Star Wars: Dark Forces – Soldier for the Empire by William C. Dietz

Whoo, all right! We are bookin’ it, readers!  (Haha – pun. 😉 ) Here’s the next Star Wars book on my promised review list: Star Wars: Dark Forces – Soldier for the Empire. This is the first of three short novelizations based on video games where the fan-favorite original EU character Kyle Katarn made his debut. Originally, the hero of the Dark Forces video games was supposed to be Luke Skywalker. However, the game makers realized that putting Luke in the games would mess up the franchise’s continuity. So they decided to come up with a completely new character for the game instead.

This proved to be a really good idea. Due in large part to Kyle’s character, Dark Forces skyrocketed to fame with fans, so much so that several subsequent games were designed for the new Jedi. To make one of these sequel games – Dark Forces II – more interesting, the designers hired actors and actresses to play the characters in “live action” cut scenes during the game. If you want to see what those look like, readers, then check out this post of mine here.

Based on the videos alone, I can see why Kyle became such a hit with fans. Dark Forces II was state of the art when it was created and, while it may not have held up perfectly in everyone’s opinion, the craftsmanship that went into it still shows. Looking at those videos, I wish more modern games had scenes where real actors portrayed characters in the game(s) story/stories. Dark Forces II is a real gem!

All right, drooling done. Time to describe the book. Soldier for the Empire starts out long before Dark Forces II, taking place a few months before the Battle of Yavin. The book begins on the moon world of Sulon, a farming colony with a population mostly made up of humans and droids. Morgan Katarn, father of the hero of the story, sets out from his farm to replace a water pump some distance from his house. While he walks off, thinking about the state of the galaxy, he begins to get a funny feeling that something’s coming…

Something dangerous.

His instincts are correct. Above Sulon, a Star Destroyer under the command of the Dark Jedi Jerec looks down on the moon. Despite what the crew thinks, Jerec hasn’t come here just to destroy the Rebel cell on Sulon. He wants Morgan Katarn – alive. Morgan was friends with a Jedi Knight named Qu Rahn, a straggler from the Jedi Purge. Rahn entrusted a valuable secret to the farmer before going into hiding, and Jerec wants the power of this secret.

Since Qu Rahn’s whereabouts are currently unknown, the Dark Jedi’s come to Sulon to take what he wants from Morgan. To that end he deploys Imperial troops disguised as Rebels to lay waste to the farming community. He has them hit one farm and kill the family living there to make the assault look “realistic.” Then he sends them on to Morgan’s place.

But Morgan is Force-sensitve, just like his son. His going out to repair the pump isn’t entirely his own idea, as he discovers when his position allows him to watch the Imperials attack and wreck his farmhouse. Recording the attack, Morgan goes to join the other Rebels, who decide to make a stand against the Empire. They believe the Empire has come to destroy the thermal generator they have been working on for some time now. Once completed and fully operational, the “G-tap,” as the colonists call the generator, will provide the Sulon colony with energy independence.

While Morgan knows the G-tap is in danger of being destroyed, he counsels that Rebel lives are worth more than the generator. He reminds his fellow Rebs that they can always build another generator. They can’t serve their cause or replace their people if they are all dead.

No one listens to Morgan’s sound advice, though, and a few hours later the battle begins. As Katarn predicted, the Rebels on Sulon are completely wiped out. Among the few survivors left for interrogation, Morgan alone is hauled aboard the Star Destroyer to face Jerec. Rather than give the Dark Jedi what he wants, Morgan spits at him and makes a snappy, somewhat rude evasion.

Jerec’s response is to behead him with a vibro-blade. The Dark Jedi then has Morgan’s head put on a pike outside the space port for visitors to see. He has the rest of the Rebels’ corpses beheaded and their heads lined up along the spaceport walls as well, to further emphasize the lengths the Imperials are willing to go to maintain control of the galaxy. (*Author whistles lightly.* They really didn’t play around in the original Star Wars Expanded Universe, readers.)

Completely unaware of what is going on back home Morgan’s son, Kyle Katarn, is undergoing his Omega Exercise. The last test Stormtroopers have to face before they enter service, the Omega Exercise consists of attacking Rebel bases. Those cadets who survive the battle to capture the base and kill the enemy become full-fledged Stormtroopers. The Rebel base Kyle and his men have been assigned to take is in an asteroid belt, but the base itself is called Asteroid-456.

Kyle’s Exercise proves to be a brutal one, with most of his men killed during their forward march through the base. Halfway into the compound, Kyle and his unit reach the communications center of Asteroid-456. This base, as he learns later, is a communications’ hub. Rebel journalists risk their lives to film Imperial attacks and atrocities before taking those films to bases such as Asteroid-456. From there, the Rebels broadcast the footage around the galaxy, allowing thousands of beings to see it. When they do, many flock to the nascent Rebellion to join up and put an end to the Empire’s evil.

Having lost so many men in the fighting, Kyle’s sergeant wants to kill the unarmed Rebels in the comm center immediately. But Kyle, who took his Stormtrooper helmet off sometime earlier, meets the eyes of one of the Rebels; a woman his own age he will later learn is named Jan Ors. He feels an instant connection with Jan, whose startled gaze shows she has felt the “spark” between them, too. Because of that – and the fact that she and the others are unarmed – Kyle orders his unit to spare them.

The Rebels don’t wait around when he makes it clear they should go. They split, and Katarn takes his men back to the mess hall to wait for the Rebels’ reinforcements to attack. Only six men, including Kyle, survive the resultant onslaught. With the sergeant among the dead, no one’s available – or willing – to tell the Empire about the commanding cadet’s merciful actions. Kyle is commended for his bravery in the battle at his graduation, being awarded one of the Empire’s most prestigious medals. His friend Meck Odom invites him to dinner with his family after the ceremony, and Kyle has a grand time with them…

…Only to receive a devastating shock later that night, when he learns that his father is dead. And apparently, the Rebels murdered him.

Soldier for the Empire is a really, REALLY good book. Dietz handles the descriptions of Kyle’s Force-sensitivity impressions well for the most part, and he absolutely nails the atmosphere for Star Wars. The book is a little short on detail in some places for my tastes, but it is based on a video game. Having read novels based on film scripts, I kind of expected that going in. There is always some missed detail in a novel based on a visual medium. I don’t know why that is; I just know it’s there.

Among the many things to praise this book for is the artwork. Lucas Arts/Film hired Dean Williams to paint the pictures, and he did a phenominal job. To quote Sabine Wren, “Now that is art.” A couple of the paintings in the book are so well done that, at first glance, they look like photographs. When I saw the painting of Jan first meeting with Kyle, I half expected her to blink, move, or breathe. Williams is that good of an artist he made his subjects appear to be real. I hope he’s still painting!

All right, now it’s time for a Warning for Younger Readers. There are no sex warnings for Soldier for the Empire. Kyle doesn’t have any sexual fantasies, no women are attacked or abused, and his relationship with Jan is completely above board. But there is a gore warning, which we have already sort of covered. About midway through the book, there’s a lifelike painting of Kyle turning away from an image of his father’s head on a spear. It’s not a particularly gross painting, in my opinion, but it is unnerving.

Because the head is in the top left corner of the picture and Kyle takes up the majority of the bottom right half of the print, a reader’s eye is naturally drawn to him when the page is opened. You notice the heads on the wall behind Kyle’s back, but they’re not rendered in a truly disgusting way. And, since he’s surrounded by light, Kyle tends to make those images look kind of curious rather than scary or disgusting. The only way to notice Morgan’s head is to study the picture or start reading the page opposite the painting. And due to this warning, avoiding looking hard in that direction shouldn’t be too much trouble.

The only other warning I have is for another picture earlier in the book that shows a pair of hands raised above fallen girders in the Rebel base. The hands are not armored, nor are they gloved; they are twisted with the final spasms of agony the dead person experienced. Again, though, the picture draws a reader’s attention more to Kyle and his fellow Stormtroopers than to the hands. You have to look hard to notice the hands and, even then, they are not painted in such a way as to truly frighten or disgust a reader. Dietz and Williams knew the requirements for the story, but they also knew that their target audience included children in the 10-17 age group. Thus I think they did a good job of making sure the story kept its impact without being too bloody and gorey.

These are really the biggest things a smart 10-15 reader should watch out for whenever they pick up Soldier for the Empire.I know someone in this age group who loves this book despite these pictures, so that gives me confidence to recommend it to others who are the same age. Though now that I think about it, my young friend can put up with an awful lot of gorey stuff…. (Author makes a slightly worried face.)

The decision to read or not read this book is entirely up to the young reade, of course. If you don’t think you can handle Soldier for the Empire, wait a little while before you read it. It is a good book, one I wholeheartedly recommend, in part because it carries strong echoes from the original films. Kyle is a great character, as is Jan, and Jerec is a close runner up. The guy is scary, no two ways about it. Bonus points, Mon Mothma, Lando Calrissian, and Thrawn each get guest appearances in this story. We never really see them (except for Lando) in a painting, but they do “appear” in the book. 😀

And if that wasn’t enough, I could literally vouch for this being a good book based on the artwork alone. It is absolutely fantastic! Before you head out to get the novel, readers, here are some prints of Dean Williams’ paintings. Man, I hope this guy is still creating. His work is AMAZING…!

“Remember, the Force will be with you. Always.”

Constantin Brancusi’s The Newborn

This sculpture is called The Newborn.  I think this is a replica of the original, which is bronze, but perhaps Mr. Brancusi made some copies.  I do not think he did, but I am far from an expert on art – of any kind!

A friend found a book called The Quiet Eye: A Way of Looking At Pictures by Sylvia Shaw Judson, a Quaker.  I thought it was a sweet picture, and was quite happy when I learned the artist was Romanian by birth.  Two of my followers are Romanian, and I am always happy to learn something new about their country.  My friend knows this, and suggested I put the sculpture on my blog.  She thought the sculpture resembled a “Babe in swaddling clothes,” and I like her interpretation of the sculpture best.  It is an inviting piece of artwork. 

Catch ya later!

The Mithril Guardian

Book Review: I, Juan de Pareja by Elizabeth Borton de Treviño

I, Juan de Pareja is a historical novel a friend read some time ago and raved about for a while afterward. Recently, I saw the book on the library shelves and thought, I will read this. So I did.

Many people these days like to pick on the United States for a great many things. One of their prime delights is to attack the U.S. on account of slavery, which became illegal after the American Civil War. American slavery, just like most other forms of slavery, was certainly an abomination. This is a fact.

However, what people tend to forget – either through lack of knowledge or by willfully ignoring the facts – is that the U.S. did not start slavery. Slavery existed from the year dot. The Ancient Greeks owned slaves, who had no rights whatsoever under the law. The Ancient Romans had slaves, as did the Ancient Irish and Scandinavians. There is no country on Earth where slavery did not exist at one time or another in some (more or less severe) form.

America inherited the idea of slavery from Europe. By the era of the American Revolution, slavery was dying out in the Old World. Indenturing people as servants – as we saw in the post on Carry On, Mr. Bowditch – died out after slavery. And the fact is slavery still exists today. Asia has a vibrant slave trade, and while slavery is not sanctioned in first world countries, this does not mean there are not people who are held as slaves within these nations.

In the 1600s – when I, Juan de Pareja takes place – slavery was not yet obsolete in Europe. Juan de Pareja was a black slave, the son of a black woman and a white Spaniard who could not afford to buy her. Orphaned at five when his mother died, Juan remained in the house of his mother’s owners, Don Basilio and Doña Emilia Rodríguez.

After Don Basilio’s death, Juan lived with Doña Emilia in Seville until she died some years later. Long before these events, Doña Emilia taught him to read and write. Juan suffered no great torments in the Rodríguez household. According to all reports, he was relatively well-loved by the couple. But on his journey to Doña Emilia’s nephew Don Diego Velázquez, who had inherited him after her death, he was abused by a gypsy hired to take him to Velázquez’s home in Madrid.

Eventually, Juan de Pareja came to Velázquez’s house. Don Velázquez never mistreated Juan. He made the young slave his personal assistant. Juan’s duty was to grind the colors for Velázquez’s paint, to clean the used paint brushes, and to help in the alignment of the objects of the master’s paintings.   For years Juan stood behind Velázquez, watching him paint his masterpieces….

It was not long before the young black boy declared that he would like to paint. “Alas, I cannot teach you,” Don Velázquez replied. A law in Spain had declared that it was illegal for slaves to learn and practice the arts. If Don Velázquez had taken Juan as an apprentice, he would have broken the law and been subject to punishment.

So the years rolled by, and as time went on, the two men became close friends. Wherever Don Velázquez went, Juan followed. This was because of his slave status but, after their years of friendship, it is quite possible that Juan would have stayed with him anyway. On their first trip to Italy, while Velázquez was studying the art of the great painters there and making copies for the Spanish court, Juan started to practice painting covertly.

He carried on practicing secretly in Spain after their return, watching and learning as Don Velázquez continued his work. Eventually, he could bear the secrecy no longer. On an occasion when the King of Spain entered Velázquez’s studio, he found a painting that Juan had made and set out specifically for him to see. Once he had found it, Juan fell on his knees before the king and confessed what he had done, begging no retribution for his master (who had no idea that Juan had been painting behind his back), and saying that he was willing to endure whatever punishment may come from his disobedience to the law.

Was Juan de Pareja punished? You must read the book to learn his fate! Those of you well-versed in the lore of great art probably already know what became of him. But I will spoil no more of the novel for anyone else. Elizabeth Borton de Treviño writes exquisitely, and she describes seventeenth century Spain with great care. Her historical novel is enlightening as she weaves a warm, heartfelt story out of the snippets of recorded fact. A book for all ages, I, Juan de Pareja is certain to touch the heart of any reader out there.

Until next time!

The Mithril Guardian

Avengers: Age of Ultron – Bruce Banner/Hulk

People – sheesh! Take it easy, or you are going to bring down the house!

Ever seen a bunch of Hulk fans jumping around in celebration? It can be a little scary. (There is a crash, bang, and wallop in the background, followed by the tinkling of broken china.) *Author winces theatrically.* And it can be somewhat costly, too.

The reason they are jumping for joy is because yours truly is finally writing a post about Big Green. It may surprise people, but I do have a soft spot for the Hulk and Bruce Banner. It may not seem like it, but it is true.

I have not really seen The Hulk. I seem to recall catching some snippets of the movie, but from the reports which have come my way about the film, I did not miss much. The Incredible Hulk is a great time-filler when one is bored out of their skull or wants a tonic for a bad day. Otherwise, it is a rather unsatisfactory film. Just my opinion.

Marvel’s The Avengers, however, more than made up for these big screen flops. The not-so-jolly Green Giant and his puny alter ego came onscreen in a “smashing” way in this film. I was much more impressed with Mark Ruffalo’s Bruce Banner than Ed Norton or Eric Bana’s portrayals. Norton did a better job than Bana, for sure, and he physically fit the bill. But he hated being in a movie based on a comic book. It is not art, after all, which is what every actor seems to live for in Hollywood.

Yeah. Sure. Whatever. *Insert eye roll here, please, readers.* It is true that Hollywood’s imagination has tanked over the latter half of the twentieth century and early 2000s. Sure, they have had their moments – Star Wars, Indiana Jones, The Princess Bride, and other films. But what happens when an entertainment, artistic industry dives into the gutter and proclaims that trash is art? Kids’ movies take center stage because they are the best entertainment the audience can get their minds on.

This is not to pick on comic book-based movies. That attitude of mine disappeared after I saw The Avengers. Superhero films are good movies, highly entertaining, and unless it is Deadpool or some similar movie, you can bring the children to the cinema and not worry about exposing them to anything raunchy and disgusting.

Are superhero movies art? Not exactly.

Are they the classics, like Shakespeare’s works? Nope.

Are these films fun? You bet!

But let’s get back to the point of this post. After Hawkeye, the one Avenger we saw the least of in the Phase Two films was Bruce Banner. Still, you Hulk fans got an idea of where he was during that time-frame! (We Hawkeye fans had to wait until Ultron to see the archer again!!!!) The post-credits scene in Iron Man 3 showed Bruce sleeping through what Tony considered to be a psychological therapy session. Banner may know the basics of how psychology works, but he never became that kind of doctor. As he said, he did not have the “temperament.” Hulk’s patience has a very low ceiling – just ask Loki!

After The Avengers, Bruce joined Tony at Stark Tower, following through on his fellow scientist’s invite to drop by for some R&R. Or rather, R&D.

It must have felt good to be back at his old job again. There was nobody to hurt, nothing to break…. just a lot of fun research and development on gizmos that would change the world. And he had a great friend who understood him working at his elbow to boot. Pure heaven compared to running around the globe, the way he had been, for so many years.

Then the Avengers reformed after SHIELD collapsed. And once again, the Hulk had to be released on a semi-regular basis for the greater good.

But this time things were better again, although still less than ideal. Bruce was not alone now. He had friends. Thor, Tony, Cap, Hawkeye, and Black Widow were in the fight with him. As nightmarish as it was to dive back into the Hulk’s mind, Bruce had something to look forward to afterward. He got to go home to a bed, eat regularly, and spend time with people who were not deathly afraid of him. In a surprising twist of fate, even Natasha Romanoff no longer feared him. (We will go back to that later on.)

Anyway, fast-forward to the attack on the Sokovian HYDRA base in Age of Ultron. The team finally recovers Loki’s scepter, which Thor wants to take back to Asgard. No biggie, right? Bruce would be as glad to see the back of the “glowstick of destiny” as the rest of the team. One less thing to worry about. Perfect. Everything is just perfect.

Then Tony tells him he has found something like computer coding in the stone embedded in the scepter. This is fascinating. Wait, Strucker wanted an artificial intelligence? That does not sound like such a great idea….

But Tony thinks it is fantastic. He explains the theory, about how there would be no more need for the Avengers or fear of aliens attacking the planet if they had an A.I. standing at the door. And the theory is beautiful. Bruce begins to think that it could work. There are fifty-fifty odds, but still….

And this is where the problem started, readers. Scientific theories are great. The theory of artificial intelligence is a great idea. Right….?

Riiiiight….. This is where Tony went off the rails, taking Bruce with him. Tony relies on synthetics to do most everything. Yes, his superpower is his intelligence. But to keep that intellect from getting smashed to a pulp, he has to wear a suit of armor – a synthetic skin.

Now, there is nothing wrong with this, up to a point. The knights of the Middle Ages, the Roman legions, the Ancient Greeks – they all used synthetic means to protect themselves in battle. Tony’s problem is that he puts far too much faith in synthetic materials being the answer to all problems – hence the artificial intelligence he wanted to build to keep the world safe.

*Smacks forehead in aggravation.* Really? People have spent the last two hundred years trying to come up with a satisfactory solution to fix the world! You give that math equation to a computer – even one programmed to think like a human – and it is going to pop a fuse and die!

Or go on a worldwide, murderous rampage. Take your pick.

Bruce’s problem is that he can always be suckered by the theory of the thing. He knows synthetics will always be inferior to natural things. The guy turns into a one thousand pound mountain of angry muscle. He cannot move continents but he can sure “break… Harlem”!

So Bruce does not have the same faith in synthetics that Tony does. But he has a similar problem. He has faith in scientific theories. And theories, as beautiful as they may be at first, second, third, and umpteenth glance, are not necessarily things one should try to make a reality. Stories throughout the last two or three centuries have warned of this: Frankenstein, Brave New World, Terminator, Eagle Eye… If you want some stories that prove it while scaring the pants off of you, read Dean Koontz’ novels. They are full of terrifying warnings about science run amok.

But, like Tony and Bruce, most scientists are not paying any attention to the warning signs. Bruce is reluctant to make Tony’s theory a reality at first, it is true. But JARVIS, the A.I. butler who runs Stark Industries and helps the Avengers in combat, turned out all right. How bad could it be to try and jump start Ultron?

It turned out to be really, really bad.

Bruce is the first to admit this in the conference that occurs after Ultron steals the scepter and flees Avengers Tower. While Tony rushes to defend his belief in synthetics and technology, saying he can fix anything and everything under the sun with these assets, Bruce willingly admits that he was wrong. “Really?” Tony says. “Is that what you’re going to do? Roll over and show your belly every time things get ugly?” (I paraphrased that quote.)

Basically, he was saying, “Thanks for the help, pal! I thought we were friends!”

“Yeah,” Bruce responds in subtext, “We’re friends. We’re friends when we’re right and when we’re wrong. We were wrong, Tony. We made a murder bot. There is no defense for that. You told Ultron to fix the world. Well, I hate to break it to you, but the only human way to fix the world is to destroy it.”

When humans try to fix the world, they only make it worse. Want some examples? Here are just a few: Communism, Eugenicism, Fascism, Nazism, Scientism, socialism, and now secularism. Look them up. They all boil down to this: We’re humans. We’re the only species on the planet with intelligence, speech, writing, and an opposable thumb. We can fix all problems. But that means tons of us are going to have to die, and among those who remain some are going to be more equal than others.

It is Bruce’s acknowledgement that he was wrong, that he was taken in by a beautiful theory, which allows the others to forgive him. (With the possible exception of Tony.)   Cap, Thor, Widow, Hawkeye – even Rhodey, Cho, and Hill all forgive Banner for helping to build Ultron. That does not mean he does not have to pay the piper. It just means his friends are not, by and large, holding a grudge against him.

But that attitude kind of gets rescinded when he helps Tony finish building Vision. Fool me once, shame on you. Fool me twice, shame on Bruce. He was right when he said he was caught in a time-loop. Tony went after him with the same arguments he had used before to get Banner to help make Ultron. And Bruce bought it a second time. Though in this case, Vision was the antidote to Ultron. (We hope.) Does that absolve Bruce for playing in the forbidden zone twice..?

No!

….Which might be one of the reasons Widow threw him down the hole to awaken the Hulk. Bruce was ready to run again, but as she pointed out, “The job’s not finished.” Bruce had to pay the piper. He had to go the whole nine yards, or he would carry the weight of what he had done with him for the rest of his life.

Widow understood that. She is an Avenger in part because, from her point of view, it is penance. She has not let go of her guilt – or enough of it – which does weigh her down. But this does not mean that she does not have to atone for the acts she committed while under the command of her Red Room handlers. She also has to fight so that their ideals and the aims of others like them are thwarted. That does not give her the same delusions of grandeur that Tony has…

But it does make her an Avenger. It does make her a heroine.

Bruce’s problem here is twofold. He is tired of being the Hulk and – just like everyone else – penance does not strike him as fun. It is not supposed to be. Penance is supposed to hurt. That is the way it works; you hurt someone, you have to make recompense. If you are out playing baseball with your friends and you break the neighbor’s window, you have to pay for the replacement window pane. Your wallet does not like that, and you do not like working extra hard to earn the money to pay for the window. No matter how sorry you are, though, you still have to pay for the new window.

Bruce had to pay for his recess in the forbidden playground. He had to see the job finished. As much as it hurt her to do what she did, as much as she wanted not to awaken the Hulk so she could run off into the sunset with Bruce, Widow knew they could not do that. Bruce would not be the man she loved if he bolted when things got tough. He had to stay and see the job done.

And the half of him that would do that was big and green and perpetually angry.

Bruce will figure that out sooner or later, if he has not figured it out already. Before I sign off, let us take a closer look at his relationships in the film, shall we?

We will look at him and Natasha first. Their relationship has already been extensively discussed in the post “Avengers: Age of Ultron – Black Widow/Natasha Romanoff.” But there is more to be said here.

It is really interesting that Widow should fall for Bruce. Their romance was certainly a curveball, despite the obvious poetic irony, considering she was terrified of him in Marvel’s The Avengers! And it is surprising that Bruce would fall for her as well. He certainly seemed to distrust her in the last film, and for good reason.

Widow is a near-instinctive liar. She was raised by liars and killers. Even if some part of her resisted their manipulation, she could not help but pick up some things from them by osmosis.   Children always imprint off of their parents or those who raise them. It is an unconscious thing. Attitudes, phrases, habits – some of these are things we are simply born with. Others we learned from the observations of our elders we made as babies. It is how growing up works.

But in Age of Ultron, when Widow asks if Bruce will ever trust her, he responds: “It’s not you I don’t trust.”

WHOA!!! That was not the impression we got in the previous film! Natasha would probably have been the last person on the planet whom Bruce would have trusted back then. Now, though, their attitudes toward each other have changed drastically. Widow no longer fears Bruce or the Hulk, and neither of Banner’s personalities distrusts and hates her. Talk about Beauty and the Beast!

For Widow, this is the first time she has ever fallen in love. Oh, I am sure she has had liaisons with other guys. It was part of her job and one of the reasons she was called the Black Widow. The fact is that Natasha was a deadly lady of the evening, as it were, when she worked for the Red Room and the KGB. Bruce, on the other hand, had known love before with Betty Ross.

As we know, that did not work out well in the movies. Long distance romances are things no one in Hollywood believes in anymore. They have forgotten Odysseus and Penelope, the women who watched their men go to sea for years at a time, and the modern truckers and their wives. These are women who sit at home, holding the house together with duct tape and paper, praying their husbands’ trucks have not jack-knifed somewhere between Seattle and New York, killing them in the process. Hollywood and their cronies of a similar frame of mind always contend that long distance kills love.

I say they have no idea what love really is.

So why did Bruce leave Natasha at the end of Age of Ultron? There were a number of reasons. One, they had a perfect opportunity to run off together, and she threw him down a hole to bring out the big green guy. That hurts, and it probably makes him feel used, if not outright betrayed. That may be his surface thinking or initial reaction – and when he next shows up, those may be the words that come out of his mouth.

But there are other reasons. Widow could still be a mom, as I said before, by adoption. Marrying Bruce would be one thing, but after her confession at Hawkeye’s house, Bruce knows Natasha does not just want a husband. She wants what the Red Room operators worked so hard to deny her naturally – a family. He can only fill half the equation. Just because she cannot naturally have children does not mean Natasha could not become an adoptive mother.

Bruce knows that. And he knows that sooner or later, Natasha would have suggested the idea. But it would not work. He and the Hulk both have a soft spot for kids, but not on a daily basis. For a man with unshakeable faith in theories, this is one idea Bruce knows will never pan out for him. He can never be a father, not even by adoption. He does not have the temperament. Natasha does. If he were to stay with her, then her happiness would be incomplete. She would want children, and he cannot handle being a dad. It simply would not work.

Another factor for Bruce’s self-imposed exile might be his Scarlet Witch-induced rampage in South Africa. While no arrest warrant was issued immediately afterward, how much longer would that last? Eventually, he would be labeled a public danger and a menace again. And Natasha would leave her post as an Avenger, her job, her work, to go on the run with him when that happened.

He does not want to do that to her. That is no kind of life for a couple. It is hard enough on one. Bruce cannot settle down anywhere. He has to stay on the run, sleeping at odd hours, living from hand-to-mouth, quite probably for the rest of his life. He loves Natasha too much to drag her into that kind of life.

What is more, if the government(s) eventually caught up to him, he would be put in prison. Or some nincompoop would try to kill him. If Natasha ran off with him, then she would either be locked up or killed trying to protect him.

Bruce loves her too much to be willing to put her in that kind of danger. The only way to protect Natasha is to leave her, no matter how much it hurts. It is what he did with Betty Ross. General Thunderbolt Ross was not going to stop trying to bring Bruce down, and even though he might have drawn the line at killing Betty, he certainly was not averse to her getting hurt by being in close proximity to his attacks on the Hulk. He could always blame her injuries on the Hulk later on, when it was his obsession to bring him in that got her hurt in the first place.

Natasha would not have had even that protection. None of the other Avengers would. The only workable solution was to go on the run solo. No other plans were viable.

This is where we look at Bruce’s rapport with his male teammates. It is shown at the Avengers’ party after HYDRA’s defeat in Sokovia that Bruce and Steve have a fairly strong friendship. Since Cap is the most trustworthy man alive since Sir Galahad, Bruce’s confidence in him makes plenty of sense. Cap is probably one of the people Banner feels safest around. Nothing Cap says or does will “just set him off.” And the fact that Steve no longer fears angering him or worries that Bruce will simply explode means the two men have a healthy respect for each other. This makes him quite amenable to Cap’s orders and willing to listen when the other advises him to be Natasha’s boyfriend.

Bruce and Thor have a good – if awkward – friendship. Sometimes Thor’s glowing compliments on the Hulk’s performance in battle are really not what Banner wants to hear. Otherwise, they have a jovial understanding of each other. Thor knew Bruce could not lift the hammer because he saw the Hulk try that trick on the Helicarrier in The Avengers. So what if Bruce played at being King Kong and scared some of the others? Thor knows what he looks like when he is actually angry. He can tell when Bruce is playing around.

Bruce and Clint’s friendship still has some trust issues; though it is clear they respect each other and do not mind joking at the other’s expense. Remember when Clint was getting patched up in the Tower…?

Bruce (concerned): “How is he?”

Tony (with a straight face): “Unfortunately, he is still Barton.”

Bruce (biting back a laugh): “Oh, that’s terrible.”

Despite this, Clint is not amused when Bruce pretends to be on the verge of Hulking out after not lifting Mjolnir. It is not like he wants the party to tank, after all! Bruce realizes this and makes a sheepish, “Ah?” sound. Essentially he says, “Not funny, huh? Okay, I get the message.”

Otherwise, the two get along well. Both are worried when Natasha is captured by Ultron, though they show it in different ways. Bruce cannot show his agitation and anger the way Clint does. That could release the Hulk. But he is worried, and Clint understands that. Thanks to his wife’s insight, he also understands why Bruce is so worried. They each care about Natasha in their own way, and the brief moment when they and Tony are in the room with the Cradle shows this rather poignantly.

There is little else to say after this point. Bruce never gets to become friends with the Maximoff siblings. It could be a while before he forgives Wanda for sending him on a rampage through Johannesburg, too. Still, he was willing to work with the twins. That counts for something.

As for his friendship with Vision, at this point that is also non-existent. Maybe later they will get to know each other better. We will have to wait and see.

Anyway, puny humans, this is my post on the Hulk/Bruce Banner we see in Avengers: Age of Ultron. I know it was mostly about Bruce and not Big Green, but for cryin’ out loud, the Hulk is really hard for me to talk about! There is only one word which sums up his character and attitude, people….

SMASH!

The Mithril Guardian