Tag Archives: Young Avengers

Do Marvel Fans Hate Women and Diversity? Not Hardly.

Hey, readers! Did you happen to hear that Marvel’s comic book sales are declining?  If you did not, then you probably missed what Marvel’s VP of Sales, Mr. David Gabriel, had to say about it.  Read on to find out just what he said:

Image result for generations marvel pic

“What we heard was that people didn’t want any more diversity. They didn’t want female characters out there. That’s what we heard, whether we believe that or not. I don’t know that that’s really true, but that’s what we saw in sales.  We saw the sales of any character that was diverse, any character that was new, our female characters, anything that was not a core Marvel character [sic], people were turning their nose up against.  That was difficult for us because we had a lot of fresh, new, exciting ideas that we were trying to get out and nothing new really worked.”  (Source:  http://www.express.co.uk/entertainment/films/787249/Marvel-comics-diversity-Ironheart-Kamala-Khan-female-Thor-Iron-Man-Avengers-Infinity-War)

This is news Marvel apparently got from the retailers selling its comics. While some retailers saw an influx of new clientele, most saw a big drop as people ignored the new comics because their favorite characters – Captain America, Iron Man, Falcon, Hulk, Thor, etc. – were being killed off and/or humiliated, which means that their audience felt depressed and/or mortified.  Marvel’s comic book sales have weakened in proportion to the steady stream of replacement, politically correct characters and stories the company has been trying to shove down our throats for the past three or four years.

I was astounded to see this statement from Mr. Gabriel. I have known for years that Marvel would lose revenue if it abused its audience by maltreating or destroying its characters.  If you have followed my blog for a while, you know this is so.  What surprised me was that a member of Marvel’s hierarchy actually admitted that sales were dropping because of the “new materiel” they were introducing.  I told ‘em this was going to happen, but did they listen to me?  ‘Course not.  And now they are shocked that people do not want to buy comics that make fools of and/or destroy their favorite characters.  Well surprise, surprise, surprise, Marvel!  How could you have missed that fastball?

I can hear some of you fainting right now. You think I am an awful person for celebrating this news, no?  That I hate women and diversity, too, n’est pas?

Well, no, I don’t. Allow me to explain what made me rejoice over Mr. Gabriel’s statement:  what made me happy about his announcement was that he has finally admitted, on behalf of the company he serves, that politically correct characters are turning fans off of the Marvel franchise.  He has finally acknowledged the obvious; that so-called “characters” like Jane Foster/Thorette, Amadeus Cho/New Hulk, Riri Williams/Ironheart, Kamala Khan/Ms. Marvel, and Gwen Stacey/Spider-Girl, along with other “new,” “diverse,” and “legacy” protagonists – which are supposedly “meant to bring women and minorities to the forefront of social consciousness” – are really hurting instead of helping Marvel’s brand.

So if I like what Mr. Gabriel had to say, then why am I writing this post? I am writing this post because he and his colleagues are missing the point of why their sales are falling.  Mr. Gabriel says what they believe; that legions of Marvel’s fans hate women and diversity, and so they need to keep doing what they are doing in order to win their “deplorable” fans – you and me – over to their view of the world.  In essence, they are accusing the thousands of people who support their business of widespread bigotry, intolerance, and stupidity; completely ignoring the beam in their own eye to pluck out the mote in ours.

This is what has Marvel fans so upset. This is why they have stopped buying the new comics.  Marvel fans definitely do not hate diversity or women.  The latter is proved by the fact that Marvel already has hundreds of established female characters with existing fanbases – although you would not know that if you were new to the Marvel multi-verse or have only heard about it from the mouths of twits (most comic book film critics).  Go to my post “Offended, Insulted, and Not Shutting Up” for a roll of Marvel’s female characters and a link to a longer list where you can learn about more of them.  The fact is that these reviewers could care less that Marvel has a panoply of female characters for the simple reason that it is not part of their agenda.

As for the idea that Marvel fans hate diversity, this is a laughable argument because it is so easily invalidated. Marvel has been diverse since it was founded, something that is shown through characters like Storm, Falcon, Black Panther, Misty Knight, and Luke Cage, all of whom are black.  Separate sources have consistently claimed that either Black Panther or Falcon was the first black superhero to appear in comics, beating out DC’s Black Lighting.  I think that Storm might predate the three of them, but I am not sure.

Quicksilver and the Scarlet Witch are Gypsies, readers.  Red Wolf, Mirage, and Thunderbird are American Indians; and Colossus and the Black Widow are Russians who have become U.S. citizens.  Then there is Nightcrawler, who is German and who barely resembles a human; Silverclaw, who is Brazilian; Sunfire, a Japanese man who follows the tradition of the samurai, and Bengal, a Vietnamese superhero who lives and works in Vietnam.

If Marvel were not diverse, readers, then these characters would never have been created by Stan Lee and the original writers. If Marvel’s fans hated diversity, none of these characters would have lasted more than one issue.  Before 2015, they were all alive in the Marvel multi-verse, which means they have, collectively, been around for nearly seventy years.  How can people who have kept these characters “alive” for so long hate diversity?  Answer:  they cannot, and therefore they do not, hate diversity.

So if Marvelites do not hate women or diversity, then why is Marvel losing revenue on its new comic books? Hmmmm…. Maybe these books are doing poorly because the fans, new and old, actually like Thor Odinson as the Prince of Thunder and not some prancing female using his hammer and claiming to be something she is manifestly not. Maybe fans truly liked Bruce Banner as The Incredible Hulk and really hate the fact that Marvel had one of his best friends kill him. Maybe fans are in fact more than a little bit upset by Marvel’s decision to make Steve Rogers a secret agent of HYDRA and a flaming NAZI. Maybe they genuinely like Tony Stark as the Invincible Armored Iron Man who can build his way out of a trap with a broken laptop and some chewing gum, instead of a fifteen year old science whizz-kid who could do her own thing instead of shoehorning herself into his act.

And maybe they do not like one of the first black superheroes – Falcon – being shoved into the role of Captain America, since it smacks of condescension and patronization.  This move by Marvel is obviously meant to appease the PC police.  And by doing this to the Falcon, Marvel’s writers are essentially stating that they think Sam Wilson – and therefore his fans – should not be satisfied that he is one of the first two black superheroes in comicdom.  They would rather destroy the Falcon to make a new, “modern” Captain America that is anything BUT an American.

So maybe the reason sales are dropping is because fans think that pushing Falcon into Steve’s suit, handing him Rogers’ shield, and leaving him to spout anti-American claptrap like a ventriloquist’s dummy actually demeans African-Americans instead of “elevating” them or making Sam “more relevant” to the times.

Yeah, I think these facts may have more to do with your declining sales than sexism or racism, Mr. Gabriel.  Too bad you and everyone else at Marvel have not realized this yet.  Or, realizing it, you have decided that you know what we want because you are the “better and the brighter” of society and YOU are never wrong.  We are just peons who cannot see the mote in our eye.  That might be true, but you are missing the enormous beam in your own eye, buster.

So much for the customer is always right, eh, readers?

The reason I am writing all of this is because the people presently helming Marvel – and their enablers/cheerleaders in the world of critics – do not want more diversity or female characters. They want an emasculated male populace and homogeneity.  They want black to be white, left to be right, and the population of the world to be nothing less than mental clones of them.  Though they are doomed to failure, this does not mean that we can simply sit on the sidelines and let them ruin the Marvel universe(s).  It means that we have to fight back against their dehumanizing push for sameness.

This leads me to another problem that Marvel is currently experiencing. An article at http://io9.gizmodo.com/marvel-vp-blames-women-and-diversity-for-sales-slump-1793921500 states that another reason for the drop in Marvel’s sales is due to the increasingly schizophrenic story arcs the company has been churning out for two years. I actually think this problem goes back to at least the Disassembled and House of M story lines.  The reason I trace the problem back that far is this is when I noticed that Marvel was going off the rails. Disassembled and House of M may not have been the starting points, but they were the arcs which made me bite my lip and think, “@&*!, here we go with the death, despair, darkness, your-heroes-are-really-villains-in-disguise downward spiral.”

Just think about it, readers. After House of M the Marvel universe – which was originally upbeat, positive, and generally told decent to good stories – took a nosedive into the muck.  After House of M we were fed the atrociously immoral and disgusting “Ultimate Universe.”  Then we were handed the insipid “New Avengers” storyline and endured the advent of the largely lukewarm “Young Avengers” crew.  We were handed the demoralizing Civil War arc next.  Then we had the sickening Avengers vs. X-Men event; the asinine “Unity Squad” story line, and the Original Sin plotline which led to the putrid rewrite of the Marvel universe(s) in the Secret Wars event of 2015.

According to Beth Elderkin, the writer of the article at io9.gizmodo.com, there have been “at least 12 events and crossovers [in the past two years]. Events, in particular, have become more of a chore than a reward. There’s little build-up or anticipation because you know another one’s right around the corner. They also can completely screw over beloved characters for the sake of drama, like turning Captain America into a fascist as Sam Wilson has taken [on] his mantle.

She says this makes it hard for new readers to focus, and I will not argue that these endless events do not help new fans to get their footing in the Marvel multi-verse – or, rather, what is left of it. But the problem she does not address is that none of these events or crossovers is positive. These stories are all negative and thus display brazenly the idea that Marvel’s management, who believe themselves the “best and the brightest” (but are truly the dumb and the dimmest), know what’s best for the rest of us. They also continue to drive the homogeneity mantra onto readers’ minds like a suffocating pillow. Not one of these events leaves a reader feeling uplifted and ready to face the world again. How do I know this?

Because that is what simply reading descriptions of these story arcs did and still does to me. And I am not alone, something which Mr. Gabriel’s admission about moribund comic book sales proves. Every last one of the story arcs I listed above may be compelling and addictive to some readers, but to most of us they reek of negativity, despair, and nihilism. How many people want to stew in an emotional/mental/spiritual refuse pile like this? If the downturn in Marvel’s comic book sales is as steep as Mr. Gabriel seems to believe it is, then I think I am safe in saying that ninety percent of normal, everyday people do not want this junk. This means that Marvel is selling to a narrow market which is shrinking day by day.

But why is Marvel having this problem at all? If the difficulty is too many dispiriting events, the company could easily fix the problem by turning the characters over to new authors, right?  Possibly, but from what Beth Elderkin says this entire problem is born of the fact that “….There’s been a steady decline in Marvel’s talent pool, because of better offers and independent retailers. One retailer mentioned at the summit that it’s especially hard to keep talented writers and artists when they can make creator-owned books at publishers like Image. Not only does it give them more flexibility to tell the stories they want, but they also keep way more of the revenue.”

Again, I will not argue with her. Though I have no idea what Marvel pays its artists and writers, I do know that the writers they are allowing free reign in their universe(s) at the moment should not be allowed anywhere near a keyboard or a pen. The “stories” that many of these writers are pumping out are evidence that they are intellectual hamsters running inside fetishified exercise wheels decorated with death’s heads.

So finding new writers for Marvel who have positive attitudes and a love of truth, beauty, and goodness is going to be a challenge. Believing that Marvel would hire these people seems to be asking for a miracle. And if Marvel currently has writers who want to tell true, good, and beautiful stories with their characters, these writers appear to be few and far between. And these people are either barely hanging on to their jobs or they have left for greener pastures.

“All right, Mithril,” some of you say, “if these are the problems, just what are we supposed to do about them? Marvel is a big company and they won’t let just anyone in. They specifically tell aspiring artists and storytellers, ‘Don’t call us, we’ll call you.’ How are we going to fix a company that doesn’t want to be fixed?”

Good question. There are several options available to fans, readers. If you are like me and my friends, and you do not like the stories which Marvel is publishing, keep doing what you have been doing: avoid their new comics like the plague. This means that their sales will keep plummeting and they will, sooner or later, be forced to clean up their act in order to stay in business. Or they will finally hire people who will do this service for us. Either way, remember that money talks. If your money is not going into their pockets, then the silence will get their attention.

Another option is to become a writer yourself. If you write good stories and books and they sell well, are positively reviewed, and have the masses talking with mouths and wallets, then Marvel will probably notice you.   Then maybe – just maybe – you will get lucky and they will tap you to write for them.

If you do manage to accomplish this feat, then I would add the caveat that you do your best to keep your eye on the prize. Put your slippers under your bed, as Denzel Washington advised, so that you always have to kneel down to get them in the morning. You got where you are by telling good, true, and beautiful stories, and this is what you want to do with Marvel’s heroes. Keep that goal in mind and you should be fine.

If you are not much of a storyteller, and you are already speaking by not buying Marvel’s comics, then you can always write letters to Marvel in order to explain your displeasure with them. This is what I do; I watch Marvel’s movies, read the older comics, and critique the cartoons. Besides blogging about the characters I enjoy as much as I can, I also write letters to Marvel’s top echelons, telling them what I think of their new comics (and I don’t think much of them).

You can do this, too, readers. Marvel has five different email addresses where you can send letters, as well as a section for general feedback on their website. I have never gone that route, so I cannot tell you what to expect if you try it. However, if you write letters to Marvel, put OKAY TO PRINT alongside your email’s subject heading and send it to one or all of the following addresses: onlinesupport@marvel.com, spideyoffice@marvel.com, officex@marvel.com, mheroes@marvel.com, and/or mondomarvel@marvel.com. And do not be threatening when you write to them.  Believe me; they will notice your letters, even if they are politely phrased.

The squeaky wheel gets the grease, and we Marvel fans have more right to be squeaky than that posse of small-minded critics and “cultural gatekeepers” do. Unless these people actually buy Marvel’s comics in droves (which they very obviously do not), they are not the audience the company has to please. It was our money that made Marvel what it is today, not the critics’ pens. I say it is high time we reminded Marvel of this fact.

For myself, I will continue to do all of the above. I know I sound as though I am crusading against Marvel’s hierarchy, and I guess I am, after a fashion. But I am doing so as a customer who desperately wants to preserve an enjoyed and admired product, so that I can pass it on to others to enjoy in the future.

I want to be entertained by Marvel for many more years, readers. Right now, they are not entertaining me OR legions of their fans. They are trying to force their view of the world on us through these “new,” PC characters, destroying the good and great and true ones in the process. That is cultural bullying, which is a form of intellectual tyranny. It must be stopped. The only way that we can convince Marvel’s management to right the ship is to tell them why we are not buying their product. But we have to actually tell them if we are to have any hope of returning Marvel Comics to the good, the great, and the true, which is timeless.

Until next time, readers….EXCELSIOR!!!!

Advertisements

Avengers Assemble – Sidekicks?!?

Hello, Marvel Writers!

Here we go again.  This time, I am asking about the Young Avengers.  I have no problem with a team of teenagers styled (more or less) after the Avengers.  Kate Bishop and Patriot are very intriguing characters – though by now Patriot is a full-fledged Avenger and Kate is still too young for that.  Having Cassie Lang become a super heroine was a nice touch, and I hope that she comes back at some point.  (I am well aware that hardly anyone in Marvel comics is permanently killed.)

No, my problem this time is the temptation some may have to turn the Young Avengers into sidekicks for the Avengers.  This seems to be the direction things are headed, with Hawkeye pushing the rest of the team to mentor the youths. 

Don’t misunderstand; giving the Young Avengers lessons in the dos and don’ts of super hero life is fine.  But having them tag along behind a particular Avenger on a mission (as Kate Bishop recently did with Hawkeye) is walking into the territory of DC comics. 

 With all due respect, why not make it official that the Young Avengers, while still under the umbrella of the actual Avengers, are not sidekicks?  After all, that’s what others did with Professor Xavier’s New Mutants.  They were taught at the X-Mansion, by X-Men, but one New Mutant was never attached to one X-Man as a combat partner unless the two teams were in the same fight and battle required it.  The same set up could work out this way for the Avengers.

The reason I bring this up is sidekicks are to superheroes what adverbs are to verbs: crutches.  Adverbs are used to prop up a weak verb.  So sidekicks, from time to time, are used to prop up superheroes.

This, to me, seems to be another reason why Stan Lee ‘killed’ off Bucky Barnes in the early comics.  Captain America was already a strong character by the time Lee made Bucky’s demise official.  So if he was always checking on Bucky’s condition or was looking to him for advice every second panel, it would have diminished Cap’s ability to stand on his own.  And so, just as Batman frequently has to take care of Robin, Cap would have been in similar situations fairly often with Bucky.

 Understandably, this would not have worked for Cap.  Steve Rogers had to be, and still must remain, a leader in his own right.  He couldn’t and can’t keep second guessing himself every few panels, especially not to a fifteen year old boy.  It would have been ridiculous and demeaning to the character if Lee had left Bucky in the story.  So Stan Lee tossed Bucky out; and Bucky has subsequently returned to the comics as the Winter Soldier, a rather strong character in his own right.  Cap and Bucky remain on good enough terms with each other, but one no longer acts as a crutch to the other.

The Young Avengers, to my mind, should be given a similar durability test.  The Avengers are strong enough that saddling them with a sidekick would be both silly and humiliating.

Sincerely,

Mithril (A Troubled True Believer)

The Fall of the Self-Made Super Heroes

 Iron Man

Hello, Marvel Writers!

So on May 3 Iron Man 3 hits theaters nationwide.  Kudos to whomever had him bring in all those different versions of the armor; it’s high time we saw them all!  But wait.  Why should he need those different armors now that he’s getting the Extremis serum?

On that point, why did he even get the Extremis serum in the first place?

This is hard for me to understand, or even enjoy, really.  I always thought that Tony Stark was a great character precisely because he had no superpowers.  He wasn’t a mutant, he hadn’t been exposed to any bizarre, deadly radiation; he was just a genius who fought evil in a high-tech suit of armor.  In a way, he was like a modern day version of Sir Lancelot or one of the other ancient knights who guarded the great kingdoms in old stories.

It didn’t matter what tech or tools he had to work with, whether they were top of the line or rusted hunks of metal from the local scrapheap, Tony could whip up any gizmo from whatever he had to hand.  And it would work, often spectacularly, to trounce whatever leviathan monstrosity that Dr. Doom or Kang the Conqueror or, yes, the Mandarin, was aiming at him at the time.  No magic tricks, just astounding ingenuity.  What a feat to watch (or read)!

But, with Extremis, does he even need that anymore?

Yes, Extremis is fantastic.  It allows Tony to interface with computers using only his mind, process information from the Internet or nearby machinery at lightening speeds, and even detect technology that’s in the vicinity of the fight in which he is participating.   And, yes, it certainly speeds up the time he takes to don his armor, which is a plus.  I’m not saying that a super-powered Iron Man is lacking in benefits.  What I’m asking is, “Doesn’t it rob him of a special little something?”

Tony, in the majority of the comics, had to rely on his ingenuity where other heroes and heroines could call on inborn or acquired powers.  He didn’t have to use telepathy like Professor Xavier to defeat a bad guy.  He just had to out-think him.

Tony didn’t need the Hulk’s great strength.  The armor let him dish out almost as much punishment as it let him take.

He didn’t need Kree DNA in his system so he could shoot laser blasts.  He developed flight stabilizers (repulsors) that doubled as neat plasma guns.  And they fit right in the palm of each hand!!!

Why give him, almost out of the blue, superpowers?  Were the sales of Iron Man comics falling that sharply?  And if they were, weren’t there better ways of raising them again than altering Iron Man’s star gift?

I have heard many times that Tony Stark is popularly assailed by doubts about whether or not it is the man who makes the armor or the armor that makes the man.

Really?  Without Tony Stark, there would not be any Iron Man suits.

And if there were, without a hero to pilot them (and that hero would have to know every system and circuit in the suits like a well-read book) the armors would all be decorating the halls of some billionaire’s mansion as displays of wealth.  All this is what Stark could have done.  Instead, he chose to use the armors for the greater good, improving them to the point where only the most arrogant villain is unafraid of facing him in battle.  And there are still a lot of improvements that could go into future suits.  With Extremis, what need would Tony Stark have to focus on those improvements?

On that note, why should he wear a suit at all?  He could fight, using Extremis, in only a business suit if he wanted to do so.  If the mood struck him, he could do it in his pajamas.  Why use a metal suit when you can control machinery?

And worse, Stark’s not the only hero in the Marvel Universe gaining superpowers.  Mockingbird and Winter Soldier (whose only enhancement once was a robotic left arm) have both been given serums that blend Cap’s Super Soldier serum and Fury’s Infinity serum so that they could survive life-threatening injuries.  Young Avenger Patriot gained Super Soldier abilities after getting a blood transfusion from his grandfather, a soldier in WW II who was also given a variant of Cap’s serum, for the same reason.  Before that he was using enhancement drugs.  In the alternate, Ultimate comic line, Hawkeye has been given optical enhancements so that he has the most accurate eyesight on the planet.

I see these new ‘enhancements’ only as thefts from the integrity of these heroes.  Mockingbird and Winter Soldier won many battles where their super-powered compatriots could not even make slight headway, all for the simple reason that they were ‘normal’ humans.  Hawkeye has always been a very gifted shooter; his powers come not from mutant genes or scientific meddling, but from nature.  Despite Ultimate Hawkeye’s alternate history and life in the Ultimate Marvel Comics, the fact that he was not born sharp-eyed detracts a great deal from his (admittedly changed) personality.

And Patriot?  Several heroes in the ‘mainstream’ Marvel Universe, of which he is a part, continue to fight crime with nothing more than finely-honed skills.  Why couldn’t he have become Kate Bishop’s equal, fighting crime without powers?  Certainly, that would cement any romance blossoming between the two, as it has for other heroes in the past.  And it would give him a better standing as well.  He would be a ‘self-made’ super hero.

Iron Man was the first, and is the best, self-made superhero.  In fact, he was the inspiration for several other Marvel characters to don a costume and fight crime with only their natural skills (just ask Clint Barton).  It seems that just as he was the first to become a superhero on his own so he is the first to fall from the humble yet highly honorable position of a self-made hero.  And who can say who will be next after Tony Stark; Mockingbird, and Winter Soldier?  Jarvis?  Kate Bishop?  J. Jonah Jamieson?  Flash Thompson?  Maria Hill?

Yes, Extremis is an amazing advantage.  But the more amazing and the better advantage was Tony Stark’s boundless resourcefulness.  Until it returns, it will be a talent sorely missed by many Marvelites, my fellow writers.

Sincerely,

Mithril (A Troubled True Believer)