easily than she would. These are possibilities I would suggest for any maneuvers the writers had her perform which people find hard to believe. I think they should remember that, from Rogue’s point of view, these maneuvers might have seemed totally normal or reasonable to her, given what she knew of using her super strength. Rogue did not have the best education, which we’ll cover in more depth below, and so she did not and does not know as much about physics as readers/viewers and others do.

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The other thing viewers and readers should keep in mind when they watch Rogue fight is her absorbing ability. If she suddenly acquires the strength of the Unstoppable Juggernaut and begins throwing him around, it can look a little silly to us. Here is a girl who barely comes up to Juggernaut’s hip whirling him around over her head like a ragdoll. Under normal circumstances, it is totally implausible and stupid looking.

But Rogue is not normal, especially when she absorbs the powers of others. If she absorbs Juggernaut’s power, then she has his strength. Whether she has it in proportion to her size, weight, and height does not matter; you could drop a building on her while she has Juggernaut’s powers and she won’t even get a bloddy nose, for the simple reason that he would not get a bloody nose. Unfair? Maybe, but this is fantasy we are talking about here. We enjoy it precisely because it allows us to imagine stuff we cannot actually do.

The other thing to remember is that Rogue cannot just activate the powers she steals willy-nilly. She has to access the memories of the people who actually own these powers so she can avoid blowing up the countryside or flooding Manhattan. If she wants to use Juggernaut’s own strength against him, she will rely on his memories – muscle and conscious/subconscious – to make the best possible use of his powers. Juggernaut’s fighting style is not Rogue’s, nor should it be. But when she immerses herself, however shallowly she does it, in his memories this means that we will see her fighting the way that he does. It looks ridiculous, but when you keep this aspect of her powers in mind it becomes understandable and allowable.

Now this does NOT mean the writers should not be held to a high standard when they portray her pulling off these feats, but it does mean that it behooves us, as the audience, to remember the McGuffin that allows Rogue to survive these battles and/or perfom these stunts. It is a balance between the writers knowing their craft and the audience accepting the parameters of the story they are telling. Writers who abuse or talk down to their audience must rightly be called out for their arrogance. But an audience that will accept a good story with thousands of impossible McGuffins scattered throughout it should not throw stones in glass houses. That is my opinion, anyway.

Now we will discuss why Rogue is not an “SFC” or “Strong Female Character” in the vein that Carol Danvers, Thorette, and Thundra are.

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Long story short, Rogue does not qualify as the modern strong woman. First, her character design has fluctuated since the ‘90s and she no longer has the muscle structure of Ms. Marvel. Rogue is nothing like Carol Danvers, Thundra, or Thorette. These female characters are cardboard cutouts designed to appease and appeal to the Femi-Nazis, who are forever unhappy and whose hunger for the destruction of Western culture is utterly insatiable. It may appear from her 1990s debut – and, for all I know, some of Marvel’s newest stories – that Rogue qualifies as a “SFC,” but the fact is that Rogue is not a cardboard cutout, nor is she a strong woman in the sense that she is faster, smarter, and stronger than the guys.

One of the first people to admit that she is not smarter than almost anyone you could name would be Rogue herself. She is capable of outwitting an opponent and she is not stupid, but she is not a scholar, or a mechanic, or a super genius, or any of the other “SFC” tropes. What is more, she does not – or did not – pretend to be any of the above when I watched her on television and knew her in my limited way in the comics.

Most of the knowledge that Rogue possesses of higher mathematics, scholarly enterprises, etc., is knowledge that she stole from others. In the comics, Rogue ran away from home when she was thirteen. She spent years on the road after this, and a few more years under Mystique’s “guidance” before joining the X-Men. I do not think there was a lot of time in there for regular schooling, do you, readers? No, there was not. So this means her formal education ended, practically speaking, after she left home.

Now Danvers went through all the schooling necessary to become an Air Force pilot and Jane Foster – who used to be a perfectly respectable character – had to go through extensive schooling and training to become a nurse. We are just supposed to accept that Thundra, being from an alternate universe where women are the dominant sex (ignore the barfing sounds on the other side of the screen, please, readers) is naturally smarter than any man on this Earth or her own – though it is funny how she never shows it.

None of the above applies to Rogue. Everything she has learned since she discovered her powers has been taught to her by circumstance and by the consequences of her choices; her smarts were earned in the school of hard knocks, not in a brick and mortar building. Danvers, for all her supposed superiority to men, learns nothing from the battles she takes a part in. The evidence of this is that she is one of the few Marvel characters with no ability to resist telepathic control for even a fraction of a second. Rogue has had to learn to be tough to survive; Danvers survives through the writers’ stubborn intent to keep her alive.

In moments of downtime in the 1990s series, Rogue also had a generally cheerful demeanor. She smiled, laughed, and joked regularly; this showed that she was someone who genuinely loved life, despite the numerous punches she had been dealt by it.

In contrast, Danvers’ sense of humor is thinner than cellophane plastic. When she teases or jokes, it sounds tinny and unreal; when she smiles, it does not soften her features. It makes her look like she is stretching her face to the breaking point.

Something else that differentiates Rogue from the “SFC” trope is that she is vulnerable. I read a book some time ago by Fr. Dwight Longenecker called The Romance of Religion. One of the interesting things he mentions in the book is that hero(es) of stories tend to have a fault or a wound that they must bear as they do their duty or carry on their quest.

Looking out over most of fiction – and especially Marvel – I have to think he is on to something here. From Spider-Man to T’Challa, from Captain America to Punisher, from Hawkeye to Ben Grimm, most of Marvel’s characters have some sort of emotional injury that they carry with them wherever they go. And ninety-nine point nine percent of them have character flaws they have to either overcome or continually wrestle to control – although by now, that fact is out the window. In Marvel’s – and our – brave new world, flaws are to be embraced, not resisted. They are natural to us while self-control is just an artificial restraint society uses to keep us down. (Yes, I am being sarcastic, readers.)

In the original stories, Rogue’s great emotional weakness was her inability to make skin contact with another human being – or any other being, for that matter. She had to wear longsleeved shirts and long pants, as well as gloves, all the time. She could not pat Wolverine on the hand with her own bare hand. She could not let someone brush up against her arms if her shirt, jacket, or suit somehow lost its sleeves – and she could never, ever kiss a man for more than a few seconds. And even the briefest of kisses would be dangerous for him.

This last was particularly painful for her because, during the ‘90s, Gambit was actively courting her. Oh, he would flirt with plenty of other girls during the series, but the one he consistently went after with every ounce of charm he could muster was Rogue.

Usually, Rogue would flirt back, but that was as far as she could and would let it go. Aside from two different times that I know of where Gambit kissed her, Rogue had to put her glove over his mouth and kiss that to show her feelings for him. On more than one occasion, her frustration with her inability to safely touch someone, anyone, would drive her to anger and/or cause her to make an avoidable mistake.

This was Rogue’s greatest vulnerability, but she had others. When captured along with the other X-Men by Mr. Sinister and his Nasty Boyz in the ‘90s TV series, Rogue admitted to Gambit that she was scared. Sinister had found a way to block mutant powers in this episode, which meant that both Rogue’s innate absorption abillities and the powers she had taken from Danvers were suppressed. “I don’t know how to fight these guys without my powers,” she admitted to Gambit.

Now, readers, can any of you name one single time that Carol Danvers has admitted that she is afraid of something/someone? I cannot. To the best of my knowledge, Danvers has never once shown fear. She might – MIGHT – show concern, but most of the time when she is captured or in a situation that looks grim, she just becomes angry. Thorette seems to be going the same route, while Thundra has always had a demonstrable temper and no real sense of, or respect for, fear.

Rogue certainly has a temper, but in this episode, anger was the furthest thing from her mind. Her primary emotion was fear because she did not know how to fight without using her powers. What “SFC” shows or admits to fear? I do not know of any, but if you can name me one, readers, I will look into her.

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In the series that followed the ‘90s X-Men, the writers changed Rogue’s appearance. They dropped Ms. Marvel from the series’ storyline and left Rogue to rely on her absorption ability alone. They also gave her and the rest of the teenage X-Men close combat and weapons’ training.

While this was a plus for Rogue, leaving her a way to protect herself if she could not somehow bring her mutant powers to bear, in my opinion the writers did make one mistake with her characterization in this series: Evolution showed Rogue as an anti-social teenage girl who was into Gothic makeup and clothing. Forget that her makeup would not have lasted five seconds in battle (yet it somehow lasted the entire series), the change in her demeanor was not something I think was really necessary. Rogue did well in the series but I did – and do – miss the cheerful zest for life she exhibited in the ‘90s.

Personally, I suspect the writers gave Rogue more angst because they thought it would sell. It must have, because the series lasted four seasons. Her tendency to brood and lose her temper did not detract from her willingness to help others, which was good, and this demeanor did give her a chance to connect with Wolverine as a father figure. While this last was especially nice, I still miss her earliler deportment a lot. If Marvel ever rights itself and starts telling good stories again, I hope they give Rogue back the joi de vive she had in the ‘90s.

One other good thing about Rogue’s appearance in Evolution was her shorter hair. It is a well known fact that sexual predators target women with long hair because then they can grab hold of it and use that hold to force the woman to go where they wish. Such a hold is painful – if you do not believe me, readers, try it on yourself. (Trust me, it hurts.)

One of the strange things that writers for modern films and stories – including comics – keep doing is they are sending their heroines into combat with long hair. This is silly, as it can be a weakness; the heroine’s hair could catch in a machine and suck her down a hole, or her opponent(s) could grab it and use that hold to keep her still. Your heroine may look great with long hair, but remember, readers and writers, that even Princess Leia’s hair was done up in such a way that a Stormtrooper couldn’t grab it and yank her back. There was also no chance of her long locks getting caught in the Millenium Falcon’s inductors because it was pinned up and out of the way.

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Allowing men into combat with beards is no more practical than sending women into a fight with long hair. (Yes, I AM looking at Cap’s beard in Infinity War.) One of the reasons the Romans shaved was so that, when they got into personal combat with an enemy, he would not be able grab the Roman’s beard and hold him immobilized long enough to behead him. Ask the Romans how they know about this.

Now most stories are fantasy, of course, and in some cases you can actually excuse the female characters’ long hair (who is going to be able to get close enough to Storm to grab her hair, I’d like to know?). However, Rogue’s shortened hair is not a problem for me, nor is her more feminine muscle tone.

This is why I do not and cannot see Rogue as the Feminist ideal of female superiority. Rogue is a normal woman with a power that she sees, with justification, as a curse rather than a gift. She has insecurities and fears; she makes mistakes and she is not well-educated outside of life’s hard lessons. Her strength does not come from her superpower or the powers she steals – it comes from her williness to fight evil. It comes from her desire to protect her friends and to make up for her errors in judgement. It comes of her willingness to consistently choose to be a heroine, even when doing so hurts her the most.

This is why she is one of my favorite X-Men and one of my favorite Marvel characters. This is why I cannot consider her a member of the “SFC” club, at least in her previous portrayals in the comics and cartoons. These days I can believe that Marvel would erase her from its canon if the banana brains in charge thought that would get them new subscribers and buyers. If they are going to try and make her the big, strong female character stereotype, they will ruin her as they have ruined all the other characters they are abusing.

But there is nothing I can do to stop them from torturing themselves like this. And at this point, telling them, “Hey, your company is bleeding money all over the place,” appears to be a waste of breath. If they want to bankrupt themselves, then nothing I say or do will stop them. I can only hope that when that happens, someone who loves the characters will buy the company and that they will hire good writers to clean up the mess. And yes, I would volunteer to be one of those writers in a heartbeat.

I hope it does not come to that, but it looks like it might. But if there is one thing Marvel’s myriad heroes have taught me, Rogue included, it’s that even when you get punched in the teeth, it does not mean the battle is over. It just means you got punched in the teeth. That is no reason to give up the fight.

So no, I do not intend to stop fighting. Only dead fish go with the flow, and I do not intend to be a dead fish. There is more than one way to fight, and the best way to fight Marvel’s current hierarchy is to introduce potential new Marvel fans to original Marvel fare.

In the interest of doing that, I recommend that you look up the 1990s X-Men televsion series, readers. Then study up on the characters in it, along with Marvel’s other heroes and heroines. Read between the lines; it is not the battles the characters take part in that are important, or the powers they wield, or the atrocities the current writers are making them commit –

It is who they are as characters that is important. This is what Marvel has decided to forget….

…..So this is what we have to remember and pass on to others.

EXCELSIOR!!!!

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Some Captain America: Civil War “Easter Eggs”

There were a lot of “Easter Eggs,” as they are called, in Captain America: Civil War. I did not see them ALL, but I noticed/thought of a few to share with you, readers.

For one, is it not interesting how much the Accords anger Sam Wilson/Falcon? This may hearken back to the original comics. In the “mainstream” Marvel universe, the government had tried to control the Avengers back in the 1970s (I think). They reduced the team’s active roster to seven individuals whom they selected.

One of their choices was Falcon, who loved being an Avenger. Already a long time partner of Cap’s in the other’s solo series, Sam was happy to finally be a part of his friend’s exclusive superhero club. What he did not love about the arrangement, though, was why the government put him on the team.

The government wanted the Avengers to be a “more diverse” team, and so they added Sam to the active roster simply because he was black. No other reason. Not his fighting skills, which he had honed at Cap’s side; not his empathetic link with his trained falcon Redwing – heck, not even his wing pack was the reason they chose him to be on the team!

No. They chose him because of his race, so they could make a political point/gain a political advantage from his life. Yeah, that is super flattering, isn’t it?

Sam’s attitude with his teammates was genial, fun-loving, and practically sunny during this time. His relationship with their government liaison, Henry Peter Gyrich, was stormy and antagonistic. He hated being a token player, and he was not afraid to say so in front of the public. Sam wanted to be an Avenger on his own merit – which he was, in the eyes of his teammates. But the government put him on the team just to make a statement.

And Sam hated that.

So his dislike of the Accords in Civil War could be seen as a nod to this, in a way. Sam fears he and his friends will be locked up in a dungeon somewhere to rot if they sign the Accords, and his fears are well founded. History has shown that when one signs one’s freedom away it is almost impossible to get it back. The only way Sam and the rest of Team Cap regained their liberty in the movie was through outside help from Steve. And even now that they can breathe the free air again, the law considers them criminals. Outlaws with no Sherwood Forest to inhabit, Team Cap is going to have to do some fancy flying until the Infinity War films.

I think they can pull it off, though.

Now, about that fight Clint and Vision had when the archer went to pick up Wanda at the Compound. In the original comics, Hawkeye is (or maybe now was) the same age as the Maximoff twins. He became enamored of Wanda and was always flirting with her. The Scarlet Witch never returned the favor; she did not hate Clint, but she certainly seemed to find his advances annoying.

When Vision came along, Wanda fell head over heels in love with the android. After a while, the Vision developed his own personality and reciprocated the Scarlet Witch’s feelings. The two announced that they wanted to get married, which caused a huge ruckus. Quicksilver, for one, did not want his sister marrying a synthetic man.

And Clint was not happy about this sudden competition for Wanda’s affections, though by this point the battle was already lost. Neither Wanda nor Vision would be swayed, and they finally tied the knot. After they did this, Hawkeye left the Avengers because he could not stand to see the Scarlet Witch married to someone else.

Thankfully, this romantic triangle is NOT part of the film! Hallelujah!!!!! I am soooo happy!!!!

Okay, fan victory lap complete. Next!

Right, I said I was going to give you a bit of trivia about Wanda. When Tony goes to the Raft, the first inmate he sees is the Scarlet Witch, who is wearing a straight jacket and shivering in her prison cell. The manner of the Maximoff girl’s incarceration here is probably a nod to X-Men: Evolution. In that television series Wanda’s father – Magneto – had her locked up in an insane asylum because she could not control her anger, which made her probability manipulation powers run wild. While she was there she ended up wearing – guess what? – a straight jacket. She did not enjoy it in that series, either.

The inhibitor collar we see Wanda wearing in her last scene during the movie was not part of her incarceration in Evolution. However, such collars are a fixture of X-Men lore. These devices are the only things the comic book authorities have which are capable of suppressing mutant powers. Heh, I guess Disney/Marvel got something mutant-related into their films under Fox’s nose after all!

As an interesting side note, while I do not know how likely it is, if the film writers want to keep pulling plot points and tidbits from the comics, we may see Wanda in a mid or end credits scene in Doctor Strange this November. In the original stories, Wanda’s probability manipulating powers were so hard for her to control that she went looking for help to get them totally under her command.

Her choice of tutor, however, was rather… unconventional. Agatha Harkness, a bona fide witch/sorceress from Salem, Massachusetts, taught Wanda enough magic for the younger woman to make her “hex” power more stable and reliable. In doing this, Harkness realized that Wanda had great potential in the realm of magic. This led to Strange calling on the Scarlet Witch from time to time for help fighting his occult enemies. Eventually, Wanda tapped into this magical potential, becoming the “mainstream” Marvel universe’s most powerful sorceress.

This led to her going loopy at least two, perhaps three, times in the “mainstream” comics. She destroyed the Avengers (and Hawkeye) the first time. The second time, she eradicated most of the mutant powers on the planet (along with Hawkeye, temporarily). The third time, everything else in the Marvel “mainstream” universe was also flying haywire, so Wanda’s mental instability in that event was almost negligible.

Wanda’s powers in the films have so far given no real sign of being out of her control. Still, the writers could pull anything out of their hats between Civil War and the Infinity War films. This is speculation, of course, but it bears mentioning.

Now, about the Raft itself. In the comics, the Raft is a high security super villain prison. Not that you could tell, since it has been subject to prison breaks in the past. Designed to be something of an East Coast equivalent to Alcatraz, the Raft is farther out in the Atlantic in Civil War than it is in the comics. In the books, the Raft is on an island. In the film, it is an island! (It is also, apparently, kept under water until the people running it are expecting visitors.)

During the comic book Civil War, Tony and the government enforcers for Superhero Registration working with him incarcerated captured anti-Registration heroes in an inter-dimensional super villain prison known as 42. 42 was really not a safe environment for the captured heroes. Of course, since Marvel was determined to make Tony a villain (they had succeeded last I looked), this hardly mattered to him or his bosses. The heroes under Cap’s leadership who were caught were bundled off to 42 without a trial, public or otherwise, and left to rot with the criminals they had spent their lives bringing to justice.

The film, of course, could not handle the intricacies of such a prison, so the Raft was substituted in its place. That is all right by me. I do not think I could have handled 42 being jammed into the movie! The Raft was a perfect substitute – especially since its only inhabitants were the guards and the imprisoned members of Team Cap. A picture is worth a thousand words, and the Raft said a million in fewer than ten minutes.

Now for Baron Zemo. Yes, in the movie, he is not a baron. (Whoop-dee-doo, so what?) In the comics, Baron Helmut Zemo is the last of a line of German nobles who have historically had an unhealthy habit of becoming evil. It practically seems to be bred into them, a trait passed from father to son as some sort of weird genetic inheritance. I do not know if there was ever a “good” Zemo in the whole family tree.

Baron Heinrich Zemo, in the comics, was one of Cap’s World War II enemies. A Nazi scientist, Heinrich Zemo had just managed to make a super glue so powerful nothing could break the adhesive. Cap showed up at about that moment and, during the ensuing battle, broke the container for the glue. The liquid spilled onto Heinrich Zemo’s head, which was covered by a hereditary hood/mask.

The mask was then permanently stuck to Heinrich’s face by his own super glue. It made eating and a few other things a bit of a problem. After he was awakened by the Avengers, Cap eventually faced Heinrich for the last time in Brazil. Light from Steve’s shield, reflected back in Zemo’s face, threw the Baron’s shot way off course. The misfired bolt started a rockslide, which killed Heinrich Zemo. Cap saw to the Nazi’s proper burial – which is more than Heinrich Zemo would have done for him – and went home.

A few years later, Zemo suddenly showed up again. Except this Zemo is not Heinrich; it is instead his son, Helmut. The guy has hung around ever since and been nothing but a plague. He can usually be seen leading his own team of anti-Avengers, which he calls the Masters of Evil.

This is one of the things from the “mainstream” comics to make it into the Civil War film. Helmut Zemo having a wife and son is new, but his father – that is old hat. In the comics, Helmut Zemo’s entire vendetta with Cap is based on the fact that he believes Steve killed his father in Brazil. The younger Baron is unwilling to distinguish between his father’s mistake and Cap’s lucky timing. Cap made his father miss, and it does not matter to Helmut that his father’s death was, basically, inadvertent. It happened, Cap was there, and so it is his fault.

Gee, that resembles Zemo’s grudge with the Avengers in the film, now doesn’t it?

In Civil War, Zemo holds all of the Avengers responsible for the deaths of his family, including the demise of his father. Though the inclusion of the senior Zemo is a seemingly throwaway bit of story, it is actually a nod by the writers to the original storytellers. Nifty little trick, I must say.

Attack 2

This is going to surprise some people, but the next thing to point out is that amazing internecine battle at the German airport. I do not know of any Avengers battles taking place in airports in the “mainstream” comics. They probably happened; I just do not know about them. But there is an X-Men battle from the original comics which took place in an airport that I know about. And unfortunately, this airport was not empty when the fighting started!

While seeing the Professor off on a well-earned vacation one day, the X-Men were confronted by a villain calling himself Eric the Red. He had taken control of Alex Summers/Havoc, the younger brother of Scott Summers/Cyclops. (Yes, I know this order has been reversed in the new X-Men films. Another reason I hate them.) Havoc knew he was being dominated, but he could not fight off the villain’s influence. Still, he was able to talk to his older brother and the other X-Men, proving that he was aware of what Eric the Red was doing to him.

Lorna Dane/Polaris, Havoc’s mind-controlled girlfriend … not so much. She was completely under the Red’s spell, and the fight spiraled out of control when she knocked Jean Grey a good one.

Storm retaliated in kind out of fury, since she and Jean were tight friends. This counterattack by Ororo in turn enraged Havoc. Mind control or no mind control, you did not want to go after his girlfriend. Not if you wanted to keep breathing!

It is a long shot to see a parallel between these two battles, I admit. But heck, the Marvel universe is full of long shots! They both took place in an airport. If nothing else, that is an odd coincidence!

Then there is Tony recruiting Spider-Man to Team Iron. When Spidey at last realizes he was used as an “ace in the hole” by Tony Stark for Civil War, there are going to be Whigs on the green. But for now, the important part is his new suit.

Uh-huh, I just said the important part of that scene was Peter Parker being given a new suit by Tony Stark. During the “mainstream” comic book civil war event, Spidey was convinced to join the pro-Registration side of the argument by Iron Man. He revealed his identity to the world, and Tony gave him an electromechanical suit which could sprout three extra legs and shoot repulsors from the hands, among other useful tricks.

In the film, this idea is presented in a slightly different manner. Parker cobbled his original suit out of old fabric in the movie, adding a set of secondhand goggles so he could better process information. The whole effect was far from intimidating. It was not even very appealing.

Tony states he needs an upgrade, which we get to see at the German airport. This suit, while it resembles the original outfit for Spider-Man in the comics, definitely has some Stark flair added to it. The fabric is high grade, almost like a suit of nanite skin, and there are camera lenses in his mask, enabling Parker to focus in on an object, person, or some such. (The lenses can also widen to show his shock when Ant-Man becomes Giant Man!) His webshooters are also more tricked-out than they were previously.

Although the results are different, the gift is essentially the same. Tony thought Spidey’s old suit in the comics needed a little more Iron in order to better protect him. In the movie, however, Parker really was in dire need of a new, better suit. Tony messed up a lot of things in Civil War, but we have to admit he did a very good thing for Spider-Man here!

Finally, there is King T’Challa. Many will already have put this together, but here it is again. In the “mainstream” comics, the mantle of Black Panther is passed down from one warrior in the royal family to another. King T’Chaka is not mentioned as ever having been a warrior or the previous wearer of the Black Panther mantle. More’s the pity.

Anyway, in the comics, T’Challa took the responsibility of being the Black Panther after his father was defeated and killed by one Ulysses Klaw. T’Challa, a child of maybe thirteen at the time, managed to scare Klaw off – destroying his right arm in the process – after the mercenary had betrayed and killed his father. T’Challa’s uncle ruled Wakanda as regent until the prince was old enough to undergo the trials he needed to pass to take up the mantle of the Black Panther. Once that was done, T’Challa suited up, kicked Klaw’s backside, threw him in prison, and became king of Wakanda. Following on that success, he joined the Avengers.

This is similar to the story we see in the film. T’Challa only dons the suit of the Black Panther after his father’s death, so that he may avenge him. In the film, Bucky is the one who takes the rap for killing King T’Chaka, which brings T’Challa into the fight on the side of Team Iron.

A last interesting note is that, in the “mainstream” comics, Panther at first declared neutrality in the comic book civil war event. But he and his wife, Ororo Munroe/Storm, eventually sided with Cap when it became clear Tony had completely gone off the deep end and was going to run everything into the ground, probably killing someone along the way. Unfortunately, the Marvel writers still managed to have him do that. Sorry, Panther.

Well, readers, I have delivered on my promise to discuss the hint I mentioned about Wanda’s incarceration – and then some! So as of now, I will sign off and give you all a chance to have fun elsewhere.

Avengers Assemble!

The Mithril Guardian

Spotlight: Transformers – Optimus Prime

The Original Optimus Prime

The Original Optimus Prime

A friend of mine is very into the Transformers franchise. I would be remiss if I did not admit that part of this fascination is my fault; I was – and remain – a fan of the Transformers mythos myself. I have not abandoned the franchise, though I must admit, I think my enthusiasm for it has cooled a fair bit. The writers for Transformers, whether they are working on the TV shows or its other media, seem to be writing things higgledy-piggledy these days. It makes the stories somewhat confusing.

Anyway, my friend’s favorite Transformer is the Autobot leader, Optimus Prime. (This post is written about that character in part to please my friend.) I can relate to my friend’s love of the Autobot leader, in a small way. He was never my favorite Autobot, but I could not imagine any other leader for the Autobots than him.

I first got to know Optimus, really and truly, through the Japanese series Transformers: Armada. It came out around 2001, having been translated into English in Canada, much as the Zoids series were. Though Transformers is an American story idea, it is very popular in Japan as well. The Japanese have created at least four TV series for the franchise (that I know of).

The voice actor for Optimus Prime in the Armada series was Gary Chalk. A Canadian actor, Mr. Chalk’s voice was the one that I thought fit Optimus best. Since hearing Peter Cullen voice the character again, Mr. Chalk has slipped into second place.

I bring up Mr. Chalk because, as I said, he was the Optimus I knew and loved for – ooh, goodness, eight or so years. He voiced Optimus over three TV series that I watched almost regularly when they came out: Transformers: Armada, Transformers: Energon, and Transformers: Cybertron. (I lost interest in Energon after one episode, and so I stopped watching it. Armada and Cybertron I watched from beginning to end.)

Voices are something which has always enthralled me. I can remember, when I was five years old, listening to people on TV, on the radio, or in the room just because I liked the sound of their voices. The words blurred together and became meaningless as I simply sat and listened to the tone and resonance of their voices.

In the case of Mr. Chalk’s performance as Optimus Prime, his calm, gentle, fatherly manner in Armada struck me deeply. I came to regard him rather like I regarded Professor X of the X-Men. But my affection for Optimus was and is much deeper and warmer than it has been or ever will be for the Prof. (Sorry, Charles.)

That brings me to the point of this post. I do not know how others view Optimus Prime, but he seems to have the same sort of publicity problem these days that Cap does. Once, he had no such trouble at all, but I will mention that in a bit.

Since the 1984 series, Optimus Prime has transformed into a red, white, and blue truck. The truck model has varied – he was Freightliner in the original series, but over the years he has also transformed into firetrucks, Peterbuilts, and now a Western Star with six outrageous smoke stacks in Transformers: Age of Extinction. But his paint scheme has never shifted from his original red, white, and blue – even when the red dominates the other two colors.

This tells me that Optimus was conceived as a ra-ra America kind of character. To some degree, the writers have left him that way. His paint scheme is still red, white, and blue, after all. The only other character in a modern franchise that wears the same colors and is as popular is Captain America. Just like Cap, Optimus values friends, freedom, and fidelity above all else. He is a kind, compassionate leader who respects life. And not just Cybertronian life; Optimus has always taken special interest in and care of the humans who interact with the Autobots and Decepticons in the franchise serials.

Peter Cullen, the voice actor for Optimus Prime in the original series as well as the new shows Transformers Prime, Transformers: Robots in Disguise, and Transformers: Rescue Bots likes to tell the story of how he became Optimus Prime. Mr. Cullen says he based Optimus’ voice after the voice of his older brother, a veteran U.S. Marine captain who served in Vietnam.

The day that Mr. Cullen was to audition for the part of Optimus Prime, he spoke to his older brother, Larry. When Larry was told his younger brother was going to voice a truck, both Larry and Peter Cullen got a laugh out of it. Mr. Cullen has since admitted that at the time they “had no idea” what they were in for. After having their good laugh, Captain Cullen sobered and asked his brother to portray the character not as a typical shouting Hollywood hero, but as someone “strong enough to be gentle.”

His older brother’s request stayed with Mr. Cullen, and when he read over the script for the first episode of Transformers, he said it was like hearing Larry Cullen speak. So he imitated his brother’s voice, adding a dash of John Wayne just to make it interesting, and Optimus Prime rolled into the hearts of viewers everywhere. Children all over the U.S. wrote letters to Optimus Prime and sent them to the studio, which for some bizarre reason never passed the notes on to Mr. Cullen.

My point in bringing this up, readers, is the request Peter Cullen’s brother made of him: “Be strong enough to be gentle.”

I think that this is why I have always had a particular fondness for Optimus Prime. Even when Gary Chalk was voicing Optimus, the character did not lack for gentleness in his speech. Or at least, he did not in Transformers: Armada. In the latter two series, Energon and Cybertron, Mr. Chalk stopped imitating Mr. Cullen after a point. He did not lose much of the gentleness in his voice, but his characterization of Optimus became more… in tune with popular attitudes. This is something Mr. Cullen prefers to avoid when voicing Optimus Prime. I do not know why Mr. Chalk began reading his lines this way; I simply know that his voice changed over the years. Not by much, but it did.

It is this strength, this firm but gentle quality which Optimus Prime has that I remember and love most. This is the reason I have never lost my particular love for the character, though I have lost my patience with his, ummm…..handlers. (Mr. Cullen has never been among those, thankfully.) When asked to voice Optimus in comedy skits, he has declined, stating he has too much respect for the character to treat him so trivially. It is too bad other, similar characters do not have performers who treat them so!!!

Optimus’ character is rooted in “Peace through strength.” He is a kind character who maintains his dignity in everything he does. Optimus Prime is not only strong enough to fight Megatron and the Decepticons; he is strong enough to be gentle to those weaker than himself, whether they are humans or Autobots.

This is not quite the post I hoped it would be, readers. I seem to have a great deal of trouble describing Optimus, much as some people have a hard time discussing Captain America. It is perhaps because they are so alike; there is never a doubt where Cap stands on an issue. Just as you never have to guess where Optimus will be standing in an argument – at the head of his Autobots.

I still regard Optimus the same way I did as a child. He is a father-type character, one whose strength of arms is equaled only by the strength in his spark. There is really nothing more to say.

Autobots, roll out!

The Mithril Guardian

Transformers Prime

Spotlight: An Introduction to Marvel’s X-Men, Part 1

The X-Men at the end of Marvel's X-Men: Evolution

The X-Men at the end of Marvel’s X-Men: Evolution

Greetings, readers! By now, most of you are aware of the fact that I am a Marvel fan, and I really enjoy Marvel’s Avengers, inside and outside of the theaters.

But in all my talk about the Avengers, I have let my old favorites, the X-Men, go by the wayside. Mostly, this is my own fault, but I would say that part of the reason is how Marvel’s writers – for the comics and the films – have been treating the X-Men over the last few years.

As I said in previous Spotlight! posts, the X-Men and Spider-Man were my first introductions to the world of Marvel Comics. Up until a few years ago, I thought that they were the only characters Marvel owned, aside from the Fantastic Four (who I knew of peripherally for many years) and the Hulk.

Much has been said in favor of the X-Men films, but for my part, I detest them. Where Marvel’s Avengers films have a clear roster, clear origins, and tie back easily to the earliest Marvel Comics, the X-Men films are less understandable. The roster for the X-Men franchise is almost always in flux and new mutants are constantly coming and going – even within the same film! There are literally thousands of mutants in Marvel Comics. I only know a few of them. How can I possibly be expected to keep up with all of the characters popping in and out of an X-Men film?

Plus, there have been so many different versions of the X-Men that the relationships in the films are not the relationships which I grew up with. Even a dedicated X-Fan like myself ends up with crossed eyes after catching a glimpse – a glimpse, readers! – of an X-Men film.

So today I thought I would give a little history on the X-Men I know about, where they come from, and who their main enemies are. If you are already well versed in X-Men lore (and know who everyone in the films are the moment they appear) then this list is probably not for you. If you are a newcomer to the Marvel Universe, feel free to consider this a semi-crash course in X-Men lore. Others can tell you more, but I can tell you what I know. So, readers, this is where we start:

What are the X-Men? The X-Men are a superhero team made up entirely of mutants. What is a mutant? Well, unlike real mutants, the mutants of the Marvel Universe are people – men and women – born with an advanced X gene. This advanced X gene is what gives them their powers. These people, thought to be the next stage in human evolution, are called mutants.

A mutant’s power(s) usually manifests itself when they hit their teen or pre-teen years, but some can use their powers from the time they are born. Some mutations in the Marvel Universe are obvious, others are not. Jean Grey, one of the original X-Men, is an example of the latter. Her mutant powers are telekinesis and telepathy; she looks completely normal but is in fact beyond average. Other mutants have very obvious mutant traits that make them stand out in a crowd: fish features, skin that has turned to crystal, wings, twisted faces, fur, or strangely colored eyes and/or skin.

Mutants are known in the Marvel Universe as Homo superior and some people hate them simply for being different, almost the way they hate the Hulk. Some of these people hate mutants because they think that, in time, mutants will outnumber normal humans, who will become extinct as a result. I have never truly bought into that idea myself; but that is what these mutant haters say they believe.

In response to these haters, some mutants have formed radical terrorist groups that say mutants should rule over normal humans. Many mutants simply want to be left alone, and their fear of the haters on both sides of the argument leads many to either hide their mutations or disappear into the sewers – literally.

The X-Men stand in the middle. They believe that mutants and normal humans can live side by side the same way that normal humans have managed to live together since the beginning of time. Those who hate mutants and those who hate normal humans often find the X-Men standing in their way; the X-Men’s job is to promote peace between mutants and humans, and that means protecting both sides from those who hate them. This brings up the next question…

Who are the X-Men? There have been a great many X-Men over the years. Even with all the time in the world and all your patience, readers, I could not list them all, simply because I do not know them all. But the ones I do know I will list here:

 

Professor Charles Xavier/Professor X: Regarded as the most powerful telepath on the planet, Professor Charles Xavier – better known to us X-Fans simply as ‘Professor X’ or ‘The Prof.’ – is the founder of the X-Men as well as the “School for Gifted Youngsters.” This school is both the headquarters of the X-Men and an actual school where young mutants are taught regular academics, as well as being trained in the use of their powers.

A geneticist with knowledge of many other sciences, Professor Xavier suffered an injury in his early adolescence which crippled him. When he saw how humans and mutants were not getting along, often over simple things or a lack of understanding, he decided to do something about it.

Professor Xavier assembled several young mutants and taught them how to use their powers for good. Then he sent these youths and adolescents out to do battle with the forces arrayed against peaceful coexistence between mutants and humans. He has had to rebuild the team from time to time – his first students hit adulthood and decided to retire, or at least take a leave of absence, leaving their cause largely undefended. The Professor then had to find new mutants to take up the banner. Much like Merlin of Camelot, the Professor has been the grounding force for the X-Men and the voice of wisdom they all turn to – even the sour-tempered ones!

 

Scott Summers/Cyclops: The first youth to be recruited by Professor Xavier, Cyclops’ mutant powers are as much curse as gift. When he hit his early teens, Cyclops began having headaches and, one day, beams of force projected from his eyes. He could not shut the beams off; only closing his eyes stopped them. The Professor took him in and equipped him with a set of ruby quartz sunglasses, as well as a visor with a ruby quartz lens which could be lifted to allow Cyclops to project his “eye beams” in directed, physical attacks. Only ruby quartz is capable of containing Cyclops’ “Optic Blast.”

The sheer power of the force beams Cyclops projects can burn through most any substance on Earth and probably a few extra-terrestrial metals as well. Super-powered beings or mutants with healing factors/super strength can withstand his power, though it hurts those with healing factors. Otherwise, Cyclops’ “Optic Blast” can destroy almost anything and kill practically anyone.

Because of the danger of his power, Cyclops is somewhat stoic and withdrawn. With no way to shut off his power, he feels cursed, and this drives a wedge between him and most everyone else but the Professor and the love of Cyclops’ life: Jean Grey. Despite all this, “Cyke” is an excellent tactician and field commander, with natural leadership skills and tendencies. He may not be as personable and likeable as Cap, but the X-Men trust him about as much as the Avengers trust Steve Rogers. (I never really took to Cyclops myself, but I literally cannot think of anyone else leading the X-Men into battle.)

 

Jean Grey: Jean was recruited by Professor Xavier not long after Cyclops was. The two quickly started doing the “Romance Two-step” and Cyke has never really loved anyone but her. A powerful telepath and telekinetic, Jean was the daughter of one of Professor Xavier’s friends. Kind, and with a personality almost as interesting as Cyclops’ (yawn), Jean acts as the Professor’s voice in arguments between the X-Men on the field and in the school. She’s no spitfire, but you do not want to get her angry, either.

Jean’s history with the X-Men is beyond complicated. I do not know all the details myself, mostly because it is all so confusing! Jean is typically kind, friendly, and always willing to help out. But I never really liked her or thought she was the cat’s meow. Still, I cannot see anyone else by Cyclops’ side, seconding for him in the midst of a battle, or breaking up fights as easily as she does.

 

James “Logan” Howlett/Wolverine: Known as Wolverine or “Logan” since he first showed up in the comics, Wolverine has to be the most recognizable member of the X-Men, in no small part due to the fact that he is central to the X-Men film franchise. When exactly he was born I am not sure, though recent rewrites put his birthday somewhere around the 1820s or 1830s!

Traditionally, Wolverine has been a Canadian, but now I am not so sure the writers have left even that part of what little history he had outside of the X-Men alone. For all intents and purposes, though, as far as I know he is a Canadian citizen.

Logan’s mutant power is a healing factor that allows him to survive the worst wounds – up to and including nuclear explosions – and is constantly regenerating his flesh. A side benefit of this is his enhanced, almost animal, senses. He can hear, see, and smell as well as the animal he uses for a codename. His healing factor is also the reason for his longevity, not to mention his apparent “youth.” After all, he does not look like a man who has lived two hundred plus years, now does he?

One other thing Wolverine’s mutant power has given him is a set of three bone claws in each forearm. These claws extend from his forearms and slide out of the skin on the back of his hands, locking into place just above his knuckles. His skin has to heal closed every time he retracts these claws.

Subjected to an experiment at some point in his past, Wolverine’s skeleton was coated with adamantium, a fictional metal in the Marvel Universe which is heavy but as durable as vibranium, the metal which was used to make Cap’s shield. (Interestingly, Cap’s shield was originally made from an experimental mixture of vibranium and adamantium; recent re-writes have made it a purely vibranium weapon.) This is why Wolverine’s claws appear to be made of metal; they are bone coated in metal.

Wolverine’s metal skeleton adds to his near immortality. The guy is extremely hard to kill, but he has come to the brink of death more often than even Rocket Raccoon. Like Rocket, he does not enjoy pain and has to psych himself up to take extreme punishment in battle; the adamantium in his body should also kill him, as so much metal in the body is toxic to a normal human.

But once again, Wolverine’s healing factor keeps him alive despite the metal bonded to his bones (which makes him weigh a lot more than he should and makes it hard for him to swim, not to mention the trouble he would have going through metal detectors).

Sometime after the experiment which gave him his metal skeleton, Wolverine’s memories were wiped from his mind. He can – or could – only recall fragments of his former life, one of which was the moniker “Logan.” Always a tough guy, the fact that he could not remember anything about himself and the fact that he regularly survives things which should kill him, makes Wolverine an unhappy guy you do NOT want to irritate to the point of anger. He has a temper to at least match the Hulk’s lowest anger level – and no one knows just how low Hulk’s rage can go.

Wolverine snarls, growls, and is prone to animal, berserker rages when he is incensed or the pain – physical, mental, or emotional – becomes too much for him. He is hard to get close to but he is not above being gentle; Wolverine has mentored at least three girls in his tenure as an X-Man.

Honestly, I think Wolverine’s penchant for being gentle toward these girls, as well as his never-leave-a-friend-behind sense of honor and loyalty, are what endeared him to me. It is too bad he is so often shown slashing and hacking people to bits in the films; I know he is capable of doing it and has done it in the comics, but it was always a side of himself that he hated and tried to suppress, or at least control. That said, Wolverine is definitely an X-Man you can trust to watch your back. He will growl and snarl about it, but he will not just let someone die. This is the Wolverine I know – or knew, rather.

 

Ororo Munroe/Storm: I thought Storm was one of the coolest members of the X-Men. Born in Cairo to a Kenyan princess and an American photographer, Storm was orphaned at the age of four when her parents’ apartment building was accidentally bombed. Trapped in the rubble for days afterward, Storm’s greatest weakness is her claustrophobia. She is terrified of small spaces and will either collapse as her fear overwhelms her or try to bust her way out of her enclosure.

Storm’s powers manifested when she was roughly thirteen years old. She can manipulate weather patterns, a power known as “weather warping,” in order to generate storms of all kinds, high winds, tornadoes, rain, and she can even cast lightning bolts out of a clear sky. By this method she can also move weather patterns around enough to ensure clear skies for a day or two, though she does not do this very often, as far as I know.

Unlike Thor, who can make new weather patterns out of thin air, Storm is only a “weather witch.” She needs existing weather patterns to generate her storms, and if she pulls too much moisture from one area or too much dry air from another, she can upset the balance of the weather in a region for months, if not longer.

Storm’s powers are closely linked to her emotional state. If greatly angered or frightened, the weather quickly turns wild as she starts whipping up storms, often without clear intention. When trapped in a small space, Storm will unleash her powers in order to blast her way into the open again. If that does not work, she collapses and becomes weak, unable to take being confined as she was when she was a child.

In order to keep her powers under control, Storm is often the center of calm in battles of will among the X-Men. This adds to her regal bearing and motherly tendencies. I cannot recall one X-Man who has ever been afraid to go to Storm about a problem. She is always willing to talk, listen, or be a motherly figure to one of the younger X-Men.

That being said, Storm has the temper Jean Grey so conspicuously lacks. She is not averse to telling someone off for bad behavior – even Wolverine has received lectures from her! And if Storm witnesses an injustice or an act of evil, she will act to correct it – immediately. The more severe the act of evil, the more likely she is to react with extreme prejudice. She is not a lady you want to cross!

 

Remy LeBeau/Gambit: A former thief from Louisiana, Gambit is a great hand at cards. He’s an even better flirt, able and willing to charm the ladies in a heartbeat (think Fandral, but with a Cajun accent and dark brown hair). How Gambit came to be an X-Man I am not sure. But at some point, he met the X-Men and decided he liked them better than thieving. So he joined the team and became one of its most valuable members.

Gambit’s power is the ability to charge any object with kinetic energy.   Gambit’s power accelerates an object’s molecules so that they are going as fast as they can go. As long as he holds the object, everything’s fine. But once he releases it – BOOM! The object will explode, and the bigger the object, the bigger the explosion.

Gambit’s trademark weapons are a thin staff he can use to channel his ability and decks of playing cards. (Hey, he didn’t get the name “Gambit” for nothing!) The cards are what he uses most, charging and throwing them like grenades. They make remarkably high-yield explosives; Gambit has blasted down doors, vehicles, and numerous other objects with his cards.

When he uses them against people, Gambit generally lessens the explosive impact of his “grenades.” At least, I have never seen him blow someone up and turn them into a pile of ash. Knock them down, stun them, yes, but I have never seen him kill anyone, which is one of the reasons why I am so upset at Marvel’s writers (see my post “Poker: Gambit Style” for more on that).

Gambit is a thief and a scamp, but at the end of the day, he is an honorable man who will do the right thing – with his own style and flair, mind you!

 

Anna Marie/Rogue: Growing up, I had four favorite X-Men: Storm, Wolverine, Gambit, and Rogue. I did not know a lot about Rogue there for a while – I was really young when I started watching the X-Men, so a lot of stuff flew over my head – but there were a few apparently “obvious” things about her. She was a Southern Belle who could fly, was nearly indestructible, and could hit with the force of a freight train.

Only, those are not actually Rogue’s natural mutant abilities. She stole them from Carol Danvers, who in the 1990s still went by the moniker Miss Marvel. Miss Marvel ended up with Kree DNA in her system and, as a result, gained the above abilities (as well as a few others). Donning a costume, she became the heroine and part-time Avenger Miss Marvel (in the comics, she worked with the X-Men on occasion and was good friends with Wolverine).

Rogue’s actual mutant ability is far more deadly. When she makes skin contact with a person, Rogue absorbs their memories, abilities, and a portion of their psyches. Mostly, this is described as a “life-force” draining ability. I have always preferred to think that her power makes her something like a human computer. Other people are the CDs, discs, or “documents” to her; she touches them and sort of “downloads” their files.

The longer Rogue keeps skin contact with a person, the more she drains off. A light touch knocks someone out for a few hours, maybe a day; a longer one, several days. If she does not let go, odds are good the person she touched will end up in a coma – or dead.

Rogue first discovered her power when it manifested. She and her boyfriend were having their first kiss and suddenly he passed out. He was in a coma for a few days, but eventually recovered (according to the TV series, the comics have a different take, I think). But Rogue did not recover. She still had a “copy” of his mind in her head; what is more, anyone else she touched got “downloaded” into her head as well.

So she ran away from home and was found by the mutant villain Mystique who, learning about what Rogue could do, took her in and trained her to use her powers…but this was in order that Rogue might be used to aid Mystique in all her plots and schemes, one of which landed Rogue in a fight with Carol Danvers.

During the fight, the two made skin contact. Rogue tried to break free when Danvers’ overwhelming power and anger scared her but Danvers, her Kree DNA whipping her into a fury, did not let go until she passed out. Whereupon Rogue discovered she had absorbed a good portion of Danvers’ powers. Instead of fading away, like all the other powers and talents Rogue had absorbed previously (the powers she absorbs never stay for more than a few days), Danvers powers appeared to be hers for keeps.

Unfortunately, so was a good portion of Carol Danvers’ mind. Danvers’ body remained in a coma but her psyche was largely trapped in Rogue’s mind for years. The separation made Danvers a little loopy (in the cartoon series); she would furiously “attack” Rogue or take control of her. Rogue had learned to deal with the copies of other people’s minds in her head; they eventually faded to phantoms she could barely hear. They had no control over her. Danvers did not fade, and she could take control of Rogue, and Mystique both could not and would not help Rogue get her out of her mind.

At the same time, Rogue began to break down as she realized just what she had done to Danvers. Stealing the woman’s powers was one thing, but she had also locked Danvers in her own mind and body, leaving Danvers’ real body in a coma. She had practically committed murder.

The remorse was too much, and – coupled with the fact that Mystique wanted her to go on using her absorbing powers – drove Rogue to run away again. She ended up with the X-Men, using her actual powers only when the team needed information or it was necessary to help others. For the most part, she relied instead on Danvers’ powers. As a footnote, it is largely because of Rogue that Gambit joined the team. Used to stealing, Gambit was unprepared when a thief named Rogue stole his heart.

 

Kurt Wagner/Nightcrawler: A mutant from Germany, Kurt’s mutation is one of those “Hi, I’m a mutant!” gifts. From the time he was born, Kurt has had two toes on each foot, two fingers and a thumb on each hand, a tail, blue fur/skin, yellow eyes, and pointy ears. His overall appearance makes him look like a demon, and so he was persecuted for many years for his appearance.

But his “terrifying” features did not dissuade a German couple from adopting him after they found him practically out in the middle of nowhere. Kurt’s mother abandoned him after he was born, as she was accused of having a “demonic” child. It was years before he knew who she was; as far as I know, he never has tried to find his father.

Kurt’s appearance has ever been at odds with his personality. Instead of being dark and broody, Kurt is often the sunshine on the team. He cracks jokes, smiles, laughs, teases, all with the aim of cheering up his teammates and friends. He has often been called “swashbuckling” and is a very chivalrous, kindhearted fellow. Although beat up, mocked, and screamed at by everyone but his adopted parents as he grew up, Kurt is one of those rare people who turned out just fine despite the persecution he underwent.

His mutation’s physical effects are obvious, but Kurt’s mutant power is not. He is a teleporter who can disappear and reappear up to two miles from his particular position – but only so long as he can clearly visualize where he is going. Otherwise, things get complicated. His ability takes him through another dimension at the speed of, well, thought I guess. Going through and coming back means he leaves behind a puff of smoke and there is usually a “bamf!” sound as air fills the place he left behind.

Nightcrawler’s body is also perfectly formed so that he can almost instinctively pull off gymnastic and contortionist tricks. In a battle, Nightcrawler will often teleport around an opponent (it is not hard for him to teleport short distances), striking and disappearing before his enemy has time to catch him.

As things turn out, Rogue is Kurt’s adopted sister. Mystique is Kurt’s birth mother, and because of his obvious resemblance to her and his also obvious inability to hide his mutation, as she can, she felt she had no choice but to abandon him.

Despite all this heartache, however, ‘Crawler has remained one of the X-Men most loyal to Professor X’s dream of peace between mutants and humans. He is well liked by most every other hero and heroine in the Marvel Universe (including Wolverine), and the fans are not far behind those heroes. I have to say, Nightcrawler never struck me as very demonic-looking. Maybe the first time I saw him, but not after I got to know him. I still wonder how people in the comics and cartoons see him and shout, “Demon!” Or, just as bad, “Monster!”

Tsk, tsk. Don’t judge a book by its cover, people!

 

Peter Rasputin/Colossus: A big farmboy from Soviet Russia, Peter Rasputin is a warrior only because he needs to be. An expert painter, Colossus is said to have a “poet’s soul,” and despite being six feet five (or more) inches tall, Peter is generally a gentle giant.

But get him angry at your own peril. Colossus’ mutant power is to turn his skin into an organic metal. Metal “plates” will suddenly start appearing on his body when he activates his power. Soon, from the top of his head to the soles of his feet, he is entirely made of metal. Depending on the TV series you find him in, Colossus can be laconic or open, friendly, and willing to talk. For the most part, in the comics he was an easy, charming, innocent fella who had a knack for walking smack into trouble.

He is loyal to a fault and kind to the point that he is often easily taken advantage of. But he is an X-Man through and through.

 

Katherine “Kitty” Pryde/Shadowcat: A Chicago girl, “Kitty” Pryde was inducted into the X-Men at twelve or thirteen years old, after her powers manifested.

What is her power? Kitty can destabilize her molecules so that she can pass through solid objects. Called “phasing” by everyone in the Marvel Universe, she essentially becomes insubstantial. In this state she can walk through walls, bullets, or even opponents, all without coming to harm.

Her power can also be used offensively. Although I cannot recall her using her power to internally hurt people, Kitty can phase into a person, turn a part of her body solid, and whack her opponent wherever she can reach. I am not sure just how she does it, but she uses a similar trick to fry computers and other machinery. This either leaves the tech sparking and useless or preps it to blow up. If she concentrates, when she is holding on to someone or something, she can “phase” the other person or object through solid walls – or bullets – as well as herself.

Kitty has learned a great deal since she entered the X-Men. She is one of their top fighters, has excellent leadership skills, and is quite capable of taking care of herself. But that has not stopped her from being a friendly, open lady who follows in the footsteps of her “battle mother,” Storm. The two kind of adopted each other in their years as X-Men; Storm still occasionally refers to Shadowcat as “Kitten,” a play on her childhood nickname “Kitty.”

She is one of several heroes who went through a number of codenames before settling on one. In her case, the codename she stuck with is “Shadowcat.”

 

Warren Worthington III/Angel: The Tony Stark of the X-Men, Warren is a typical rich gentleman. He has the looks, the money, the charm, the manners, and the heart-throbbing smile of a knight errant. As well as a pair of six foot or so long wings which he was literally born with.

These white-feathered appendages gave Warren’s parents no end of headaches. Being a well-to-do family (Warren has his own private jet!), they could not exactly let the whole world know their son had wings! Can you imagine the tabloid headlines on that, I ask you?

So they spent most of his youth making sure Warren’s wings were well hidden. I cannot say how Warren feels/felt toward his parents; they loved him just fine, it was his wings they had a problem with. Anyway, Warren was eventually recruited to be one of the first X-Men by Professor Xavier, and he made a dashing addition to the team.

But, even more so than Tony Stark, Marvel’s writers put Warren through the wringer. In one battle, Warren’s wings were seriously damaged. His father had them amputated, both to save his son’s life and to get rid of those troublesome appendages once and for all. Distraught, Angel tried everything he could to regain his wings. When that did not work, he considered jumping off a building instead.

Archangel

But one of the X-Men’s worst enemies got hold of him before he could do that and gave him what he wanted so badly, a new set of wings, made of metal and capable of shooting out knife-like “feathers.”

The new wings, though, came at a terrible price. Angel, now called Archangel, was enslaved to the man who had given him his wings and was subsequently further altered. He now has blue skin and deals with a “dark side” this enemy programmed into him; though he has control of it by and large, he is not the debonair knight errant with the kind heart that he used to be. I can’t think of him without feeling sincerely sorry for him.

 

Henry “Hank” McCoy/Beast: A scientist and lover of Shakespeare’s works, Hank McCoy’s mutation was not very noticeable for a good portion of his life. Early on, he just looked like a meaty, muscled, ape-framed fella who had a nice face and the keen mind of a scholar. He was a great football player, too.

Beast had all the strength and agility of the ape he physically resembled – that was his mutant ability. But after a while, Beast got tired of being a mutant. He wanted to be a normal man. So he whipped up a serum which was supposed to get rid of his mutant abilities.

Only, the serum backfired. Big time. Instead of losing his mutant powers, Beast accidentally increased them. He grew blue fur, fangs, his senses of hearing, smell, and sight increased – and he gained, for the first time, animal instincts. As well as a new, animalistic fury that can nearly match Wolverine’s berserker rage.

That is the Beast from the comics and some of the newer cartoons. The Beast I knew in the 1990s cartoons certainly looked the part, but he rarely went into an animal rage. Mostly, he was the calm, philosophical scientist who quoted Shakespeare as he knocked a couple of helmeted goons’ heads together.

When he is not in a temper, Beast is as kind and friendly as he was before he took the serum. Unable to lead a perfectly normal life anymore, he stays at the X-Men’s headquarters when not involved in a mission or a battle. He is an amazing teacher and most everybody on the team, even Wolverine, respects and likes him. Unofficially, he is also considered to be one of the smartest guys in the Marvel Universe, just below the “three smartest” heroes and villains in Marvel history. (Interestingly, he briefly served as an Avenger and was trained in hand-to-hand combat by Captain America.)

 

Robert “Bobby” Drake/Iceman: Bobby was in his mid-teens when the Professor recruited him to be one of his first X-Men. Iceman gets his name from his mutant power: he can freeze moisture in the air to form snow or ice. He most often makes ice, covering himself in a thick layer of it as extra armor. Thus Iceman is, obviously, as immune to the cold as Loki.

Iceman also learned to make Hot Wheels type “ice tracks” which he uses to get around. If I had to compare him to another Marvel character, I would say he is probably a lot like Spider-Man. He makes wisecracks, is usually genial, and started out as one of the greenest rookies on record. But he is a tough opponent to beat, even if his enemy has heat powers to challenge his cold, and is a fairly able commander.

 

Jubilation “Jubilee” Lee: Jubilee was the youngest member of the X-Men in the 1990s cartoon. A California girl who was taken in by foster parents, Jubilee’s powers manifested not long after she moved into her new home. She has the ability to shoot streamers of plasma from her hands (I always thought she shot fireworks out of her fingers). The plasma stings, apparently, and can wreck machines even better than Kitty can.

Lost and confused after her powers manifested, Jubilee fell in with the X-Men and, even after a misunderstanding that saw her shoot Wolverine in the back, managed to become part of the team. And odd as it may seem, Wolverine took her under his wing not long after; for most of the series, the two were virtually inseparable.

WHEW! I am wiped, readers! I think you are probably as tired as I am. I am going to sign off now, then come back with a second post detailing the X-Men’s main enemies. I will try to make that list shorter, but I cannot guarantee anything.

See ya around!

The Mithril Guardian