Tag Archives: Han Solo

Book Review: The Hand of Thrawn Duology by Timothy Zahn

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Star Wars: The New Essential Guide to Characters (the edition published in 2002), was my first introduction to the franchise’s original Expanded Universe. While my parents had copies of several Star Wars EU novels and encouraged me to read them, I was young enough at the time that the volumes appeared too large and adult for a child of my age to understand. So I left the books sitting on the shelf, planning to dive into them when I was older and had a better chance of appreciating them.

Then, on a trip to the library, my father found The New Essential Guide to Characters. It was in the “for sale” shelves, so he picked it up and bought it for me – even though I was not truly interested in it at the time. Not long after he purchased it, however, I cracked the tome open to at least look at the pictures.

Over the years, “looking at the pictures” became “reading the profiles.” Gradually, I began to understand the Star Wars timeline outside of the films, which were my only source of Star Wars material up to that point. (Hey, I was a child! How many rambunctious tweens and teens do you know who prefer a good, big book to watching a movie?) But even as I began to put the Expanded Universe and film timelines together, I did not necessarily realize which characters were where and did what.

That all changed when I finally read Mara Jade Skywalker’s file. A New Hope, as I have said elsewhere, was the Star Wars film I loved best when I was young. Han getting frozen in carbonite kind of turned me off of the sequels until I was in my early teens, so the rest of the trilogy was something of a mystery to me for a while.

So when I learned that Luke had actually gotten married after Return of the Jedi, and to a woman who hated him and had vowed to kill him, I was thrown for a bit of a loop. I struggled with the idea for a bit, but eventually came to accept it, reading and rereading her profile along with all the others.

After a couple of years doing this, I decided enough was enough. Mara sounded pretty cool, from what I had read. So if she was this interesting in a character summary, she had to be twice as amazing “in person” – that is, in the novels. Not long after this I picked up one of the books I had been offered as a child and started reading, learning quickly that the Guide had undersold Mara Jade completely. She didn’t live up to her reputation; she exceeded it.

What does all this have to do with the Hand of Thrawn Duology by Timothy Zahn? Well, if you remember your own days as teenager, you remember that we sometimes start at the end or the middle instead of the beginning. I did not meet Mara in the Thrawn trilogy or even in Specter of the Past. I just jumped right into Vision of the Future and started reading.

The book knocked my socks off, readers. To this day, I would say it is my favorite Expanded Universe novel, and none of the new timeline books have beaten it. I rather doubt they ever will.

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Specter of the Past is the first book in the Duology. It starts, naturally enough, with a Star Destroyer. (Zahn always follows the original films’ format by showing us the Empire ahead of the Rebellion/New Republic.) Admiral Gilad Pellaeon watches the Chimera try out a new computer said to be able to predict an enemy’s attack pattern and then destroy their opponent while the ship is cloaked. Using Preybirds instead of TIE fighters, a number of Imperial pilots “assault” the Chimera before the ship cloaks. Then it engages its fancy targeting computer and counterattacks, firing off five hundred shots.

Five hundred shots plus a handful of fighters – how do you think the test went?

Badly, that’s how. Out of a pitiful number of targets, the Chimera’s blind shooting only “destroyed” one Preybird. Yeah, that is pretty pathetic, even by our standards.

Though the captain of his ship, a man named Ardiff, thinks the display is fine, Pellaeon is not pleased. The ship fired five hundred near random shots and only one fighter was “destroyed.” Besides which, Preybirds are not military fighters – even the New Republic did not use them during the Rebellion era. The fact that the Empire, which has been reduced to eight sectors at this point, is relying on Preybirds as fighters means only one thing…

The war is over. And they’ve lost.

Meanwhile, Han and Chewie have gone on a diplomatic mission to Iphigin to try and straighten out a trade dispute between two alien species, the Ishori and the Diamala. Leia, who has stepped down as President of the New Republic, is currently on Wayland getting some well-deserved R&R with their three children. A Calibop named Ponc Gavrisom is now President of the New Republic. Nevertheless, he immediately went to whistle up Leia’s help in solving this minor problem, despite the fact that her vacation has only just begun.

Well, Han Solo is not going to stand for this. He intercepts the message before it can reach his wife and goes in Leia’s place – without telling her what he is doing, of course. Before you accuse him of being a misogynist, readers, or say he thought she couldn’t handle the job, consider this: Leia is on vacation. She is, for the time being, not active in the day-to-day politics of the New Republic. She has also been handling one crisis after another for ten years and, now that she is no longer running the New Republic, should she have her rest and relaxation disturbed over one little trade disagreement?

I do not think Leia deserves that, and neither does Han. Rather than run and tell her about the fuss, he decided to handle it quietly on her behalf. If that isn’t gentlemanly – not to mention romantic – behavior on his part, then you can paint me as red as the Errant Venture and call me a sap.

Besides, Han has thought things through this time and come prepared. Not long after he and Chewie arrive at Iphigin to handle the trade dispute, Luke and R2 appear in the former’s New Republic X-wing. They trade some small talk before Solo explains that Chewie will handle the Ishori part of the disagreement while Luke takes care of the Diamala. He developed this plan because the Ishori think well when they are screaming in fury, while the Diamala would give Jedi and Vulcans a run for their money when it comes maintaining their calm.

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The plan is a sound one – but it hits an unexpected snag. The Diamala do not want anything to do with Luke, stating that Jedi who use as much power as he does inevitably fall to the Dark Side. Surprised – and somewhat miffed – Luke becomes Han’s advisor instead as the negotiations start…

…But at the end of the day, they have accomplished exactly nothing. The two species do not appear interested in getting along, leaving both our heroes with nothing except headaches for all their trouble.

However, it soon turns out not to be a total waste of a day. While they are trying to figure out a way to solve the mess, the men receive a message about an incoming freighter Iphigini Customs has been told is carrying contraband. Something about this gets Han excited, and after the call is terminated, he tells Luke the smuggler is just a distraction. Pirates blow the whistle to the authorities on a “smuggler” carrying contraband into the day side of a planet while they hit a night side target. Because Customs is running to take in the “smuggler,” they cannot get back to the night side of the planet to stop the pirates before they have grabbed whatever they want and run off.

But he and Luke can get there in time. They head for the Falcon and the X-wing to deal with the pirates, allowing them to burn off their frustration about the trade negotiation. But before the battle begins, Luke experiences a disturbing vision of the Emperor and another, more ancient Sith Lord he faced as a spirit, staring at him through the X-wing’s canopy. And they are laughing at him.

Meanwhile, on Wayland, Threepio tells Leia that Han ran off to handle a diplomatic matter. At first put out, Leia lets it go and decides it is better to just enjoy her time on Wayland with the Noghri and her children. Unfortunately, her vacation is interrupted by a Devaronian poking around where he should not be. The Noghri call her in to handle the matter, which she seemingly does….

…Until the guy drops a smoke bomb near Jaina and Anakin to cover his escape.

(L to R) Anakin, Jacen, and Jaina Solo

Anyone with sense knows that threatening the Solo children is a big mistake, so this Devaronian obviously lacks sense. Leia takes off with a Noghri escort to bring him in, only to get some unexpected help from Talon Karrde and Mara Jade. The two are on Wayland to hire Noghri bodyguards for some of Karrde’s informants – the ones who typically work in dangerous areas. The three learn when they capture the guy that the thief intended to sell a data card with a damaged document on it.

This soon proves to be a recipe for disaster. The document in question not only threatens the peace of the New Republic, it could start another galactic civil war. Only this time, the Republic will not be fighting the Empire for their freedom. This time, they will be fighting each other in a pointless attempt to get even with the past.

Our heroes scramble to prevent this, but things go from bad to worse when Luke has another Force vision. This one includes a picture of Mara, apparently dead in a cave somewhere. Not long after he has said vision, Mara disappears on a planet in Wild Space. Instead of sending someone else to get her, however, Luke leaves his friends and family to handle the New Republic’s problems while he goes in alone to rescue her.

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This is where Vision of the Future takes up the tale, and where I leave you, readers. I will not spoil anything else about these wonderful books, which are now old friends to me. If you do not enjoy the Hand of Thrawn Duology, I am sincerely sorry to hear that. They are truly great tales, though, and they deserve to be read at least once.

Before I go, I would like to add that at first Mara and Zahn’s constant remarks about Luke using too much power made no sense to me. As I said, my first experience of the Expanded Universe came through The New Essential Guide to Characters. There was not much there about Luke overusing the Force.

It was only when I read some novels in the Star Wars mythos besides Zahn’s that I found out what he was chastising Luke for doing – and thereby the other writers for the EU. Seriously, I enjoy the old EU more than the new timeline, but some of the writers for those books seemed to think being Force-sensitive means Jedi can get away with anything. Reading Jedi Search and the Young Jedi Knights series by Kevin J. Anderson was fun – except for the way he had Luke use the Force. Good grief, the difference between Light Siders and Dark Siders is that Dark Siders use the Force to gain power. Jedi rely on the Force as an ally, as a guide to get through life. They don’t master the Force – they serve it.

Zahn’s message must have hit home, because the novels following Vision of the Future took his stance toward the Force rather than Anderson’s haphazard treatment. Jude Watson may have been one of the authors who followed his example almost to the letter. Her The Last Jedi series for young Star Wars fans felt very similar, to me, to Zahn’s work. This was especially true in regards to the hows, wheres, and whyfores of the Force and Star Wars tech.

Well, that is it for now, readers. All I have to say before I go is that I hope you enjoy the Hand of Thrawn Duology. Remember, the Force will be with you, always.

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Happy St. Valentine’s Day!!!

Happy St. Valentine’s Day to all those who follow Thoughts on the Edge of Forever!! Here are some clips and photos to make the day a little more romantic…. 😉

First up, the theme music from one of the best romance films ever…!!!

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Wedge and Iella Antilles

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Jagged Fel and his wife, Jaina Solo Fel

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Marriage of Luke Skywalker and Mara Jade

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Jessica and Luke Cage – plus their daughter, Danielle

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And now, the piece de resistance….

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HAPPY ST. VALENTINE’S DAY!!!!

Marvel-ous – and Not So Marvelous – Fathers

Not long after it came out, a friend of mine began watching the new Marvel’s Spider-Man television series. I have only watched it under duress, since I find the animation poor and am unhappy with some of the changes to Spider-Man lore within the series. Not to mention the fact that I am a little tired of Marvel beating dead horses to pieces and splattering me with their blood, proclaiming all the while that I should be happy to receive this disgusting shower.

Thank you very much, Marvel, but even vampires do not go this far (from what I know of them, anyway). But my friend insists on cornering me and making me watch it, making me less than eager to discuss the series with said compadre after an episode has aired.

Following the episode introducing – and then killing – Flint Marko/Sandman so he could be replaced by his daughter, my friend had an interesting observation about the show. Mi amigo pointed out that Flint never went after his daughter during the episode’s climactic battle. This friend went on to add that it was interesting when Sandman’s daughter killed him, Flint’s last words were: “I love you.”

“It’s a little like Han Solo and Kylo Ren in The Force Awakens,” my friend said. “Flint won the argument, just like Han did, and their children are worse off than they were before.” Then, in typical fashion for my friend, it was suggested that I write a post about how Flint is/was a better father than Norman Osborn.

When it comes to this friend of mine, I have a hard time saying “no” to any request made of me. I promised to think about the episode, though I added the caveat that my brain had zero suggestions for how to bring up the topic here on Thoughts on the Edge of Forever any time soon. But then something somehow removed this block from my mind and the ideas came rushing in.

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The episode of Marvel’s Spider-Man in question is titled “Sandman.” In this episode, Spidey is relaxing with his fellow science whizz friends at Coney Island. At least, he is relaxing; the rest are still working on their school project (hint, it makes a nifty, living black suit). While they are out a sudden sandstorm erupts and the Arabian Desert, complete with a seeming genie, blasts through the park.

This is Spidey’s first run-in with the Sandman, a.k.a. Flint Marko, in the series. Here, Flint is a lackey for the mobster villain known as Hammerhead. He began working for him in order to provide a better future for his daughter, Keemia. But Flint made too many mistakes on the job, so Hammerhead tried to make an example of him by burying him under several tons of sand mixed with toxic chemicals.

Of course, this did not kill Flint. It turned him into a living being made of sand. He intends to go after Hammerhead to rescue his daughter, whom the thug has somehow taken into his home. Spidey, touched by Sandman’s devotion to protecting his little girl, joins Flint in storming the castle to rescue the fair damsel.

But Keemia does not want to be rescued. Like any normal girl, she followed Flint into the warehouse when being left in the car creeped her out. So when Hammerhead tried to kill him, she was exposed to the same toxic sand that her father swallowed. Unlike normal girls, she detests and blames her father for her own natural instinct to avoid being alone. She goes on to repeatedly state that she hated the work he did for Hammerhead and planned to better her own future by studying science. Now that she is made of sand, which has replaced her right eye, she accuses Flint of being the source of her misfortune and lashes out at him.

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Keemia Marko (Sandgirl)

Not once during the battle which follows does Flint respond to Keemia’s attacks. He tries several times to hurt Hammerhead, but Keemia protects the mobster as she continues to assail the man who really wants to keep her safe. Like Han in The Force Awakens, Flint allows Keemia to (apparently) kill him, offering her no resistance whatsoever. Spidey, naturally, is very upset by this, though I do not think anyone is going to take the time to explain why. I hope to do so myself, but I have a few other things I want to expound upon here as well, and that may get lost in the shuffle.

The first thing to address here is that this is quite clearly another case of political correctness run amok in Marvel. Sandman was always a sympathetic villain; Spidey and other Marvel heroes tried several times to bring him to the light. He was even an Avenger there for a little while. Marko never was a very strong personality, which is what made us fans feel some measure of compassion for him.

As with Kylo Ren, there is nothing to make us feel kindly disposed toward Keemia Marko. Blinded by the modern Sturm und Drang, she lays all her troubles on her father. In doing so she does not see Hammerhead manipulating her to hurt Flint, but seals her fate as the mobster’s secret weapon by killing her dad.

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Harry and Norman Osborn

How, you ask, does this make Flint a better father in this scene than Norman Osborn has ever been, period? In this series Norman is focused on being top dog in the scientific Tech Pack on Earth. Norman treats Harry more like a tool here than a son. Marvel’s Spider-Man portrays him as a greedy, grasping rich man who sees his boy as a means to an end – nothing more, nothing less.

Marko never used his daughter to make life easier for himself, and he probably could have. While I do not like her and consider her a nuisance best dumped at the earliest opportunity, the fact is that Marvel has illustrated a truth in Sandman’s first and final episode here which must be addressed.

The entire reason Flint went to work for Hammerhead was to provide for Keemia. He did not like working for a mobster any better than she did, but because he was a single father trying to make ends meet, he did the best he could with what he could get. It was not what he wanted for either of them, but he did not have the capacity to search for a job that would give them more satisfaction.

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Keemia, a product of the modern school system and the popular mindset, did not see what a sacrifice her father was making for her. He compromised his sacred honor and his own hope to be a good man in order to protect, feed, and clothe her. If he could have found another way to support them, he would have. A stronger man might have managed that, or at least managed to convey his distaste for his illegal work to Keemia. Flint could do neither of these things and that is, perhaps, one of the reasons why his daughter blamed him for her condition.

It is also important to mention that Flint is a single father here. This means he had to work a lot to make ends meet, so he was not as present in Keemia’s life as he would have been if her mother were alive and present in the home. (I do not know what happened to Sandman’s wife/girlfriend.)

Now Sandman’s lack of presence in his daughter’s life is not his fault – not in this TV series, anyway. The case in the show is blatantly transparent: Flint could not support the two of them and be with his daughter a hundred percent of the time. This is all too true of many families where only the father or mother is alive or caring for the children. These single fathers and mothers cannot feed, clothe, and shelter their children and still have enough time leftover to play, help with homework, or discuss problems in most cases.

This is why Flint did not see the extent to which Keemia was taught to despise him. She was taught this by our modern society, which either treats fatherhood like a joke or holds it in reproach (more on that below). Her disgust with Flint’s line of work is quite understandable, but it was used and manipulated, first by society and then by Hammerhead. Neither society nor Hammerhead explained that Flint was sacrificing a lot to take care of her by doing the only work he could find, and this left Keemia open to the Dark Side.

Flint did not see any of this until it was too late to do something about it. But that did not make him love his daughter any less. Spidey, I think, sensed how much Flint had sacrificed on behalf of his daughter by working for Hammerhead. The fact that Sandman showed such devotion to her, to the bitter end, affected him deeply because Keemia threw away what he lost years ago. Although Peter Parker loves his aunt and uncle, they were not his parents and they never could be. He did not know his father, but seeing Flint’s love for his daughter probably made him yearn for what could have been if his own had not been lost. (Ha! I got his reasons for being upset at Flint’s “demise” in here after all!)

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Norman, as we have seen, does not care to this degree about Harry. He has Harry make all sorts of sacrifices to please him. As yet we have not seen the future Green Goblin going out of his way to do something nice for his son. Even his founding of Osborn Academy is questionable: is it truly for Harry’s good, or is it so Norman has access to some of the brightest intellects in New York City – legal and illegal?

Thinking about this subject, I was put in mind of other Marvel characters who have less-than-stellar fathers. One of the reasons society these days makes a mockery of or abuses fatherhood is the mistaken opinion of many that bad fathers make bad people. This is a fallacy, insofar as it is portrayed as a widespread occurrence; it can certainly happen, but I very much doubt it transpires with the frequency portrayed in film, television, and books. Not all bad people become bad because of evil fathers – or evil mothers. All who become evil choose to be evil.

One can easily prove this by comparing Keemia Marko’s story to the history of the Avenger Hawkeye/Clint Barton. Hawkeye had a physically abusive father; Mr. Barton Senior liked his liquor, not to mention beating both his sons and his wife. When his sons were still young he died a drunkard’s death after he crashed his car. In the process he killed his wife and left the boys orphans.

Yet, if you look at Hawkeye now, you would have to be told all this about his past to know that it had happened – especially in the films. He was scarred by the experiences of his childhood, to be sure; Clint has never been able to fully trust those in influential or command positions. This is because the man who should have taught him to respect authority instead gave him every reason to distrust it.

However, Clint did not follow the Dark Path to the point that it could dominate his destiny. Yes, in the original comics, he worked with the Black Widow when she was a pawn of the Soviets. But he did not do this because he agreed with the Communists or because he liked being a bad guy. He did it out of misguided sentiment and love for Natasha Romanoff. This eventually redeemed the two of them and led to their joining the Avengers, “Earth’s Mightiest Heroes,” and we fans/readers/viewers are the better for this.

Unlike modern writers, Stan Lee and Don Heck knew that it is possible to choose a better path than the one your parents did. So they showed Clint Barton choosing to turn away from the darkness and toward the light. Time and again, until the most recent comics, Clint did his best to avoid following in the footsteps of the men who raised him. He chose to be a better man than his father. He also chose to be a better man than his mentors, the Swordsman and the original Trick Shot. He chose to be a hero rather than a villain.

If you dig a little into the histories of many Marvel heroes and heroines, you will find several others with similar pasts. Both Rogue and Nightcrawler were rejected by their fathers and continue to be abused by their mother. The Maximoff twins are still dealing with the aftermath of having Magneto as a dad. Peter Quill had a lackluster father, as did Gamora. Yet they and other Marvel characters with similar backgrounds still became heroes and heroines rather than villains.

This is something modern pop psychology says is a denial of the inner self; a rejection of the monster inside, to borrow from Mr. Whedon. Yet Mr. Lee and Mr. Heck made this choice for Hawkeye and the other heroes I listed above. And you know something? It worked.

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Unlike these heroes, Keemia has chosen the Dark Side. And she has done so without using the “father abused me and that’s why I am what I am” excuse. In some cases, real and fictional, I do not doubt that ill-treatment can convince a child to turn into a monster of the same type as the one heaping pain on him/her. But that, as I just said, is an excuse. Being evil or being good is a choice. One choice takes a lot more work than the other, and believe me, it is not evil.

Keemia has no excuse for her choice to become evil. She has no excuse for killing her own father. She cannot hide behind the pop psychology argument that her father was terrible and so she is terrible, which is what I think the writers were trying to have her say. I think they wanted us to sympathize with her, suggesting that she turned into the monster “Sand-Girl” because of her father through her long, moronic speeches charging him with high crimes and misdemeanors against her.

That claim does not float. There are many Marvel heroes and heroines who endured far worse from their fathers and mothers than Keemia ever did at the hands of Sandman. They are not evil. She is. And it is because of the choices she made, NOT because of her father’s (or mother’s) choices.

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Barons Heinrich and Helmut Zemo (Avengers Assemble)

This is the reason why I did not like the writers’ attempt to pin Helmut Zemo’s decision to be evil on his father in the Avengers Assemble episode “House of Zemo.” This is why I do not like what the company’s writers have done to Tony Stark’s father. And this is why I blew up when I learned what Marvel did in its Secret Empire comics to Cap’s father in order to make him a Nazi.

These changes are the signature attacks of people who despise fatherhood and want to destroy it; either the authors or their bosses want to continue this harmful stereotype in order to continue to excuse “the evil that men do.” They are trying to convince fathers to rescind their proper place as role models in society, role models who will teach and love their children like no one else in the world can or should, which means the children born to these fathers will be left without one of their best defenses against the darkness in this world.

This modern fictional trope hurts real people, readers. It hurts those who do – or did – have lousy fathers and who want a better life. If they are continually told that they have no chance whatsoever to be a better man/woman than their fathers or mothers, they will destroy themselves. I do not mean they will kill themselves, although that is a distinct possibilty. I mean they will make wrong choices using the excuse, “My daddy/mommy did this to me, and so psychologically I have no choice but to carry on this abuse.” Ask Dean Koontz about it. He had an abusive father himself.

Evil is a choice, readers. It is a real, palpable choice with genuine, hard, ugly results, for us and those around us. We are all confronted with it, every day, in small or great ways. And because we are weak humans we can excuse or rationalize away the evil that we do because it will make us feel better about “getting what we want” out of life, family, etc.

Bad or evil fathers do not make bad men and women. Men and women make choices to be bad or to be good. If they choose evil, then they choose it of their own free will. They will make excuses to allow them to continue doing their evil deeds with untroubled consciences, but the fact is that they have chosen the Dark Path freely.

Pop psychology does not recognize those heroes who had bad parents and yet have gone on to become good men and women. It does not recognize them because they do not fit the pattern which produces the desired result. There are many good men and women who had or have bad fathers/mothers, but who have gone on to become great fathers/mothers themselves because they chose to be better than those who raised them.

This is the real difference between heroes and villains, readers. Heroes choose the Light, while villains choose the Dark. Modern society wants you to be confused about this distinction, but the fact is that there is an objective good, and an objective evil. You just have to keep your eyes open to see it.

Avengers Assemble!

Spotlight: Star Wars Rebels – Agent Kallus

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You may or may not have seen my post “Star Wars Rebels’ Zero Hour and Season 3 Review.” It was a long post. In that article, one of the things about Rebels’ season three which I noted was Agent Kallus’ defection to the Rebellion from the Empire. Some people were surprised by his change of heart this season, and I admit to being taken aback that he became the new Fulcrum.

However, I was not in the least bit astonished that he turned Rebel. If you are in the mood to look up my previous posts on Rebels, you will find in one or two of them that I mentioned a belief that Kallus would change sides. I knew right from the start that Kallus had “the heart of a Rebel.”

Of course, this begs the question: How did I know?

A friend asked me that a little while ago. It is a good question, one I cannot answer in a scientific manner. I knew when I saw the first advertisements for Rebels that Kallus would be an Imperial goon; that he would be an antagonist. I knew that his name comes from the word callous, which means “being hardened and thickened…feeling no emotion; feeling or showing no sympathy for others: hard-hearted.” (Merriam-Webster Dictionary)   But even as I watched Spark of Rebellion, I looked at Kallus and thought, “You’ll be a Rebel someday, pal. Just you wait and see!”

How did I know? There were lots of little giveaways, I think. Not many people would notice them, especially among the show’s target audience. I have been a child before. I know how they see things. I gave up on lots of characters fighting on behalf of evil as a kid, only to be blindsided with shock when they became good guys later on. It is totally understandable that kids would see Kallus as nothing but a hopeless baddy, irredeemable and undesirable. One even gave him the nickname WAFAR: Walking Advertisement for a Razor, in reference to his huge sideburns.

Despite helping to create the moniker and adopting it myself, I did not see Kallus as a hopeless villain, and below are some of the reasons why.

From the get-go, I noticed that Kallus did not mind going into battle at the head of a legion of Stormtroopers. When Vader steps on the scene, he is usually the central point of the conflict. He is neither with the Stormtoopers nor goading them on from behind. If there are Stormtroopers present when Darth Vader enters the scene, they are in the background, firing at the heroes. Vader takes center stage whenever he shows up.

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Kallus was different. He was not in front of the Stormtroopers, like Vader typically is, he was in the front line with them. This is also a departure from the aloof attitude demonstrated by most Imperial officers. They are all safely behind the Stormtroopers when they appear on screen. We have never really seen an Imperial officer, agent, or other bigwig dive into the thick of a fight against the Rebels. The obvious reason for this is that the Imperials are perfectly willing to dish out the pain, but they are not willing to experience it themselves.

Kallus is different. He is willing to fight. He is willing to brawl. Whether he is using a blaster, his Lasat bo-rifle, or his own fists, he enjoys the thrill of combat. He is not afraid of getting hurt, though he is not reckless and does not wish to get himself killed. Nevertheless, from the start it was obvious that he enjoyed a good scrap.

This, I think, was my first hint that Kallus had the makings of a Rebel. Another hint was that he was not prone to preening, as most Imperials in Star Wars are. I do not recall seeing Kallus boast over anything he did while with the Empire, even his successes as an ISB agent. One Star Wars encyclopedia claims that he turned down numerous offers of promotion in order to stay on the front lines. So he did not have an unhealthy, inflated opinion of himself. Hmm, not your typical Imperial reaction to success, eh, readers?

To the observant viewer, this shows that Kallus is not interested in power or advancement in the Imperial bureaucracy. He is interested in his job as an ISB agent because he enjoys it. He wants to be on the front lines, fighting what he thinks is the good fight. His scrupulous attention to his job, his lack of interest in prestige and power, his love of combat because he is at his physical peak, hinted that he had a sense of honor. Though he kicked a Stormtrooper down a Kessel mineshaft and did some other, similarly nasty things, Kallus definitely possessed an aura of real dignity which is lacking in most of Star Wars’ Imperial characters.

Hint number three about Kallus’ eventual change of heart was that he was smart. Most Imperials are so busy trying to “get ahead” in the Imperial power structure that they have lost whatever imagination they had before they became part of the Emperor’s machine. You watch them while they are working on the bridge of a Star Destroyer or some such place, and they are all vying for “their fair share” of the glory. This means that they never look beyond their own nose. Because they are so busy looking out for good ol’ Number One, they do not understand the Rebels.

The Rebels would never leave a man behind if they could find a way to save him. Kallus realized this at the start of the series and, like Grand Admiral Thrawn, he began to profile our heroes. He did not do it through studying art, as Thrawn does, but by assessing their actions in combat.

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There are benefits to both kinds of deduction, obviously. Thrawn’s fascination with art and what it shows about a particular artist’s or species’ mindset is a superpower all by itself. It is what allows him to make such great, overarching plans. If there is one thing Thrawn is proud of it is his intellect, the fact that he is the smartest man (or Chiss) in the room, and so he holds all his subordinates and enemies in contempt. Kallus’ understanding of the Rebels is based more on their performance in combat, and so he never held them in complete contempt.

Kallus is not a genius, like Thrawn, but he is intelligent. He analyzed the Ghost crew’s patterns of attack and would be ready to meet them when they came running to the bait he had set up. His hand-to-hand battles with the Ghost crew, particularly Zeb, taught him their personal strengths and weaknesses.

In a way, this knowledge gave him a more realistic and basic picture of the Rebels than the one Thrawn has drawn up. Thrawn understands how they think; Kallus knows why they think the way they do. Thrawn is detached from his knowledge of the Rebels. With very, very few exceptions, he has not engaged them in personal combat. He has studied their tactics, yes, but he has done so through secondhand reports. Though thorough, these reports do not equate to actual experience.

Kallus has not engaged the Rebels simply with his head but by fighting them physically. He knows, therefore, that they will do the totally unexpected, not because of a picture they painted on a wall or a mask they left lying around. They will do the totally unexpected because they are determined to survive long enough to get a Rebellion against the Empire up and running. If someday they have to die so that a Rebellion can be born, then they will do it. But if they can find a way to survive they will take that chance, however slim or insane it seems to be. That is all there is to it.

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Thrawn thinks he can synthesize thousands of years of art and battle tactics into an efficient metric by which to plan out the perfect battle. To an extent, he is right. But what Kallus knows and what Thrawn has not recognized is that heart beats brains every time. The Ghost crew’s determination to win, to look out for each other, trumped his every plan to bring them to face what he believed was justice. And all of his plans were remarkably neat, for an “average” Imperial. So how can someone so smart get beaten so often by people who, logically, should be easy to defeat?

The writers finally answered Kallus’ question in The Honorable Ones. After bushwhacking the crew in an Imperial factory orbiting Geonosis, Kallus follows Zeb as the Lasat tries to return to the Ghost via an Imperial escape pod. The two end up fighting while the escape pod jettisons, damaging the controls in the process and landing on an ice moon as a result. Zeb is knocked cold by the landing while Kallus breaks his leg.

The episode is actually nothing special, from the point of view of the plot. Two enemies who hate the other end up stranded together and have to work with one another if they hope to survive to rejoin their respective forces. We have seen this device used time and time again. It is not a particularly spectacular plot and, if handled badly, it leaves an awful taste in viewers’ minds.

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But The Honorable Ones pulls it off very well – and not just because of all the “freak-out noises” Kallus makes. Having watched Zeb for so long, we know how he is going to react when he realizes that Kallus cannot fight because of his busted leg. Kallus, however, believes that Zeb will take the first opportunity to kill him. He repeatedly tries to get his hands on a weapon, but Zeb disarms him and does not hurt him, in spite of pointing out how easily he could kill the ISB agent.

Zeb then makes a crack about how Geonosis is supposed to be a desert planet. He knows very well that they are on one of the planet’s moons – a frigidly cold one, at that. But in order to ease the tension of their situation, he makes a joke about it. Kallus misses the joke and takes him seriously. He lectures Zeb as though the Lasat was a child, asking how he could be bested time and again by an ignoramus like him.

Zeb’s curt reply – “Get a sense of humor, Agent!” – must have surprised him. Due to a bad experience with a Lasat mercenary some years before, Kallus held all Lasat in contempt. Because of this past encounter with a member of Zeb’s species, he probably knows more about the Lasat as a race than anyone but Zeb and Thrawn. This hatred of his for the Lasat blinded him to their better qualities.

So Zeb pointing out that he was joking and Kallus not grasping it is one of the things that makes the Imperial agent sit up and pay attention. Zeb is not a genius but neither is he stupid. He was having a bit of fun at their expense, like any soldier who still held hope of rescue would. If Zeb had been a human or a fellow Imperial, Kallus might have understood that his comment was a joke. Instead, his bias blinded him to Zeb’s sense of humor.

Throughout the episode Kallus slowly learns to take off his dark glasses and look at Zeb as he is and not how his hatred has painted him. What he finds is an intelligent, honorable Lasat who is tactically bright. He also realizes that Zeb has something he does not. Several somethings, actually…. He has friends. Friends he believes in and trusts to come for him no matter what. Friends he knows will risk their lives for him because they have done it over and over again. Friends he will in turn risk his life to protect and help.

Kallus has no friends, not because he does not want them, but because they do not want him. With the Imperials, friends are extra baggage. They can get you demoted or put you on the chopping block for their mistakes. The Galactic Empire of Star Wars reminds me a great deal of Lewis’ description of Hell in The Screwtape Letters. Almost everyone in the Empire loves nothing greater or better than himself. They all hate each other to some extent and cannot wait to show up the person sitting next to them so they can climb the ladder to the Empire’s upper echelons.

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And in The Honorable Ones, this is what Kallus finds out. He finds out that he has not been fighting for the right side at all. He has been working for an evil Empire, doing evil deeds in its name.

The way this is shown in the episode is when he apologizes to Zeb for what happened on Lasan. The initial mission statement was not to massacre the Lasat. At least, this was not the mission statement that Kallus and everyone below him saw. The Empire meant it to be a massacre from the beginning, but they knew that not all of their soldiers would gleefully agree to exterminate an entire species. So the Empire had to feed them this idea that they were fighting just one little battle but it spiraled out into an inevitable world-clearing assignment.

Kallus bought the lie hook, line, and sinker because he already hated the Lasat. Though he admired an individual Lasat’s honor and courage by accepting that warrior’s bo-rifle before the latter died, he did in general despise the species. It made him willing to listen to and obey the Empire’s lies even when part of him balked and said, “Maybe this isn’t actually the right thing to do.”

The real clincher comes at the end of the episode, when Kallus watches Zeb’s reunion with the Ghost crew from a distance. The kids rush up to Zeb, shouting with relief, while Hera offers the milder, “You had us worried,” line. Kanan’s brash, “I told you he was all right,” is the more manly way of expressing relief. It is clear that the crew is genuinely happy to see Zeb, that they love him as part of their battle family.

Kallus’ reception aboard the Imperial Star Destroyer is the exact opposite. No one rushes up to see if he is okay or even to take him to sickbay for his broken leg. The one man aboard whom he knows by name, Admiral Konstantine, has his nose in a datapad when Kallus tries to get his attention. Konstantine’s brush-off is totally at odds with the Ghost crew’s joyous discovery of Zeb, alive and well, on that Geonosian moon.

Disappointed and shocked that no one aboard cared whether he lived or died, Kallus limps to his austere quarters and sits down on his bed. The one colorful thing he has is a meteorite Zeb found and gave to him because it generated heat, which Kallus needed more than he did because he could not walk. Somehow, I think Kallus realized then that, if he and Zeb had been friends and he had been lost, the big Lasat would have welcomed him back to the ship heartily.

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Though he always respected the Rebels’ fighting abilities, Kallus finally realizes after this episode that they are in the right and he has been wrong this whole time. It must have hit him hard; finding out that you have been fighting for and doing the work of someone evil is pretty awful. But the interesting thing is that Kallus does not let his feelings overwhelm and destroy him. Instead of staying in bed, wracked with guilt, he follows Zeb’s advice: he starts asking questions, looking into what the Empire is actually doing, not what it says it is doing.

The answers he finds spur him to join the Rebels as a spy, feeding them vital information from the first episode of season three onward. Despite not being a hundred percent successful in helping the Rebellion all the time, Kallus’ information comes in handy more often than not. It is so valuable, in fact, that when the Phoenix cell gets word he might be discovered, they try to get him out of the Empire.

In this way, they recognize Kallus’ true value more than he does. They see Kallus as more than a useful tool that can get them intelligence which could mean the difference between life and death. They see him as he is: a man of inestimable worth in and of himself, a man who does not deserve to be murdered by the Empire. They are willing to sacrifice any future lifesaving intel he could gain to save his life.

But Kallus’ more practical, Imperial-tinted view of his role in the Rebellion means he is not yet ready to break away from the Empire. He stays behind to keep feeding the Rebels information, feeling he can do more good from the inside than from without. A noble idea, certainly, but in the end his decision is almost disastrous. Thrawn uses Kallus’ next transmission to find Phoenix Squadron’s base, methodically destroying the Rebel fleet assembled overhead to put a halt to the TIE Defender factories on Lothal. Kallus’ warning barely alerts the Rebels in time, allowing them to mount a defense against the attack.

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It is, however, a costly defense, with many Rebels lost in the battle, along with most of the supplies they stored in the base which they are just able to abandon. Kallus is forced to watch the people he decided to help get killed before his eyes, held as he is aboard the Chimera’s bridge, powerless to act on their behalf. Though he eventually manages to escape it is clear he is not very happy with the day’s events at the end of Zero Hour, Part 2.

It is not too hard to guess why. Kallus thought he could be of more help to the Rebels from inside the Empire, that he could be useful to them as a spy. Instead he got them discovered, which led to many of their men being killed in action and lost them a well-stocked hidden base. He is lucky that they decided to take him in despite all that, which is why he thanks Kanan for accepting him.

Kanan, through his Force-sensitivity, must sense what Kallus is feeling. He also knows the man will not accept coddling. He cannot. He is a grown, responsible adult, which means he has to deal with his feelings as an adult should.

This does not mean that Kanan cannot tell him how much the risks he took on behalf of the Rebellion, on behalf of the Ghost crew, mean to them. He thanks Kallus for risking so much for them, for doing the right thing.

Kallus’ expression after Kanan leaves is very interesting. In fact, it is comparable to Ezra’s expression after he helps Sabine and Zeb take crates of food to feed hungry Lothal refugees in Spark of Rebellion. After one of the denizens of Tarkintown thanks Ezra for the food, thinking he is part of the Ghost crew, Ezra’s face falls with shame. “But I didn’t do this,” he mutters. “I didn’t do anything.” He was looking out for himself when he got caught up in the Ghost crew’s raid, but the people in Tarkintown did not know that. To them, he is a new member of the crew of benefactors that supplied them with the necessities they could no longer acquire themselves. This leaves Ezra feeling guilty, a guilt which helps spur him to join the Rebellion because it helps bring him out of himself, showing him that there is a larger battle to fight. That he can, in fact, make a difference and help people in a way that matters.

From Kallus’ expression, it is clear he is running up against the same feelings Ezra did. He does not think that he risked much, not the way the rest of the Rebels have been for years. He is a Johnny-come-lately to the Rebellion; it has been building for years, and he never considered it anything less than evil until recently. In fact, he actively worked to destroy it. Kanan, Hera, Ezra, Sabine, Zeb, and even Chopper saw this evil for what it was from the beginning. Kanan has paid for his Rebel service with his eyes, for Pete’s sake, yet he is thanking Kallus for risking his life as a mole in the Empire! They have been fighting it, risking their lives to defeat it, far longer than he has. “But I didn’t do any of this,” he is thinking as Kanan leaves. “I didn’t do anything.”

Kallus is a big boy, and sooner or later he is going to realize that this assessment is not entirely true. Yes, he was not an enemy of the Empire from the beginning. Yes, he fought and killed Rebels before he joined their fight. Yes, he will be making up for lost time now that he has become a Rebel.

But he did risk his life to give the Rebels important, lifesaving information. He did warn them in time, not just in Zero Hour but in Warhead as well. He did throw off Governor Pryce’s command capabilities by upsetting her, reminding her of the consequences of failure in the Empire. He did, at last, escape the Empire’s clutches and join the Rebellion. He is, finally, becoming more of the person he was meant to be.

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That makes him pretty darn important. It makes him worth thanking. It makes him worthy of the Rebels’ respect. And it is going to make him a heck of a Rebel, readers. I cannot wait to see him kick some Imperial backside in season four!

Journeying with Kallus has been almost as much fun as following along with the Ghost crew. I hope he gets to the party on Endor at the end of Return of the Jedi, where our Phoenix Squadron friends can slap him on the back and offer him some of the local cocktail. Maybe, in whatever series follows Rebels, we will get to see more of Kallus. He is an intriguing character I would hate to lose as a viewer. As a writer, I would have to have a pretty good reason to kill him off.

But we will have to wait and see what Dave Filoni and his crew have in store for our heroes. The final season of Star Wars Rebels is going to big and probably painful on a series of levels. As the song says, “We may lose and we may win/But we will never be here again/So open up, I’m climbin’ in.” I’ve followed the Ghost’s hyperspace vectors this far, readers. I cannot turn back now. If you have come this far with us, I know it is the same for you.

So…may the Force be with you, readers and Rebels alike!

Book Review: The Reb and the Redcoats by Constance Savery

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If there is one thing I love more than a good story, it is history. Notice, readers, what that word is made of: his and story. His story – the story of man.

And oh, what a palette history is! Great heroes, megalomaniacal villains, comedy, tragedy – history has it all. Every fictional story draws something from history. Star Wars draws a great deal from the Japanese style of swordsmanship. It is hard not to see how the Nazis inspired the Galactic Empire, or how the gunfighters and gamblers of the Old West inspired Han Solo and Lando Calrissian. Without history, we would never have fiction.

This brings us to the topic for today, one of my favorite novels of all time. I have been meaning to write about it for some time, and at last I shall do what I have wished. The historical novel I present to you today, readers, was written by Constance Savery. The Reb and the Redcoats is set during the American War for Independence. But it comes with a twist – the entire story takes place in England!

Charlotte Darrington and her siblings – Joseph, George, and Kitty – are met one day with an old friend come back from the war in America. An injury has laid him up, and he will not be fighting in any more battles. The man has brought along a box of gifts from the children’s father, as well as letters written by him for their mother, since Mr. Darrington is an officer in the British army fighting for his country against the American rebels.

But Old Harry, the soldier returned home with an injury, has a special present for Charlotte. According to George, she was always his favorite among the Darrington children. He has brought along a child’s doll he discovered when he and the British contingent with him raided an American plantation in Virginia. The doll has a little American flag pinned to her chest with a poem on the back. The poem names the doll and her former owner as Patty, and so Patty is what Charlotte calls the doll.

Later on word comes that the children’s uncle, Laurence Templeton, needs their mother’s help to nurse their ill grandparents at the White Priory. For a while it seems the children will have to be left in the care of the girls’ governess. The boys quickly blame the rebel doll for the trouble. They claim that she is full of black magic and set a trap for her so that she will not be able to cast spells on them in the middle of the night.

Unfortunately, the trap catches the governess – who quits in an absolute fury after having a bucket of water land on her head!

With no one else available to mind the four, Mrs. Darrington must take her children with her to the White Priory. This decision is cemented that night by the appearance of a young prisoner of war looking in the window. Charlotte only catches a glimpse of the man’s countenance before telling her mother to run. With rebel prisoners on the loose in the area, Mrs. Darrington decides emphatically that she will not leave her precious young alone with a few servants to guard them.

All five depart for the White Priory the next day, where they meet their Uncle Laurence. Laurence, an officer in the British army, has been sent home on leave to convalesce after an injury to the leg during the war overseas. The children once got on famously with him, as he was always cheerful and fun-loving. But since his return from America, Uncle Laurence has been grim, stern, and temperamental. None of the children know why; one day he was their friendly uncle, the next he was an old ogre.

Anyway, as they settle in to the White Priory, someone mentions the escaped prisoners in the vicinity of the Darrington home. Laurence happens to know something of the affair. It seems there is a prison near the White Priory full of American POWs. There have been several escape attempts from the place led by a young soldier, one Randal Everard Baltimore.

This young man has helped his fellows to escape the prison camp time and again. The only reason he has not escaped himself is because of one of his friends, Timothy Wingate. A complete klutz, Wingate is always messing up the plan somehow. Oh, he does not do it on purpose – the poor young fellow simply cannot help himself. He trips and breaks his leg, makes a noise when all are supposed to be quiet, and before you can say Jack Robinson, the entire crew is running for their lives and leaving him to face the British alone. Randal is the only one who ever stays behind to take care of him after these blunders, since the two have been friends from boyhood and are accustomed to taking care of each other.

The children learn that because Randal has been such a nuisance to the camp, the commander of said camp has given him to Laurence to guard. Laurence seems to take a fiendish delight in tormenting the young Reb, as the children call him, offering a half crown to whichever one of the little ones can guess his name. When George tries, he insults the young officer so badly that Charlotte and Joseph, the oldest of the Darrington children, try to make amends for the slight their brother has given.

But in trying to do this, they accidentally help the Reb to escape again. He is eventually recaptured, along with Wingate, and locked in the penance cell beneath the White Priory. (The White Priory, in centuries past, was a monastery or an abbey; now it is a manor house.) Though the servants have been ordered to treat him well, Charlotte and Laurence discover that they have not done what they were ordered to do at all. His escape in the midst of winter and his confinement in the cold cell have made the Reb terribly sick…

And now, readers, it is your turn to read the novel! I will say nothing more about this touching, sweet story. Find yourself a copy and read the book in your own time!

Constance Savery wrote something on the order of fifty books and died at the age of one hundred one years old in 1997. I have read only one other book by this magnificent author, but you will have to stay tuned to learn which one that is. I hope someday to read more of her books – she wrote very well.

Until next time!

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Star Wars Rebels’ Zero Hour and Season 3 Review

Wow. Just…. Wow.

It appears that Star Wars Rebels’ writers have begun to specialize in flash-bang season endings. The two part ending of season three, Zero Hour, premiered as a one hour episode Saturday March 25, 2017.

It. Was. A. BLAST!!!

I will delve into that episode later on. This is a season review, so I cannot concentrate simply on this slam dunk of an ending, no matter how much I wish to do just that. I would also like to ask in advance that anyone who reads this, if they have a Twitter account and are following the Rebels writers or the Rebels Recon Twitter accounts, could post a link to this article there. I want to see a lot of things in future Rebels seasons, and they are mentioned at the end of this post. Problem is, I do not have a Twitter account. However, as Reagan once said, “There’s no telling how high you can go as long as you don’t care who gets the credit.”

I do not care who gets the credit. I just want the Rebels’ writers to know about these questions and requests.

Okay, so, season three kicked off with a one hour, two-part episode called Steps into Shadow. In that debut, we saw Kanan adjust to his physical blindness with the help of the enigmatic Force-sensitive known as the Bendu (voiced by Tom Baker). Meanwhile, in this same show, Ezra “stepped into the shadow” of spiritual blindness as he skated close to the Dark Side.

Many fans leapt off of the deep end and said that Bendu showed Kanan a new way of looking at the Force. I think what actually happened is that Bendu just reminded Kanan he had the Force as an ally. He lost his physical sight, but not his ability in the Force, when Maul blinded him. The latter can and has often been a suitable substitute for the former, but Kanan’s training was not complete. If he had been a full Jedi Knight when the Order fell to the Empire, he probably would not have needed Bendu’s help to learn to “see” using the Force.

I also believe, contrary to the hype on the Internet, that Bendu taught Kanan as a wielder of the Light Side of the Force would. Could Bendu use the Dark Side of the Force – oh, yes, he certainly could. We saw the proof of that in Zero Hour. But if he had tried to teach Kanan Dark Side techniques, Kanan would have recognized that and had nothing more to do with him afterward.

Quite frankly, I think that Bendu was in fact a creature of the Light Side, something he did not want to admit. His ancient, almost primeval connection to the Force meant that he could access or be aware of the Dark Side without giving into it on a day-to-day basis. After all, if he was evil, Bendu would have made a power grab for the galaxy thousands of years ago. Dark Siders are absolutely unable to sit on the sidelines of the universe, as Bendu apparently did for millennia, meditating on the Force. That is a Jedi – or Light Sider – practice, not a Sith custom, from what I know of Star Wars lore.

The most touching part of “Steps into Shadow” was Kanan’s reestablishment of his connection with Ezra. Blaming himself for Kanan’s blinding at Maul’s hands and feeling rejected because Kanan would not adapt to this handicap, Ezra gave into his anger and began listening to the Sith holocron in search of answers. It nearly got him killed. Only by reconnecting with Kanan did he have a prayer of being saved.

And this leads us to the next episode, The Holocrons of Fate. When Maul kidnaps and threatens the Ghost crew, Ezra’s immediate instinct is to rush in to help, to use the quick and easy way to save Hera, Zeb, Sabine, and Chopper. Kanan, with Bendu’s help, manages to calm him down and show him that the harder way can be and usually is the better way.

But Ezra still had to learn patience, as displayed in The Antilles Extraction. In this episode, he has to wait for Sabine to call him and his crew to get her and defecting TIE pilots Wedge Antilles and Hobbie Klivian. The show is also a good one for Sabine, as she gets to use her Mandalorian infiltration skills for the first time on camera.

The episode reveals, too, that the new Fulcrum is none other than Agent Kallus. Those with an ear for voices immediately picked out his identity when he contacted the Rebel base. His terms of speech betrayed him as well. No Imperial but Kallus ever spoke with that particular edge and bite to his words. The fact that he did his best throughout the show to help Sabine, Wedge, and Hobbie escape was also a dead giveaway.

Hera’s Heroes and The Last Battle were interesting installments. Heroes, aside from its homage to the comedy Hogan’s Heroes, showed more emotional depth for Hera and raised the stakes for her. It also managed to shine a light on her motherly affection for Ezra and his filial love for her, something no other episode previously spent much time demonstrating.

It also set up the fascinating grudge between her and Grand Admiral Thrawn (Lars Mikklesen), who lived up to Zahn’s characterization during season three’s run. Ezra grew further (with Zeb’s input) when he helped Rex and a group of Separatist battle droids realize that they had been pawns in a civil war which was nothing more than a means to overthrow the Old Republic and the Jedi Order. It is about time someone in-canon pointed that out. It was so painfully obvious to the audience in The Clone Wars TV series and prequels that some of us could not help wondering why no one – except a few characters who were knocked off – put two and two together in the storyline. But then, politics can blind almost anybody. At least Ezra finally said it!

Next we had Imperial Supercommandos. The episode showcased Mandalorian culture and answered several lingering questions about what became of Mandalore and its sectors when the Empire took power, as well as giving us a very necessary and interesting back story on Sabine. Adding Fenn Rau to the Rebellion’s cause was the icing on the cake.

Iron Squadron was a good episode for Ezra, showing how much he has changed since the first season. Much like Sato’s nephew Mart, he was cocky and reckless at the beginning, though in Mart’s case these traits are due to his desire for revenge against the Empire that killed his father. The quiet hint that it was Thrawn who killed the Rebel cell commanded by Sato’s brother, Mart’s father, added another dimension to Sato and set up the potential for a confrontation between the two in the future – one which proved to be more final than this viewer expected.

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The Wynkahthu Job lightened the mood with a hilarious pirate excursion led by that old scalawag, Hondo Ohnaka. Adding Azmorigan to the crew, whom Hera wanted to blow out the airlock on sight, was a stroke of genius. Then we had An Inside Man, which showed Thrawn’s brutal methods of discovering Rebels in the TIE factories on Lothal. The show was most memorable, though, for its confirmation that Kallus was the new Fulcrum. Kanan and Ezra’s distrust and dislike, fueled by their years of combating him and the continuing loss of their rebel compatriots down below, added light to an otherwise grim episode. Ezra’s promise that Kanan could throw Kallus through the next glass map was only outdone by the duo’s piloting of an AT-DP to escape the factory. It just goes to show, the Empire has no imagination. Their pilots very rarely display the ingenuity that the Rebels do in combat.

After this we had the creepy but essential Visions and Voices. This episode was spooky, very spooky, but also well animated and plotted out. Ezra’s connection to Maul is weakened but not severed in this episode, as we had hoped. However, he does learn here that there is no way he can ever trust the former Sith apprentice as an ally against the Empire.

The two part Ghosts of Geonosis, with Forest Whitaker returning to voice Saw Gerrera after playing him onscreen in Rogue One, had its perks. It started out like a typical horror film, and watching Saw and Rex share Clone Wars memories about the Jedi was a great deal of fun. Sabine and Zeb’s scavenging the shield generator was another excellent, near-horror film caliber escapade. The ending for the show felt a little watered down, though. Something about Saw simply handing over the Geonosian egg felt too easy, as did his forgiveness of the Geonosian drone “Click-Clack.” Even so, it was not a bad ending. His hinting about the Death Star was good, too.

Warhead was a cute episode, but Trials of the Darksaber blew it and several other shows out of the water when it came to emotional impact. Sabine’s training in the use of the Darksaber and Kanan’s forcing her to face the pain of her past hit this viewer in all the right emotional places. But what also got to me was Kanan’s caution, his wariness about letting her use the saber. Though a capable warrior he would trust with a lot, Kanan knows there is a deep, coiled pain and anger buried behind Sabine’s façade of unconcern. Her reluctance to use the saber only makes this worse, and he does not want her to get hurt out of anger.

And this nearly happens. Sabine has never physically mixed it up with any of the crew. Her knocking down Ezra is natural enough; he is used to handling a lightsaber and he had never beaten her at anything before. Because he could outdo her in lightsaber practice, he started to swagger a bit. It makes sense that Sabine would want to knock him down and remind him which of them was older, had more training, and more battle experience.

But going after Kanan, taking her frustrations out on him – this we have not seen before. Even Rau was surprised that she would go after Kanan with such ferocity. The episode strained their friendship near the breaking point, but the two of them got past it when Kanan finally decided to push and not coddle Sabine. She pushed back, and in doing so, she faced her pain and anger, finding solace on the other side.

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Legacy of Mandalore did not feel like it delivered on the emotion promised at the end of Trials of the Darksaber. Of course, Darksaber was so emotionally loaded that it would make sense for almost any follow-up show to dial back the intensity a bit. You do not want to leave your audience an emotional wreck, after all, or they will be wiped when you show them something else important. Legacy fleshed out the picture of Mandalore under Imperial domination, too, adding more to Sabine’s back story by introducing her mother and brother (is he older or younger than her?). Having Ursa Wren shoot Gar Saxon to save her daughter was a good touch, as it winked to her name sake. You do not go after a mother bear’s cubs if you want to live. Saxon, it appears, had a death wish.

Of course, all of this ignited another civil war on Mandalore, and we have yet to meet Sabine’s father. I, for one, want a whole lot more of Mandalore in the next season and any following seasons. Speaking of, Ketsu Onyo has been absent for all of Season 3. Where did she go? Has she joined Clan Wren in their war against the factions allied to the Empire? Or is she bounty hunting again?

That will have to wait for the questions/speculation half of this post. After this show we had Through Imperial Eyes, which showed Kallus spying on the Empire. Hearing that Fulcrum might soon be discovered as a spy, the Rebels decide to get him out. Therefore Ezra, Chopper, and AP-5 infiltrate the Star Destroyer which Kallus is aboard to do the deed. Kallus demonstrates that he is as smart, in some ways, as Thrawn in this show. But he is not smart enough to realize that Thrawn has had him figured since An Inside Man, and he accidentally reveals himself to Thrawn completely in this episode.

After this we have Secret Cargo, a bang-up episode in its own right, followed by the lighthearted Double Agent Droid and the amazing Twin Suns. For a full review of that episode, just type “Star Wars Rebels Review: Twin Suns” into the search engine on my blog.

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Finally, we have the explosive Zero Hour episodes. Wow, wow, wow, wow! Thrawn springs his trap on Kallus and locates our heroes’ Rebel base on Atollon, which has Commander Sato’s and General Dodonna’s starship fleets overhead in preparation for an assault on Lothal’s TIE Defender factories. The episodes are high intensity, and there is a lot to cover in them. In the interest of time, I will just hit the highlights.

Kanan goes to Bendu for help, provoking the ancient creature into a fury by pointing out that his neutrality, his standing in the middle between the Light and Dark Sides of the Force, is in essence cowardice. He is willing to sit by and let others die above his world for no other reason than to preserve his position as a practitioner of the “middle way” between the Light and the Dark.

This is good point in the story because Kanan is right; there is no middle ground in the war between good and evil. Good will eventually win, but that does not mean evil should not be resisted, spiritually on all occasions, physically when the battle moves to the material realm. To stand aside, to try and sit on the fence, at those times, is foolishness. For one thing, a fence is usually higher than the surrounding landscape. That means that sitting on it makes you a great target.

For another thing, sitting on the fence is like sitting in a corner during a play. If your part in the play, originally, was as one of the characters who did something, but you chose to sit in a corner onstage and pout for some reason, then the play will go on without you and the audience will laugh at you.

Kanan forces Bendu to get out of the corner and join the play by his accusation of cowardice. Bendu does not like it, and his zapping the Ghost – not to mention at least one A-Wing – as the Rebels escape Atollon shows this. But for the most part his ire is turned toward Thrawn and the Empire. Whether or not he will ever return to mentor Kanan and Ezra from the other side of the Force remains to be seen. I’m kind of hoping he does not get to do that. I would not trust him not to steer them into trouble they might not be able to walk away from as payback for what happened in Zero Hour.

Another great thing about Bendu’s part in Zero Hour is that it makes Force-generated storms canon again. Anyone who encountered the Witches of Dathomir in the now “Legacy” stories knows that the Nightsisters on that planet could and would drum up such storms using the Dark Side of the Force. In his anger, it seems Bendu went the same route.

His prophesying Thrawn’s defeat before the Grand Admiral shoots him in the head was great, too, as was his body’s disappearance into the Force. I have only heard of Jedi or Light Side Force wielders having this occur when they had gained a strong connection to the Force. I suppose Dark Side users or Sith could have it happen, but it seems unlikely. They use the Force instead of letting it guide them; I have never heard of a Sith or Dark Sider becoming one with the Force in body and spirit. It gives me hope that Bendu melded with the Light Side and won’t be a problem later on.

But I am not laying all my chips on that bet.

Ezra, Sabine, Tristan, Rau, Chopper, and Clan Wren Mandalorians riding to the rescue of the Rebels on Atollon were also very cool. Just in case I did not make it clear before, I WANT MORE MANDALORE IN UPCOMING EPISODES!!!   YEAH-HOO!!!

Sato’s kamikaze run into Admiral Konstantine’s Interdictor cruiser nearly started this viewer crying. It was a touching moment, but I sure hope someone is able to collar Mart before he runs off after Thrawn to get revenge.

It was nice to hear Hera call Kanan “love” again, too. She seems to have gotten out of the habit lately, and we have not had as many Kanan/Ezra interaction episodes as we once did. Kanan’s worry about having nothing left to teach Ezra is disconcerting; I am hoping he will be around for a long time yet, even when Ezra becomes a Knight himself. They both have a lot more to learn about the Force, and a lot more to do as Rebels. I would like to see them both make it there in one piece.

At last, we come to Kallus. Though his appearances this season have been sparse, Zero Hour made up for it all. From his epic fight with Thrawn in Ezra’s old home in the Lothal comm. tower, to their interaction aboard the Chimera, Kallus shows he has “turned Rebel” completely. The most interesting part of this transformation is when he starts to laugh as Thrawn prepares to head down to the surface to destroy our heroes. Kallus’ warning that the Rebels are smarter than Thrawn thinks is based on experience; as he admitted, he tried to catch them several times and almost had them at his mercy. But they still escaped him. They still beat him. And eventually, they won him over without even trying to do so.

In many ways, I think that Kallus is what Thrawn could have been if he had joined the New Republic – or, in this case, the Rebellion. Kallus is very smart, shown by how he dodged discovery for so long and by how quickly and thoroughly he reprogrammed the assassin droids Thrawn uses for combat practice. He has an intellect that almost matches Thrawn’s, but he also has something else I pointed out long ago, something which Thrawn does not have: he has a sense of honor. You cannot have a sense of honor without some heart, readers, and Kallus’ survival trip on the Geonosian moon with Zeb brought both to the fore. Kallus started asking questions – and he did not like the answers that he found. So he did something about it. He joined the Rebels.

Incidentally, if the writers want to keep Kallus’ hair the way it was while he was aboard the Chimera, I would not say no. It gave him a roguish look quite fitting for a Rebel. He ought to keep it that way. 😉

Now to those questions and requests I mentioned above. As stated, I want more Mandalore in the upcoming season, but I suspect that the writers will deliver this whether I ask for it or not. I want to know what Sabine’s father is like, I want to know where Ketsu is, and I want to know if Mandalore is Thrawn’s next target. It would make sense if it was. Mandalorian dissidents helped the Rebels beat his master scheme to bring them down. This would make Mandalore Thrawn’s next objective, so he can defeat them and they will never be able to help the Rebels again. Mandalorians have been the best warriors in the galaxy for millennia, excepting the Jedi. You would need a super genius such as Thrawn to overcome them, simply because they are so determined, strong, and refuse to bow to anyone outside their own clan-oriented political structure.

I also want to see how Kallus adjusts to the Ghost crew and how he fixes in his mind the logistics of being part of a Rebellion. He had unlimited resources while with the Empire, but the Rebels routinely have to steal fuel just to keep their ships going. He will not be able to simply snap his fingers and get what he needs for a mission or a plan as a Rebel, and that might irk him. It would also be nice if he could get a girlfriend. Maybe she could be a Mandalorian (and no, I am NOT suggesting Sabine be that girl!). His character arc in season four is bound to be interesting.

I want to see some more Kanan/Ezra, Hera/Ezra, Sabine/Ezra centered episodes, with a few Zeb centric shows as well. There have been hints all this season that Sabine and Ezra are closing in on a romantic relationship. I would like to see the ball rolling on that before the series ends, whenever that will be.

This brings up my next request: I want a season five for Star Wars Rebels. I would also like a season six, seven, eight, and maybe even a nine. To infinity, and beyond! We have three year intervals between each of the original trilogy movies and, no thanks to Lucasfilm’s decision to scrap the “Legacy” novels, we now have no idea what happened between those films. The adventures the Ghost crew will have throughout the Rebellion after the Alliance is firmly established would be a great way to explore these years between Episodes IV, V, and VI.

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This segues nicely into my next request: can we have Kyle Katarn, Dash Rendar, Syal Antilles (Wedge’s actress sister), Mara Jade, Corran Horn, Admiral Gilad Pellaeon, Tycho Celchu, Winter, Talon Karrde, Kam Solusar, Baron Soontir Fel, Ysanne Isard, Admiral Daala, Kyp Durron, Borsk Fey’lya, 4-LOM, IG-88, Jerec, Booster and Mirax Terrik, the Dark Woman, and several other “Legacy” characters returned to the franchise through Rebels? Thrawn has been successfully reintegrated into the timeline through this series, so why not at least some of these characters?

They were great and good characters, after all. Lots of people like them. And I mean lots. Winter, Celchu, Pellaeon, Syal, and Rendar would probably be some of the easiest characters to reintroduce to the franchise here.   With Konstantine dead, Thrawn is going to need a new Admiral under his command, after all. There is now plenty of room for Pellaeon to become part of the franchise.

And none of these characters would have to be explored onscreen in Rebels. All they would need is a reintroduction, however brief it might be. Then the novel and comic book writers could expand on these characters for the new Star Wars timeline. Timothy Zahn would love to rewrite Mara Jade, Talon Karrde, Borsk Fey’lya, Admiral Gilad Pellaeon, and several of the other characters he created into the new timeline, I am sure. If Rebels were to fill in the blanks between the original three movies, there would be plenty of room for these characters to pop in and out of different episodes and missions.

This would also leave open the door for appearances by such canon characters as Aurra Sing, Quinlan Vos (who survived the Purge for a while in the old timeline), Admiral Ackbar, Bossk, Dengar, Jabba the Hutt and other original characters. If Boba Fett entered the series – whew, what an antagonist he would be! Han and Chewie could even drop into an episode or two. We have had Threepio, Artoo, Saw Gerrera, Maul, Darth Vader, Tarkin, Lando Calrissian, Ahsoka, Princess Leia, Mon Mothma, and now Obi-Wan Kenobi show up, for Pete’s sake! Why not these characters?! They are all great, popular personages, and we would like to have at least some of them back!!!!

I would still like to know more about the Dume family, too. If Kanan never knew his parents, then he might have an entire extended family he does not know about. That is a plot twist that could be worth exploring. It would be nice if Zeb could get a girlfriend or find more Lasat to join the Rebels as well. He did not get much time in the limelight this season. Hera is growing into quite a leading figure in the Rebellion, and seeing her relationship with Ezra and the rest of the crew expand would be great.

Finally, since the “Legacy” novels loved to bring in surviving Jedi or new Force wielders, this means Kanan and Ezra could stick around for most of the Rebellion. They would not have to meet Luke during the Rebellion (they have already met Leia, for Heaven’s sake!), but they could still be there when he jumpstarts a new Jedi Order. It happened with Vima da Boda. Who says it cannot happen with Kanan and Ezra?

This brings up something else which was great about the “Legacy” stories, and which I would like to see in the new storyline: what about the other Force-sensitive youngsters who may be floating around the galaxy? Jedi Sentinels could spend years on certain planets carrying out deep cover missions, which means a few might have escaped the Purge. What would happen if one of them joined the Rebellion? How would Ezra and Kanan handle, say, Kyle Katarn, Corran Horn, or poor Kam Solusar? He would be an interesting character to reintroduce, as would Kyp Durron.

And what would happen if a Mandalorian fighting alongside Clan Wren and the Rebels discovered she or he was Force-sensitive? Does the Rebellion get recruits and surreptitious help from Naboo, like they do from Alderaan? Would our Rebel crew ever need to go to Kashyyyk for something and meet Wulfwarroo and Kitwarr again? It would be nice to see some more Wookiees – better animated than in Spark of Rebellion – in the series. There must have been at least some besides Chewie who wanted to bring down the Empire, and joined the Rebellion as a result! Heck, maybe Maz Kanata and her cantina castle could be featured in an episode or two!!

The possibilities for such ideas in this series are endless. Since it is set in the five years before A New Hope, I would be surprised if the series did not have a five season run. I would be most pleased if the show ran through the years including and between A New Hope, The Empire Strikes Back, Return of the Jedi, and the Battle of Jakku. The Ghost crew would not need to be in the Battle of Yavin or the Battles of Hoth and Bespin, although they might be brought into the Battles of Endor and Jakku. As Dave Filoni himself points out in a recent IGN interview, Star Wars is a big galaxy. There is room for plenty of stories involving characters – Jedi, Force-sensitive, scoundrel, Rebel, and Imperial – that can be explored without interfering with the original films. The books and comics of the “Legacy” years did this and got off Scott-free. Why can’t Rebels?

Will it happen?   That is up to Filoni and Lucasfilm’s Story Group. I only know that I really, REALLY wish it would happen. I would dearly love to see the intact Ghost crew celebrating above Endor. I don’t know about you, but I don’t think Hera would be able to keep her spunk if she lost Kanan and Ezra. They are two of the people she fights for and loves most. She loses them, and there may not be much of a “General Syndulla” to get excited about in Rogue One.

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That is my opinion, anyway. I really hope that our Rebels’ Jedi survive the Rebellion, that we can see Ezra and Sabine in whatever series fills in the blanks between the new films, and that we can return some of the best “Legacy” characters to the new Star Wars timeline. It is a big wish list, but it is what I want for this franchise right now.

But if wishes were horses, then beggars would ride. We shall have to see what happens, readers! May the Force be with you! (Lightsaber ignites in the background.)

Spotlight: Strong Women – A Return to the Question

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We had met as equals, rarely a good thing in such matters, for the woman who wishes to be the equal of a man usually turns out to be less than a man and less than a woman.  A woman is herself, which is something altogether different than a man. – (Emphasis added.)

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This quote is from The Walking Drum, written by Louis L’Amour.  While Mr. L’Amour is best known for his Western fiction, the truth is that he wrote a great many other stories as well.  He served in World War II and “yondered” much of his early life.  He was many things and he saw many things.  The Walking Drum is a novel he wrote – and it is set in the twelfth century.

Why start a post off with this quote?  Because it is a timely admonition.  A woman ends up being less than herself when she is trying to be something she is not.  And yet we have no end of “experts” proclaiming that women are equal to men.  It makes the observant wonder just what they are selling.

The research I did for the post “Offended, Insulted, and Not Shutting Up” is what got this article rolling.  And before anyone asks, no, I have not shifted my position on Marvel’s decision to make Jane Foster the latest version of “Thor.”  It is a stupid decision which they will soon learn is not helping them.

My research into the opinions of others regarding “Thorette” allowed me to find comments and articles that expressed what I have thought for some years.  They were not all as delicate in their statements as I would have been but, to borrow a line from Mr. Spock and the Vulcans, that is part of the wonder of living in a world of “Infinite Diversity in Infinite Combinations.”  With this research tumbling around in my head, I began to think not only about “Thorette” but about what the intelligentsia says we are to praise in the female characters being created these days.

This brings us back to the question I asked in the previous “Strong Women” post.  Just what makes a strong woman?  Looking at “Thorette,” it seems safe to say that many writers and artists think a woman is only strong when she has an above-normal muscle structure.  This sort of physique also happens to look good in some form of armor-plated swimsuit or underwear, which conveniently guarantees a male audience of some size.  (These are probably not the guys a girl should accept the offer of a date from, by the way.)

Being a curious observer, I have a question to ask the writers and artists at Marvel and elsewhere.  Do they know how many female fans Carol Danvers has?  Do they know how many women are in Thundra and “Thorette’s” fan clubs?  Has anyone taken a poll of female Marvel fans to ask them what they think of these characters – not to mention what they think of all the other heroines on Marvel’s roster?

If Marvel were to poll its female fans, I believe that they may get answers like mine.  For instance:  I have never liked or admired Carol Danvers.  And I cannot seriously contemplate Thundra, a character from an alternate dimension where women are the dominant sex, without stifling the reflexive urge to throw up.  She has to be one of the few characters Marvel has created which I find utterly repulsive.  I know and prefer her only as a convenient villainess.

My opinion of Jane Foster/“Thorette” is well documented.  Jane Foster has been warped and nearly destroyed as Marvel’s writers, editors, managers, et al attempt to gain fashion and political points from her “new look.”  But what they fail to comprehend – or perhaps to admit – is that she looks horrible!

Now, does everyone feel this way about these characters?  Hardly.  But in my humble view, these female characters do not appeal enough to be worth any kind of money.  Judging by “Thorette’s” anemic reception and the letters Marvel received about Carol Danvers years ago, I do not think I am that alone in disliking them.

What kind of female characters, then, impress me?  Allow me to pull out another quote from Mr. L’Amour to illustrate my answer:

 

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A man you can figure on; a woman you can’t.  They’re likely either to faint, or grab for a gun, regardless of consequences. – from Chancy

 The Cherokee Trail

These are the kind of women who fascinate me, and whom I wish to emulate.  Remember, fainting can easily be faked.  How is a man to know a real faint from a false one without putting himself in danger?  Louis L’Amour’s female characters are like this.  They are iron-willed women who have bones of steel.  They can handle a pistol, a rifle, or they can use some other object as a weapon.

You will not find any of L’Amour’s female characters holding up stages, taming broncos, or riding the range as cowgirls, it is true.  But you will find women in his stories that are leading cattle drives, managing ranches, and defending their homes from Indians or bandits.  And plenty of his women are quite happy to back up their men in a fight by holding a shotgun on the group of ruffians looking to make trouble.  The women in L’Amour’s novels of seafaring and in his football stories are no different.  Admittedly they do not carry guns in the vicinity of a football game, but they are just as determined and forceful as the frontier women who were their ancestors, in spirit if not in fact.

What does all of this have to do with Marvel?  The comic book company already has a Rolodex of formidable heroines.  To name a few, there is the Wasp, the Black Widow, Mockingbird, Wanda Maximoff, Silverclaw, Jean Grey, Rogue, Storm, the Invisible Woman….  The post “Offended, Insulted, and Not Shutting Up” has a more comprehensive list, if you would like to learn of more heroines in Marvel’s Universe(s).

The fact is these women can all hold their own in a fight.  Yes, these characters have an extra asset of some kind during combat.  Mockingbird and Black Widow have extensive hand-to-hand combat training, while Storm, Rogue, and Jean Grey have mutant powers.  Many other female characters within the Marvel brand also have superpowers.  But a pistol or a rifle is an asset, too, and no frontier woman who wanted to survive would shun either weapon because it was not natural to her.  It was often the only thing standing between her and harm – or death.  You respect that kind of tool; you do not toss it aside.

So do any of these Marvelous assets cheapen who these women are as characters?  No, they do not.  Nor do they enhance their characters; they are simply stand-ins for the rifles, pistols, or the various weapons women have used throughout the centuries.  Sometimes they are even extensions of the abilities women have always had:  intelligence, mental agility, and outright strength of will.

As a result one never knows just what any of these heroines are going to do in a given crisis.  One can never know just how they are going to play the game, how they are going to react to the villain’s bait.  They may play on his arrogance or they may pretend to be simpering, frightened damsels.  Whatever they do it is bound to be interesting and exciting, for the simple reason that it has the potential to be totally unexpected.

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Carol Danvers or Thundra, in comparison, can always be counted on to hammer at a problem until it goes away.  Why is this so?  It is so because they are women who are less than women.  The writers have decided to make them something they are not.  As a result, they have personalities that are as stilted as a puppet’s limbs, making them very uninteresting.

The other heroines do not have this built-in handicap.  They are women who are not afraid of being women.  This means that they do not think like the men around them.  This gives them their edge in a battle.  It is not their superpowers, skills, or weapons.  It is who they are as people, as women.

When these heroines are safely captured, they are often deemed by the villains as no longer a threat because they cannot use their powers, kung fu, or technology.  With Danvers or Thundra this is usually a true assessment.  They are not used to thinking outside the box – or thinking much at all, from what I have seen.  In a pitched battle they simply react.  This makes them relatively easy for their opponents to overcome or dispatch.

Many of Marvel’s other heroines, however, never stop thinking.  They are always watching, listening, assessing, and working out a plan of some sort.  If the only possible plan they can make is to wait for back up, then that is what they have to do.  Their male counterparts have experienced similar crises, though you will not hear these mentioned by very many critics.  If they could survive the wait and not be diminished by it, then why can’t their female counterparts?

From Marvel to DC, from Star Trek to Andre Norton’s Witch World series, from Star Wars to Howl’s Moving Castle and its sequels, there is no end of proof that women can be as bold and brave as the men in their lives – and they can be as bold without compromising their womanhood.

This is what modern writers, filmmakers, and artists no longer consider.  In fact they are actively running away from this truth because it has become passé to portray a woman as she actually is.  Instead a fictional heroine must be displayed as something other than a woman.  You go to the theaters to see the latest films and most of the women in these movies have no problem cutting off men’s heads or disemboweling them.  Not only do they have no physical problem doing it, which many of them should, but they also have no moral qualms about doing it.

Image result for wonder woman filmThe Wonder Woman movie out next year promises to be a case in point.  I was once a big fan of Wonder Woman.  This was not because of her strength or because of her Lasso of Truth.  No, I liked her because of these things and the fact that she was still a woman.  Throughout her adventures with the JLA, Diana learned to respect and like her male teammates, to appreciate their abilities and welcome them as friends.  Later series even had her dating Batman!

But recent rewrites by DC Comics have turned Wonder Woman into a bloodthirsty man-hater.  It is true that in the coming film she is going to fall in love with Steve Trevor (portrayed by Chris Pine).  While she is doing that, though, she will also be happily carving men to pieces and telling women that being secretaries is the equivalent of slavery.  You would think she came from an alternate universe and not an island inhabited by Greek warrior women.

All of this detracts from the real power of women.  By portraying a woman as what she is not, these writers and artists are not elevating women.  They are demeaning and demoting them.

The fictional heroine who easily encapsulates what a real warrior woman can and should be is Éowyn of Rohan from The Lord of the Rings.  Secretly joining the Rohirrim’s army as it marches to battle in Gondor, she is the one who defeats the Witch-king, the leader of the Nine Ringwraiths or Názgul.  Merry, taken into Gondor by her when she wore the guise of a male Rider, helps her with a well-placed sword-thrust.  But it is Éowyn who ultimately strikes the fatal blow and wins a great victory in the glorious Battle of the Pelennor Fields.

Still, many Feminists go into apoplectic fits over Éowyn’s role in The Lord of the Rings novels despite her amazing display of courage and fighting skill.  Why?  They do this because Éowyn leaves war behind forever when she decides to accept Faramir’s proposal of marriage after recovering from her battle with the Witch-king.  That particular passage reads thus:

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Then the heart of Éowyn changed, or else at last she understood it. And suddenly her winter passed, and the sun shone on her.

‘I stand in Minas Anor, the Tower of the Sun,’ she said; ‘and behold! the Shadow has departed! I will be a shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren.’

Image result for eowyn and faramirThe thing Feminists do not understand – or the thing which they absolutely refuse to accept – is that Éowyn’s triumph in battle does not define her.  She did an amazing, wonderful thing, which most other people could never accomplish.  Her decision to marry Faramir does not render her defeat of the Witch-king any less; rather, her decision to marry is the reward she earned in that fight.

Éowyn’s part in the Battle of the Pelennor Fields does not define her identity, and most Feminists want that stereotype to define and limit her.  This is most of Éowyn’s own problem in the trilogy until she falls in love with Faramir.  Up to that point, she believes that battle will give her satisfaction.  Poisoned along with Théoden by Wormtongue’s whisperings, in her confusion and slow descent into despair Éowyn decides that only death in battle will give her a chance at glory and renown.

Now, readers, the fact is that death is not a fulfillment of life.  It is the end of life, and if you ally yourself with death, you are allying yourself with the Enemy.

In Minas Tirith – originally named Minas Anor or ‘Tower of the Sun’ – Éowyn finally comes to see that battle is not where she can be most useful when she is at last confronted by Faramir’s genuine love for her.  Being a warrior is not her calling, although she can certainly wield a sword as well as any man.  Her vocation in life is being a woman, a wife, and eventually a mother.

Through Éowyn the author of the trilogy, J.R.R. Tolkien, demonstrates that a woman is not made by her fighting ability.  She is distinguished by her will, her womanhood and – if she is lucky – by her motherhood.  “For the hand that rocks the cradle is that hand that rules the world.”  Mothers shape their children, daughters and sons both.  These daughters and sons will grow up to change the world through the things they do, the things they create, and the children they bring into the universe.

Modern media has largely forsaken this understanding of womanhood at the behest of the Hegelian/Nietzschean complex, the modern incarnation of Sauron.  There has been a war going on for the past century or three which most have not paid heed to.  This has led to nothing but a lot of pain for women, who have been persuaded as a group to throw away the knowledge that they once possessed. Their honor is their womanhood and it is our societal honor to know them as such.

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This is why I have taken issue with Jane Foster’s identity change, not to mention the identity change of several other formerly male characters.  This is why I have written two posts on strong women.  It is an attempt to remind women of what we truly are and what we can actually achieve.  For when women stop valuing themselves as women, society stops valuing them as well, and then that society sooner rather than later treats them like chattel.

ISIS does this on a daily basis.  Slave traders and sex traffickers rely on such attitudes to do “business.”  The shout of “I am Woman, hear me roar!” has led to nothing but pain and sorrow for millions of women.  They have chosen to debase themselves.  This means they are no longer worthy of special respect and value to men.  For if women do not value themselves as women, as potential wives and mothers, then why should men?

Does all this mean that a woman cannot fight?  Pshaw.  Éowyn fought, did she not?  It is not possible that she forgot how to swing a sword after marrying Faramir.  She simply did not make a living fighting – and for the record, neither did he!  The heroines of Marvel Comics fight; the women in Star Trek and Star Wars fight.  The will to fight is the influential factor.  Just ask the mothers and wives who grabbed a gun to help defend against Indian raids or bandits back in the Old West!  Or those that defend themselves and their families similarly today.

But if a woman wants to make a career as a warrior, she cannot try and be the equal of the men.  This can never be, for the simple fact that no amount of human interference – psychological or scientific – can overwrite what she is.  And if a woman decides she wishes to be a “shieldmaiden,” then she had better be prepared for what could happen to her on the field of battle.  Torture, the loss of life and limb, rape – these are just some of the risks which I can see ahead of a female soldier.  An enemy who does not value life – and there are many of those today – can be abominably creative in the management of prisoners.  Just ask Dean Koontz.

Han and Leia

Does all this mean that I believe a woman should not be prepared to fight?  Civilization is a very, very fragile construction.  One small thing goes out of whack and entire nations fall to their knees.  Women definitely need to know how to defend themselves.  They have always needed to know this.

But what women need to relearn is that it is not battle which will define them.  Battle does not define a man, so how can it define a woman?  A man or a woman is defined by who and what they are.  A man is defined by his manhood, a woman by her womanhood.  That is all there is to it.

This is not weakness.  It is not slavery.  Knowing who and what you are is not a defect; it is a strength.  Being proud of being a man or a woman is what gives one the will to fight, to protect oneself from those who do not appreciate you for who and what you are.  Muscles, weapons, skills – these are the tools.  They are not the determining factors.  We, men and women, are the weapons.

Until writers at Marvel, DC, Star Trek, and elsewhere figure that out, though, we will have to endure continuous watered-down portrayals of heroines in many stories.  Until these “artists” ask themselves, “What really makes a strong woman?”, they will continue coming up with the wrong answers.

Readers, I will give Mr. L’Amour the last word on this subject:

Image result for the warrior's path by louis l'amour

She’ll stand to it.  There’s a likely craft, lad, and one to sail any sea.  You can see it in the clear eyes of her and the way she carries her head.  Give me always a woman with pride, and pride of being a woman.  She’s such a one. – from The Warrior’s Path

Amen, readers.  Amen!

The Mithril Guardian