Tag Archives: Mr. Fantastic/Reed Richards

Happy St. Valentine’s Day!!!

Happy St. Valentine’s Day to all those who follow Thoughts on the Edge of Forever!! Here are some clips and photos to make the day a little more romantic…. 😉

First up, the theme music from one of the best romance films ever…!!!

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Wedge and Iella Antilles

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Jagged Fel and his wife, Jaina Solo Fel

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Marriage of Luke Skywalker and Mara Jade

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Jessica and Luke Cage – plus their daughter, Danielle

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And now, the piece de resistance….

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HAPPY ST. VALENTINE’S DAY!!!!

Season 3 of Avengers Assemble Review

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Last year I did a post called “Avengers Assemble Season Three – How Is It So Far?” That post covered the first eight episodes of the third season. Reading it, you will find that I was most pleased with what I had seen at the time.

Now that the “Ultron Revolution” has run its course and “Secret Wars” – hopefully no relation to the lousy 2015 comic book event – are in our viewing future, you might be asking yourselves: what did I think of the rest of season three?

Let’s find out.

Since I wrote individual posts on the episodes “Inhumans Among Us” and “Captain Marvel,” these stories will not be discussed at length herein. If you wish to know what this writer thought of those episodes, use the search engine to find the posts about “Inhumans Among Us” and “Captain Marvel,” readers.

“The Inhuman Condition” was much better than its predecessor, “Inhumans Among Us,” in my book. There was no angst, no fuss, no muss, just cooperation between the Avengers and Black Bolt. Lockjaw giving Cap a few licks was good, too, since it showed that even a dog can recognize how great Steve is. It was wonderful to watch Hawkeye being his usual confident self instead of a doofus. It was also nice to hear Tony actually ask for help for a change, and watching Thor smash Ultron is always fun. Ah, I love the sound of Mjolnir hitting maniacal robots in the morning, don’t you?

Now “The Kids Are Alright” I had some problems with, and there are friends of mine who have issues with it as well. One, for instance, hated that Khan interrupted Cap when he gave the kids a tour of the Tower. Another friend considers Khan to be nothing more than an annoyance during the episode’s run, since she has no purpose in the narrative of the show. She did not demonstrate any depth of character, either; she is just a fangirl who got lucky and ended up with superpowers.

Image result for avengers assemble ultron revolution The Kids Are Alright

What is this author’s opinion? I am no fan of Kamala Khan/Ms. Marvel. To me, she is no more entertaining than her namesake. Also, Khan was not allowed by the writers to make any mistakes in combat during this show. She and Inferno had been using their powers for all of, what, a week? And yet she is a better fighter than he is? I am sorry but no, no, no, and no. Rookies do not do that well on the job in their first weeks; it does not happen unless they are extremely talented and/or lucky. Luck I will admit Khan has, but as for talent, it does not take much to imitate Mr. Fantastic – who should at least be mentioned in this series, by the way!

I thought that Inferno got short shrift here, too, being portrayed as the cocky kid who runs into a situation without thinking. I can handle a callow youth or a hothead, but the fact is that these often unwelcome traits do not necessarily add up to stupidity, which is the direction the Marvel writers appeared to be heading with the character in “The Kids Are All Right.” Inferno can do much better, but it does not seem that the writers want him to do better. They ought to bring Dante into “Secret Wars” as part of the Earth-bound Avengers just to give him a better showing than the one he got in season three.

On the bright side, Cap and Hawkeye did well in this show. Cap was his usual charming and encouraging self while Hawkeye got to prove (again) that although he may not be a super genius, this does not mean he is stupid. The sad thing is that they are the only saving graces in an otherwise politically correct, namby-pamby, wishy-washy, feel-good episode. You can tell I was not “feeling the love” from this show, can’t you, readers?

In contrast, I thought that “The Conqueror” and “Into the Future” were much better installments in the series. Bringing Kang into the story sets up a primary villain for season four, and no one can say that Kang is a fifth rate villain. He is no Dr. Doom (despite his mysterious relation to him), nor is he Magneto, but he probably ranks third behind those two masterminds of evil. Having Tony tweak him and get him angry was a good trick for the first episode, and showing Cap best him in the Jurassic period was the highlight of “Into the Future.”

My one problem with “Into the Future” is that none of the male rebels, aside from Thor, got a speaking part. Layla was a good character, and the hint that the red-headed girl who had tried to improve Tony’s Omega suit could be his great-great-great-great-great granddaughter was nice. The nod to Kate Bishop also did not go unnoticed by yours truly. In fact, the whole idea of a rebellion against Kang’s rule was genius, in my opinion. I wish someone had thought of it years ago!   (For all I know they did, but if so, I never heard about it.)

But the fact remains that some of the guys in Thor’s rebellion should have been allowed to say at least one word. Having Thor as their leader and letting him give the speeches was good; along with the rebellion twist, it made a lot of sense. He is Asgardian and immortal – practically speaking, anyway. Of course he would live into the thirtieth century, where he would start a rebellion against Kang’s tyranny, and of course he would end up bald as Odin. But at least ONE of the male rebels in Thor’s band should have been allowed to talk instead of being used as scenery filler.

This is a minor quibble with an otherwise excellent episode, but it is an important one to make. Marvel is trying to feminize its franchise, from Iron Man to Thor to Hawkeye and beyond. I am tired of it. The company already has great female leads; they do not need a bunch of milksop fems strutting across the screen, attempting to be something they are not. If they want to add new characters to help tell new stories, that is fine. But trying to replace the originals with newbies like Khan does not work; to the best of my knowledge, it never has. And when they try to make all their heroes female, the writers make matters worse. Remember, I like Steve Rogers, Clint Barton, Tony Stark, Thor Odinson, Bruce Banner, Bucky Barnes, Sam Wilson, Vision, Quicksilver, and many of the other male leads in Marvel because they are male. And I am not the only one. I wish that Marvel would get this fact through its thick, corporate head already and let me save my breath on this issue.

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Now we will go back to business. In “Seeing Double” we watch as Natasha faces off against Black Widow wannabe Yelena Belova. I have read about the character but never seen her, and this episode is a very impressive introduction for her. It fleshed out Natasha’s character in the bargain, and the hint that maybe she did not throw away the thumb drive said to contain her real memories was an unexpected twist. Making the Hulk into a large, green version of the Winter Soldier was something that I did not see coming. My only disappointment is that we never got to see Bucky here or during season three.

Then we have “A Friend in Need,” where Vision is introduced to the team. It was a nice installment, from Thor’s taking him to Asgard and teaching him about friendship to Vision’s nearly permanent sacrifice to save his friends. The three-way training session with Cap, Widow, and Hawkeye was a good bonus point, as was Vision playing video games with Hulk and Thor at the end. Very cute scene!

After this we had “Panther’s Rage,” an episode that presented T’Challa/Black Panther, Wakanda, and the Dora Milaje in an interesting way. Hawkeye’s flirting with Aneka was somewhat irritating, but their resultant friendship had a much better vibe to it. Cap and Thor’s ability to understand Panther and their subsequent friendships with him were believable and fun as well. And watching the pack of them kick Klaue’s fanny was great, as usual. But I am kind of getting tired of T’Challa always showing up on the Avengers’ doorstep angry. How about a little variety next time, Marvel writers?

“Ant-Man Makes It Big” was a fun episode in which Marvel proved that, despite many changes over the years, they still like to poke fun at themselves from time to time. Thor teaching a snobby actor the reality of life was a plus, as was Hawkeye’s easy acceptance of Scott and his new job. Having Widow angry at Scott for leaving the Avengers was an interesting and compelling development. It is nice to see that they have completely separated her from their original Amazonian stereotype and allowed her to be the character she always has been.

After this came “House of Zemo.” This show is one of my favorites and it had many good points, one of these being the redemption of Cap’s father after the debacle where Marvel tried to make the First Avenger a secret operative of HYDRA in the comics last year. In search of a photo he can use to draw a picture of his father, Cap leaves Avengers Tower on his birthday (July 4th), in order to clear his head and jog his memory. Hawkeye, who actually had a lousy father in the comics and apparently in Assemble as well, still palpably empathizes with Cap’s desire to remember and draw his father’s face. The rapport between the two is handled with an artist’s touch here and makes this episode an adventure worth remembering. 😉

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There was one thing about “House of Zemo,” however, that felt off to me: Helmut Zemo’s “redemption” at the end of the show. It felt forced and tacked on. I agree that he can reform; that is not what bothered me. It is that the writers brought about his change of heart too fast to be believable and satisfactory. They jammed it into an otherwise moving story, as though they thought no one would like an episode where Hawkeye, the fatherless, anchorless Avenger, helped the most grounded member of the team reconnect with his own father.

Maybe they were right, but I doubt it seriously. Of course, perhaps they thought Helmut Zemo could make the leap with ease, since in this series he is in fact a very old man, but he looks and acts young thanks to taking his father’s variant of the Super Soldier Serum. It still feels cheap to me, though, and that is why I make such a fuss about it.

The episodes “U-Foes,” “Building the Perfect Weapon,” and “World War Hulk” were great installments. The U-Foes, I think, would make viable fifth-rate villains in season four, but I do not like Widow’s taking offense when Red Hulk labeled everyone on the team “men” at the end of “World War Hulk.” No, she is not a man, but his use of the term is normal and hardly material for an affront, unless he is addressing a room full of women. This he definitely did not do within the show. I would think any female Avenger would ignore this unimportant phrase and deal with the bigger issue – the fact that Red Hulk thought he was the team’s leader. Who died and made him king?

Another thing which irritated me in these shows was how Cap acquiesced to Hulk wearing the inhibitor collar. His unabashed appreciation of Red Hulk’s military analysis of situations was equally bothersome. Just because Ross was once a U.S. general with a modicum of talent, it does not make him a great guy. I found it irksome that the writers thought Cap should appreciate Red’s ability to tactically assess a base –especially since he showed that this skill did not stretch nearly far enough. Cap is better than that, people. Stop treating him like a cookie-cutter tin soldier. He is no such thing!

One of the things I did enjoy here is that Hulk got to stay on Earth, instead of being tossed off-world and ending up in a gladiatorial arena. Another beautiful touch to the “World War Hulk” episode was the hint of romance between Big Green and Black Widow. Though they have done it before, in this Hulk-centered episode, it had more than its usual impact for viewers.

The romance the writers have developed between Natasha and Hulk in Avengers Assemble is something I have come to like quite a bit. It fits the narrative and it gives me hope that, should the writers bring Mockingbird and/or Sharon Carter on the scene, they will be able to handle a Romance Reel with them and their guys as well as they have managed Natasha and the Hulk’s duet. It also lets me hope that when Cap and Tony meet Peggy Carter in season four, the writers will be able to portray that romance with the same adroit touch they have used for Natasha and Hulk.

The “Civil War” story arc was truly impressive. For one thing, it was really, really, REALLY nice not to have Tony and Cap trying to kill each other here. The pluses continued to mount when the Mighty Avengers were formed as the antagonistic team, with Princess Sparkle Fists (a.k.a. Captain Marvel) at the head of the group. My only regret is that the writers did not hand her off to the Hulk during the battle. At least he would have actually hit her.

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The moment when Hawkeye convinced Songbird to leave the Mighty Avengers for the Avengers was superb. I had hoped to see Songbird before season three’s conclusion as part of the Avengers or as the leader of the Thunderbolts. The writers surpassed my wildest dreams in this regard for her, and they outdid themselves on Hawkeye’s characterization in this moment. His general deportment throughout the “Civil War” conflict was perfect. I am really happy with the fact that they have stopped using him as the team pratfall in every episode. 😀

Ant-Man and Falcon fighting while flying was a great nod to the film franchise, as was Vision’s accidentally injuring Cap with Mjolnir. It was also highly satisfying to watch Little Miss Stretch pull one of Iron Man’s moves from Age of Ultron, hitting Hulk when he was not expecting it. Rookie though he is, even Inferno would have known better than to do that.

But the most surprising moment in the season finale came when Ultron hacked Tony’s suit and arc reactor, thereby taking control of both his mind and body. It was the biggest shock of the event. I did not see that coming, which was the entire point. The Marvel writers truly pulled a rabbit out of their hat when they did it. I only hope the team can purge Ultron from Tony’s system during season four’s “Secret Wars.” Otherwise, I am not going to be a happy camper.

To sum up, there are only a few things I have left to say, and they are about the next season of Avengers Assemble. Season three broke new ground for the team by bringing in new players such as Songbird and the Thunderbolts, along with Inferno, Vision, and Black Panther.

The additions of villains such as Yalena Belova, Kang the Conqueror, the U-Foes, Egghead, and others expanded Assemble’s villain cadre nicely. Not every season has to revolve around Ultron, Thanos, and Red Skull, after all. And the Avengers do not have to fight Dracula or MODOK every day, either. It is nice to see old enemies with new schemes fighting our heroes. They should get to fight some B, C, and D rated villains like Egghead every now and then. Save a city instead of the planet – piece of cake. Although I do miss watching the team as they tangle with Dr. Doom and Magneto. Doom has disappeared from Assemble and since Marvel is not interested in mixing mutants into its Avengers cartoons anymore, any chance to see how the team would slap down the Master of Magnetism has evaporated. Rats. I would have liked to view that.

The upgraded characterizations of our favorite heroes righted the problems I noted in posts about the first and second seasons of the show. They were overdue, but better late than never. These changes have made Assemble much stronger as a series than when it began. I hope that, when it comes time to replace Assemble, I will not have to lecture the writers again on the issues which I pointed out in those prior posts. I will not, however, be holding my breath on that hope.

With regard to the original seven Avengers on the team, I would like to ask the Marvel writers to keep up the good work. Leave the stereotypes in the trash, where they belong, and run the characters according to the tried and true formula which you know actually works.

Secondly, I would like to ask the writers to please, please drop Jane Foster/“Thorette” from the line-up for season four!! She will be a DISASTER, people! Do not shoot yourselves in the foot here!

Three, let Inferno grow and learn from the Avengers. And while I applaud the addition of Black Panther, Songbird, Vision, and soon the Wasp to the series, do not stop there. We want Mockingbird, Spectrum, War Machine, the Winter Soldier, Quicksilver, Scarlet Witch, the Fantastic Four, Daredevil, Iron Fist, Power Man, and many of the other heroes from the comics to at least get a mention in season four. If we are going to have more than the four seasons, then by all means, add them to the cast list. Just because they are not part of the films and live action TV shows, this should not prevent the writers from adding them to the cartoon series. And Scarlet Witch is, in fact, part of the film franchise. So why have she and Quicksilver been left out of Assemble?!?!? It makes no sense to leave the twins out, Marvel writers!

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Last but most important, I wish to remind the writers that we watch the Avengers because we like good stories with great characters, not because we are looking for a lecture on social justice or the latest cause celeb. If we want any of that junk, we will turn on the news or go to a tabloid stand. Since we are coming to you, it means we want to get away from those things for a little while.

Just tell us some good stories, okay? That is all any of us want out of fiction writers. Good stories, well told, with enduring characters. All right?

Avengers – ASSEMBLE!!!

Horatio Hornblower, the TV Series

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Generally, when I find a film based on a book, I try to read the book as well as watch the film.  This is what I did when I learned that Howl’s Moving Castle began life as a novel; I read the book.

Sometimes I enjoy the book and film equally, while at other times I enjoy the book more than the film.  This is the case with the Hunger Games trilogy.  The cinematographers for the films did not do the books true justice on a number of levels – and there was no need to make Mockingjay into two films.  No need at all.

There are times, however, when I prefer what I see to what can be read.  In the case of the Horatio Hornblower television series, this is what happened.  Though I may someday read the books, I think that I will probably always enjoy the TV series over the novels.

I first saw the Hornblower series when it aired on PBS’ Masterpiece Theater.  I do not remember how old I was.  I know I was young enough not to understand some of what was said or implied in certain cases.  There is nothing wrong with that, of course; I enjoyed the adventure and got the gist of the important dialogue.  For a child, it is enough.

The novels starring Horatio Hornblower were written by C. S. Forester in the 1930s and possibly into perhaps the 1950s.  They star the fictional hero Horatio Hornblower, a young captain in His Majesty’s navy.  Forester eventually worked back from Hornblower’s position as captain to show how he rose through the ranks, and this is where the television series starts.

In the late 1700s, after America has won her independence from Great Britain, Horatio Hornblower becomes a midshipman aboard His Majesty’s ship, the Justinian, in order to pay a debt that his father owes.  The captain of the Justinian is a friend of Dr. Hornblower, and so he accepts Horatio as a midshipman with facility.

The day he gets aboard the Justinian is a wet, grey day.  Having never been aboard a ship before, Horatio has a little trouble holding down his dinner and throws up when he is introduced to the other midshipmen aboard the vessel.  Two of these – an older man named Clayton and a man about his own age, Midshipman Archie Kennedy (Jamie Bamber) – soon become fast friends with the seventeen year old Hornblower.

Aside from this incident, Hornblower finds the world of the navy to be pretty decent.  At least until the most senior midshipman, a bully named Jack Simpson, returns to the Justinian.  Simpson is about thirty and still a midshipman; at the time, a midshipman could start out as young as eleven.  The senior officers tutored the midshipmen in the arts of seamanship, tactics, and navigation until they could earn the rank of lieutenant.  Unfortunately, Simpson is as dumb as a stump when it comes to mathematics.  He could not navigate a bathtub, let alone the oceans.  Worse, he is a bully and a coward, and he takes out his frustration at being forever a midshipman on the other, younger midshipmen, who are all terrified of him.

All except for the new midshipman.  Hornblower is not afraid to stand up to Simpson, which is bad enough.  But when he also proves to be far and away the best at mathematics aboard the Justinian, Simpson turns up the heat on him.  Life aboard ship becomes almost intolerable, and when Simpson insults Hornblower during a card game, the young midshipman decides to try and rid both the ship and the navy of this scourge by challenging him to a duel.

His challenge shames Clayton who, knowing Hornblower will lose the match, knocks him out and takes his place.  Though he wings Simpson, Clayton himself is badly injured and dies of his wounds not long after.  The day he dies is also the day King Louis XVI is beheaded in France, leading England into war with the French Republic.

This leads Hornblower, Archie, and the other Midshipmen to be transferred to His Majesty’s ship, Indefatigable.  The Indefatigable was a real ship, commanded by the real Sir Edmund Pellew, the captain of the frigate within the film series and the books (played by Robert Lindsey to perfection in the TV series).  Pellew tells Hornblower in no uncertain terms that he does not think much of a man who lets others fight his battles for him, before ordering him to take part in no more duels while he is aboard the Indefatigable, or “the Indy,” as the crew calls her.

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In the meantime Hornblower is given command of Simpson’s division from the Justinian.  This division crew consists of Styles (Sean Gilder), a brawler who tends to leap into fights at the first opportunity; Matthews (Paul Copley), an experienced seaman and the senior member of the group; Finch, a small man who is at least as old and seasoned as Matthews, and young Oldroyd.

Hornblower finds the crew chasing down rats in the hold and betting on Styles’ ability to kill them.  Styles doesn’t do this with his hands but with his teeth; his hands are tied behind him and he has to catch and kill the rats with his mouth.

This sort of sport is not allowed aboard ship, of course, and Hornblower makes it clear that while he commands their division, Matthews, Styles, and the rest will not play these games anymore.  Not long after this the Indy captures her first French prize, but Hornblower is not above deck for the engagement because a member of his division is injured in the fight and he helps take the man down to sickbay.  He later distinguishes himself in battle, after a fashion, earning Pellew’s interest.  But Hornblower’s happiness aboard the Indy is dimmed when, coming to the rescue of a sinking British ship, he himself ends up helping a bedraggled Simpson to safety.

The episode reaches its climax in another duel between Hornblower and Simpson, which Simpson does not walk away from.  For this reason, in the U.S. the first episode of the Hornblower series is called “The Duel.”  In England it is known as “The Even Chance.”

There are eight episodes in the Hornblower series.  Starring Ioan Gruffudd as Horatio Hornblower, this was my first introduction to the actor.  Later, when he was tapped to play Mr. Fantastic in the Fantastic Four films, the first words out of my mouth on seeing him were, “That’s Hornblower!”  And so it has remained.  Whether he appears in 102 Dalmatians or the latest remake of The Jungle Book, the first words I say on seeing him are, “There’s Hornblower!”  It is lucky for me that he loves the character so much!

I enjoy the first four episodes of the Hornblower series more than the last four.  There is a joi de vive they have which the following four lack.  For this reason I prefer them to the sequels.  Still, whichever half of the set you enjoy more, you ought to try the series if you have never seen it before.  It is well worth your time and, no matter the cost, it is a great investment if you purchase it. 😉

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