Tag Archives: Stan Lee

Spotlight: Avengers – The Incredible Hulk

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“Hulk SMASH!!!”

I am not Big Green’s biggest fan. I like him, but he has never been my favorite superhero. Most everyone who likes the Hulk recognizes the words I have used to open this post. Hulk is best known for his smashing, after all.

For some time now a friend and I have been catching reruns of Bill Bixby and Lou Ferrigno’s The Incredible Hulk television series. While I have read about the series before, I have never seen it. My friend had even less exposure to the series than I did – until recently, of course.

After watching a few of these episodes, my friend commented that the stories within each show were good, and I agreed. Though the special effects are hardly that special today, that was not what my friend and I meant when we concurred that the series was good.

What we meant was that the stories themselves were good. Usually, The Incredible Hulk could be counted on to turn out a good story. There have been a few episodes that I would say fell flat, but that has more to do with the story itself than with the actors or the special effects. On the whole, however, The Incredible Hulk was reliable entertainment for its time and, I daresay, for ours.

This conversation with my friend led me to mention what I had always found likable about the Hulk while I was growing up. It was never his size, strength, or unparalleled ability to “smash” that made me an appreciator of the Hulk. I liked the Hulk because, despite his rage and general tendency to break stuff, he was still a gentle giant to the innocent and/or the helpless.

This is something that later stories in the comics have largely abandoned. In the original comics, The Incredible Hulk television series, and the 1990’s Hulk cartoon, Big Green would never hurt an innocent person. Not on purpose, at least. Someone may have been standing in the wrong place at the wrong time when the Hulk got into a fight and was therefore hurt, but Big Green never deliberately injured someone who was not a threat to him or who was a good person.

For instance, the Hulk always had a soft spot for kids in the shows I saw and in The Incredible Hulk. I can remember a cartoon episode or two where Bruce Banner befriended a young child, only for the Hulk to later manifest himself in order to protect said child. Hulk would also avoid hurting someone who had befriended Banner or who had demonstrated that they were a nice, good, and kind person.

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And in the Bixby/Ferrigno series the Hulk had a knack, as he did in the comics and cartoons, for ending up in the right place at the right time to help people in bad situations. Cursed with a power and alternate personality he did not want, forced to wander the world as an outcast, Banner would lament that he could not have a “normal” life. I sympathized – and still do – with that, but I also think his focus on the negative meant that he did not often see what a great gift he had also been given.

Originally weak and unable to help others, the emergence of the Hulk gave Banner the ability to play the knight errant. No, he could never have a so-called “normal” life, and that could be annoying and sad. But how many people would have been harmed or might even have died if Bruce Banner did not have the Hulk residing within him?

This is a plot and character device which the comic book writers have gravitated away from since the House of M storyline. Those earlier stories hinted at a provident Will behind the Hulk’s appearance and his subsequent, well-placed position in the lives of others where he invariably helped make those he encountered safer, happier people.

As a young viewer I sensed this about the Hulk. Misunderstood by Thunderbolt Ross, the general public, and even Banner, the Hulk was nevertheless a force for good in the world and not a monster of destruction, as he has often been described. Yes, he broke a lot of stuff more often than not. But he never did it just for the heck of it; he did it to protect others or stop the bad guys. I can accept destruction when its main aim is to protect good people and stop bad people. Buildings can be replaced and the land is always shifting. Individual humans are utterly irreplaceable.

Though the comic book writers have fallen away from this understanding of the Hulk, the cartoon and film writers seem to have begun to re-explore this side of the character. Oddly enough it was Joss Whedon, the proclaimed atheist, who led the charge for this change. This is made plainest in The Avengers, where the famous director/writer has Tony Stark point out that the Hulk may have saved Banner’s life in the Gamma explosion for a purpose.

Marvel’s writers have subsequently shifted their portrayal of the Hulk in the cartoons to show him as a thinking and usually coherent character, instead of a rage monster with the vocabulary and intellect of a four year old child having a righteous temper tantrum. This is a nice change but it takes away, for me, a little of the gentle prodding we had in earlier stories about the Hulk. The idea that Providence intervened to save Banner’s life and granted him the power to back up his will to help others is what made me fond of the Hulk. I think this is one of the reasons why I drifted away from the character as I grew up – my own inclination toward precision in place of wholesale attack notwithstanding.

This providential element in stories about Big Green is the reason why I enjoy watching the reruns of The Incredible Hulk on El Rey when I can. These stories, as Bill Bixby said, were made for adults but “children can watch them, too.” He was reportedly very upset when the show was described as mere children’s entertainment.

I have to agree with him on that. The Incredible Hulk and other, older Marvel fare was made for adults and children alike. Both could read it and learn lessons about life from the stories the company told. This is one of many things that Marvel lost after House of M, sadly, and one of the things I wish they would work to rediscover. They will tell better stories if they are only ready to relearn what will make a great story.

If you can, readers, try to catch a few episodes of The Incredible Hulk on El Rey. They are “retro” and dated, and this is not a television series which modern special effects fans will take very seriously. But if you like a good story, The Incredible Hulk can be counted on to deliver nine times out of ten. That is all any of us can and should ask of a storyteller; a good story, well-told, and appreciable to a wide audience.

Have fun smashing with the Incredible Hulk, readers!

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Do Marvel Fans Hate Women and Diversity? Not Hardly.

Hey, readers! Did you happen to hear that Marvel’s comic book sales are declining?  If you did not, then you probably missed what Marvel’s VP of Sales, Mr. David Gabriel, had to say about it.  Read on to find out just what he said:

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“What we heard was that people didn’t want any more diversity. They didn’t want female characters out there. That’s what we heard, whether we believe that or not. I don’t know that that’s really true, but that’s what we saw in sales.  We saw the sales of any character that was diverse, any character that was new, our female characters, anything that was not a core Marvel character [sic], people were turning their nose up against.  That was difficult for us because we had a lot of fresh, new, exciting ideas that we were trying to get out and nothing new really worked.”  (Source:  http://www.express.co.uk/entertainment/films/787249/Marvel-comics-diversity-Ironheart-Kamala-Khan-female-Thor-Iron-Man-Avengers-Infinity-War)

This is news Marvel apparently got from the retailers selling its comics. While some retailers saw an influx of new clientele, most saw a big drop as people ignored the new comics because their favorite characters – Captain America, Iron Man, Falcon, Hulk, Thor, etc. – were being killed off and/or humiliated, which means that their audience felt depressed and/or mortified.  Marvel’s comic book sales have weakened in proportion to the steady stream of replacement, politically correct characters and stories the company has been trying to shove down our throats for the past three or four years.

I was astounded to see this statement from Mr. Gabriel. I have known for years that Marvel would lose revenue if it abused its audience by maltreating or destroying its characters.  If you have followed my blog for a while, you know this is so.  What surprised me was that a member of Marvel’s hierarchy actually admitted that sales were dropping because of the “new materiel” they were introducing.  I told ‘em this was going to happen, but did they listen to me?  ‘Course not.  And now they are shocked that people do not want to buy comics that make fools of and/or destroy their favorite characters.  Well surprise, surprise, surprise, Marvel!  How could you have missed that fastball?

I can hear some of you fainting right now. You think I am an awful person for celebrating this news, no?  That I hate women and diversity, too, n’est pas?

Well, no, I don’t. Allow me to explain what made me rejoice over Mr. Gabriel’s statement:  what made me happy about his announcement was that he has finally admitted, on behalf of the company he serves, that politically correct characters are turning fans off of the Marvel franchise.  He has finally acknowledged the obvious; that so-called “characters” like Jane Foster/Thorette, Amadeus Cho/New Hulk, Riri Williams/Ironheart, Kamala Khan/Ms. Marvel, and Gwen Stacey/Spider-Girl, along with other “new,” “diverse,” and “legacy” protagonists – which are supposedly “meant to bring women and minorities to the forefront of social consciousness” – are really hurting instead of helping Marvel’s brand.

So if I like what Mr. Gabriel had to say, then why am I writing this post? I am writing this post because he and his colleagues are missing the point of why their sales are falling.  Mr. Gabriel says what they believe; that legions of Marvel’s fans hate women and diversity, and so they need to keep doing what they are doing in order to win their “deplorable” fans – you and me – over to their view of the world.  In essence, they are accusing the thousands of people who support their business of widespread bigotry, intolerance, and stupidity; completely ignoring the beam in their own eye to pluck out the mote in ours.

This is what has Marvel fans so upset. This is why they have stopped buying the new comics.  Marvel fans definitely do not hate diversity or women.  The latter is proved by the fact that Marvel already has hundreds of established female characters with existing fanbases – although you would not know that if you were new to the Marvel multi-verse or have only heard about it from the mouths of twits (most comic book film critics).  Go to my post “Offended, Insulted, and Not Shutting Up” for a roll of Marvel’s female characters and a link to a longer list where you can learn about more of them.  The fact is that these reviewers could care less that Marvel has a panoply of female characters for the simple reason that it is not part of their agenda.

As for the idea that Marvel fans hate diversity, this is a laughable argument because it is so easily invalidated. Marvel has been diverse since it was founded, something that is shown through characters like Storm, Falcon, Black Panther, Misty Knight, and Luke Cage, all of whom are black.  Separate sources have consistently claimed that either Black Panther or Falcon was the first black superhero to appear in comics, beating out DC’s Black Lighting.  I think that Storm might predate the three of them, but I am not sure.

Quicksilver and the Scarlet Witch are Gypsies, readers.  Red Wolf, Mirage, and Thunderbird are American Indians; and Colossus and the Black Widow are Russians who have become U.S. citizens.  Then there is Nightcrawler, who is German and who barely resembles a human; Silverclaw, who is Brazilian; Sunfire, a Japanese man who follows the tradition of the samurai, and Bengal, a Vietnamese superhero who lives and works in Vietnam.

If Marvel were not diverse, readers, then these characters would never have been created by Stan Lee and the original writers. If Marvel’s fans hated diversity, none of these characters would have lasted more than one issue.  Before 2015, they were all alive in the Marvel multi-verse, which means they have, collectively, been around for nearly seventy years.  How can people who have kept these characters “alive” for so long hate diversity?  Answer:  they cannot, and therefore they do not, hate diversity.

So if Marvelites do not hate women or diversity, then why is Marvel losing revenue on its new comic books? Hmmmm…. Maybe these books are doing poorly because the fans, new and old, actually like Thor Odinson as the Prince of Thunder and not some prancing female using his hammer and claiming to be something she is manifestly not. Maybe fans truly liked Bruce Banner as The Incredible Hulk and really hate the fact that Marvel had one of his best friends kill him. Maybe fans are in fact more than a little bit upset by Marvel’s decision to make Steve Rogers a secret agent of HYDRA and a flaming NAZI. Maybe they genuinely like Tony Stark as the Invincible Armored Iron Man who can build his way out of a trap with a broken laptop and some chewing gum, instead of a fifteen year old science whizz-kid who could do her own thing instead of shoehorning herself into his act.

And maybe they do not like one of the first black superheroes – Falcon – being shoved into the role of Captain America, since it smacks of condescension and patronization.  This move by Marvel is obviously meant to appease the PC police.  And by doing this to the Falcon, Marvel’s writers are essentially stating that they think Sam Wilson – and therefore his fans – should not be satisfied that he is one of the first two black superheroes in comicdom.  They would rather destroy the Falcon to make a new, “modern” Captain America that is anything BUT an American.

So maybe the reason sales are dropping is because fans think that pushing Falcon into Steve’s suit, handing him Rogers’ shield, and leaving him to spout anti-American claptrap like a ventriloquist’s dummy actually demeans African-Americans instead of “elevating” them or making Sam “more relevant” to the times.

Yeah, I think these facts may have more to do with your declining sales than sexism or racism, Mr. Gabriel.  Too bad you and everyone else at Marvel have not realized this yet.  Or, realizing it, you have decided that you know what we want because you are the “better and the brighter” of society and YOU are never wrong.  We are just peons who cannot see the mote in our eye.  That might be true, but you are missing the enormous beam in your own eye, buster.

So much for the customer is always right, eh, readers?

The reason I am writing all of this is because the people presently helming Marvel – and their enablers/cheerleaders in the world of critics – do not want more diversity or female characters. They want an emasculated male populace and homogeneity.  They want black to be white, left to be right, and the population of the world to be nothing less than mental clones of them.  Though they are doomed to failure, this does not mean that we can simply sit on the sidelines and let them ruin the Marvel universe(s).  It means that we have to fight back against their dehumanizing push for sameness.

This leads me to another problem that Marvel is currently experiencing. An article at http://io9.gizmodo.com/marvel-vp-blames-women-and-diversity-for-sales-slump-1793921500 states that another reason for the drop in Marvel’s sales is due to the increasingly schizophrenic story arcs the company has been churning out for two years. I actually think this problem goes back to at least the Disassembled and House of M story lines.  The reason I trace the problem back that far is this is when I noticed that Marvel was going off the rails. Disassembled and House of M may not have been the starting points, but they were the arcs which made me bite my lip and think, “@&*!, here we go with the death, despair, darkness, your-heroes-are-really-villains-in-disguise downward spiral.”

Just think about it, readers. After House of M the Marvel universe – which was originally upbeat, positive, and generally told decent to good stories – took a nosedive into the muck.  After House of M we were fed the atrociously immoral and disgusting “Ultimate Universe.”  Then we were handed the insipid “New Avengers” storyline and endured the advent of the largely lukewarm “Young Avengers” crew.  We were handed the demoralizing Civil War arc next.  Then we had the sickening Avengers vs. X-Men event; the asinine “Unity Squad” story line, and the Original Sin plotline which led to the putrid rewrite of the Marvel universe(s) in the Secret Wars event of 2015.

According to Beth Elderkin, the writer of the article at io9.gizmodo.com, there have been “at least 12 events and crossovers [in the past two years]. Events, in particular, have become more of a chore than a reward. There’s little build-up or anticipation because you know another one’s right around the corner. They also can completely screw over beloved characters for the sake of drama, like turning Captain America into a fascist as Sam Wilson has taken [on] his mantle.

She says this makes it hard for new readers to focus, and I will not argue that these endless events do not help new fans to get their footing in the Marvel multi-verse – or, rather, what is left of it. But the problem she does not address is that none of these events or crossovers is positive. These stories are all negative and thus display brazenly the idea that Marvel’s management, who believe themselves the “best and the brightest” (but are truly the dumb and the dimmest), know what’s best for the rest of us. They also continue to drive the homogeneity mantra onto readers’ minds like a suffocating pillow. Not one of these events leaves a reader feeling uplifted and ready to face the world again. How do I know this?

Because that is what simply reading descriptions of these story arcs did and still does to me. And I am not alone, something which Mr. Gabriel’s admission about moribund comic book sales proves. Every last one of the story arcs I listed above may be compelling and addictive to some readers, but to most of us they reek of negativity, despair, and nihilism. How many people want to stew in an emotional/mental/spiritual refuse pile like this? If the downturn in Marvel’s comic book sales is as steep as Mr. Gabriel seems to believe it is, then I think I am safe in saying that ninety percent of normal, everyday people do not want this junk. This means that Marvel is selling to a narrow market which is shrinking day by day.

But why is Marvel having this problem at all? If the difficulty is too many dispiriting events, the company could easily fix the problem by turning the characters over to new authors, right?  Possibly, but from what Beth Elderkin says this entire problem is born of the fact that “….There’s been a steady decline in Marvel’s talent pool, because of better offers and independent retailers. One retailer mentioned at the summit that it’s especially hard to keep talented writers and artists when they can make creator-owned books at publishers like Image. Not only does it give them more flexibility to tell the stories they want, but they also keep way more of the revenue.”

Again, I will not argue with her. Though I have no idea what Marvel pays its artists and writers, I do know that the writers they are allowing free reign in their universe(s) at the moment should not be allowed anywhere near a keyboard or a pen. The “stories” that many of these writers are pumping out are evidence that they are intellectual hamsters running inside fetishified exercise wheels decorated with death’s heads.

So finding new writers for Marvel who have positive attitudes and a love of truth, beauty, and goodness is going to be a challenge. Believing that Marvel would hire these people seems to be asking for a miracle. And if Marvel currently has writers who want to tell true, good, and beautiful stories with their characters, these writers appear to be few and far between. And these people are either barely hanging on to their jobs or they have left for greener pastures.

“All right, Mithril,” some of you say, “if these are the problems, just what are we supposed to do about them? Marvel is a big company and they won’t let just anyone in. They specifically tell aspiring artists and storytellers, ‘Don’t call us, we’ll call you.’ How are we going to fix a company that doesn’t want to be fixed?”

Good question. There are several options available to fans, readers. If you are like me and my friends, and you do not like the stories which Marvel is publishing, keep doing what you have been doing: avoid their new comics like the plague. This means that their sales will keep plummeting and they will, sooner or later, be forced to clean up their act in order to stay in business. Or they will finally hire people who will do this service for us. Either way, remember that money talks. If your money is not going into their pockets, then the silence will get their attention.

Another option is to become a writer yourself. If you write good stories and books and they sell well, are positively reviewed, and have the masses talking with mouths and wallets, then Marvel will probably notice you.   Then maybe – just maybe – you will get lucky and they will tap you to write for them.

If you do manage to accomplish this feat, then I would add the caveat that you do your best to keep your eye on the prize. Put your slippers under your bed, as Denzel Washington advised, so that you always have to kneel down to get them in the morning. You got where you are by telling good, true, and beautiful stories, and this is what you want to do with Marvel’s heroes. Keep that goal in mind and you should be fine.

If you are not much of a storyteller, and you are already speaking by not buying Marvel’s comics, then you can always write letters to Marvel in order to explain your displeasure with them. This is what I do; I watch Marvel’s movies, read the older comics, and critique the cartoons. Besides blogging about the characters I enjoy as much as I can, I also write letters to Marvel’s top echelons, telling them what I think of their new comics (and I don’t think much of them).

You can do this, too, readers. Marvel has five different email addresses where you can send letters, as well as a section for general feedback on their website. I have never gone that route, so I cannot tell you what to expect if you try it. However, if you write letters to Marvel, put OKAY TO PRINT alongside your email’s subject heading and send it to one or all of the following addresses: onlinesupport@marvel.com, spideyoffice@marvel.com, officex@marvel.com, mheroes@marvel.com, and/or mondomarvel@marvel.com. And do not be threatening when you write to them.  Believe me; they will notice your letters, even if they are politely phrased.

The squeaky wheel gets the grease, and we Marvel fans have more right to be squeaky than that posse of small-minded critics and “cultural gatekeepers” do. Unless these people actually buy Marvel’s comics in droves (which they very obviously do not), they are not the audience the company has to please. It was our money that made Marvel what it is today, not the critics’ pens. I say it is high time we reminded Marvel of this fact.

For myself, I will continue to do all of the above. I know I sound as though I am crusading against Marvel’s hierarchy, and I guess I am, after a fashion. But I am doing so as a customer who desperately wants to preserve an enjoyed and admired product, so that I can pass it on to others to enjoy in the future.

I want to be entertained by Marvel for many more years, readers. Right now, they are not entertaining me OR legions of their fans. They are trying to force their view of the world on us through these “new,” PC characters, destroying the good and great and true ones in the process. That is cultural bullying, which is a form of intellectual tyranny. It must be stopped. The only way that we can convince Marvel’s management to right the ship is to tell them why we are not buying their product. But we have to actually tell them if we are to have any hope of returning Marvel Comics to the good, the great, and the true, which is timeless.

Until next time, readers….EXCELSIOR!!!!

Captain America: Civil War – Helmut Zemo

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I really struggled when writing this post, readers, not because I doubted my own convictions – I believed from the start that Zemo was evil. Marvel, while turning a great deal in its comic book universe(s) upside-down and inside-out at the moment, was not going to change that fact for Civil War. Zemo has been an antagonist for too long; we all knew he was going to be the villain. My problem is the excuse implicit in the storyline that people would use to defend Zemo’s actions in the film.

Zemo’s grudge against the Avengers in Captain America: Civil War is based on his family’s dying when, in the previous Avengers film, Ultron raised half of his small country into the sky before trying to smash it into the Earth to destroy mankind. Zemo was smart enough to put his family up in a house outside the city before this occurred. Naturally, he did not anticipate the city getting lifted off the ground and bits of rock falling from it to land on top of his home.

There are people who would defend Helmut Zemo’s hatred for the Avengers and his diabolical plan to destroy them. Their arguments, in effect, would say, “But his family was killed! He was mad with grief! What right do you have to call him evil?! All he wanted was retribution for the deaths of his family!”

Retribution is not ours to seek any more than revenge, for which retribution is often a synonym. It is wrong and only causes more pain for more people. It breeds an endless, vicious cycle of violence, death, and darkness for everyone in the world. As for Zemo’s being “mad,” the proper understanding of its meaning is someone who is a danger to himself because he cannot take care of himself. It is not someone who stalks a group of people for a year and then tries to kill them. Zemo does not clinically qualify as “mad” or “insane.” But he does clinically qualify as evil.

How do we know this? He tells us. Zemo condemns himself in his own words, basing his choice on hatred and jealousy. After telling T’Challa about the deaths of his family, he says, “And the Avengers? They went home.” He says this as though it makes everything he has done and all those he has killed worth the cost. While I hate to break his soap bubble, I must ask: just what is it that Zemo expected the Avengers to do after destroying Ultron, saving humanity, and preserving the lives of as many of the civilians still in the city as they could?

What more, in short, could they have done to make him their friend? They could have gone back to the city after the battle and helped with the clean up.  But would that have won them Zemo’s respect? Would he have felt better if Thor, Cap, and Iron Man had helped him dig his family’s bodies out of the rubble? Would Zemo have felt better if they had helped him to bury his family? Would their tears over his loss have made him feel avenged (pun intended)? Since Zemo was ready to commit suicide after accomplishing his “mission,” this seems highly unlikely.

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You are probably wondering why I am making such a fuss about this, readers.   I take issue in this case because the writers did so, in order, I believe, to show how empty Zemo’s philosophy is.  I am also making an issue of this because those who professionally review films – the docents of decency, the perpetually petulant masters of modernity, and other “reformers” of reality (a.k.a. the culture Nazis) – have made this a tenant of their belief system. This belief and their system are both solipsistic and false.

How do I know this? There are several ways. Why, for instance, did the writers have Zemo deliver the above lines in these specific words and in this tone?   What is the big deal about the Avengers going home when their job (save the world) is done? How is it a crime for the Avengers to swoop into a certain place, stop the bad guys, and then go home to recover, the way that policemen and soldiers do? Just what is wrong with that picture, readers? Enlighten me, please; what is wrong with this situation?

The fact is that there is nothing wrong with it – absolutely nothing. The Avengers went home after Age of Ultron because they did not come to Sokovia as conquerors. They came as defenders of both Sokovia and mankind. No one – Avenger, commando, politician, civilian – could have predicted Ultron’s plan to raise the city and make it a destroy-the-human-race meteor. It was a surprise to everybody.

Before the city lifted off it was swarming with drones trying to kill those left in the city. The Avengers were busy protecting these people, leaving them precious little time to discern Ultron’s mad scheme let alone to chase down every bit of flying rubble coming off of the metropolis.

The team’s main concern was to stop Ultron and thereby save mankind. This included protecting the residents of Sokovia from homicidal drones. Intercepting debris from the airborne city was not a consideration due to the necessities of combat against overwhelming foes. It was not due to indifference and it was most certainly not due to selfishness on the part of the Avengers.

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Yet Zemo is unconcerned with these very obvious facts. Why should he? It is clear to him what happened. The Avengers showed up, destroyed the maniacal machine, and went home to a heroes’ welcome.   They did not care about his people or his family. They cared about getting the glory for saving the world. That was their plan all along, as evidenced by the fact that they did not return to Sokovia to clean up the mess, nor did they prevent the disaster from occurring in the first place. In fact, they are responsible for the entire debacle; Tony Stark created Ultron. If he had not done this, then everyone who died in Sokovia would still be alive. The evident conclusion one must reach is that the Avengers do not care about anyone but themselves – right?

No, it is not. We know it is not, readers, because we have walked beside these characters through ten plus films. We have seen them selflessly put their lives on the line to protect the masses. We know that the Avengers truly care about saving as many lives as they can. They are as altruistic as one could wish of mortal man. Even Tony Stark, who is still too self-centered, remains willing to put his life on the line for strangers he will never meet. The Avengers are in the fight because it is the right thing to do, and most of them would be quite happy to skip out on the fame they have gained while doing their jobs. They cannot escape it and so they ignore it as best they can.

This is how we know that Zemo’s profile of the Avengers is mistaken and selfish, not to mention blatantly foolish. It is not because we like the characters or are attached to them that we believe they are heroes. We are certainly attached to them, and we definitely like them. But that is because they have proven time and again that they are willing to do heroic things to protect others. It is hard not to like someone for that.

Considering his background, you might think that Zemo might understand that combat is not a place where one feels “an overwhelming sense of control,” to quote Nick Fury. You might even think that Zemo could recall battles which had not gone according to plan, where people whom he and his team were supposed to protect were killed in spite of their best efforts. You might also think he would recognize that the Avengers were in that same boat in Sokovia and thus they could not be held accountable for the loss of his family.

Here we come to the important distinction between Zemo and the Avengers: Zemo led a “kill squad.” He and his men were not just commandos; they were government-sanctioned assassins. This makes it likely that Zemo and his men had little care for the lives of others. The exceptions would have been the lives of those closest to them, such as Zemo’s wife, son, and father. He may not have a problem murdering a family in another country but he would have a problem with whoever killed his family.

This is not the Way of the Avengers. When the Avengers kill, they do it to save lives. They do not do it lightly or enjoy it when the time comes to pull the trigger. They do not lose sleep over it, but if they can avoid dealing out justice on the battlefield they will spare their enemies – although they may later wish that they had not done so. They could have killed Loki in the Tower at the end of The Avengers, readers. Thor was not exactly feeling chummy with his adopted kid brother at the time and, in The Dark World, he threatened to kill Loki himself if he was betrayed.

The team had all the logic in the world to convince them to finish Loki then and there, but they chose not to do this. They instead sent him to Asgard to stand trial and receive Odin’s judgment. Despite their moniker, the Avengers are not prone to dealing out what most people would think of as revenge. They stop – or ‘Avenge’ – evil by defeating the bad guys, and by saving as many people as they can when the crisis blows up in an unforeseen manner.

One of the reasons why Zemo decides to destroy the Avengers is he is used to killing. As an assassin he became accustomed to the idea of being judge, jury, and executioner. What is more, he came to like playing these roles.

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There are four things he did which prove this. One, Zemo killed a former HYDRA operative and a psychiatrist without blinking an eye.   Two, he detonated a bomb outside the U.N. building in Vienna without any qualms about the innocents who would be caught in the blast. This was in spite of his claim to the HYDRA agent that he would not enjoy using “bloodier methods” to get what he wanted.

Three, after he had control of Bucky Barnes in the German base, Zemo ordered him to kill the soldiers who came to put the Winter Soldier back under restraint. Without orders Bucky might very well have just stood there until Cap and Sam arrived to calm the situation. But to further destroy Bucky’s already blackened record, Zemo ordered him to kill these men in cold blood. He stood by and watched these men die, then feigned a bad injury to lure Cap and Sam into the room so Bucky could attack them. I can just feel the remorse radiating from him in these scenes where he used “bloodier methods” to get what he wanted, can’t you, readers?

Four, Zemo expected Iron Man would kill Bucky and then Cap would kill Iron Man. Or he believed that Cap and Iron Man would kill each other after Bucky was dead. Why did he think this? He said he studied Cap and the rest of the Avengers, did he not? Enough to realize suddenly that there was a bit of green in Cap’s blue eyes, he said. So why did he not expect Cap to save Bucky, while at the same time avoiding killing or truly harming Tony Stark?

For a professional such as Zemo, this kind of miscalculation is astounding. He is a practiced killer; if he wants to take down a target or convince a target to kill himself and another person, he has to study his prey very carefully. He had a year to study the Avengers and plan how he would kill them, or convince them to kill each other. So why, when you come to the most crucial point, did he fail to suspect that Cap would prevent Tony from killing Bucky, while at the same time not murdering Stark himself?

The reason he failed to completely destroy the Avengers – to kill them all or convince them to kill each other – is that he does not understand them. He did not, does not, and will never comprehend them as long as he maintains his choice to do evil rather than good. This is shown most plainly by his underestimating Captain America, the Galahad of modern literature. He expected Cap to react to pain and loss as he would. But Cap is not like other men; he is different. Where most men can achieve only a “good” status in this world, Cap has achieved a “great” status. This is not perfection but it is very, very close to it.

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Now some of you are going to say, “But what about Steve’s vow to kill every HYDRA operative after Bucky fell off the train in the Alps? That was revenge!”

No, it was not. What Cap specifically said was that he would not stop fighting HYDRA “until every HYDRA agent is dead or captured.” (Emphasis mine.) This means that he would capture and imprison those members he could, and kill those who resisted. He said and did this for the same reason the British wiped out the Thuggees, murderers who worshipped the Hindu death-goddess Kali. HYDRA is no better than the Thuggees; they need to be exterminated so that innocent people intent on living peaceful, happy lives will be safe to live and work as they choose.

Nothing that Cap said or did after Bucky fell from the train in The First Avenger was vengeful. He was not motivated by a desire for payback. He wanted the world to be free of the evil that was HYDRA so that Bucky’s sacrifice – and the sacrifice of thousands of other men on both sides of the war – would not be in vain. So that the world would be free of HYDRA’s evil once and for all.

By his own admission, Zemo was not trying to free anyone in Civil War. He was trying to destroy a team of people who routinely put their lives on the line to protect mankind from the evil without and within it. He wanted revenge, not justice. He wanted payback, not freedom. He was and remains willing to let the entire world fall into death, destruction, and slavery so that he can feel he has revenged the deaths of his family.

Readers, what is so admirable about Zemo’s choice? Why should we, as viewers, sympathize with a character that is willing to condemn the whole human race to an evil fate just so he can feel vindicated on behalf of his dead loved ones? Should we sigh, wipe away a tear, and say, “Yes, we feel your pain,” or “We understand you,” to a character who would throw away every human life on the planet to satiate his lust for blood? No, we should not. But this is what some people want us to do for Zemo.

I will not do this. I will not commiserate or identify with a character that would gladly doom millions to death and millions more to slavery in order to get vengeance for his family, who were unfortunate casualties in a battle. As Rocket Raccoon pointed out in Guardians of the Galaxy, “Everybody’s got dead people. That’s no excuse to get everyone else dead along the way.”

Zemo has no excuses for his choice to destroy not only the Avengers but the people they protect. He wanted to throw the rest of the world under the bus to fulfill his desire for vengeance. No one has the right to do that. But that is what Zemo tried to do with the world population when he targeted the Avengers in Captain America: Civil War.

Later, at the end of the film, we watch Martin Freeman’s character, Everett Ross (no relation to the General turned Secretary of State), visit Zemo. He begins gloating to Zemo about how his master plan has failed.

Like Thunderbolt and the U.N., Everett Ross believes that Zemo’s master plan has gone down in flames whilst the United Nations’ own has succeeded. They have four of the six members of Team Cap incarcerated while Iron Man, War Machine, and Vision are leashed and awaiting orders. Black Widow, Captain America, and the Winter Soldier are wanted fugitives who will soon be found and locked up with their friends. The private police firm known as the Avengers is now legally under the direct control of the bureaucrats and politicians in the United Nations. Zemo, meanwhile, is locked up and out of the way. Yes, their plan has worked flawlessly whilst Zemo’s has not.

Slowly, Zemo smiles and says, “Did it?”

At these words we get to watch the smile gradually slide off of Everett Ross’ face. (It is such a satisfying thing to see!!!!) Zemo is correct to point out that his plan did not entirely fail. But the fact is that Zemo’s plans did not accomplish his true goals.

None of the Avengers are dead, as Zemo desired. Their strength is halved, but they are all alive, and this makes a future reconciliation possible. Zemo does not see this because, as stated above, he sees the Avengers through a glass darkly. He cannot comprehend the gulf between his mind and their souls. Part of his plan has been accomplished; the Avengers are no longer what they were. They are weakened, and severely so….

But they are all alive.

The Avengers’ advantage over Zemo is their heroism; it will defeat him every time. Like the phoenix of old, like the sun on a daily basis, the Avengers will rise again. And they will be whole and stronger than before when this happens.

Evil will never win the war, as Zemo believes he has. He has won a battle. But the war was won a long time ago, and the Avengers are on the winning side. Even the arrogant ones, such as Tony Stark, will be victorious in the end. Their strength is not their own. It comes from Another, and He is watching over them, as He watches over all those who serve Him. He is their strength. As long as Zemo stands against the Avengers, he stands alone against Him, the irresistible and unconquerable. He will win, and Zemo will lose.

‘Nuff said, readers. ‘Nuff said.

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Book Review – Marvel Masterworks #3: The Avengers

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Well, readers, we are back in the wonderful world of Marvel, as Stan Lee and his friends originally wrote it. Get ready for a jaunt into the Marvelous, original mainstream Marvel Universe!!! Here is the review for Marvel Masterworks: The Avengers, Vol. 3!!

As with Marvel Masterworks: The Avengers, Vol. 2, this book contains a collection of original comics from the early 1960s. There are ten issues in this book in all – plus an introduction straight from Stan “The Man” Lee’s pen. The language in these comics is better, in some ways, than it is today.

Now when I say “the language is better,” I am not referring to these old comics’ lack of profanity. That is certainly a point in these stories’ favor, but it is not the main point. What I mean is that the vocabulary used by the characters herein is wider and makes allusions to the classics. This means that the characters not only convey precisely what they mean to each other, and thereby to the readers; it also allows them to give the readers lessons in world history, myth, etc.

Yes, there is a great deal of contemporary slang in the stories in this book. But there is a great deal of contemporary slang in The Adventures of Tom Sawyer, too, and only a few boneheads want to complain about that. The comics are not perfect, but they are better in several respects than today’s comics. The stories in this volume are real stories, the characters are really who and what they look like, and the artistry is well-done.

Is it quite as good as today’s artistry? Allow me to answer that with a question. Are comic books about art, or are they about story? Illustrations for a comic book should be high quality, of course. But if the art is the only thing in the comic book which is good, then the comic book is not worth very much, other than as a tableau showing off the artist’s talent.

The writers of the modern comics are more focused on the fleeting fads of the world than on good storytelling. The artists for the comics want to make a splash rather than help to tell a good story. The parts are all trying to get the credit for the same cake, and in the process they are destroying the recipe. This means that the finished product comes out looking more than a little unappetizing.

So, readers, we have to read these old stories. We have to learn the recipes in this volume. Because when the wannabes are finally driven from the kitchen, guess who is going to have to come in and clean up the mess. That is right – we are. And if we do not know how to bake the cakes, then we are going to make messes as big as this one which is about to blow up in Marvel’s collective face.

Below is a description of the comics that can be found in this Masterworks volume. Some details are missing, but that is intentional. A lot is getting mentioned here in order to whet your appetite for the main course. For those who would rather not do anything other than smell the aroma of the bread, then you had better stop reading right…now. Because, without further ado, here is the description I promised –

WARNING: Spoilers follow!!!

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In this volume, you will watch as Captain America and his “new Avengers” – Hawkeye, Quicksilver, and the Scarlet Witch – are handed their first defeat. Tricked into damaging property by the Enchantress and accused of trying to elbow out the newest hero on the block, Power Man, the Avengers are forced to disband. And the ever-antagonistic Hawkeye is only too willing to lay the blame on Captain America!

However, Steve Rogers is not ready to let the Avengers’ torch gutter and die. While his team searches for new, legit work, he sets out to prove they were set up in “The Road Back!” He succeeds, naturally, and the Avengers are reinstated as heroes. But the team is rocked by another surprise when Cap throws in the towel and strikes out on his own!

Following this catastrophe, Hawkeye finds that leading a team is not as easy as he thought it would be. Wanda misses Cap’s presence along with Quicksilver. Even Hawkeye privately admits that he regrets Cap jettisoning free of the team – especially as the twins prove they are not that easy to order around.

Meanwhile, having found work training a boxer, Cap is making a living on his own for the first time since awakening from the ice. He likes the work but soon discovers that he cannot close his eyes without seeing his team. He misses them as much as they miss him.

Unknown to our four heroes, they are being watched. From his domain in the far future, Kang the Conqueror decides that the Avengers are finally vulnerable to his revenge! He kidnaps Hawkeye, Pietro, and Wanda to the 30th century and holds them captive…

But Kang has an audience besides us, for once. He is in the last remaining kingdom which he does not rule. No, this little postage-stamp nation is run by Princess Ravonna and her father. Both consider Kang to be evil and they despise him, Ravonna making no secret of the depth of her contempt for the Conqueror. Kang, though he rants against her, admits that he is unwilling to destroy the kingdom – because Ravonna has conquered his heart without half-trying!

Hearing on the radio about the Avengers’ disappearance, Cap makes tracks for the Mansion. Discovering that Kang is responsible for his friends’ abduction, he challenges the 30th century genius to transport him to the future as well. With Ravonna watching, Kang is only too happy to oblige…

And from here, it is all-out war, as Kang finally decides that he will take Ravonna and her kingdom by force!

After their adventure in the 30th century, the Avengers are lured to Latveria in the issue entitled “Enter…Dr. Doom!” Eager to challenge the Fantastic Four again, Doom wants a trial run before he squares off with Reed Richards and his family. He gets more exercise than he was bargaining on when the Avengers prove to be as mighty as the Four – maybe even mightier!

Next ish, the Avengers receive a distress call from founding member the Wasp. She tells them that Attuma has captured her and plans to destroy the surface world. He has built a machine which will induce tremors in the earth, causing tsunamis and floods which will destroy the human world. Once that is done, the Ghengis Khan of the undersea world plans to march onto what was once dry land to claim it as his own!

This plan goes about as well as you would expect. The Avengers whip Attuma, destroy his machine, and set him back several thousand sea-dollars, only to arrive home to another crisis. This one again involves the Wasp, who made it to the Mansion but has since disappeared!

Unable to stand losing her, Hank Pym returns to active duty on the team, taking the name “Goliath” in order to help find the love of his life. The Avengers soon meet with Wasp’s abductor: Tanaleer Tivan. Better known to most as “The Collector,” he captured the Beetle and decided he wanted a superhero team for his collection as well. His target: the Avengers!

The team breaks out of this problem and hits another snag. In rescuing the Wasp, Pym stayed giant-size too long. Now he is trapped at ten feet tall – and hating every minute of it.

Things go from difficult to worse in no time. Hawkeye is over-the-moon ecstatic when Cap tells him SHIELD has heard that Black Widow is alive and is returning to the U.S. He then gets angry when Steve points out that the Communists would only release her if they had managed to brainwash her again.

Unwilling to forget his love for Natasha, Hawkeye leaves the Mansion to find her. He does indeed meet up with the Black Widow – plus Power Man and the Swordsman! Natasha then reveals that she has been put back under the Reds’ control, and she wants Hawkeye to rejoin her in their service.

Well, Hawkeye still cares about Natasha, but he is not willing to join the Commies for her. Luckily, Cap was afraid the whole thing was a trap and dispatched Wasp to monitor the situation. She speeds back to the Mansion, but does not return until everyone else is captured. Only she and Goliath are still free to fight…

The last story sees Quicksilver and the Scarlet Witch taking a leave of absence from the Avengers. Also, with Cap’s permission, Hawkeye takes on Widow and her stooges solo. He manages to best the Swordsman, his old mentor, but Power Man is not going to be nearly as easy to defeat….

Meanwhile, Hank Pym is desperately searching for a way to return to normal size. Hearing about an old colleague who has disappeared in South America, he heads there to find him in the hopes that the man can help reverse his condition. Instead, he finds a “Frenzy in a Far-Off Land!” ready and waiting to jump him!

Readers, I hope I have not spoiled these stories too much for you. I know they are “retro” and probably of interest to very few of you. With Marvel’s recent alterations, which they are hailing as the new Modern, most of you probably do not care to learn where the heroes we have seen on the big screen for the last decade and a half started.

But I believe that we need these stories now more than ever. Yes, they are kooky and silly, with a dash of weird in the bargain. They will not appeal to everyone; least of all will they appeal to Marvel’s blind Hierarchy of Seneschals.

Still, they are the germ of the stories we have now. Without them we would not have Chris Evans playing Captain America, or Robert Downey Jr. doing a bang-up job as Tony Stark. The cast of the films owe their careers to these characters, and to forget where these fictional heroes came from is just plain bad. It means we are forgetting ourselves with them. If our memory only goes as far back as yesterday, we will never be able to make a future.

Marvel is so determined to build a shiny “modern” future that it is rewriting its past, and not in a healthy way. The bosses at Marvel can make whatever changes they want. But in the end, they cannot change the past. They cannot change us. And that will be their undoing, not ours.

If we forget, however – if we allow what we have learned and remember to be wiped away – then we will be undone. By learning where Marvel came from, the company can one day be cleaned up and put back on the road to goodness and then greatness. This book will help us in that.

If we let it…

Avengers Assemble!

The Mithril Guardian

Book Review: Marvel Masterworks #2: The Avengers

Come on, readers – you knew it had to happen at some point! I am a Marvel fan. Of course I would get around to acquiring a Marvel book!

Actually, I have several. 🙂 The particular book which I am describing here, Marvel Masterworks #2: The Avengers, is one of my favorites. Marvel Masterworks are books which contain a certain number of original comic book stories within them. And in this case when I say original, I mean original! Marvel Masterworks #2: The Avengers contains ten stories – issues 11 through 20 – of the Avengers’ first adventures from 1964-65.

WARNING: MAJOR spoilers ahead!!! Read on at your own risk!

Inside this volume, true believers, you will find – Captain America! The Invincible Armored Iron Man! The Mighty Thor! Ant-Man and the Wasp! All in their original costumes and settings, with the quirky tools and fantastic adventures that could only be dreamed up by Stan Lee and his friends during the early 1960s!

Yeah, I just borrowed Stan Lee’s introductory style of the time. So what? 🙂

Okay, so the first story is issue eleven of the Avengers, or The Avengers #11, December 1964: “The Mighty Avengers Meet Spider-Man!” A sinister enemy watches the team from the far future. Kang the Conqueror, still smarting from his last defeat at the hands of the Avengers, is determined to have his revenge. But how shall he get it?!

Painstakingly, he searches the past for someone – anyone – who would be powerful enough to defeat our heroes. Finding such a person, he makes a robot duplicate and sends it back in time to fight the Avengers who have to deal with the confusing situation of a nefarious duplicate of the good guy they know. Who is the robot a duplicate of, you ask? None other than our friendly neighborhood webslinger, Spider-Man!

The next story is “This Hostage Earth!”, and we see on the first page that Ant-Man is greatly agitated. His ants are telling him that someone below ground is trying to destroy the Earth! However, none of the other Avengers take his warning seriously. He is upset because the ants are telling him something is wrong?! How silly!

Even Wasp and Cap do not listen to Hank. In an angry huff, Ant-Man shrinks down to investigate the matter himself –

And finds Mole Man has a created a machine which will induce tremors on the Earth’s surface. If the governments above do not heed his demands, Mole Man will make the surface world uninhabitable!

Next ish (ish is short for issue, non-comic readers 😉 ), we find our heroes lured into a trap by Count Nefaria. The villainous count is more than a little miffed that the team has been ruining his Maggia operations stateside. As part of the plan, Nefaria frames the Avengers as power-hungry tyrants who want to take control of the world! The team manages to stop him and clear their names but, in the process, Wasp is injured and left on the brink of death!

In “Even Avengers Can Die!”, the team races against time to find the one doctor on Earth who can save their only female teammate. They are truly desperate; even the Mighty Thor. This is because even his mortal alter ego, Dr. Don Blake, magnificent physician that he is, does not have the expertise to save her!

Then, in issue #15, Baron Zemo and his Masters of Evil – the Enchantress, the Executioner, the Melter, and the Black Knight – spring a trap on the team. Kidnapping Rick Jones, Zemo lures Captain America to his South American base while the rest of the Avengers remain behind to fight the Masters. Then, in “The Old Order Changeth!”, Cap and Rick Jones work their way back to the States. In the meantime, Thor goes back to Asgard for a “Trial of the Gods.” After he leaves, Iron Man, Wasp, and Giant-Man realize they are plum tuckered out. They need a break from Avenging or they will be wrecks by the end of the year!

So they call for new heroes to step up and take their places on the team. Many apply but only three are chosen: Hawkeye, a former enemy of Iron Man, is chosen to join the team. Not long after, twins Pietro and Wanda Maximoff are accepted as members of the team. Once enemies of the X-Men, the siblings known as Quicksilver and the Scarlet Witch now seek redemption as part of the Mighty Avengers!

In “Four Against The Minotaur!” Cap and his new teammates head out to the desert to find the Hulk in an attempt to build up their strength. Cap learns some of the limits and characteristics of his new recruits along the way. He has little trouble managing the twins but finds Hawkeye mouthy and as hard to control as an unbroken bronco. Despite this, Cap feels Hawkeye will make a splendid Avenger – once his rough edges are smoothed over! Meanwhile, in a separate part of the desert, Bruce Banner appears to die after a fight with the Leader.

The next ish shows us the fictional communist country of Sin-Cong, which is run by a ruthless Commissar. In a plot to show how strong the Commissar is, the Communists lure the Avengers to Sin-Cong for a “demonstration.” Trying to get a job with SHIELD, Cap is eager to answer the call – as is the ever-belligerent Hawkeye. Soon the Avengers are fighting the Commissar. But all is not as it seems and when the “weakest” Avenger, Wanda Maximoff, goes up against him, the Commissar gets more than he bargained for!

The last two issues in the book introduce us to the Swordsman, Hawkeye’s former mentor. Arriving one day at Tony Stark’s mansion – which is on loan to the Avengers – the Swordsman is greeted, ah, “warmly” by the Maximoff twins. The man escapes after a furious Cap reveals the Swordsman is wanted in a number of countries for theft!

But Cap has something else on his mind, too. He has applied to SHIELD, but Fury has not yet answered his letter, and he does not understand why. What Cap does not know is that his letter is on a desk in a decoy office Fury set up for HYDRA to watch. The director of SHIELD has not even laid his eye on the letter! (How it ended up in the decoy office is another mystery, readers!!!!)

Sadly, the note makes its way to the Swordsman, who uses it to trap Steve. Things get hairy when Cap’s three young friends track the two down, but the New Avengers are equal to the task and the Swordsman’s plot is foiled. Then the Mandarin takes a hand in the matter, and manages to get the thief accepted by the Avengers through some masterful trickery. But the Swordsman is only there to plant a bomb in their headquarters, to be detonated remotely by the Mandarin when Iron Man (the Mandarin’s arch-enemy) returns to the team!

However, the Mandarin eventually decides he is tired of waiting and tells the Swordsman he will be activating the bomb ahead of schedule. The scoundrel has to make a choice: leave the Avengers to die, or save them – even if doing so incurs the wrath of the deadly Mandarin!

I would say that issues 11, 13, 14, 15, 17, 18, and 20 are my favorite stories in this book. All the comics in this book are, to those of us born in this late age, rather kooky and silly at first, second, and even third glance.

Perhaps that is not a bad thing, and I do not think I should cast aspersions on the past. If anything, this difference in eras shows not only how far we have come (or fallen, as the case may be), but how much our current storytelling in Marvel Comics has declined. Sure, we can tell great stories without resorting to fancy “image projectors” or suspended animation tricks and such things as we find in these stories…

But the modern stories in Marvel Comics lack the cheerfulness, flair, and optimism which characterize the company’s older stories in copious, startling amounts. The old stories are positive, chipper, and see the future as a bright road leading to a better tomorrow. The new stories – not so much.

As a last note, one of the things about “Even Avengers Can Die!” that I love is on the end page. There, the Watcher comments that many men have prayed for the Wasp’s recovery, adding that “the power of prayer is still the greatest ever known” in the universe. And the end caption for the last panel on the page in this issue adds, “Let us now leave the Avengers! Strong men should not be seen with tears in their eyes! Nor should they be disturbed as they lift their faces heavenward, in solemn, grateful thanksgiving!

I really, REALLY miss those kinds of statements – not only in our modern comics, but in all our current stories. This is what makes “Even Avengers Can Die!” one of my favorite original comics in the book.

Readers, if you someday decide it is worth a look, I hope you enjoy this volume of original comics as much as I do. And if you are totally uninterested not only in this book but in Marvel Comics in general, well, I hope you found at least a little happiness and sunlight in this post. That will satisfy me as much as anything else would.

Excelsior!

The Mithril Guardian

Captain America: Civil War – Trailer 2 Breakdown

Well, sorta. This is not a total trailer breakdown, more like half a trailer breakdown.

Anyway, thanks to masterleiaofasgard, I saw the second Civil War trailer not too long ago. (She is sooo good at finding these things! 😉 ) It was… amazing! Spectacular! Superior!

Yeah, I am having fun with Spidey’s old titles of amazing, spectacular, and superior. Ultimate… I do not think the trailer rated that, thankfully.

Anyway, there were some things in this trailer which I thought were noteworthy. Below is a list of those things, which other, sharp-eyed fans have doubtless already noticed and taken the time to opine about them. Since I have not had time to surf the net for the observations of others, I snapped some shots of scenes from the trailer which I wanted to look at more closely. Unfortunately, the photos are grainy and blurry for the most part. I am sorry for that, readers, but it was the best this writer could accomplish with the limited tech knowledge stored up in this brain. I am no McGee of NCIS or Alec Hardison of Leverage, so this is the best you are going to get from this post, I am afraid.

With that disclaimer, we can get down to business. First up is this shot of Wanda bringing Vision to his knees:

Wanda vs. Vision 2

Pretty scary, huh? Wanda Maximoff is not an opponent any sane member of the Marvel Universe wants to enrage. That is a bad, bad idea under normal combat conditions. In this case, the plan is even worse.

After watching the trailer several times, I paused the video on this scene to get a better look at it. That is when I noticed that there is someone lying on the floor directly in front of Wanda’s feet. If you look at the bottom left corner of the photo, you should see him, too. Judging by what appears to be a quiver lying next to his bare left arm, I would say this person is none other than Hawkeye. It appears he has been knocked out, and my first thought was that Wanda might have done it to him. A friend of mine, however, is of the opinion that she is not responsible for his awkward nap, but is instead protecting him.

This would explain why Wanda is attacking Vision. If he popped into the room when Clint was telling Wanda it was time to go and zapped the archer, Wanda probably attacked Vision in retaliation. She considers Hawkeye a friend, in no small part due to the kindness he showed her when she was falling apart in Novi Grad. Watching him get hurt by Vision would not be fun for her. So after the initial, “What are you doing?!” moment, she would step in to protect her friend.

Another thing which adds credence to this theory is in the upper left corner of the photo. Though it is hard to see, you can just make out the Marvel Cinematic Universe’s trademark Avengers insignia. The only place where that A would be in such a visible position by the window is the Avengers’ new HQ; the old Stark facility they retrofitted and which Ant-Man so brazenly invaded.

The presence of that A indicates Wanda and Vision are fighting on their home turf. This fact is only reinforced by Wanda’s apparel; she is wearing a shirt, skirt, and boots, not her combat uniform. She is in a place where she feels relaxed and safe. This isn’t the airport or some other location; this is the Avengers’ base, her home. That means the Avengers do not divide into separate camps in a city somewhere. The break in their team occurs in their very own base!

Lastly, look at the Mind Stone on Vision’s forehead. Usually, that rock is yellow. In this shot, however, it is glowing red, along with the rest of Vision’s body as Wanda uses her powers on him. She is not just attacking him; she is attacking him through the Mind Stone.

In an interview that was released recently, Elizabeth Olsen said that the Vision’s and Wanda’s friendship is based in part on the fact that they both received their powers through the Mind Stone. While Olsen said there was no romance in the relationship, she did say they were friendly with each other. It appears they are friendly because of their shared experience with the Infinity Stone stuck to Vision’s head.

Also noteworthy about Vision’s position is the cracks in the floor beneath his feet. His knees have not hit the floor yet, but there is already a network of cracks in the concrete. I guess he was hovering and Wanda yanked him out of the air to the floor, causing those cracks. Vision is certainly heavy enough to have broken the floor that way, if he landed too hard. Since he is not in the habit of breaking stuff just for the fun of it, he did not create that damage of his own accord.

Next we have this shot of a circular area full of barred rooms:

Prison

A friend took note of these and suspects that the circular, underwater base we see rising out of (presumably) the Atlantic Ocean is the home of these cells. For cells these are. They are somewhat reminiscent of the cell where S.H.I.E.L.D. put Loki in the detention center aboard the Helicarrier – the one initially meant to contain the Hulk.

But these cells are much less roomy and comfortable than his was. This is a jail, no doubt. And considering that we see a shot of Tony – his arm in a sling and sporting a black eye – in the center of this room after this picture, it seems he is getting his first real look at what Ross ultimately wants for the Avengers. Registration leads to imprisonment and, sooner or later, death. Just ask the Jews rounded up in Nazi Germany and sent to the death camps – or the thousands of people the U.S.S.R. sent to the gulags. How did those monsters find all these people to condemn them to death?

Registration. That’s how they found them to round them up, send them to the death camps, and eventually kill them. And this is why Cap is so against registration for the Avengers.

I may be wrong, but there is some kind of placard at the bottom of the stairs that lead to each of these cells. I cannot help but wonder if these plaques are for names, marking which cells are set aside for which Avengers. Creepy, isn’t it?

I hope Tony is feeling the chill, too.

This photo here shows Cap chasing after Black Panther.

Chase

This is obviously an underground tunnel, but it is not a U.S. tunnel. And these vehicles, while they are probably of American manufacture, are not in America. Based on the blurry shot of the vehicle going down the tunnel adjacent Cap and Panther’s, a friend estimates this chase occurs in Europe. Or with cars owned by Europeans. It is hard to be sure because of the motion of this shot. But this chase is definitely going down in an underground tunnel, not a parking garage.

This photo is half a hoot and half terrifying.

Yikes!!

Tony is facing off against the Winter Soldier, and finding out that the man is as deadly as his rap sheet says he is.

This photo is interesting for several reasons, not least being Tony’s frightened expression. He is obviously unhurt at this juncture in the battle. Very obviously. The injured arm and black eye he has in other scenes during the trailer are conspicuously absent here. Wherever Tony is, he has not yet had a tumble on the tarmac with his anti-Registration teammates.

In fact, it seems he is at some diplomatic shindig. Perhaps the U.N. meeting at the building we see get blown up – apparently by Bucky Barnes?

This photo raises more questions than it answers. Since Tony is unhurt, we might assume that this scene is set prior to the civil war between the Avengers. This, in fact, might be what cements Tony’s decision to join Ross in promoting superhero registration.

This opens up a whole new set of possibilities. If Bucky didn’t attack the U.N. building – and his statement in the previous trailer that he “[doesn’t] do that anymore” implies he was framed for the attack – then this attack on Tony could also be a ploy. How HYDRA or Zemo would pull this off, I do not know. But this attack on Tony could very well be nothing more than an attack by a lookalike, a clone, or someone disguised as Bucky Barnes. This fight would certainly serve HYDRA’s purposes. Surviving an assassination attempt will doubtless firm Tony in his dislike of Barnes at the same time Cap is learning his old friend got out of the killing gig not long after Winter Soldier.

It could also mean that Bucky is fighting residual HYDRA control. HYDRA may have a codeword or some other program buried in his subconscious that reactivates his brainwashing, if only for short periods of time. Failing that devious “gotcha” plot twist, the only other explanations are that this is a fake attack, or that this is the battle where Tony earns his broken arm. That last, however, seems somewhat unlikely.

The next picture shows Cap in a rundown apartment kitchen.

Kitchen

There are newspapers plastered to the window on his left (our right), and a hole in one of the tiles over the kitchen counter. This place obviously has not been well-maintained by the owner(s) of the building, though it is clean enough to suggest the occupant of the place does not want to live in a complete rat-hole. But the person living here also does not want to be seen – hence the newspapers on the window.

Considering Cap says in this scene, “This doesn’t have to end in a fight,” I think this is Bucky Barnes’ hidey-hole. Hawkeye, while joining Team Cap and going on the run with them, probably left his farm to head straight for the base. I do not see him living in this kind of dump, and there is definitely no reason for Cap to tell him, “This doesn’t have to end in a fight…”

Wherever this place is, Cap finds Bucky here.

Unfortunately, this next picture is terrible.

Lab

Since it was frozen in mid-motion, this picture is very blurry. But from what we can see of it, Tony has just backhanded Cap across the room. Behind the two of them, you can see Bucky. It looks like he has a gun in his hands and has it raised. Or he is in the process of raising it. It is hard to tell for sure.

What we also see here is that the three are in some sort of underground complex. This is probably a HYDRA base and the location of the climatic final battle between the Registration and Anti-Registration Avengers.

The place looks like a lab – the Dr. Frankenstein type. This is most obvious because of the cylinder with the yellow glow on the right hand side of the shot. It is hard to see because of the watery blur from the camera’s motion, but by zooming in you can make out a person seated inside that cylinder. It is nearly impossible, however, to see whether this person is a man or a woman. Whoever it is, though, seems to have a stump where their right arm should be, as well as some sort of wire/tube coming from the top of the cylinder to attach to their body.

Particular features are impossible for me to gain here. But this scene got my mind whirling with possibilities. Is this a clone of Bucky Barnes? Is it the original Bucky Barnes, which would mean that the Winter Soldier we have seen since Cap 2 is a clone? Most pointedly – WHAT IS TONY DOING FIGHTING CAP WITH THIS HORROR SITTING RIGHT ACROSS FROM HIM?!?!? *Smack forehead and growls with irritation.*

We will only know when we see the film, naturally, but this scene is certainly something to look at closely.

Next picture we have here is this:

Claws!

I snapped this photo mostly to gawk at the length of Panther’s claws. Yikes!!! He could rip a man to shreds with those things! If you watch this scene a little more, you will see that when the chopper starts firing on the two, bullets literally bounce off of Panther’s suit. A vibranium outfit definitely has its perks.

Another thing to consider about this photo and the Bucky/Panther fight scene we glimpse is the location. This is not a U.S. city. The weathering is not consistent with most U.S. climes. This location is warmer than all but certain U.S. cities. My guess is this city is on the Mediterranean, while a friend has suggested it is in the Middle East. However, it could be anywhere. I am no expert on architecture, and these buildings could be in any of the places listed. Heck, I could be wrong and they might be fighting on a rooftop in the U.S.!

Wherever they are, these buildings seem to be along the same lines as Bucky’s apartment. Rundown, not well-maintained, non-descript apartment complexes which middle-class or upper class people would not get within sight of except on the freeway. The perfect place for the Winter Soldier to lie low and stay off the radar.

Until now, that is.

This next photo is of Natasha:

Black Widow

I am not sure, but I think this scene is from the airport tarmac in Germany. A friend suggests that it is a hospital. Either way, if you watch Widow closely during this clip, she seems to have tears welling in her eyes. I tried to photograph that part of the scene and failed, so if any readers can confirm that – not to mention the location of this shot – I would be most grateful.

Next is this photo of Team Cap charging at Team Iron:

Charge!

This shot I saved for the simple reason that I thought it was cool. On a recent study, though, I noticed something else: black smoke rising from somewhere behind Cap and his team. They were in a battle of some sort before facing off with Team Iron on the tarmac. Tony and his team might even have come in response to whatever conflict Cap and the others were involved in prior to this moment.

Also in this scene, we get a semi-clear look at Cap and his team. Wanda has changed into her combat gear here, and Ant-Man has also joined Team Cap by this point. I will be interested to see if he still has those shrink/grow disks in this film, or if he has upgraded to a shrink/grow gun, such as he had in Avengers Assemble’s second season. The gun would probably be more accurate and practical, but we will have to wait and see.

Here we also get to see Falcon spreading his wings and Hawkeye in his new gear. Later scenes show he has upgraded his main weapon again. Clint built all his bows in the comics, and if he does not maintain that practice in the Cinematic Universe, I would like to know where he gets his bows. Like in the scene where he is apparently out cold on the floor at the Avengers’ base, his suit has only one full arm, while the other is partly bare. His quiver is strapped to his back over his right shoulder (so how did it end up on the floor next to him at the base…?), and he has a glove on his left hand. Renner is left-handed, but in the comics Hawkeye was ambidextrous – either naturally or through training. This is an interesting costume upgrade all the same, though.

Sadly, this is not a great shot of Bucky. But it does not appear that he has any heavy artillery on him in this scene – unless it is strapped to his back and hidden by his hair at this moment. I cannot tell for sure. Cap’s gloves do not have fingers here, and this suit seems to be a melding of the one he had in Ultron and Winter Soldier. It appears a little old-school, but has some new touches to it.

These next two photos show the two factions drawing toward their clash at the airport.

Attack 1 Attack 2

Wanda, Falcon, and War Machine are hard to see, but if you look closely you will be able to make out Wanda and Rhodey. Falcon, unfortunately, manages to blend in well with the airport buildings in the second photo.

In these pictures, we see Wanda bending her knees and powering up to fire off some of her power. Rhodey’s trajectory suggests he is aiming straight for Falcon, who looks to be on a collision course with War Machine. Vision is aimed up toward Wanda. He and the Scarlet Witch are definitely going to tango here – and how!

On the ground, Cap is raising his shield to block a blast – or a fist – which Iron Man is preparing to deliver from above. Hawkeye, Ant-Man, and Bucky have all opened some distance between themselves and Cap, so their leader will have room to two-step with Tony. This puts Bucky on a direct path to tangle with T’Challa again, while Black Widow is apparently making a beeline for Hawkeye. Ant-Man is a good pace behind both Hawkeye and Bucky, who are neck and neck as they race toward their separate challengers. Who Scott Lang will be dancing with in the opening of this scene is hard to tell, but he will not be allowed to stand back and watch the others battle for long. That is for sure.

This next picture is taken simply for fun:

Really, dude?

This is the scene where Tony calls in our friendly neighborhood traitor to snatch Cap’s shield. Tony is already sporting his purple-black eye, but the real kicker is War Machine’s mask. As a friend of mine said, it looks like the War Machine armor is underwhelmed by Tony’s call to Spider-Man. What I do not understand about this clip is why Widow is standing behind Cap when Spidey hauls the shield off his arm and webs his hands together. Why did Cap let himself get surrounded?

These last shots show the camera focusing in on the Webslinger.

Spidey 1 Spidey 2 Spidey 3

I was not as enthused by the first sight we have had of the new Peter Parker as others are, but I was surprised to see that the lenses covering his eyes have focusing capabilities. This is new, and probably to help augment the emotion in Spider-Man’s voice. If Spidey has to shout “Whoa!” and show surprise, it will help if the lenses in his mask widen to show his shock, the way they do in the Ultimate Spider-Man cartoon series.

These are not the only scenes in the trailer to catch my attention, readers. But I think this post is more than long enough. These scenes were the ones which gave me the most to think about, and now that these speculations have been passed on to you, we can all sit back and wait for the movie to come out. But let’s try not to bite our nails bloody or grind our teeth to the gums, okay?

See you later, readers!

The Mithril Guardian

Captain America: Civil War, Trailer 1

 

The first trailer for Captain America: Civil War is out, readers! I have been thinking about this trailer a fair bit, obviously. This is not a prognostications post, like the ones I wrote for Age of Ultron. It is more of a free flowing speculation post.

I have to say that this Civil War trailer is very good, with lots of high-powered action. But it is also a painful thing to watch. I literally had to swallow tears watching it the first few times. Occasionally, it still leaves me depressed and upset.

For those out there who crassly sneer about this, reminding me unnecessarily that this movie is dark and going places the other Marvel films “feared to tread,” I have a reminder for you. It is not good to revel in another’s pain. We are too often tempted with that, sadly. I see no reason to cheer on the war of wills between Steve Rogers and Tony Stark.

As I have said before, I am firmly on Captain America’s side in this war. Tony has a rather lousy moral record; he has been known to socialize with weapons dealers like Ulysses Klaue, as well as being a debaucher and a self-centered jerk with an ego the size of the moon. He is not someone to support on matters of such importance.

In contrast, Cap has never faltered. His moral compass has never wavered, and despite the chatter on the Internet, I do not believe he ever will, even in Civil War. The Russos have actually supported my gut feeling, since they have stated the obvious: Cap’s sense of morality is part of his superpower. If it was just his super soldier serum which made him so interesting, he would hardly be more beloved than any other Marvel hero. And we all know that he is the most beloved of Marvel’s characters. Even Spider-Man falls just shy of the affection most Marvel fans have for Cap. Spidey is just easier to market than Cap is these days.

One of the most important things revealed in this Civil War trailer is that Cap does not want this war. Having never read the comics, I cannot vouch for those, but he does not want a civil war in this film.

What makes me so sure he does not want a Civil War? A little line which made it into the trailer. “I’m sorry, Tony,” Cap says. “You know I wouldn’t do this if there was another way. But he’s my friend.”

Cap does not say with these lines that he is throwing away his new friendships for his old one with Bucky. He is choosing both. He sacrificed his life to save the world at the end of WW II, and he will live with that sacrifice for the rest of his life. But Bucky’s life was stolen from him. And, in Civil War, people are trying to take his life away from him again. As his friend, Cap will not stand for that. He will not let Bucky’s life be stolen from him a second time, especially for a crime he did not commit.

Tony’s response to Cap’s statement, however, is absolutely horrifying. “So was I.”

Was. Was! Cap did not say, “You were my friend, Tony.” He said, “I wouldn’t be doing this if there was another way.” He is not rejecting Tony’s friendship; he is not discarding him or the Avengers for Bucky. He is trying to protect them all, as well as give his childhood friend a chance at making a new life for himself in relative safety.

But Tony does not see it that way. He is discarding Cap, along with his desire and attempts to keep them all together and free, rejecting his friendship. His three word line immediately made my throat constrict and my heart sink. Of all the mistakes Tony has ever made in the films, this has to be the utter worst. Cap understands that friendship and freedom trumps everything. Tony does not, and it is going to cost him.

From what we can see in this trailer, it appears that Bucky is framed for a murder, and thus he is being hunted down. This, along with some international incident following a battle involving the Avengers, will be what kicks off Civil War.

Well, I think it is possible that the international incident and Bucky’s supposed crime happen at nearly the same time. It appears that Civil War could open in medio res, or in the middle of things. Avengers: Age of Ultron did the same thing. If Civil War opens in the African market we have seen clips and set photos of, then the international incident may take place in Wakanda.

If that is the case, then “Bucky’s” target could well be Wakandan King T’Chaka, father of soon-to-be Black Panther T’Challa. T’Challa is said to “be in the beginning phases of taking on the Black Panther mantle” in Civil War. The title of Black Panther is passed down through the Wakandan royal line. Every ruler of Wakanda, as I understand things, has worn the title of Black Panther. The role of the Black Panther is similar to the role Cap played in WW II: protect the nation from outside aggressors.

Why?

Wakanda, from what I know of it, is a postage-stamp sized fictional African country in the Marvel Universe. It is highly advanced, more so than any first world country, because it is built smack-dab on top of the biggest – and possibly the only – deposit of vibranium on Earth. The Wakandans’ understanding of vibranium is what makes them such a technologically advanced nation.

It is also why they are xenophobic in their contact with the outside world. As we know, vibranium is the strongest metal on Earth (equaled in the comics only by adamantium, which is heavier and more easily acquired). In fact, for most of Marvel history, the world had no idea Wakanda existed until around WW II. Knowing how dangerous vibranium is, the last thing the Wakandans wanted was the metal falling into the wrong hands. They take it very personally when someone steals even a sliver of the metal. How Klaue made it out of Wakanda with as much vibranium as he had in Ultron borders on the magical; he should not have been able to get that much vibranium out of the country. No wonder they branded him “Thief” in such an unpleasant manner.

There is also a mystical element to the Black Panther mantle. Becoming the Black Panther, after having received the title properly, means that the person using the title gains all the strength, agility, speed, and senses of a real panther. T’Challa’s ability to keep up with – and apparently outpace – Cap and Bucky is probably related to this.

Also, T’Challa’s suit in the film should be made almost entirely out of vibranium. I do not know if it is an entirely vibranium suit in the comics, but it would make sense if it was. It is the strongest metal on Earth in the films; it is only reasonable that the Wakandans would use it to make a suit for the person charged with protecting their country and its deposit of vibranium.

In the comics and cartoons, T’Challa’s suit has claws built into the gloves. These claws are made of vibranium and are able to scratch through anything, just like Wolverine’s adamantium-coated claws. Vibranium and adamantium are two of the Earth metals that can harm the Hulk in the form of blades. T’Challa also has a series of vibranium daggers hidden in his suit in some cartoons. He may not have these in the film, but it is possible that he might have a set of vibranium daggers in Civil War.

If Bucky is blamed for T’Chaka’s assassination (or attempted assassination), then it would make sense for T’Challa to join up with Tony in Civil War. He wants justice, or revenge, for his father’s death. This means we will very likely see T’Challa facing off against Cap, and since vibranium is the only thing that can harm itself, it is possible that Cap’s shield will have some scratches put in it during the movie. However, since T’Challa is prince of the nation which owns all the vibranium on Earth, he can repair it once everything is sorted out at the end of Civil War.

I do not know exactly why Natasha has sided with Tony Stark in Civil War. I know she was on the pro-Registration side in the comics, but her motivations there are also a total mystery to me. Especially since she was apparently a non-combatant in the comic book war (how did that happen?).

The Russos have said that Natasha is trying to keep the Avengers from being disbanded. This makes sense, considering the fact that, if the Avengers were disbanded, she would have nowhere to go. Being an Avenger grants her a certain amount of immunity. At the end of Winter Soldier, she faced down the D.C. bureaucrats and told them how many buns make a dozen. They did not like that, and they have the power and ammo to bury her well below six feet under. So not only does being an Avenger give her purpose, it protects her from powerful people who see only her dark past and would gladly lock her up to die in the “Pit of Despair,” if you will. So siding with Tony would seem to her, perhaps, to be the best way to save the Avengers and herself. Self-preservation could very well be her motive for joining Team Iron.

That does not mean she is not conflicted during Civil War. She and Cap are good friends, and where Tony appears to believe that Cap is abandoning them all for his old war buddy, Natasha does not seem to share that sentiment. After all, she has been in Steve’s shoes. Her best friend was mind-controlled into helping Loki invade Earth. She would have gone through Hell to get Hawkeye back. Can she expect any less from Cap, who has proven that not only will he go through Hell to get Bucky back, but he will let Bucky beat him nearly to death as well?

As an added dilemma, Hawkeye sides with Cap in the upcoming war. The why is easy to guess: he worked for SHIELD only as long as his family was kept out of their files, and he has stayed with the Avengers in order to keep his wife and children safe. Someday he will have to let someone else have his job – one of his sons, or a stranger. But until that day he will fight to protect his family and the world they live in. Registering with the U.N. means that they will want to know everything about him. And it is hard to believe that the U.N. would not put his family in a database somewhere once they learned about them.

Clint does not want that. He will stand up to those in authority when they begin abusing their power, and these fictional Sokovian Accords are a blatant abuse of power. If the government can tell the Avengers who to target and who not to target, then they will end up with the same situation they faced in Midtown Manhattan in The Avengers. The World Security Council, likely a committee from the U.N., was quite willing to wipe out NYC with a nuclear warhead in The Avengers. Now that the latest weapons are people with super powers or “specific skill sets,” they are trying to make them the new “nuclear deterrents” completely at their command.

Except the Avengers are people, not weapons or tools. And people do not like being enslaved, under any circumstances.

Remember when I said that Clint had issues with authority in the comics? Well, it looks like he is about to take a very great issue with the government in Civil War. He has already proven he will break with his orders when he believes those orders are wrong. That is why Natasha is even alive, let alone an Avenger. And if he accepted SHIELD’s offer of a job only on condition that Fury erase his family from digital and analog existence, then Fury either wanted him in SHIELD very badly, or Clint is one hell of a negotiator. And by that, I mean he told Fury, “If you want me in SHIELD, then you had better make sure no one finds my family. Because if they do and something bad happens to them as a result, I will not only hunt down and kill those who hurt my family, but you, too.”

We do not get to see much of Hawkeye in this Civil War trailer, but I did notice two things about him in the brief scenes where he appears. One, when Cap and his team are apparently staring down Team Iron, Clint does not look happy. Neither does Cap, interestingly. Normally they each wear the expressions of men ready to wade into the fight fists swinging. This time, Cap and Clint both seem thoroughly sick at the idea that they will be going up against their friends and fellow Avengers. They do not want to, but their friends are not going to give them a choice.

Second, in one of the scenes following Team Cap charging into battle, two people can be seen running across what might be an airport tarmac. Since one of those people is holding a bow, it is safe to assume that person is Hawkeye. The second person is, on closer inspection, shown to be the Scarlet Witch.

This raises some interesting points. We know that Clint and Wanda established an understanding in Age of Ultron, but we also know her older brother died saving Clint’s life in the same movie. It is possible that Clint now feels responsible for Wanda, that he believes he should stay close to her and take care of her, since her older brother died to save him and is no longer present to see to her welfare. He might feel like he owes Pietro this and will therefore try to keep an eye on Wanda in Civil War.

Where this will lead, I can hardly guess. It has been suggested that Wanda may go a bit berserk in this movie. Elizabeth Olsen, the actress who portrays her, has dubbed Wanda a “wild card” and says the Scarlet Witch is “conflicted.” She says Wanda feels like she is connected to the Avengers, but at the same time, they are not her family. She certainly has a rapport of some sort with the World’s Greatest Marksman, and a bond with Captain America. And she has been an Avenger long enough now to get to know Falcon, War Machine, Vision, and Black Widow fairly well.

But they are not her family. In that respect, she is adrift in the world. Pietro was her anchor to reality, as she was his anchor to calm and reason. Despite the nobility of his sacrifice, she will feel Pietro’s loss keenly, and therefore may be inclined to leave the team. Also, Olsen hinted that the Scarlet Witch’s powers have grown since Age of Ultron. In the comics, this was one of the factors which led to her loss of sanity. Even with her brother alive, she ripped reality apart and rebuilt it. She also killed Hawkeye in this event. Twice.

All this could spell danger for Hawkeye in the upcoming film. Hopefully, Wanda will not roll off the deep end in Civil War and hurt him. Olsen’s statements, however, hint at some mental unsteadiness for the Scarlet Witch, and this opens some rather worrisome doors in my mind.

We also see in this trailer that Falcon is still “doing what [Cap] does, just slower.” In the trailer he says to Cap, “I just want to be sure we consider all our options. ‘Cause people who shoot at you usually wind up shooting at me, too.”

I think what Sam is really saying here is this: “Look, I am with you all the way. But are you sure there isn’t another way out of this mess? Because when things go bad, you won’t be the only one getting shot at. You’ve got me (and the others) watching your back. We’re going to get shot at, too, and we’re going up against the other Avengers at the same time. The Law of Averages says someone will get hurt or killed. You can’t make this decision based on sentiment and emotion. Have you really thought this through?”

Of course, Cap has. And barring a miraculous light bulb exploding into brilliance over Tony’s genius head, he has no other option but to go up against Iron Man. Sam and the others know that. If they choose to follow him, then they will all be in the same boat.

And, short of some unexpected betrayal in Cap’s ranks, this proves that Team Cap is made up of people just like Steve Rogers. Sam and the others on Team Cap all value friendship and freedom uber alles, or over all. They will follow Cap through Hell if that is where the battle takes them, because they are his friends. It will not be just because the U.N. wants to run their missions. It will be because they value Cap’s friendship, and friendship is based on loyalty, which means that you stay faithful to your friend no matter what. “And say my glory was I had such friends.” – William Butler Yeats

Then there is Bucky. Bucky is certainly an appealing, sympathetic character. And he is in an interesting – and precarious – position in Civil War. As a former HYDRA operative, Bucky naturally has an enormous amount of intel on the organization. In the hands of the U. S. government and the Avengers, this information could bring the plague-like organization down.

HYDRA has to know this. They also have to realize that the government, or the sensible people in it, would want Bucky captured and alive in order to gain all the information he has on HYDRA. There is no way, under normal circumstances, that U.S. military leaders would want Bucky dead. He is too valuable as an informant on HYDRA, even in his current beleaguered state.

Hence, it appears that HYDRA has assassinated someone in Civil War and pinned the murder on Bucky. They thereby instigate an international manhunt for him so that he will be brought in dead and useless to their enemies. It would be great if they could get him back and make him their tool again, but they might have already tried that and found him less than docile. Crossbones is said to taunt Cap with the fact that Bucky remembers him in a different trailer. To me, this suggests HYDRA has tried to get Bucky back and failed.

So that leaves them with only one option: eliminate him.

Sebastian Stan has been asked what Bucky will be like in Civil War, and he has said his relationship to HYDRA is a complicated one. That Bucky sort of owes them for saving his life. Not really, I think, since they simply saved him in order to turn him into a weapon. They stole from him, and while that certainly does not make them like his second family, it does mean they have a relationship.

This, of course, raises the question of what type of relationship. I do not believe it is a happy or a familial relationship. Bucky has turned his back on HYDRA and on being a weapon. However, even with his mind control and brainwashing broken, old habits die hard. He is not going to forget the skills HYDRA taught him. He simply cannot. They are built into his muscle memory; if he is fiercely attacked, even by run-of-the-mill thugs, his muscles will react automatically because of his training and years of experience as an expert assassin.

This also means that, like Wolverine, his instinctive reaction in a pitched battle will be to go for the jugular. As long as he keeps his emotions in check and maintains some rational control of himself in combat, Bucky should be able to keep his attacks from ending in the death(s) of his opponent(s). He can rationally choose not to follow through on a blow, making it a knock out or an injuring hit rather than a killing strike.

But he is not yet emotionally and mentally stable enough, it appears, to keep complete control of his instincts in such a conflict. If he is incensed to the point that his emotions and instincts override his rational thinking, anyone attacking him is courting death, the same way they would be if they sent Wolverine over a mental cliff.

This theory is given some credibility in the scene where Bucky goes to rip out Tony’s arc reactor. It does not matter that the arc reactor no longer supports Tony’s heart, it still supports his suit. And if it gets fried while being yanked out, it could short out the suit in such a way that Tony is badly injured or even killed. This could be what happens to Rhodey, though it is hard to tell from the trailer whether he is alive, dead, or injured and unconscious. (Someone suggested War Machine’s arc reactor was ripped out mid-air, because he is seen lying in a crater in the ground. It may be that the Scarlet Witch, Falcon, or even Vision is responsible for Rhodey’s apparent crash in that scene.)

There are probably several ways to take out Tony’s suit with Bucky’s particular skills and assets, while at the same time not hurting Tony. But Bucky’s immediate act is to go for the most vital place in Tony’s armor. His first instinct is for the jugular.

And thanks to HYDRA, he will be battling this instinct for the rest of his life. Just like Wolverine, his instincts can be tempered and controlled. However, due to his conditioning, he will remain highly unsociable and appear cold to others. He has experienced too much pain for mild annoyances like broken toasters and stubbed toes to set him off, but at the same time, he has also had much good ripped out of his hands.

And so his attitude in pleasant surroundings or events will remain gruff, distant, and always guarded. Past experience with HYDRA has driven home to him the fact that happiness is fleeting and fragile. It only takes one evil person to kill many, and he will always be on the lookout for evil, even if it does not show up. He knows it exists. He has seen it many times and he will therefore remain vigilant and ready for it to strike, something most civilians do not consider.

Thanks to HYDRA, Bucky knows safety is an illusion at worst, a veneer at best. It can be ripped away in seconds by a bullet or a knife. He is a target for both. He can be happy, but he will always guard that emotion carefully, so that if the world goes to hell in a hand basket, he will be ready for it.

This is the legacy of HYDRA’s manipulating him: in some respect, they will always own part of him. And there is absolutely nothing he or his friends/allies will ever be able to do about it.

All this leads to one point: Bucky will have to die in Civil War. Now since Sebastian Stan has a nine picture deal with Marvel, I do not think his death in Civil War would be real. It would probably be faked, so that he could go underground and try to make a life for himself. Doing this would get HYDRA and the government off his back – for a space, at least – and give him time to try and do something good with his life.

It would be interesting if he was “assassinated” in place of Cap, who in the comics was “killed” at the end of the Civil War story arc. (His “death” in the comics even made the actual six o’clock news.) He could wear Steve’s uniform and be “killed” in his place in Captain America: Civil War.

Who would “kill” him is open to debate; Hawkeye and Black Widow both have the skills to make sure the shot appeared real. Bucky could certainly pull off a convincing death scene after that. But Crossbones or Baron Zemo could be the ones who plan to assassinate Cap – though what they would gain by making a martyr out of him, I have no idea. This would mean the Avengers would have to somehow ensure the HYDRA bullet did not actually hit its mark, but make it appear that it did. I am sure they could all work something like this out, if the writers decided to go with this plot. It is how they saved Fury, after all.

Speaking of our villains, we have not seen Baron Zemo in any of the trailers so far. Since he is playing the HYDRA heavy, we all know where Crossbones will be in the movie: he is the muscle-bound goon and the public face for HYDRA’s foot soldiers.

People keep asking where Zemo is. I think the answer is rather obvious; he is the man behind the curtain. We know from The Winter Soldier that HYDRA did not simply infiltrate SHIELD. They wormed their way into the U.S. government. Senator Stern was a HYDRA man. And just because the World Security Council threw wine in Pierce’s face does not mean that the U.N. has the same spine. In fact, that scene was the first hint that anyone on the WSC even had a spine.

Zemo and HYDRA could very well be the force behind the U.N.’s Sokovian Accords. Cui bono – who benefits from a civil war between the heroes? Cap and Tony are not going to get much out of this war, which like all such conflicts, is anything but civil. The answer is as plain as day: in an Avengers’ Civil War, only their enemies benefit. And HYDRA is the main enemy for the Avengers in these films. They have the most to gain by registering the heroes and binding them in red tape.

It has also been revealed that Thunderbolt Ross will be the U.S. Secretary of State in Civil War. The Russos have said he has gone from hating the Hulk to hating all super-powered people in general. That is not a great leap of logic, really; Bruce and the Hulk were untouchable as long as they stayed with the Avengers. Bruce and “the other guy” helped save the world. Who could hunt down a hero like that without suffering a huge amount of political and popular backlash?

I would guess that Ross has it in for the Avengers in part because they shielded the Hulk and Bruce for so long. Though Bruce is once again on the lam, if he were to go back to the Avengers, he would still be “safe” at first base in popular opinion. So Ross’ interest in taking the Avengers down and putting them under the government’s thumb may be a tactical strike: take out the Avengers, and there is no safe haven for Bruce. Popular opinion, fickle as it is, cannot protect him if he has no base and friends to put a roof over his head and food in his mouth.

There is also the slim possibility that, in his hatred for the Hulk and now the Avengers, Ross has made the proverbial deal with the devil. He could now be a HYDRA man, too. In the “mainstream” comics and Earth’s Mightiest Heroes cartoon series, Red Skull briefly hid in the U.S. government as the Secretary of State Dell Rusk (Red Skull mixed up). If Ross is Secretary of State in Civil War, then it is quite a nod to these stories and could be a great hint at his role in the film. Ross may be doing the political heavy lifting for Zemo in the U.S. government, nipping at Tony’s heels and hemming the team in on all sides politically so Zemo and HYDRA can strike the finishing blow.

There is one last thing to say about this trailer. As with Age of Ultron, fans are trying to raffle off certain Avengers for death in Civil War. Whedon sideswiped everyone with Quicksilver’s noble sacrifice in Ultron, but it is getting increasingly hard to suggest which Avenger could die in Civil War. The four “main” Avengers in the film – Iron Man, Cap, Black Widow, and Hawkeye – all have contracts which bind them to several future Marvel movies. None of them could convincingly be killed off, unless Marvel wanted to play the “mostly dead” or resurrection cards on their film audiences. They would have to play those cards very believably; Coulson is so far the only character Marvel has seen fit to resurrect, and fans reacted by saying, “Well we knew he wasn’t dead!”

That leaves the other characters in a bit of a pickle, right? Maybe not. Tom Holland, our new Spider-Man, is contracted for three films beside Civil War. Anthony Mackie fought hard to get into the franchise; he will not be giving up his role as Falcon anytime soon. Elizabeth Olsen has no idea whether she will be in future films or not, though she has hinted that Wanda survives Civil War. People are suggesting that Vision will be in the next Guardians of the Galaxy movie, and I find it hard to believe that the writers would kill him off so soon.

I have no idea how expendable Rhodey is. That clip of him with his arc reactor ripped out does not inspire confidence in his survival. But it could be a trick of editing; he might survive after all. Paul Rudd’s Ant-Man has a sequel in the pipes, so he is not going to die. And T’Challa has a solo movie coming out in 2017.

Hawkeye’s family could certainly be killed in the movie, however. There is a precedent for this in Marvel’s Ultimate comics, in which Natasha Romanoff murdered his family in cold blood. It does not seem likely that she will be responsible in the movies if this were to occur, though as with all things, we cannot rule anything out until we see the film. Even if she is not the perpetrator, that does not protect Clint’s family. Of course, maybe Sharon Carter will be the one to die.

Although, someone did slow down the trailer at the part where Bucky goes to rip out Tony’s arc reactor and they read his lips to try and find out what he was shouting. Now, the fan who did this would not say what he thought Bucky was shouting, but he felt it confirmed Steve Rogers’ death. We all know Steve’s coming back in the Infinity War films, so it is possible that Cap’s death in Civil War is a set up. A set up Bucky and Tony might be in on. But we will not know what exactly is up until we see the film May 1, 2016.

So raffling off particular characters for death is rather foolish, in my opinion. It does not prevent me from wondering about who may die. I just cannot see any way to safely guess who the unlucky superhero might be.

Well, readers, time to go. These are my thoughts and speculations about Captain America: Civil War. More may be revealed in the forthcoming trailers, and Marvel may yet tip its hand. That is unlikely, but it is possible. So until the next trailer comes out…

Excelsior!

The Mithril Guardian