Tag Archives: marvel tv shows

Even MORE TV Themes to Remember!

Here are some more great television themes for you to enjoy, readers! It’s been a while since I saw several of them, but one thing is for sure: they are all worthy forms of entertainment for the discerning audience. That is a guarantee!

Have fun!

The Mithril Guardian

 

The Incredible Hulk

 

Wagon Train

 

The Life and Legend of Wyatt Earp

 

Disney’s Zorro

 

Diagnosis Murder

 

Mysterious Ways

 

Bat Masterson

 

Have Gun, Will Travel

 

Green Acres

 

The Lone Ranger

 

Matlock

 

The Andy Griffith Show

 

Quincey, M.E.

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Avengers Assemble – A Long Way from Home

Ahoy, readers! Ar ye ready to sail in uncharted waters? Avast! It is time we be spinning tales of those famed heroes from Earth, the Mightiest of Champions – the Avengers!

You will see why I played around with the pirate lingo when we reach the end of the post. 😉 Normally, piratical speech is not my thing. It is used way too much these days for effect – or as a form of mockery for pirate tales – which means it tends to irritate me. So when one of Avengers Assemble’s episodes played around with the vernacular, I had to grit my teeth from time to time. It was either that or cover my ears, and since I wanted to keep track of the story, I put up with it.

The first episode we will discuss aired before Christmas of 2017. Titled “New Year’s Resolutions,” it starred Tony, Cap, Howard Stark and – at long last – Peggy Carter, voiced by Haley Atwell herself. Yay…!

Mostly. Sorta. Kind of.

Okay, okay, I had major problems with Peggy’s portrayal in the cartoon. The writers had her showing Steve up too much and generally did not let her be the Peggy I saw and enjoyed in Captain America: The First Avenger. I am guessing this has something to do with her depiction in her own series, Agent Carter, which leaned heavy on the Femi-Nazi and light on the story/character.

From what little I know of the series Agent Carter, Peggy came across as an angry, “let-me-prove-I’m-just-as-good-as-the-men” character, something which was certainly not the case in The First Avenger. It was more than a little sad to see her get short shrift in this episode, which I had been looking forward to viewing for some time. Peggy had her moments here, but they were few and far between.

Thankfully, “New Year’s Resolutions” was not all bad news. The interplay between Tony and Howard in this episode almost made up for Peggy’s disappointing deportment. We actually got to see the younger Stark bond with his father WITHOUT being a total brat or jerk about it. It was an unexpectedly sweet touch to what otherwise would have been a depressing, watered-down show.

Speaking of pluses, watching the four beat Kang was pure fun. And Arno Stark got to show up as Tony’s descendant rather than his hidden, younger brother. There was no Arno-should-have-been-Iron-Man stupidity here, for which I am very thankful. Although I must admit, I would have liked to have heard the thirtieth century Stark toss out a zinger or two, just to show the genes had not faded over the millennium between him and Tony.

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All of this is to say that “New Year’s Resolutions” is an episode worth watching, despite its substandard treatment of Peggy Carter. Now if Marvel would just do what I asked and give the Avengers an adventure that took place on Christmas Eve or Christmas Day, showing the team celebrating the holiday, I would know we were making some progress here. (No, I am not holding my breath while waiting for them to do that.)

Next we come to “The Eye of Agamotto, Parts 1 & 2.” By a stroke of good fortune, I got to see Doctor Strange before these episodes came out. Strange has never been anywhere near my Favorite Marvel Characters’ list, so the film and his appearance in the shows served more as filler material than anything else for me. But the fact that I got to see the movie meant I was prepared for Strange’s changed look; prior to the movie, he had long hair in Assemble. It is now shorter and much more practical.

Part 1 one of “The Eye of Agamotto” showed the Avengers – Cap, Hawkeye, Falcon, Black Panther, and Carol Danvers – defending a SHIELD storehouse from HYDRA agents. Well, mostly defending it. The bad guys got away with whatever magical doohicky they wanted, but Cap and Panther succeed in tracking it down.

Unfortunately, said gem is already in the hands of Strange’s arch nemesis, Baron Mordo. (The artists did a good job making him look like his film counterpart.) This is Panther’s first encounter with a bonafide sorcerer, but he handles himself pretty well here. We also see him getting calls from his little sister, Shuri, who has to ring him up for Wakandan business at the most inopportune times. It gets so bad that he shunts her calls to voicemail.

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So when she shows up on his and Cap’s six unannounced, it nearly ends in disaster. Declaring that “no one puts [her] on voicemail,” Shuri insists on tagging along for the adventure, triggering the traps Mordo set up with a bracelet gizmo she designed herself. She has to help T’Challa and Steve best Mordo after the latter uses a spell to steal Cap’s powers.

T’Challa does well in this episode and so does Steve – for the most part. While I enjoyed seeing Shuri at long last, the writers could not resist plugging the “girl power” motif during this adventure. It was not simply annoying, it was Matronizing, and obviously so. I can handle Shuri having a list of degrees which nearly circles the world, but that should not be what makes her interesting. She comes from a culture of warriors, people! For Pete’s sake, her brother’s personal bodyguard corps is made up entirely of women so that peace can be maintained among Wakanda’s tribes. I do not think they have any of our “problems” with “women’s representation.”

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Shuri

In this episode, Shuri is used to pantomime the idea that “brains beat brawn” – especially if they are female brains to men’s brawn. No, Marvel writers. No, no, no, and no. Women are not physically strong enough, as a general rule, to overpower men, yes. Having Shuri outsmart Mordo was great, yes. But if you want her to be T’Challa and Cap’s equal, show her not as a snobby, easily offended young woman looking down her nose at them, but as a young woman who can roll with the punches when she cannot dodge ‘em. The writers did not do that properly here, which rankled. Badly.

Other than this irksome theme, we got a good show which demonstrated the strength of Cap and Panther’s friendship, and which showed Steve being his usual, gracious self. It also put the spotlight, however briefly and dimly, on Shuri, which is great. All in all it was not a bad romp. It could have been better, but it was not bad.

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Part 2 of “The Eye of Agamotto” was very entertaining, and it made up for the lousy element in Part 1. Following their previous adventure, Cap and Panther bring an odd sorcerer back to Avengers’ Compound after he tells them he needs to see Stephen Strange. We only see them doing this after a cute exchange between Hawkeye and the Hulk, as the archer is busy going through receipts for the damage Big Green dealt out – accidentally or on purpose – while doing his job. (I am surprised the piles of receipts were not bigger and taller.)

Strange arrives at the Compound while this is going on, launching an attack against Cap and Panther while they are trying to land. It takes him awhile, but he eventually manages to explain that he was not shooting at them per se. Whatever or whoever is with them has some bad magic which is making the Eye of Agamotto that Strange wears go bonkers.

Turns out, the man Cap and Panther met at the end of the last episode is Agamotto himself. He’s come back to get his eye (guess what the Eye of Agamotto is in Assemble, readers), and casts a spell which knocks down Cap, Panther, Hawkeye, and Kamala Khan. At the same time they get knocked out, evil shadow duplicates of them appear to attack Strange and the Avenger who depowered to avoid getting magicked – Hulk/Bruce Banner.

You will want to see this episode for the ending alone, readers. It is a hoot, a scream. About halfway through I was laughing so hard that it is amazing I could keep up with the dialogue for this show. I mean it – this episode was pure, undiluted fun! Strange and Hulk even became friends by the end of the show. Bonus points!

After these episodes came the first four “Secret Wars” installments which gave the season its name. The first episode here was “Beyond.” At the start of the show, the Avengers arrive in Central Park when a glowing crack appears in the ground. Then they try to fall back as it widens and white light erupts from it. Seconds later (as far as anyone can tell), the team wakes up in a desert at night. Right on cue, Avengers Tower rises out of the sand next to them. Naturally, they go inside to see if this is really their old home, finding it is and that everything inside is in perfect working order.

During their investigation, they also find an uninvited guest. Having spread a feast on the table for them, he invites them to sit and chow down while he explains everything. No one sits down, of course, or starts eating. They just demand to know who this guy is and what the Sam Hill he has done to them.

For those new to the Marvel universe(s), this unwelcome guest is the Beyonder. He is far different from the Beyonder I met in the 1990s. That Beyonder was not a sick, twisted megalomaniac – at least, I did not think he was. I do not know what he is/was like in the comics, so I cannot say how true his appearance in either series is to the original material, but the Beyonder in the ‘90s was a sight nicer than this guy. Another difference here, aside from his personality, is that this version of the Beyonder uses advanced technology for his little experiment. In the ‘90s he was some cosmic magician who could snap his fingers and do almost anything he wanted.

You are probably getting the idea that I was expecting to see the Beyonder this season. I certainly had a suspicion he would appear; the ‘90s “Secret Wars” arc of the Spider-Man TV series was one of my favorites. Like the original Star Trek episode The Savage Curtain, the animated ‘90s “Secret Wars” saw the Beyonder send Spider-Man to an alien world that had never known evil. The Beyonder introduced some of the worst villains from Earth to this world, then dispatched Spidey to choose a team of superheroes to stop the bad guys, proving once and for all whether good was really stronger than evil.

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Secret Wars – ’90s Style!

Spidey and his team won, of course, but it was this storyline which made me expect to see the Beyonder in Assemble. I was looking forward to seeing him again, though in light of the 2015 sham “Secret Wars,” I was worried about what would become of our heroes in the cartoon. Now I see that I should have been worried about the Beyonder, too. But maybe he was originally an evil super genius bent on satisfying his curiosity at all costs, making this portrayal of him a return to the norm. I don’t know which it is, though, so I will leave this subject alone now.

Anyway, after pinning our heroes to the walls with his tech, the Beyonder explains that he has taken pieces from different worlds and dimensions to create a new planet he calls Battleworld. (Battleworld comes from the 2015 “Secret Wars” and, from what little I know of that travesty to comicdom, Beyonder’s description here sounds about right for that Battleworld as well.) Like in the ‘90s, he is apparently trying to determine here whether good or evil is stronger.

The big problem with his plan in Assemble – aside from the fact that he took everyone from Earth, Asgard, and every where else without a by-your-leave – is that the longer the separated chunks are away from their homeworlds/dimensions/what-have-you, the more unstable those realms become. So, if the pieces are not returned to their proper places (and fast), the whole universe/multi-verse is going to explode and die. Not a pretty picture for our heroes, to be sure.

“Beyond” sees the team spread out to learn the layout of Battleworld and begin finding a way to put everything back together again. The particular part of Battleworld where Avengers’ Tower is situated is called Egyptia. Why it is called this I do not know, unless there is another realm/dimension/thing out there called Egypt. So far, Egyptia just seems to be a distorted Egypt from Earth.

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Back to the show; Cap and Widow are the ones reconnoitering Egyptia. Finding a pyramid in the middle of the dunes, they go to investigate and run into a bunch of sand mummies/zombies. Things look grim for the home team but, luckily, the wandering super genius known as Iron Man drops in to save the day. The Beyonder took part of the dimension he was trapped in for his Battleworld. That part of the “planet” is called No-Tech Land, presumably because most modern machinery does not work there. This allows Tony to reunite with his friends, and the high jinks and battles ensue before he, Cap, and Widow rejoin the rest of the team at the Tower.

“Underworld” is the follow-up episode, and it begins with Loki raining on the reunion by declaring he wants to join the Avengers because the Beyonder wrecked Asgard for his little experiment. Predictably, the answer to Loki’s request is a lot of lightning bolts, repulsor blasts, arrows, and punches – none of which land, sadly. “Capturing” him, Thor, Tony, and Hulk learn that Loki is the one who told the Beyonder Earth’s location, giving them more reason to be angry at him. But since parts of Asgard are now mushed into Battleworld, and because Loki has personal knowledge of the Beyonder, Tony states that they need him and the four head out to New York City.

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The reason this episode is called “Underworld” is because NYC is under a rock – literally. When Beyonder ripped it off of Earth, he put the city underground. And beneath New York, he put a bunch of Asgardian rock trolls. So when the Avengers show up, they have to defend the New Yorkers who were transported along with their city from the rock giants.

Loki does his whining “why-do-we-have-to-save-the-humans” routine, but turns into a big help when the Enchantress shows up. He almost sacrifices himself to fix the Bifrost, which is underground with New York, but Thor stops him and they escape. Then the Beyonder shows up and Hulk jumps at him to do his smashing gig –

…Only for the Beyonder to split the Hulk and Banner personalities into two people with his tech. Did not see that coming, and I have to say, it worries me. Bruce came out the worse for wear either before or after 2015’s “Secret Wars.” I am pretty sure he went nuts, and I know who “killed” him (you are in so much trouble for that, by the way, Marvel writers), so I worry that we will see something similar in Assemble. If what I think may happen does occur, then the “writers” running Marvel are in even BIGGER trouble with me.

Aside from this one worrying point, this show was a hoot. Hulk had the most fun here at Loki’s expense, and the only thing I want more than to see Hawkeye finally give the Trickster what he deserves is to watch Hulk pick on him. As for Loki turning “hero,” I predict that that will not last long. There may be a little good in Loki, but the problem with that is it is too darn small a piece of good. The bad outweighs the good, and while the Trickster of Asgard may be an open and shut case of “hope over experience,” I believe the Avengers should temper hope with sense by keeping their hands close to their weapons.

Next we have “The Immortal Weapon.” This episode was good, clean fun, and it actually gave me something I have been begging the writers for since the series started: a new hero. Iron Fist at last makes his debut in Avengers Assemble here. Though he is voiced by the same actor from Ultimate Spider-Man, Iron Fist is unquestionably an adult in Assemble. It was nice to see him again; he got short shrift from season three of Ultimate Spider-Man onward, and it is good to have him back in the spotlight no matter how briefly he appears.

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Anyway, among the many things the Beyonder stole from Earth was K’un-Lun. But unlike New York, K’un-Lun is above ground and it is peaceful. Everyone is going about their daily business as if nothing has changed, puzzling Falcon and Black Panther, who have been sent here to pick up an item to repair the destroyed Bifrost. Things get even more confusing when the two explain to Iron Fist that they need Heimdall’s sword to help rebuild the Bifrost and set everything right. For no apparent reason, Danny attacks the two, stating emphatically that they cannot take the sword.

Neither Avenger listens when Iron Fist repeatedly states that taking the sword will unleash a great evil. So both are surprised when Falcon retrieves the weapon and Dracula pops out of the stone where it was embedded. (Nice sword in the stone reference, Marvel jerkfaces.) Turns out, Danny could not explain why the sword had to stay put because Dracula cursed him so that he could not say his name, period, in relation to anything. If anyone had asked Iron Fist about Bram Stoker’s novel, it is likely that Danny would not have been able to name the book because of the curse.

But Falcon and Panther, who have been having the “I’m-not-a-kid-anymore/I’m-a-king” argument from the start of the show, did not stop to put two and two together. Danny gets a really good scene when this argument starts back up again, putting one hand to his face and shaking his head, before telling the two to knock it off and get their act together. Tension is added to the show when the three learn of a familiar alien substance that has bonded to Dracula to make him immune to sunlight. The vampire king plans to find more of these familiar substances to make an army of daywalker vampires, but our heroes put the kibosh on the plan.

Really, this episode was nigh flawless. I had no real reservations while watching it or after it ended. It was a fun caper with no dark portents for the future of the series, and it gave all three heroes a chance to shine brightly for a change. This one earns a big, wholehearted “YAY!” from this viewer.

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Finally, we have “The Vibranium Coast.” This is the show which gave vent to the piratical turns of phrase you encountered at the beginning of this post, readers. Ant-Man and Kamala Khan are headed to the Vibranium Coast – the one part of Battleworld, so far, which does not appear to be related to Earth at all – to pick up the Vibranium Tony and Loki need to rebuild the Bifrost and fix everything.

Scott is nervous about the job, feeling the pressure of not messing the mission up royally, while Khan continues to be her annoying, useless self. She misidentifies a pirate ship as Atlantis or another place, and the first misidentification should not have popped out of her mouth. For Pete’s sake, even on Battleworld, Atlantis would have to be under water. Most Atlanteans cannot breathe air or stay on land for long periods of time, and so far, the Beyonder has not demonstrated a desire to wipe out the populations of the places he steals all in one go. If they die over time, he will shrug it off, but the fact that NYC and K’un-Lun still have inhabitants shows he wants live specimens for his “experiment,” not cities full of dead bodies.

But we digress. Scott and Khan’s jet is shot out of the sky by the ship and the two are picked up by Typhoid Mary, who lays on the pirate act and lingo real thick. I have to say, my first introduction to Typhoid Mary did not make me like her. She reminds me too much of Harley Quinn, the Joker’s sidekick from DC Comics. Whether that is the intention of the writers or not, the fact is that her resemblance to the Joker’s apprentice wins her no favors with me.

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Despite this, Typhoid Mary actually made this zany episode palatable for me. Having Red Skull and Crossbones playing pirates makes them seem silly, until you are faced with the even crazier Typhoid Mary. After her, anything else out of the ordinary looks mild. Her part in the story took the edge off the foolishness of seeing Red Skull be called “Dred Skull,” the master of the “Dred Skull Sea.” 😉

Ant-Man did not do badly in this show, which was a real improvement over his first four episodes this season. He got to be smart, manly, and funny without compromising his character or his masculinity. That alone would make this episode worth watching, but with Typhoid Mary’s craziness thrown in the mix, I suggest you check out the show for the laughs, too. There is also a GREAT scene at the end which had me in fits because it was so perfect. You should definitely watch this episode, readers. It is FUN!

However, despite this glowing review, I must admit that I had my usual problems with Khan here. The writers are working overtime to make her appeal to viewers, and it is not helping. Aside from a few verbal mistakes, Khan does not trip or fall flat on her face the way a normal rookie would in this show. Scott’s and the other Avengers’ care for and kindness to her are great for them, but it does nothing to make Khan more appealing or enhance her part in the series.

If you put Inferno or Firestar or Spectrum in her place in “The Vibranium Coast” as the new rookie on the team (no matter their age), it would work better because the writers would not be bending over backwards to make the audience love them the way they are for Khan. Seriously, everything they do for Khan is pure political pandering, and it shows. Somehow, in this episode, she is the only Avenger present who knows how to use swords, all because her parents let her take fencing lessons?!?

That does not fit with what little I remember reading about the concept behind Khan’s creation. There it was stated that her parents are terrified of letting her anywhere near a boy her own age, forget an adult man. So why would they suddenly let her take fencing lessons? In fact, why is she even allowed out of the house in normal clothes? Shouldn’t she be wearing something more traditional? And why not let her use her powers or natural skills to duck and dodge swordstrokes? If she is so great, then why do the writers have to give her the simple, Feminista out of, “And she can fence, too!”?

The more the writers set her up to be an uber woman settling into her place in the Avengers, the less interesting she becomes, just like her namesake. Khan adds nothing to the Marvel universe(s) or Assemble.

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Dust

Dust was more interesting because she was actually allowed to make mistakes, worry about her traditional upbringing and her career as an X-Man, and learn to stretch her wings. Khan is not allowed to even voice such fears or problems in the show; she has no vulnerabilities – other than a penchant for geeking out when she meets a famous hero/villain – and it makes her dull as dishwater. She is useless, plain and simple, and she is getting on my nerves.

I do not expect the Marvel writers to change Khan and make her more interesting, readers. I expect them to double down on her portrayal with a vengeance. They cannot be wrong, while we peons are always wrong and should hate ourselves for it. (Bah.) If they want to think that way and try to financially survive while they are doing it, then they can knock themselves out. Nothing anyone says to the contrary will stop them.

This leads to my final points. For the most part, as is obvious from this article, I enjoyed these episodes. However, the higher you fly, the farther you can fall. It is quite possible that whatever comes next will be an absolute disaster for fans of the true, the good, and the beautiful who love not only Assemble, but Marvel in general. We could end up with a serious mess on ours hands when the next installment of Avengers Assemble: Secret Wars rolls around.

We could just as easily rise to new heights with only little pinpricks of annoyance (and irritating, politically correct sham characters) to bother us from here on out. While I hope for that, I intend to try and follow my own advice to the Avengers about Loki: be prepared for experience to trump hope again. When it comes to mortal man, experience is something to be remembered, even when hope begs for “just one more chance” to get things right.

I have my keyboard ready, Marvel. I am still watching you. Mess up, and expect to see me say something about it. Because if you play “the heroes and heroines are actually villains and the villains are heroes” card too much more, you will go out of business. I do not want that for you, but you are sure acting like that is what you want. Do not think I will avoid speaking my piece about it. You should know me better than that by now. 😉

‘Til next time, readers – Avengers Assemble!!!

Spotlight: Some Under-Used Marvel Heroines, Part 1

One of the most annoying things that I keep encountering on the web is the call for more heroines in comics and the films based on them. I understand that comic books are not everyone’s forte – before saving a few from the trash, I had been drifting away from them myself.

But if the actors and actresses who play these characters onscreen have to read the comics to prepare for their parts, I wish at least some of the people who review the films and TV shows they make would do an Internet search about the material, too. If they did this, it would go a long way to improving the dialogue swirling around newly released films and shows.

This is one of the reasons why I started Thoughts on the Edge of Forever, readers. I could not stand running across article after article on the ‘Net that either misunderstood something in a Marvel film or which was toeing the “comics need more heroines” line. The overwhelming ignorance/laziness/political agendas of these writers drove me up the walls, and I had to get my two cents out there or burst.

I do not know how good a job I have been doing. All I can say is that I tried my best, first to tell everyone the truth, then to stop the destruction of an entertainment medium I have come to enjoy. Whether or not that has made a difference anywhere is not for me to know.

However, you came here to learn more about under-used Marvel heroines, not to hear me complain! 😉 Today I am listing some Marvel heroines no one talks about in large media circles – even with the debut of the bizarre, dark New Mutants movie and other ongoing projects. While Sue Richards was discussed for some time by the media, since the Fantastic Four movies finished she has sort of been forgotten. Given the fact that she was the first heroine in the Marvel universe, I think she deserves a mention, which is why she is on this list.

Anyway, readers, I hope this two part directory is helpful to you. Marvel has many, many more heroines on its Rolodex. They cannot all fit in a film, which is why we do not see too many of them on the silver screen in the Marvel Cinematic Universe. But they do exist. If you want to know more about them, Google some of the ladies below and see where the links to their friends and acquaintances take you. You might be surprised and excited by what you find.

Excelsior!

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Mirage/Danielle Moonstar: Danielle Moonstar was introduced in the 1980s as a member of the New Mutants. The New Mutants were a team of mutant tweens and teens being taught regular academics at the X-Mansion, where the X-Men live. In addition, they were trained in the use of their powers, landing them in battles with the baddies from time to time.

A Cheyenne Indian, Dani is an empath with quasi-telepathy. She can scan the minds of those around her and use this scan to project a 3-D image of these people’s worst fears or greatest desires.This is where her codename, Mirage, comes from. She can also use this power to communicate with most any animal on the planet, and I know of one off-world creature she can “speak” to by this method as well. This power allows her to live in the woods undistrubed by wild animals and grants her a Jedi-like “danger sense” as well.

When her powers first manifested, Dani could only project images of people’s or animals’ worst fears. Not knowing how to turn her ability on and off, she ended up alienated from everyone she knew. This was made worse when her parents disappeared, leaving her in the care of neighbors who didn’t like her. Eventually, she ran away to live with her grandfather, who was later killed by a member of the villainous Hellfire Club. It was not a great way to grow up.

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Life at the X-Mansion was not exactly a piece of cake for her, either, in the beginning. Gradually, Dani learned to control her power and use it to generate images of a person – or an animal’s – greatest desire, not just their worst fear. She also went on to make a lifelong friend in a fellow New Mutant from Scotland, one Wolfsbane/Rahne Sinclair. (Rahne rhymes with “rain,” just so you know. ;)) Rahne’s mutant power allowed her to morph into a wolf, or to stop halfway between human and wolf, making her look like a werewolf. Because of her ability to “speak” to animals, Dani could talk to Rahne while the other girl was in either of her alternate forms.

It was painful for her to do this at first. Since Rahne is human, her mind is not like an animal’s, which meant that Dani’s power did not work with her as it did with beasts. After a while, though, “speaking” to Wolfsbane like this stopped being painful, and the two women have been close friends ever since.

Dani is also a Valkyrie. Yes, I do mean Valkyrie, like the one Tessa Thompson plays in Thor: Ragnarok. The only difference is that Dani, while a member of the Valkyrior, is still mortal. And, yes, she’s an American Indian.

Mirage became a Valkyrie after finding one of their winged horses out in the woods. This horse, Brightwind, was more intelligent than any other animal she had met to date, though he is still not a rational creature. Not long after finding him, Dani was surrounded by mounted Valkyries out looking for Brightwind. Learning that she could see both them and the horse, they asked her if she wanted to join their ranks. She said yes.

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Because she is a Valkyrie, Dani can tell when someone is in danger of death. The person is surrounded by a “deathglow” only she (and other Valkyries) can see. This “deathglow” signals a person’s imminent demise, but it does not mean the person will die. Besides being able to see the threat of impending death, as a Valkyrie Dani has the power to tell Death or death deities – like Asgard’s death goddess, Hela – to buzz off. She can literally defend a person from death, though this does not grant whomever she is protecting immortality. It just means their death date gets moved forward to an unspecified time. Still, this is a pretty cool power to have, don’t you think?

On top of this, Dani is a very athletic woman. She is skilled in hand-to-hand combat and the use of various weapons such as spears, swords, and knives. She is also an excellent archer; she once won some arrows from Hawkeye in a shooting contest. Dani can use a rifle really well, too. She is a good swimmer and horsewoman, a talent she had before she met Brightwind. Danielle Moonstar is one tough cookie, readers – and even with the post-2015 comics, the writers don’t give her nearly enough credit these days.

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Misty Knight: Anyone who has seen Netflix’s Luke Cage, Iron Fist, or Defenders series probably knows something about Misty Knight. Admittedly, I am not an expert on her. What I do know is that Misty is a normal human detective from New York. She was room mates with Jean Grey in college, too.

So in the comics, she came to the aid of the X-Men on occasion, and she did/does work with Heroes for Hire pretty often. Considering Daniel Rand/Iron Fist is her boyfriend, this is not much of a surprise. At some point, I believe she also ran a private detective agency with her friend, Colleen Wing.

While working for the police, Misty lost her right arm. It was replaced with a prosthetic created by Stark Industries, and it hides a number of tricks in it that vary from comic to comic. I think it can cloak itself to look like a flesh and blood arm, too. With this arm, Misty is a lot stronger when she uses that “hand,” but only so long as whatever she’s lifting is not extremely heavy. The arm itself is stronger than she is, so she has to be careful about what she decides to pick up, or whatever it is could squash her. Or break her back. Or have some other unpleasant result that will lay her out flat on the floor.

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Throwing and punching with this arm – well, there’s a little more leeway in that regard, I think. At the very least, I would recommend not offending her to the point that she decides to hit you with her mechanical hand.

In addition to her prosthetic arm, Misty is well trained in the use of firearms, making her a good to excellent markswoman. I believe she also knows some martial arts; I could be wrong but her romantic tie to Iron Fist may have been what led to her training in this area.

Despite her line of work, my impression from the one “encounter” I had with Misty Knight in the comics was that she was a generally positive and friendly character. I do not know if any of that makes it into the Netflix shows or if it has been beaten out of her in the comics. All I can say is that it is a shame if she has lost this balance between work and her own personality over the years. I also think it sad that she sided with Tony Stark in the first Civil War event in Marvel Comics, while Iron Fist sided with Cap. Ouch, that is totally not fair, Marvel writers.

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Firestar/Angelica Jones: Among my favorite TV shows growing up were reruns of the 1980s Spider-Man and His Amazing Friends. This series focused on Peter Parker/Spider-Man (naturally), Bobby Drake/Iceman, and Angelica Jones/Firestar. They fought as a team against villains like Magneto, Swarm, the Green Goblin, Red Skull, and several other bad guys every Saturday. I absolutely loved that series.

So it was a surprise when I learned, years later, that Firestar was not original to the Marvel Comics universe(s). As it turns out, she had been created specifically for this TV series and had never graced any page in the books. Luckily, she was so well-received that Marvel decided to add her to the comics in the ‘90s.

In Amazing Friends, Angelica was introduced as a mutant whose powers manifested at an early age. She could generate heat and, later on, blasts of fire from her body, specifically her hands. Eventually, she learned to use her power to fly as well. Due to her mutant power and the fact that her father, who was raising her alone, had little money, Angelica was an outcast among the neighborhood children during her youth.

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But this persecution did not get her too down in the mouth. She had her father, who accepted her strange power, and she experimented with her abilities in order to get them under her control. In the ‘90s comics, she joined the Avengers as a teenager alongside a fellow mutant who used the moniker Justice. Justice was a nice boy with telekinetic powers. He was greener than grass and gung-ho, while Angelica was a little more nervous and reticent.

A good illustration of her character in the comics came when she put on a costume designed for her by Janet Van Dyne/Wasp. The suit resembled the one she wore in Amazing Friends except that it had a deep V down the front, and no face mask. Angelica felt the V in her suit was highly inappropriate, a sentiment Justice did not exactly share. “Fine!” she retorted when he would not stop goggling at her reflection in the mirror. “If you like it so much, you wear it! I’ll wear yours!”

Her sense of modesty eventually won out, and Firestar’s comic book costume came to resemble the one she wore in Amazing Friends, complete with the red mask over her eyes. Unfortunately, the writers have let Angelica fade into the background in both the comics and the cartoons since the mid 2000s. As a fan of this character, I think the writers’ decision to relegate her to limbo is a mistake. She is an underutilized heroine whom I wish the show writers would bring back – pronto.

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She-Hulk/Jennifer Walters: I do not know if Jennifer Walters qualifies as an under-used heroine, readers. I believe she is actually rather popular – though you would not know it, since she has not appeared on television since the end of the Hulk-focused TV series Hulk and the Agents of S.M.A.S.H. If anything, she deserves a mention for being ignored on the small screen following the cancellation of that show.

The cousin of Bruce Banner, Jennifer Walters was a tomboy who was outgoing and loved sports. She would stand up to the bullies who pushed Bruce around and tried to do the same to her. It is no wonder, therefore, that she grew up to become a lawyer.

Back in the days when Banner was still a hunted fugitive, he dropped by to visit Jennifer for something/some reason. This was actually fortuitous because Jen’s latest court case almost got her killed. She landed up in the hospital after an assassination attempt, and the only way to save her life was with a blood transfusion. As a near relative, Bruce’s blood was a perfect match to hers. So Bruce threw caution to the wind and gave Jen his blood secretly.

At first it did not seem to work. Then the bad guys came to finish the job and Jennifer, angered and frightened by their appearance, Hulked out. Unlike her cousin, she kept her mind and remained able to speak coherently when she did this. She knocked the hit men over and went on to win her case in court.

It was not long after this that she entered the superhero gig, of course, keeping a hand in the legal world at the same time. Much more level-headed and calm than her cousin, Jennifer usually has more control of herself when she becomes the She-Hulk. This meant she could transform at will from the get-go, not to mention speak in complete sentences and “smash” things thoughtfully right from the start. Her new power also brought out her zest for life and fun, meaning she laughed a lot when she got into a fight.

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Jen’s biggest weakness is the fact that her ability to keep her head when she changes means she is nowhere near as powerful as her cousin, the Hulk. Even whipped into a deadly frenzy of rage, one of her other vulnerabilities, she cannot match him in power. That does not mean she cannot kill people in a fury nor do massive amounts of damage to everything around her. It just means that, in a cage match with Big Green, the Hulk would still win the fight.

Her other disadvantage is her susceptibility to mind control. Though not easily defeated in this arena, like Carol Danvers is, Jennifer has a history of being unable to withstand mental assaults/control for extended periods of time. It may be one of the reasons why she has never been on my short list of favorites; she’s okay, but I do not typically get excited when she appears on screen or in the comics.

Stan Lee is fond of her, though, and has compared her to DC’s Wonder Woman. I do not see the likeness, but that is probably because Jen has never been able to truly impress me. However, I will not take issue with Stan “The Man” Lee on this one. If he thinks She-Hulk is Marvel’s equivalent to Wonder Woman, then she is Marvel’s answer to Diana – end of debate.

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The Invisible Woman/Susan Storm Richards: As I said above, Sue was the first Marvel heroine ever. Part of the “founding family” of Marvel Comics, Susan Storm and her younger brother Johnny were members of a space mission gone wrong. Little did they know that the accident during their flight would put them on the path to becoming that famed and fabulous superhero team, the Fantastic Four.

Sue is a great super heroine. She’s one of the few heroines in the Marvel universe(s) who has managed to have and raise children, not to mention be a homemaker, while remaining an active duty super heroine. Jessica Jones Cage has come close to this success, but since the writers lost their minds in 2015 I do not know precisely what has happened to her.

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Sue has been wife, homemaker, and mother while maintaining her super heroine career for a good part of Marvel’s history. She’s made dinner for the FF and put her children to bed after dealing with alien invasions and villainous plots morning, noon, and night. If that does not impress you, readers, I guess nothing will.

One of the most powerful super heroines in Marvel Comics, Sue can bend light to become invisible to the naked eye, and she can create telekinetic shields around herself, her family/friends, or inanimate objects. She can use this same telekinetic power to lift or hold up things. If whatever she is trying to hold up or move is heavy, though, it taxes her strength a fair bit. In this same manner she can “fly” by forming a telekinetic “plate” under her feet and moving it – and therefore herself – through the air.

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Sue and Reed Richards

Her power to shield things or people extends to physical attack and energy based threats, too. For instance, if Reed Richards, her husband, ever needs to reach down a long nuclear shaft to hit the off switch for the device, she can shield his arm the whole way to the console, thereby preventing the radiation from harming him. Sue is typically mild-mannered and polite, but you threaten her or her family at your own risk, readers. When the villains make Sue angry, they get hurt – bad.

Faithful to her husband through thick and thin, Sue has been the peacemaker in her super family for years now. Well respected by the superhero community, people listen when she speaks or brings a warning, as outlandish as it might seem at first glance. She’s also a great mom to her children, Franklin and Valerie (a recent addition to the family). All of this makes Sue Richards a forgotten Marvel heroine who needs waaaay more time on stage than she has been getting of late.

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Princess Ravonna: I do not know nearly enough about Princess Ravonna’s history in the comics. I only “met” her in the original comics in my Marvel Masterworks # 3 volume and, briefly, in Avengers: Earth’s Mightiest Heroes. She was feisty and fierce in the comics, refusing Kang’s advances from the beginning. That was not hard to do, considering he is the galaxy’s conqueror in her time (the thirtieth century). The only reason he did not take hers and her father’s kingdom earlier is he fell in love with Ravonna on sight.

Well, after conquering her kingdom anyway, Kang ended up freeing her to save his own empire. One of his lieutenants turned traitor, and Kang needed the help of Ravonna’s people to stop him. He couldn’t get that help without freeing her, which he would have done anyway because he really, truly was in love with her. Ravonna nearly died (or maybe she did die?) to protect Kang from said traitor’s bullet at the end of that adventure.

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In contrast, we only see her walking and talking once in Earth’s Mightiest Heroes. And here, she was already married to Kang. I do not want to spoil the series, but what happened to Ravonna led Kang to start giving the Avengers trouble in that show. It is a pity the writers have not brought her in to Avengers Assemble. I would like to see some of what she was before she fell for Kang. Maybe he would be less trouble for the team, too, if he fell in love with and married her.

Yeah. Sure.

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Songbird/Melissa Gold: While Songbird got to appear several times in Avengers Assemble’s third season, the fact is the writers did not allow her nearly enough time there. They also did not bring her back for season four, which has me seriously miffed. I have also totally lost track of Songbird in the mess that is the post-2015 Secret Wars comics, so I think she will fit in my under-used heroines’ post rather nicely.

Melissa Gold grew up with an abusive mother. When she was a teenager, she ran away from home and got involved in an illegal women’s wrestling ring made up of supervillain girls like Titania. After a stint with this group, known as the Femizons, I believe, she joined up with a bunch of thieves who had been bionically augmented. Her augmentations were in her throat and vocal chords, which is why she took the codename Screaming Mimi, a play on the phrase and her childhood nickname. These enhancements allowed her to generate a high-pitched, earth-shattering, earsplitting scream. When she cut loose, it would be like having a jet engine passing you at five feet of distance – without ear protection.

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Melissa as Screaming Mimi

Using these enhancements, Melissa could also achieve a variety of effects against opponents by screaming a different note on the music scale. She could induce dizziness, vertigo, panic attacks, nausea, euphoria, stupor, and even blindness in her opponents by hitting different notes. Rapid oscillation between notes allowed her to combine these effects on a target. Naturally, she was immune to the results of her own power, meaning she never had to worry about being blinded or queasy when she screamed.

Her boyfriend in the gang, Angar the Screamer, had similar implants, and so they were able to combine their powers in battle. But he eventually died when one of the band’s heists went wrong. When he died Melissa went into a hysterical fit and screamed her lungs out at the sky – for 43 minutes. This not only burned out her enhancements, it actually liquefied the plant life around her. Her burst of insane screaming formed a large blast crater as well, with her at its center.

She was sent to prison after this, of course, and remained there for some time. Then the Avengers – and most of Marvel’s other heroes – got zapped to another dimension after defeating an über villain known as Onslaught. (Long story, very complicated, I don’t have all the details, and I find that whole event more than a little stupid.) After this, Baron Zemo broke Melissa and a bunch of other villains out of prison. With most of the hero population in Marvel Comics gone, Zemo figured the time was right to take over the world.

Interestingly, he decided he wanted to be subtle about it rather than glaringly obvious. He outfitted himself, Melissa, and the other villains in his crew with new identities, forming a “superhero” team known as the Thunderbolts. The idea was that they would fill the public’s need for heroes and, when everyone least expected it, take over the world. Melissa’s new codename was Songbird, and she was given new technological implants that allowed her screams to manifest as “solid sound,” which she could shape using her will.

But Zemo did not count on the public adulation his new team received going to their heads and hearts. He also did not think the Avengers or any of the other heroes would return. So he got a doubly unpleasant surprise when the heroes came back from the alternate dimension at about the same time his team of supervillains decided to become real superheroes.

Hawkeye was the catalyst, saying that if the Thunderbolts really liked being heroes, they should make the change right there and then. He eventually had to go to prison to buy their pardons from the government because the Thunderbolts were all still, legally, criminals. After this, most of the Thunderbolts went back to being villains. Clint was apparently the only thing holding them back from their prior evil habits. Without his guidance the Thunderbolts fell apart, to be reformed later on by others trying to make villains into heroes. (It hasn’t worked out nearly so well for them as it did for him to date, from what I have heard.)

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Songbird was the only original Thunderbolt to make the transition to heroine and stick with it, no matter the personal price. Due to her time in the wrestling ring, she is a good hand-to-hand combatant and wrestler, and she has been physically enhanced so that she is stronger than a normal woman of her height, weight, and build. Her ability to make constructs out of “solid sound” and to fly means she is a tough opponent in a fight. If you want a demonstration, readers, check out the episodes where she appears in Avengers Assemble’s third season. They presented her well in that series.

Even so I really, really, really wish they would make her a member of the team permanently. Songbird is a great heroine, and she does not get enough time in the limelight today.That is why she qualifies as an under-used heroine and is on this list, readers.

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Mary Jane Watson: Yeah, I know, she is not a super heroine. But MJ is still a cool girl, and she has had a huge impact on Spider-Man/Peter Parker’s life. It is too bad, to me, that the writers split them up. I liked having them married, and I liked the MC2 idea of them settling down to have a family together.

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The Spider/Parker Family

Funny thing, I also did not mind MJ’s interest in being a fashion model. I was rather put out by the writers for Ultimate Spider-Man making her a wannabe reporter, instead of giving Spidey a photography position at the Daily Bugle, a job which he had always held in the past. While I am in no way, shape, or form a fan of fashion models or modeling in general, shoehorning MJ into Parker’s act for Ultimate Spider-Man just bugged me (pun intended).

If they wanted to ditch Mary Jane’s desire for a career as a model, I think the writers could still have kept her character intact by making her an artist, a designer, or something of that ilk. Mary Jane was tough and fierce, but she was also creative, and I missed that about her in Ultimate Spider-Man. A lot. That’s part of the reason why I never wrote any articles about the show here. All I would have done was whine about it. I do enough growling already with Assemble and the comics, so I figured you did not need to hear more of it, readers.

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Anyway, this is why Mary Jane Watson makes my under-used super heroine list. She does not have super powers, but she does have a tremendous heart and a quick mind. That is all any woman really needs to be powerful, readers.

Well, I think this will do for the first half of my Under-Used Marvel Heroines’ list. I will take a break here and finish up tomorrow. Stay tuned to learn about more amazing Marvel heroines, everybody! You do not want to miss who comes next!

Avengers Assemble: Secret Wars – Rescuing the Heroes

It is not usual for me to review Avengers Assemble in bits and pieces. Previously, the closest I came to doing that was with season three of the series. And that was because the showrunners and writers did not air the episodes one after another – not on a regular basis, at least.

This is what they are doing again now, but with longer breaks between installments. Remember, readers, “Avengers No More” came out in August. It is now October, and they have aired eleven other episodes only in sporadic chunks over the course of two months.

Personally, I find this irritating. I do not know enough about television schedules to say why Disney XD is splitting the series up like this; maybe it is to make room for shows from other series that air on weekends. The timetable seems to have no rhyme or reason, though, and that always drives me a little crazy.

Since I did a review of “Why I Hate Halloween,” I will not include that episode in this post. Although I will say that it is definitely one of my favorite installments in this series so far, and it seems to have been set before the Avengers were teleported across the Marvel universe. I say this because (spoiler alert), in “The Once and Future Kang” we find one of the Avengers has been transported into the future. And he has subsequently aged.

By this episode, the Avengers’ B Team has been keeping Earth safe while Dr. Jane Foster searches time and space to find the original Avengers. In “The Once and Future Kang,” she tells the B Team that she has discovered their locations. In order to rescue the team, however, she has to send the Mighty Avengers after them. The way they will return is by using a “tether” – a device that acts as a teleporter – to pull themselves and the Avengers back to the present time and place.

Jane does this after the B Team has had to stop a monster from destroying the Statue of Liberty. She accidentally brought said creature to NYC when working on the devices to bring back the Avengers. And while I still do not like her, I admit that watching Carol Danvers rescue a deaf girl from the Liberty torch was a good scene. Yes, I still think she is useless, but the fact is it was a good scene.

Anyway, “The Once and Future Kang” shows Wasp and Vision teleported to the future to rescue the Avenger trapped there. They do not know who it is, but they know who is running the place – Kang. They soon learn that the Avenger they are after is none other than Falcon, now twenty years older than he was when the cabal transported him out of the present time.

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My main problem with this episode is: what’s his mom going to say? Sure, it is cool to have a Falcon who looks and sounds like Anthony Mackie’s film counterpart. But what in the world is Sam’s mother, who is alive in the Assemble universe, going to say about his rapid growth? One day he was a seventeen/ninteen year old kid going to college. Now he is suddenly an adult. Both she and the Avengers missed his transition from boy to man, meaning there should be a period of adjustment needed on all sides.

This is not the first time Marvel has pulled such a stunt, of course. In the X-Men comics, Colossus’ baby sister was kidnapped by an interdimensional bad guy who trained her in his arts and her powers for six or seven of his dimension’s years. But for the X-Men, seconds passed between Ilyana Rasputin/Magick’s disappearance and reappearance. She vanished as a frightened six year old and returned as a scarred, yet bright and chirpy, thirteen year old girl.

Colossus, as you might imagine, had a hard time wrapping his head around this. I am having a similarly hard time wrapping my head around Falcon’s transformation. It is not that I do not like him – I think Falcon is a really cool hero. It is just the whole idea of sending someone off into the future (or another dimension), and bringing them home at an older age which gets me.

Other things to like about this episode were Vision and Wasp. Vision, as usual, stole at least half of the show without really trying. And it appears that Wasp has finally lost that chip on her shoulder. Hooray!

There is also the fact that we got a glimpse of Kang’s face beneath the blue mask he wears, showing he grew older, too. I may have a hard time reconciling my heroes’ accelerated ages, but when it comes to the bad guys, I rarely have any sympathy for them. Kang does not get any tears from me.

Next on the list is “Dimension Z.” Scott Lang, a.k.a. Ant-Man, gets sent to rescue an Avenger from what is apparently 1930s New York. This version of the city is under the thumb of Arnim Zola. Here, Scott finds three of his teammates: Captain America, Hawkeye, and Black Widow. He helps them escape Zola’s HYDRA goons and they take him to their hideout, explaining that they are not actually in the 1930s when they get there. (Whew! I had had enough time travel at that point, anyway!)

Zola captured the gang early on, but they escaped and have been trying to free the people of Dimension Z from his control ever since. This has not been easy because Zola has the people wired with cybernetic implants. If they disobey him, he fries them. This also rules out using an EMP to fry him. That certainly is convenient, isn’t it?

The episode is a good one for Hawkeye. Although he plays around with the 1930s New York accent and slang, it’s less of a joke this time and more him trying to lighten the mood. Widow is usually aggravated by his period repartee, but she slips a couple of times and uses the lingo herself, showing his attempts to cheer everyone up aren’t wholly failures. Cap does not seem to mind the fun Hawkeye and Widow have with the jargon either way, which is nice.

Despite her fussing, Widow comes through the show with flying colors, too. While growling at Hawkeye for his attempts at humor, she works well with him here. This is a far cry from their earlier team-ups in the series, which had her constantly bickering with him when they were on a mission. She gets to give Scott a “suck it up and have some confidence in yourself” pep talk as well, which is in keeping with her character.

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Scott does nicely here, as compared to previous episodes in season four which present him as a bumbling, fumbling fool. (No, I am not counting “Sneakers” when I talk about those shows.) He gets to prove his brains and his heart, which is a pleasant change from the writers’ earlier treatment of him.

Captain America does not, sadly, get by nearly so easily. For some bizarre reason, the show writers decided to reference Marvel’s HYDRA Cap fiasco in “Dimension Z.” Though Cap is freed of the HYDRA influence fairly quickly, and while I can see how having him under Zola’s spell serves the episode’s plot, I really wish that the writers had not done this to him. Bad enough they have to demean me and other readers by mistreating him in the comics; when they start  messing with him in their other media, I become even less amused.

With this caveat out of the way, I have to say Steve did not do terribly outside of this event, which literally was not his fault. The whole reason Zola wanted him in Dimension Z was so he could highjack Steve’s body; doing this would mean he would not have to rely on those mechanical bodies we have seen him using thus far in the series.

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At first, Steve resisted Zola’s attempts. But he and Hawkeye were captured together, so Zola zapped Clint to make Cap stop fighting him. While I still do not approve of the HYDRA Cap reference, I have to admit, this scene hit me right in the “feels.” It showed the brotherly affection between the First Avenger and Hawkeye, who stubbornly insisted Steve not surrender despite the fact that another zap would have killed him.

In a way, this scene bridged the gap between the original – and better – comics and the new ones today. I only wish the writers would show these relationships between the Avengers more often in Assemble. It is truly inspiring.

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T’Challa got sent after the Hulk in “The Most Dangerous Hunt,” which was actually more fun than I was expecting. Transported to Asgard, Panther finds Hulk being hunted for sport by Skurge the Executioner. Using a magic crystal in the head of his axe, the Executioner can control Banner’s transformation. When Banner gets too tired to run, Skurge says a spell to make him the Hulk. When the Hulk gets within a hair of smashing him, the Asgardian hunter speaks a counter spell which makes him Banner again.

The whole yo-yo effect has left Bruce terrified. He has been in control of his power for so long now that not being able to change at will scares him more than his previous, involuntary transformations did. It is actually kind of nice to see Banner this vulnerable; before we only saw his distaste for becoming the big guy, period. Since the writers have allowed him to control the change, it adds a new dimension to his character.

Only one thing in this episode really annoyed me. This was Hulk returning to his old baby speech pattern for most of the adventure. While I doubt I will have much of a problem with it in Thor: Ragnarok, here it kind of rubbed me the wrong way. I guess it was because it made Hulk sound more like a beast than a person – which was the point. Skurge considered him nothing more than an animal, after all, not a fellow sentient being.

Panther came out of this show very well, too. He got to demonstrate his intelligence, his honor, and his heart. We also got to see what he is like when enraged, since Skurge was able to reverse the spell and use it on T’Challa. No one understands wrath like Bruce does, and watching him assist the suddenly helpless Black Panther was a great moment.

I have to admit, though, that I did not see the Hobbit reference coming. Really, Marvel writers? Stealing from Tolkien now, are you? Too bad you won’t study him rather than pilfer from the surface of his work. Maybe if you actually learned from him, your comics would be entertaining again.

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“Under the Spell of the Enchantress” was not quite as torturous as I thought it would be, mostly because by the end, Thor got to be Thor. I still find Captain and Miss Marvel to be awful, flat characters, but having the Son of Odin break Amora’s spell when he saw Miss Marvel in danger was a good scene for him. I think the reference to Frozen might have been a bit much, though.

Thor’s characterization was just as good in “The Return.” Here we learn that Loki orchestrated the events of “Avengers No More.” We also see that he is now suddenly taller and has more brawn here than he did in prior episodes. By the way, fellow writers, what the Sam Hill is up with that five o’clock shadow you gave him?

Anyway, this episode was pretty good. Though no one seemed the least bit phased by Falcon’s age, which felt a little off, the story was quite the pick up from the season’s earlier fare. Cap got his shield back and Hawkeye actually got to figure out how to save the day – using an idea this author had considered five or so minutes before the crisis point of the show arrived, no less. 😉

Thor, as I said, shined in “The Return,” but so did Vision. I won’t spoil anything, but I will say that Loki badly underestimated him. Scott got to notice an important fact, which Miss Marvel unsurprisingly missed and dismissed, while Jane Foster was allowed to be the super genius she is. And she did not even have to leave her apartment to do it. I really hope they do not give Mjolnir to her. It would spoil her part in “The Return” so badly.

Finally, I have to say that I enjoyed the various nods to Thor: The Dark World in this show. The film itself did not have a great plot and got bad reviews for it. I liked Dark World nonetheless, mostly because I never go to a Marvel movie to watch the bad guys. I go to see the heroes, and I thought the second Thor movie did right by them. Watching the writers tip their hats to it was fun.

On the whole, I was more impressed with these five episodes than I was with four of the ones I reviewed previously. But as I said in my post on “Why I Hate Halloween,” now is not the time to become complacent and think Marvel is cleaning up its act. Certainly, these recent shows offer us fans some hope that the company will value our patronage more than PC grandstanding. But now is not the time to bank on such an assumption.

Part of the reason I say this is Loki’s gleeful warning at the end of “The Return.” “Strange things are coming,” he tells Thor’s back when the Prince of Asgard leaves the detention center. Tony still has not come home yet, and the writers here did nod to the HYDRA Cap debacle. I find these small instances in the show more than a little worrisome.

So we are not out of the woods. These are hopeful signs and, if unaltered by the future, I could say they were a turning point. But the future is not the present. Therefore, I advise caution before commitment, as well as the firm hope matters will change for the better.

But to quote Aragorn, son of Arathorn, the only thing we can do now is say, “We shall see.”

Avengers – Assemble!

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Avengers Assemble’s Secret Wars – I Am Not Impressed

Forgive the deep sigh, readers, but after Avengers Assemble’s satisfying third season I did not expect to begin tearing into the show’s writers again. I never seem to learn my lesson about these people.

Avengers Assemble is taking a dive into the current comics’ attempt to rewrite reality through its “All New, All-Different” character roster. Now I have absolutely no problem with the addition of Black Panther, Vision, and Ant-Man to season four’s character lineup. I have already stated that I wanted them on the team, so actually having them here is great. But I was surprised and saddened at this series’ depiction of the Wasp. Since I have already listed my issues with the two Marvels elsewhere, I will not go into that here.

The two-part introductory episode “Avengers No More” began well enough. In this installment we had our wonderfully forged team of interesting, fun, beloved heroes trying to rescue Tony Stark from whatever dimension Dr. Strange sent him to last season.

We also got to meet this universe’s Jane Foster, who did quite nicely during her debut. The hint that she and Thor know each other from a prior time, not to mention the romantic spark which passes between them in the first episode, was a nice touch. Hawkeye and Panther trading quips was a great throwback to the Earth’s Mightiest Heroes, and I had hoped we would get to see them do it more often.

There was only one thing which bothered me in this episode, and that was Thor’s fixation on protecting his teammates. It seemed to be a bit overplayed; the writers looked like they were trying to give him PTSD or something. At the very least, I would say they were a tad too heavy-handed with this aspect of the show.

The second half of “Avengers No More” is where I had A LOT of problems. Panther came through the show with flying colors, naturally, and Vision is always fun to see. I actually rooted for the Enchantress when she tangled with Captain Marvel, but I was not happy with Scott Lang’s reduction to the team joke. I enjoy his quips and his fun-loving attitude, but the man is NOT stupid. He can get touchy-feely from time to time, not to mention be serious when the situation calls for it. The episode “Sneakers” proved this.

But it seems that the writers have decided that if they cannot make Hawkeye the class fool, they will do it to Scott Lang instead. Newsflash, people, we do NOT want our heroes to be fools of any kind. We do not mind it when they make mistakes, or goof up, or when they occasionally pull pranks. They are human and we like to see them behaving like real human beings do.

What is going on here, however, is none of the above. One of the reasons that this overdose of juvenility on Ant-Man’s part does not work is because it is so utterly inhuman (pun intended). No one who is that goofy can last in a position of authority, power, and danger for very long. To make us try to believe that they can will not work because the world will not let it work. Sooner or later, it will beat the truth into us that humor and goofiness has its place – and that place is not in the middle of a firefight.

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Wasp (Hope Van Dyne)

My other problem is with the Wasp. Originally, I looked forward to having her in the series; Janet Van Dyne is one of my favorite Marvel heroines. She has been since EMH. So although this Wasp is her daughter, Hope, I thought she might at least come close to the fun, cheerful character Jan was in Earth’s Mightiest Heroes. I had also thought to see her come into the series perfectly synchronized with her partner, Scott Lang.

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Wasp (Janet Van Dyne)

What I got instead was a character with a chip on her shoulder, determined to dominate the man who should be her colleague. As in “Prison Break,” Hope has realized that no one can or is holding her back except herself. However, she still comes across as hard nosed, grim, and anti-social. This prevents her from connecting in any meaningful way to Scott, something I have faint hopes of seeing as the season progresses.

More to the point, readers, this is not the Wasp I enjoy watching. Hope is not her mother, and I respect that difference. But I will not accept a character which is so obviously designed to carry a grudge against the world in general and her teammates in particular. I do not want or need that kind of negativity.

To tell you the truth, I find the difference in her deportment in this series puzzling. From what I saw of Hope in the Ant-Man film, she was not angry with her father because he would not let her use the suit. That was part of it. Most of the reason she was angry at him was because he would not tell her what had actually happened to her mother; he shut her out of his life after Jan’s disappearance, and this is what made her so angry with him.

By this point, Hope should have no reason to carry her anger into Assemble. While she has thrown out some good zingers in the show (not counting the ones at Ant-Man’s expense), the fact is that Wasp was never an “I am Woman, hear me roar!”-type character. Even in the film, there was none of the “Girl Power!” motif to be found in the axe she ground against Hank Pym.

Her dad wanted to keep her safe, both because he loved her and because she was the living link he to the wife he could not protect. Kevin Feige went to the trouble of specifically saying that Hank did not think Hope couldn’t handle the power of the Ant-Man suit. Feige said the reason Hank would not let her use the suit was because he did not want to lose his only daughter as he had his wife. There was no “holding Hope back” in the mission statement; there was only “shield Hope at all costs.”

Is this impractical? Yes, but any mother or father worth her or his salt will have that kind of reaction regarding their child/children. It is how they handle it which may need work or may deserve praise.

Also, my heart hit my shoes when the phrase “All New, All-Different” was used in the second half of “Avengers No More.” In the comics the “All New, All-Different” tagline is shorthand for “let’s make the elites and critics happy and who cares if we alienate our loyal, paying fanbase while we do it.” This has led to Captain America being reworked as a Nazi/Fascist and many other equally destructive “rewrites” to well-beloved heroes and heroines.

Marvel, as I have said elsewhere, is no longer run by people who want to build up the characters and tell good stories with them. It is managed by those who have an unhealthy and destructive agenda which they are now trying to force feed us through the cartoons.

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This must make you wonder why I bothered to watch the next five episodes of season four. Aside from the fact that it is good to know what the other side is doing, I have already invested a lot of ink/pixles in reviewing the series Avengers Assemble for you. If I were to stop now I would fail you, my audience, as well as myself. No one said I have to watch the season or like it, but my duty seems clear to me here: I started reviewing this series and so it behooves me review it to the finish, whatever that may be.

I must admit to disliking most of the episodes which follow “Avengers No More.” Not only do these shows avoid telling us where the original Avengers are, they essentially try to sell us a silk purse made from a sow’s ear. For instance, “The Sleeper Awakens,” wherein the Avengers’ B Team has to face down the Red Skull, is only saved by Vision.

When the newbies move into Black Panther’s ambassadorial mansion, their headquarters for the season, Ant-Man suggests Vision get a pet calculator after the android makes a comment about his large pet ant. Scott comes to regret this proposal when Vision reprograms one of Red Skull’s robots to think for itself and asks if he can keep it for a pet.

The byplay between Vision and “Skully” is the only saving grace for the show. Panther has to pull the rest of the weight for the episode while Scott is allowed some helpful hints. But in the end, the only reason to watch “The Sleeper Awakens” is Vision.

As for “Prison Break,” watching that show was nothing short of pure torture. It started out on a good note, with Wasp promising to take down Captain Marvel in a ping-pong match. While I would still like to see that happen, the rest of the episode was nothing less than “I am Woman, hear me roar!” pandering.

The major battle in this installment takes place in the Vault, a high security supervillain prison built into a mountain. Yelena Belova, now going by the moniker Crimson Widow, attacks and tricks the B Team into taking her to the prison. This is so she can get rich by freeing the villains held there.

Once inside, she takes down her escorts – Danvers and Wasp – before freeing Zarda and Typhoid Mary. Danvers and Wasp come to and then have an insipid heart-to-heart, during which Hope admits she thinks everyone in the universe is trying to hold her back. The only thing which was even mildly entertaining here was watching Zarda throw Danvers around. Why?

During “Prison Break” there was no sense of tangible threat to the heroines. We knew going in that Zarda would get beaten by Danvers; just because the writers and animators let her get kicked around first didn’t change that fact. We also knew that Crimson Widow and Typhoid Mary were going to lose. Danvers was the big stone around the show’s neck, but the second biggest was the chip on Hope’s shoulder.

Her “daddy/Scott/the Avengers held me back” speech was moronic. She is new to the gig, so the Avengers either did not know about her or they wanted her to get some more experience under her belt before they gave her a call, the same way you have to have something on your resume before you send it in to get a high-paying job. Scott could not hold Hope back, up, or down if he tried, and we already discussed the fact that her father was not holding her back from her full potential at the beginning of this post. It was blatantly obvious in “Prison Break” that the only thing holding the Wasp back was Hope Van Dyne.

And I am sorry, but the contest between Captain Marvel and Zarda was not worth getting excited about in any way. They are two macho women who like to punch down people/walls/buildings, and hearing Zarda list Danvers’ myriad false praises to the skies almost made me physically sick.

If the writers had pitted an actual heroine such as Mockingbird, Lady Sif, the Scarlet Witch, Spectrum, Firestar, or even She-Hulk against Zarda, I would have been more interested. But a struggle between equally strong opponents when the outcome can never be in doubt is a boring way to spend an episode.

Some of you are now doubtless shouting at the screen, saying, “How can you say that Zarda and Danvers are equally strong opponents, Mithril?! Zarda’s an immortal from Utopia – she’s even more powerful than Thor! How can you say that Danvers, who only has Kree DNA bonded to her body, is Zarda’s equal?!?”

My response: Oh, give me a Hulk-sized break!!!! First, we do not know if Zarda is more powerful than Thor. Her Sledge of Power operates on a different principle than Mjolnir does. It takes more power to be worthy than to be strong or “powerful,” readers. Zarda will never be able to lift the hammer for the simple reason that all her strength and prowess does not make her worthy. It just makes her a good bully.

Also, remember that Danvers and Zarda are both narcissistic, they both have more muscles in their upper bodies than between their ears, and there is no way in Nick Fury’s underwear drawer that the writers would ever avoid letting Danvers K.O. Zarda. We knew that going in because the big, flashing neon sign screaming “Girl Power!” was melting our eyes from the minute that Wasp and Danvers first clashed with Belova in Panther’s mansion. This told us everything we needed to know about the plot and the outcome of the episode before we were ten minutes into the show.

Now the reason that I say having Sif fight Zarda would have been more interesting is because Sif is not a Femi-Nazi. She made it into Asgard’s warrior corps on her own merit; she is interesting, vulnerable, and fun. And, what is more, she would never have let Zarda throw her around like a ragdoll just so she could look cooler when she finally flattened the Princess of Utopia.

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Spectrum (Monica Rambeau)

Put Spectrum up against Zarda, and you have the potential for a good to great fight. Monica Rambeau can become intangible and fire energy beams from her hands, not to mention turn her own body into a beam of light or energy. She is a former cop and a member of the New Orleans Harbor Patrol. She maintains her own patrol boat for this reason, she has spunk, and she has her weaknesses. Are you telling me she couldn’t handle Zarda? She could take her down without strain or sweat if she wanted to do so!

If you threw the Scarlet Witch at the Princess of Power, she would be dancing to keep up with Wanda’s skillful, smart attacks. Firestar is a mutant capable of flight and generating heat/fire blasts from her hands. You think she couldn’t have handled Zarda in an interesting way and still beaten her? Yeah, right!

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Firestar (Angelica Jones)

Heck, putting Zarda up against She-Hulk would have been more interesting. While Jennifer Walters’ alter-ego barely escapes the Strong Female Character stereotype, the fact is that she is no pushover and she is (rarely) bland. A fight between her and Zarda would have at least been attention worthy; the fight between Danvers and the Princess of Power was so dull that I barely glanced at more than a few scenes of it.

Mockingbird (Bobbi Morse)

But for my money, setting up a match between Mockingbird and Zarda would have been the ultimate catfight. Bobbi Morse has no superpowers (or she should not). A normal woman with extensive hand-to-hand combat and SHIELD training, I would have loved to have seen Mockingbird wipe the floor with Zarda by continually outsmarting her.

But the writers did not go for smart, just as they did not go for classy. And they certainly did not set up a battle between equally deadly foes. “Prison Break” was nothing but a root-for-us-because-we-are-strong-women piece with Marvel-ous window dressing. It was a rigged match from the start that meant absolutely nothing because it had no stakes, which gave the audience zero satisfaction when the conflict finally ended. The chip on Wasp’s shoulder made her defeat of Belova just as tedious.

Things did not improve overmuch in “The Incredible Herc.” I do not know if Marvel’s Hercules has always been this much of a nitwit, but color me unimpressed with his exploits in this chapter. This is a shame because I like the mythical stories about Hercules. I am also a fan of Hercules: The Legendary Journeys with Kevin Sorbo. Show this character (or Sorbo) any disrespect and you sink in my estimation.

Another irritating thing in this episode was watching Captain Marvel and Black Panther vie for leadership of the B Team. It is not that I cannot see this fight occuring; I can totally see Danvers trying to wrest control of the team from Panther. What I cannot see is Panther claiming “male privilege” to secure his position.

This is obviously the point behind his words when he says “I am a king!” during the debate over who should be leader of the Avengers’ B Team. The fact is that Panther is not a better leader than her for the reason that he is a king or due to the fact that he “sees the big picture.” He is the better leader because he is actually capable of analytical thought and all she wants to instinctively do is smash obstacles to pieces while taking all the glory from the battlefield.

My ability to swallow his respect for Captain Marvel, whom the writers have set up in Cap’s place in the series while he is bopping around the multi-verse, is nil. Danvers is a loose cannon, just like Hercules, but with far less charm and value. The writers think they can keep the message they want her to bear and not lose her while doing it.

But the fact is that this will not work. It never has. This is why she was never allowed to “take center stage” before. Danvers melts in the spotlight, demonstrating spectacularly to the audience that the Feminist claims she embodies are nothing more or less than lies.

This is something Marvel’s previous writers knew and which they did not allow to happen. But Marvel’s new writers have bought the lie hook, line, and sinker, leading them to try and amp up the power behind the broadcasting system. So they are surprised that people have continued to tune out the message, leading them to try to increase the power to the circuit so they can get the “necessary” attention.

It will be interesting to see their reaction when the whole thing self-destructs in their collective face.

I managed to miss the first few minutes of “Show Your Work,” readers, but the truth is that there was not much to miss. The episode was nothing less than an attempt to make Ms. Marvel/Kamala Khan look good, and you cannot make a token character look good any more than you can make pyrite real gold.

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Not once during this installment did Khan show any real vulnerability to Taskmaster’s supposed charm. Her claim that she saw through his charade from beginning to end also defeated the purpose of the entire subplot between the two of them. Other characters might have pulled it off, but because of her flawed design, Khan is completely incapable of making her emotional reactions look real – even when she geeks out while meeting a new hero/heroine.

Besides, in Ultimate Spider-Man, Taskmaster did not show near this much interest in or respect for any of the kids he encountered. The one-eighty degree turn he does in this episode for Ms. Marvel’s benefit absolutely smacks of politically correct condescension on the part of the writers.

Taskmaster is not a nice guy, readers; he respects nothing and no one. He fights and kills for cash, and he would keep doing it until the Earth blew up underneath him. Whoever he is/was under that skull mask, he is a ruthless murderer bent on getting as much money and pleasure out of his job as he can. Softening him up for Khan’s benefit is nothing short of patronization toward the audience on the part of the show’s writers.

Khan’s statement to Taskmaster that “Reboots are all the rage right now” was another demerit for the show in my book. A reboot, as I understand things, is supposed to revive a television series and its characters in a fresh way for a new generation. They do this by tweaking the original stories and characters, not by fundamentally rewriting them and their universe.

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This means there is nothing fresh or good in the “reboots” Marvel has been feeding us since 2015. If we can have the ancient myths, the Tales of King Arthur, and The Merry Adventures of Robin Hood retold to us over and over and over again with just a few minor changes to the original platform, then what makes Marvel’s writers think we cannot handle the same thing in regard to their heroes?!?!

Vision was the only bright spot in this show, and he did not save it. Duct tape would not have been able to save this episode. Wasp still had a visible chip on her shoulder here, Scott was made to look the fool again, and Panther was not allowed to really flex his leadership muscles. As a result, “Show Your Work” earns one big, long, drawn-out “Booo!” from this viewer.

Now “Sneakers” was actually a good chapter because it played to T’Challa’s strengths and Scott was allowed to be more than the team pratfall. The two had to work together to save Wakanda from Baron Zemo (strange how I knew his redemption in season three would not last).

They did it in an interesting way and, while Scott did not come out of the battle totally free of juvenile “humor,” he did not play the useless waste of skin the writers made him appear in the earlier episodes. Vision also had a cameo or two which lent vigor to the show and the dialogue. All of this made “Sneakers” the only one of the five premier installments for Secret Wars worth watching.

So far, I am more than a little frustrated with Avengers Assemble’s season four. I had a sense it would disappoint – the title Secret Wars was the giveaway. And the retitling of the series’ fifth season (Black Panther’s Quest) does not inspire confidence in the upcoming period, either. How can it be Avengers Assemble if Black Panther is the lead – or possibly the ONLY – character in the series at this point?

None of this is to say that I would not love to see him in season five. T’Challa is one of the best, most well-developed and intriguing characters Marvel has, and I enjoy watching him. But I do NOT want to see more of T’Challa at the expense of Cap, Hawkeye, Hulk, Black Widow, Falcon, Iron Man, and Thor. I want to see him fighting alongside them, learning with them, and integrating into their team. A Black Panther and Avengers team up, or a Black Panther plus his Avenging sidekicks storyline, will not deliver on this.

With the arrival of new villains such as Skurge and the Enchantress, I would also like to know why we cannot have more heroes and heroines added to the Avengers’ roster in this series. I am still waiting for the appearance of Quicksilver and the Scarlet Witch, everybody. And I would like to have Spectrum, Bucky Barnes, Mockingbird, War Machine, Firestar, Lady Sif, Luke Cage, Iron Fist, and many others appear here as well. Having Songbird and at least one or two of the Thunderbolts return would be great, too, as would the reappearance of Inferno.

And seriously, why do we not have the X-Men, the Fantastic Four, Daredevil, and other Marvel heroes weaving in and out of this series? Just what is wrong with that idea? No one ever seemed to have a problem doing it before. Why the hesitation now?

The Marvel Universe is – or was – a dynamic and varied place with plenty of amazing characters to enjoy. The fact that the writers will now build stories using only the critically “sanctioned” heroes and heroines (often with a liberal twist) is assinine. It limits them as storytellers; they have gone from “going where no man has gone before” to “going where no one wants to go.”

It is a weak, stupid move, and it is hurting them just as much as it is hurting their audience. But Marvel’s current writers and hierarchy won’t stop doing this – not in short order, anyway – which means we are going to suffer along with our heroes through mile after mile of relativist swampland until the people in charge clean up their act.

This seems like a sour note to end a post with, doesn’t it? I will not end a post on a sour note if I can help it, so here goes with the positivity: things can be repaired. New, good stories can be told using the same great characters. The continual retellings of the ancient myths, the stories about King Arthur and Robin Hood, prove that you do not need to “get with the times” to have relevant heroes, heroines, and stories, readers. A good story, well told, with great characters is all you need to entertain/instruct an audience.

One of these days, someone at Marvel is going to figure this out. Or they will hire someone who knows this. Or they will be bought out by someone who knows it and who will hire people who know it. Eventually, the tide will change, the trash will be swept out, and the house will be refurbished.

We just have to hold out until that happens. We have to hold on to the characters and stories so we can clean up the mansion and put everything to rights again at some point in the future. So, rather than say, “Make mine Marvel no more!” I will say this –

Avengers – ALWAYS!!!

Spotlight: X-Men – Rogue/Anna Marie

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Recently, I found a number of posts dealing with a topic I have addressed on my own blog. Apparently yours truly is not the only one to notice and take umbrage with the current fascination for creating so-called “strong female characters.” There have been a couple of articles on other sites dealing with the subject. I have read them and they have gotten the gears in this cranium turning, which lead me to today’s subject: the X-Man Rogue.

First off we will go down the list of Rogue’s abilities. Those familiar with her history in the comics and television will have to bear with me, because I am going to rehash some old storylines to keep everyone in the loop.

The Marvel newcomer who is not entering the multi-verse via the poisoned comics will find Rogue in the X-Men films. This version of Rogue is close but not quite the same as the one found in older comics and cartoons. There is no slight intended when I say that the film portrayal of the character is actually a poorer presentation than the original. Anna Paquin does a good job as Rogue; it is the writers and director(s) of the X-Men films who have mishandled the character.

Anyway, if you “met” Rogue in these films, then you know that her mutant ability is to absorb the memories, talents, and/or mutant powers of anyone with whom she comes into skin contact. You also think she got that white streak in her hair after Magneto force-fed his abilities to her before the final battle in the first movie, but she had that from the moment she appeared in the comics. (I do not like how they gave it to her in the films; it takes away from her character – in my ‘umble opinion.)

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I have stated many times that I do not like the X-Men films, so I am going to stop talking about them here and go straight to Rogue’s comic book and cartoon histories. Similar to the films, Rogue’s mutant power manifested when she and her boyfriend, Cody, were having their first kiss. Rogue was thirteen at the time and so she was more than a little frightened when Cody suddenly passed out mid-smooch.

Rejected by her family for being a mutant, Rogue ran away from home, afraid to make skin contact of any kind with anyone. Mystique, in a guise other than her real blue-skinned, red-haired form, found Rogue and recruited her into her latest cabal of mutant trouble makers. She practically adopted Rogue as her own daughter….

…But she treated her as a secret weapon, using Rogue to her advantage in fights with the X-Men. Rogue was completely loyal to Mystique because she had taken her in and given her direction when no one else had and when no one else would give her the time of day. She rarely balked when told to use her absorption abilities on an X-Man, security guard, or some other person Mystique wanted knocked out or who had information she desired.

The one instance I know of in the comics where Rogue refused to use her power was when Mystique told her to absorb Angel’s abilities. Rogue was afraid that she would grow wings like his, so she did not want to touch him. As you may know from watching the films, readers, the powers Rogue absorbs eventually fade away. The memories and skills she “downloads” along with them remain like “ghost files” in her head, but they do not (usually) bother her after a while. Prior to 2015, the writers made it possible for Rogue to “recall” individual powers and abilities she had previously stolen from people, something I consider cheating. But in the case I mention above, Rogue did not have that power and she feared she would be stuck with Angel’s wings permanently if she touched him, so Mystique did not get her way in that episode.

Eventually, Rogue’s servitude to Mystique led her into a fight with Carol Danvers. At the time Danvers’ codename was still Ms. Marvel, and so her uniform consisted of a black swimsuit with a yellow lightning bolt emblazed on the front. Because her suit had no sleeves or pants, she was a perfect target for Rogue’s absorption abilities.

Thinking Danvers would be easy enough to overcome, Rogue grabbed hold of her and started draining her powers.

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But unlike Rogue’s other opponents, Danvers did not immediately pass out. Since her powers come from Kree DNA that was somehow bonded to her body, Danvers possesses almost as much physical strength as Ben Grimm. She also has the ability to fire bolts of energy from her hands, sub-supersonic flight, indestructability, a ferocious Kree temper, and a precognitive “seventh sense” that allows her to see her opponent’s next move before it happens. I have never seen this last power demonstrated – and the number of times that Danvers has been smacked, thrown around, or otherwise hit makes me think she does not actually have this power.

Anyway, the Kree DNA kept Danvers awake longer than any of the other people Rogue had touched. It also fueled her anger and she started fighting back. Frightened by Danvers’ unexpected reaction to her powers, Rogue tried to let the woman go and make good her escape.

But Danvers would not let Rogue go. The two struggled for an eternity of minutes before they crashlanded. Once that happened Rogue discovered that, not only was she physically unharmed along with Danvers, but the other woman was out cold at last beside her in the dirt.

After this, Rogue found she had absorbed Danvers’ capabilities of flight, indestructibiliy, and superhuman strength. These powers did not fade over the next two or three days, as all her other “borrowed” powers had, and it looked like they were hers for keeps.

But she soon discovered that these fantastic powers came with a terrible price. Her prolonged contact with Danvers’ meant that she didn’t just have the woman’s memories and powers; Danvers’ psyche was stuck in Rogue’s mind and body at the same time Danvers’ own body remained in a hospital in a coma. Her personality – almost her entire being – was seemingly just as much Rogue’s property now as her powers were.

This unintended arrangement left Ms. Marvel less than pleased, and Rogue soon found she didn’t like it either. If Ms. Marvel really made an effort at it, she could commandeer Rogue’s body. Rogue would black out in one place and wake up in another, sometimes wearing Danvers’ suit or accoutrements and surrounded by the things Danvers enjoyed. This was more than a little frightening and upsetting for her, and it brought her to the realization that she had practically committed murder by absorbing Danvers’ mind into herself.

As Rogue’s guilt grew, she asked her “Mama” to find a way to make Danvers go away or to transfer her out of her body. But Mystique did not know how to do that and, what is more, she did not want to do that. She might have thought that Rogue could adapt to having Danvers in her mind or something like that, too, because she wanted Rogue to go on using her powers – despite the fact that her “daughter” was sharing space with another woman who could take control of Rogue’s body at the most unexpected or unwelcome moments.

This led Rogue to run away again. Knowing the X-Men as well as she did, she went to them for help in removing Danvers’ psyche.

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Her reception was not a warm one. Danvers had worked with the X-Men on more than one mission, so they considered her a friend (for what reason, I have no idea). Wolverine was especially upset, since he and Danvers were particularly close. (Again, I have no idea why they were such good friends. Danvers should have driven Wolvie half crazy ninety percent of the time, but this did not happen, probably because the writers were working overtime to make their “uber woman” more acceptable to their audience through her acceptance by the other characters in the Marvel Universe.) Aside from the Professor, no one on the team saw anything likeable about Rogue, and she was a virtual outcast in the team she had sought out for help, as well as to begin to make amends for her past misdeeds.

But Rogue did finally earn full acceptance by the X-Men, becoming one of their most valued members and friends. Wolverine ultimately thawed to her as well, to the point that he became her informal protector and mentor during her early days on the team. She has since become one of the most recognizable and loved characters in Marvel Comics, as evidenced by the fact that yours truly is a fan of her.

What does Rogue have to do with the push for feminization in fiction? For a long time in the comics and cartoons, Rogue’s most apparent abilities were the ones which she had stolen from Danvers, to the point that I, as a young viewer, thought they were her actual mutant powers. Throughout the 1990s comics and cartoons, Rogue would punch or throw the villains into walls, knock down buildings, or hold up heavy pieces of buildings during different battles.

This meant that she was able to shake off resultant punishment in a battle as well. While fighting several Sentinels in the 1990s pilot, one of the robots hit Rogue in the back with his fist, sending her smack into the floor. Lifting herself up on her hands and knees at the bottom of the crater, Rogue shot the robot a smile and chided it for its bad behavior. Then she flew up, grabbed it under the arm, and threw it to the floor, where it promptly flew to pieces.

That is a pretty impressive display of strength, you have to admit. And I was young enough that such displays excited me. I happily rooted for Rogue whenever she pulled off an amazing feat of strength like that. I was a young, impressionable child who loved superheroes. I wanted to be strong when I grew up, strong enough to fight evil the way that I saw my heroes fighting it every Saturday morning. It is completely normal.

I do not know when it happened, but after a while Rogue’s apparent superpowers stopped being the main reason for my interest in her. It might have been the episode where she and Nightcrawler learned they were related through Mystique, or it might have been a different show entirely. All I know is that, after a while, I liked Rogue for Rogue and not for her superpowers.

Again, you ask, what does all this have to do with the strong woman trope we are having forced on us in fiction today? Some people have said that the feats of strength Rogue pulled off in the ‘90s might have been overdone.

This is entirely possible, even probable, but I would like it if these critics would keep a few things about her in mind. Some of the reasons Rogue’s fighting style in the ‘90s (and before and after in the comics) may have looked improbable were because Rogue herself did not actually know how to use her strength, or she was relying on Danvers’ understanding of how to use increased strength during a battle.

And, because she had Danvers’ indestructability, Rogue might have thrown herself into certain situations for no other reason than to protect a teammate who would squish far more easily than she would. These are possibilities I would suggest for any maneuvers the writers had her perform which people find hard to believe. I think they should remember that, from Rogue’s point of view, these maneuvers might have seemed totally normal or reasonable to her, given what she knew of using her super strength. Rogue did not have the best education, which we’ll cover in more depth below, and so she did not and does not know as much about physics as readers/viewers and others do.

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The other thing viewers and readers should keep in mind when they watch Rogue fight is her absorbing ability. If she suddenly acquires the strength of the Unstoppable Juggernaut and begins throwing him around, it can look a little silly to us. Here is a girl who barely comes up to Juggernaut’s hip whirling him around over her head like a ragdoll. Under normal circumstances, it is totally implausible and stupid looking.

But Rogue is not normal, especially when she absorbs the powers of others. If she absorbs Juggernaut’s power, then she has his strength. Whether she has it in proportion to her size, weight, and height does not matter; you could drop a building on her while she has Juggernaut’s powers and she won’t even get a bloddy nose, for the simple reason that he would not get a bloody nose. Unfair? Maybe, but this is fantasy we are talking about here. We enjoy it precisely because it allows us to imagine stuff we cannot actually do.

The other thing to remember is that Rogue cannot just activate the powers she steals willy-nilly. She has to access the memories of the people who actually own these powers so she can avoid blowing up the countryside or flooding Manhattan. If she wants to use Juggernaut’s own strength against him, she will rely on his memories – muscle and conscious/subconscious – to make the best possible use of his powers. Juggernaut’s fighting style is not Rogue’s, nor should it be. But when she immerses herself, however shallowly she does it, in his memories this means that we will see her fighting the way that he does. It looks ridiculous, but when you keep this aspect of her powers in mind it becomes understandable and allowable.

Now this does NOT mean the writers should not be held to a high standard when they portray her pulling off these feats, but it does mean that it behooves us, as the audience, to remember the McGuffin that allows Rogue to survive these battles and/or perfom these stunts. It is a balance between the writers knowing their craft and the audience accepting the parameters of the story they are telling. Writers who abuse or talk down to their audience must rightly be called out for their arrogance. But an audience that will accept a good story with thousands of impossible McGuffins scattered throughout it should not throw stones in glass houses. That is my opinion, anyway.

Now we will discuss why Rogue is not an “SFC” or “Strong Female Character” in the vein that Carol Danvers, Thorette, and Thundra are.

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Long story short, Rogue does not qualify as the modern strong woman. First, her character design has fluctuated since the ‘90s and she no longer has the muscle structure of Ms. Marvel. Rogue is nothing like Carol Danvers, Thundra, or Thorette. These female characters are cardboard cutouts designed to appease and appeal to the Femi-Nazis, who are forever unhappy and whose hunger for the destruction of Western culture is utterly insatiable. It may appear from her 1990s debut – and, for all I know, some of Marvel’s newest stories – that Rogue qualifies as a “SFC,” but the fact is that Rogue is not a cardboard cutout, nor is she a strong woman in the sense that she is faster, smarter, and stronger than the guys.

One of the first people to admit that she is not smarter than almost anyone you could name would be Rogue herself. She is capable of outwitting an opponent and she is not stupid, but she is not a scholar, or a mechanic, or a super genius, or any of the other “SFC” tropes. What is more, she does not – or did not – pretend to be any of the above when I watched her on television and knew her in my limited way in the comics.

Most of the knowledge that Rogue possesses of higher mathematics, scholarly enterprises, etc., is knowledge that she stole from others. In the comics, Rogue ran away from home when she was thirteen. She spent years on the road after this, and a few more years under Mystique’s “guidance” before joining the X-Men. I do not think there was a lot of time in there for regular schooling, do you, readers? No, there was not. So this means her formal education ended, practically speaking, after she left home.

Now Danvers went through all the schooling necessary to become an Air Force pilot and Jane Foster – who used to be a perfectly respectable character – had to go through extensive schooling and training to become a nurse. We are just supposed to accept that Thundra, being from an alternate universe where women are the dominant sex (ignore the barfing sounds on the other side of the screen, please, readers) is naturally smarter than any man on this Earth or her own – though it is funny how she never shows it.

None of the above applies to Rogue. Everything she has learned since she discovered her powers has been taught to her by circumstance and by the consequences of her choices; her smarts were earned in the school of hard knocks, not in a brick and mortar building. Danvers, for all her supposed superiority to men, learns nothing from the battles she takes a part in. The evidence of this is that she is one of the few Marvel characters with no ability to resist telepathic control for even a fraction of a second. Rogue has had to learn to be tough to survive; Danvers survives through the writers’ stubborn intent to keep her alive.

In moments of downtime in the 1990s series, Rogue also had a generally cheerful demeanor. She smiled, laughed, and joked regularly; this showed that she was someone who genuinely loved life, despite the numerous punches she had been dealt by it.

In contrast, Danvers’ sense of humor is thinner than cellophane plastic. When she teases or jokes, it sounds tinny and unreal; when she smiles, it does not soften her features. It makes her look like she is stretching her face to the breaking point.

Something else that differentiates Rogue from the “SFC” trope is that she is vulnerable. I read a book some time ago by Fr. Dwight Longenecker called The Romance of Religion. One of the interesting things he mentions in the book is that hero(es) of stories tend to have a fault or a wound that they must bear as they do their duty or carry on their quest.

Looking out over most of fiction – and especially Marvel – I have to think he is on to something here. From Spider-Man to T’Challa, from Captain America to Punisher, from Hawkeye to Ben Grimm, most of Marvel’s characters have some sort of emotional injury that they carry with them wherever they go. And ninety-nine point nine percent of them have character flaws they have to either overcome or continually wrestle to control – although by now, that fact is out the window. In Marvel’s – and our – brave new world, flaws are to be embraced, not resisted. They are natural to us while self-control is just an artificial restraint society uses to keep us down. (Yes, I am being sarcastic, readers.)

In the original stories, Rogue’s great emotional weakness was her inability to make skin contact with another human being – or any other being, for that matter. She had to wear longsleeved shirts and long pants, as well as gloves, all the time. She could not pat Wolverine on the hand with her own bare hand. She could not let someone brush up against her arms if her shirt, jacket, or suit somehow lost its sleeves – and she could never, ever kiss a man for more than a few seconds. And even the briefest of kisses would be dangerous for him.

This last was particularly painful for her because, during the ‘90s, Gambit was actively courting her. Oh, he would flirt with plenty of other girls during the series, but the one he consistently went after with every ounce of charm he could muster was Rogue.

Usually, Rogue would flirt back, but that was as far as she could and would let it go. Aside from two different times that I know of where Gambit kissed her, Rogue had to put her glove over his mouth and kiss that to show her feelings for him. On more than one occasion, her frustration with her inability to safely touch someone, anyone, would drive her to anger and/or cause her to make an avoidable mistake.

This was Rogue’s greatest vulnerability, but she had others. When captured along with the other X-Men by Mr. Sinister and his Nasty Boyz in the ‘90s TV series, Rogue admitted to Gambit that she was scared. Sinister had found a way to block mutant powers in this episode, which meant that both Rogue’s innate absorption abillities and the powers she had taken from Danvers were suppressed. “I don’t know how to fight these guys without my powers,” she admitted to Gambit.

Now, readers, can any of you name one single time that Carol Danvers has admitted that she is afraid of something/someone? I cannot. To the best of my knowledge, Danvers has never once shown fear. She might – MIGHT – show concern, but most of the time when she is captured or in a situation that looks grim, she just becomes angry. Thorette seems to be going the same route, while Thundra has always had a demonstrable temper and no real sense of, or respect for, fear.

Rogue certainly has a temper, but in this episode, anger was the furthest thing from her mind. Her primary emotion was fear because she did not know how to fight without using her powers. What “SFC” shows or admits to fear? I do not know of any, but if you can name me one, readers, I will look into her.

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In the series that followed the ‘90s X-Men, the writers changed Rogue’s appearance. They dropped Ms. Marvel from the series’ storyline and left Rogue to rely on her absorption ability alone. They also gave her and the rest of the teenage X-Men close combat and weapons’ training.

While this was a plus for Rogue, leaving her a way to protect herself if she could not somehow bring her mutant powers to bear, in my opinion the writers did make one mistake with her characterization in this series: Evolution showed Rogue as an anti-social teenage girl who was into Gothic makeup and clothing. Forget that her makeup would not have lasted five seconds in battle (yet it somehow lasted the entire series), the change in her demeanor was not something I think was really necessary. Rogue did well in the series but I did – and do – miss the cheerful zest for life she exhibited in the ‘90s.

Personally, I suspect the writers gave Rogue more angst because they thought it would sell. It must have, because the series lasted four seasons. Her tendency to brood and lose her temper did not detract from her willingness to help others, which was good, and this demeanor did give her a chance to connect with Wolverine as a father figure. While this last was especially nice, I still miss her earliler deportment a lot. If Marvel ever rights itself and starts telling good stories again, I hope they give Rogue back the joi de vive she had in the ‘90s.

One other good thing about Rogue’s appearance in Evolution was her shorter hair. It is a well known fact that sexual predators target women with long hair because then they can grab hold of it and use that hold to force the woman to go where they wish. Such a hold is painful – if you do not believe me, readers, try it on yourself. (Trust me, it hurts.)

One of the strange things that writers for modern films and stories – including comics – keep doing is they are sending their heroines into combat with long hair. This is silly, as it can be a weakness; the heroine’s hair could catch in a machine and suck her down a hole, or her opponent(s) could grab it and use that hold to keep her still. Your heroine may look great with long hair, but remember, readers and writers, that even Princess Leia’s hair was done up in such a way that a Stormtrooper couldn’t grab it and yank her back. There was also no chance of her long locks getting caught in the Millenium Falcon’s inductors because it was pinned up and out of the way.

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Allowing men into combat with beards is no more practical than sending women into a fight with long hair. (Yes, I AM looking at Cap’s beard in Infinity War.) One of the reasons the Romans shaved was so that, when they got into personal combat with an enemy, he would not be able grab the Roman’s beard and hold him immobilized long enough to behead him. Ask the Romans how they know about this.

Now most stories are fantasy, of course, and in some cases you can actually excuse the female characters’ long hair (who is going to be able to get close enough to Storm to grab her hair, I’d like to know?). However, Rogue’s shortened hair is not a problem for me, nor is her more feminine muscle tone.

This is why I do not and cannot see Rogue as the Feminist ideal of female superiority. Rogue is a normal woman with a power that she sees, with justification, as a curse rather than a gift. She has insecurities and fears; she makes mistakes and she is not well-educated outside of life’s hard lessons. Her strength does not come from her superpower or the powers she steals – it comes from her williness to fight evil. It comes from her desire to protect her friends and to make up for her errors in judgement. It comes of her willingness to consistently choose to be a heroine, even when doing so hurts her the most.

This is why she is one of my favorite X-Men and one of my favorite Marvel characters. This is why I cannot consider her a member of the “SFC” club, at least in her previous portrayals in the comics and cartoons. These days I can believe that Marvel would erase her from its canon if the banana brains in charge thought that would get them new subscribers and buyers. If they are going to try and make her the big, strong female character stereotype, they will ruin her as they have ruined all the other characters they are abusing.

But there is nothing I can do to stop them from torturing themselves like this. And at this point, telling them, “Hey, your company is bleeding money all over the place,” appears to be a waste of breath. If they want to bankrupt themselves, then nothing I say or do will stop them. I can only hope that when that happens, someone who loves the characters will buy the company and that they will hire good writers to clean up the mess. And yes, I would volunteer to be one of those writers in a heartbeat.

I hope it does not come to that, but it looks like it might. But if there is one thing Marvel’s myriad heroes have taught me, Rogue included, it’s that even when you get punched in the teeth, it does not mean the battle is over. It just means you got punched in the teeth. That is no reason to give up the fight.

So no, I do not intend to stop fighting. Only dead fish go with the flow, and I do not intend to be a dead fish. There is more than one way to fight, and the best way to fight Marvel’s current hierarchy is to introduce potential new Marvel fans to original Marvel fare.

In the interest of doing that, I recommend that you look up the 1990s X-Men televsion series, readers. Then study up on the characters in it, along with Marvel’s other heroes and heroines. Read between the lines; it is not the battles the characters take part in that are important, or the powers they wield, or the atrocities the current writers are making them commit –

It is who they are as characters that is important. This is what Marvel has decided to forget….

…..So this is what we have to remember and pass on to others.

EXCELSIOR!!!!

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Season 3 of Avengers Assemble Review

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Last year I did a post called “Avengers Assemble Season Three – How Is It So Far?” That post covered the first eight episodes of the third season. Reading it, you will find that I was most pleased with what I had seen at the time.

Now that the “Ultron Revolution” has run its course and “Secret Wars” – hopefully no relation to the lousy 2015 comic book event – are in our viewing future, you might be asking yourselves: what did I think of the rest of season three?

Let’s find out.

Since I wrote individual posts on the episodes “Inhumans Among Us” and “Captain Marvel,” these stories will not be discussed at length herein. If you wish to know what this writer thought of those episodes, use the search engine to find the posts about “Inhumans Among Us” and “Captain Marvel,” readers.

“The Inhuman Condition” was much better than its predecessor, “Inhumans Among Us,” in my book. There was no angst, no fuss, no muss, just cooperation between the Avengers and Black Bolt. Lockjaw giving Cap a few licks was good, too, since it showed that even a dog can recognize how great Steve is. It was wonderful to watch Hawkeye being his usual confident self instead of a doofus. It was also nice to hear Tony actually ask for help for a change, and watching Thor smash Ultron is always fun. Ah, I love the sound of Mjolnir hitting maniacal robots in the morning, don’t you?

Now “The Kids Are Alright” I had some problems with, and there are friends of mine who have issues with it as well. One, for instance, hated that Khan interrupted Cap when he gave the kids a tour of the Tower. Another friend considers Khan to be nothing more than an annoyance during the episode’s run, since she has no purpose in the narrative of the show. She did not demonstrate any depth of character, either; she is just a fangirl who got lucky and ended up with superpowers.

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What is this author’s opinion? I am no fan of Kamala Khan/Ms. Marvel. To me, she is no more entertaining than her namesake. Also, Khan was not allowed by the writers to make any mistakes in combat during this show. She and Inferno had been using their powers for all of, what, a week? And yet she is a better fighter than he is? I am sorry but no, no, no, and no. Rookies do not do that well on the job in their first weeks; it does not happen unless they are extremely talented and/or lucky. Luck I will admit Khan has, but as for talent, it does not take much to imitate Mr. Fantastic – who should at least be mentioned in this series, by the way!

I thought that Inferno got short shrift here, too, being portrayed as the cocky kid who runs into a situation without thinking. I can handle a callow youth or a hothead, but the fact is that these often unwelcome traits do not necessarily add up to stupidity, which is the direction the Marvel writers appeared to be heading with the character in “The Kids Are All Right.” Inferno can do much better, but it does not seem that the writers want him to do better. They ought to bring Dante into “Secret Wars” as part of the Earth-bound Avengers just to give him a better showing than the one he got in season three.

On the bright side, Cap and Hawkeye did well in this show. Cap was his usual charming and encouraging self while Hawkeye got to prove (again) that although he may not be a super genius, this does not mean he is stupid. The sad thing is that they are the only saving graces in an otherwise politically correct, namby-pamby, wishy-washy, feel-good episode. You can tell I was not “feeling the love” from this show, can’t you, readers?

In contrast, I thought that “The Conqueror” and “Into the Future” were much better installments in the series. Bringing Kang into the story sets up a primary villain for season four, and no one can say that Kang is a fifth rate villain. He is no Dr. Doom (despite his mysterious relation to him), nor is he Magneto, but he probably ranks third behind those two masterminds of evil. Having Tony tweak him and get him angry was a good trick for the first episode, and showing Cap best him in the Jurassic period was the highlight of “Into the Future.”

My one problem with “Into the Future” is that none of the male rebels, aside from Thor, got a speaking part. Layla was a good character, and the hint that the red-headed girl who had tried to improve Tony’s Omega suit could be his great-great-great-great-great granddaughter was nice. The nod to Kate Bishop also did not go unnoticed by yours truly. In fact, the whole idea of a rebellion against Kang’s rule was genius, in my opinion. I wish someone had thought of it years ago!   (For all I know they did, but if so, I never heard about it.)

But the fact remains that some of the guys in Thor’s rebellion should have been allowed to say at least one word. Having Thor as their leader and letting him give the speeches was good; along with the rebellion twist, it made a lot of sense. He is Asgardian and immortal – practically speaking, anyway. Of course he would live into the thirtieth century, where he would start a rebellion against Kang’s tyranny, and of course he would end up bald as Odin. But at least ONE of the male rebels in Thor’s band should have been allowed to talk instead of being used as scenery filler.

This is a minor quibble with an otherwise excellent episode, but it is an important one to make. Marvel is trying to feminize its franchise, from Iron Man to Thor to Hawkeye and beyond. I am tired of it. The company already has great female leads; they do not need a bunch of milksop fems strutting across the screen, attempting to be something they are not. If they want to add new characters to help tell new stories, that is fine. But trying to replace the originals with newbies like Khan does not work; to the best of my knowledge, it never has. And when they try to make all their heroes female, the writers make matters worse. Remember, I like Steve Rogers, Clint Barton, Tony Stark, Thor Odinson, Bruce Banner, Bucky Barnes, Sam Wilson, Vision, Quicksilver, and many of the other male leads in Marvel because they are male. And I am not the only one. I wish that Marvel would get this fact through its thick, corporate head already and let me save my breath on this issue.

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Now we will go back to business. In “Seeing Double” we watch as Natasha faces off against Black Widow wannabe Yelena Belova. I have read about the character but never seen her, and this episode is a very impressive introduction for her. It fleshed out Natasha’s character in the bargain, and the hint that maybe she did not throw away the thumb drive said to contain her real memories was an unexpected twist. Making the Hulk into a large, green version of the Winter Soldier was something that I did not see coming. My only disappointment is that we never got to see Bucky here or during season three.

Then we have “A Friend in Need,” where Vision is introduced to the team. It was a nice installment, from Thor’s taking him to Asgard and teaching him about friendship to Vision’s nearly permanent sacrifice to save his friends. The three-way training session with Cap, Widow, and Hawkeye was a good bonus point, as was Vision playing video games with Hulk and Thor at the end. Very cute scene!

After this we had “Panther’s Rage,” an episode that presented T’Challa/Black Panther, Wakanda, and the Dora Milaje in an interesting way. Hawkeye’s flirting with Aneka was somewhat irritating, but their resultant friendship had a much better vibe to it. Cap and Thor’s ability to understand Panther and their subsequent friendships with him were believable and fun as well. And watching the pack of them kick Klaue’s fanny was great, as usual. But I am kind of getting tired of T’Challa always showing up on the Avengers’ doorstep angry. How about a little variety next time, Marvel writers?

“Ant-Man Makes It Big” was a fun episode in which Marvel proved that, despite many changes over the years, they still like to poke fun at themselves from time to time. Thor teaching a snobby actor the reality of life was a plus, as was Hawkeye’s easy acceptance of Scott and his new job. Having Widow angry at Scott for leaving the Avengers was an interesting and compelling development. It is nice to see that they have completely separated her from their original Amazonian stereotype and allowed her to be the character she always has been.

After this came “House of Zemo.” This show is one of my favorites and it had many good points, one of these being the redemption of Cap’s father after the debacle where Marvel tried to make the First Avenger a secret operative of HYDRA in the comics last year. In search of a photo he can use to draw a picture of his father, Cap leaves Avengers Tower on his birthday (July 4th), in order to clear his head and jog his memory. Hawkeye, who actually had a lousy father in the comics and apparently in Assemble as well, still palpably empathizes with Cap’s desire to remember and draw his father’s face. The rapport between the two is handled with an artist’s touch here and makes this episode an adventure worth remembering. 😉

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There was one thing about “House of Zemo,” however, that felt off to me: Helmut Zemo’s “redemption” at the end of the show. It felt forced and tacked on. I agree that he can reform; that is not what bothered me. It is that the writers brought about his change of heart too fast to be believable and satisfactory. They jammed it into an otherwise moving story, as though they thought no one would like an episode where Hawkeye, the fatherless, anchorless Avenger, helped the most grounded member of the team reconnect with his own father.

Maybe they were right, but I doubt it seriously. Of course, perhaps they thought Helmut Zemo could make the leap with ease, since in this series he is in fact a very old man, but he looks and acts young thanks to taking his father’s variant of the Super Soldier Serum. It still feels cheap to me, though, and that is why I make such a fuss about it.

The episodes “U-Foes,” “Building the Perfect Weapon,” and “World War Hulk” were great installments. The U-Foes, I think, would make viable fifth-rate villains in season four, but I do not like Widow’s taking offense when Red Hulk labeled everyone on the team “men” at the end of “World War Hulk.” No, she is not a man, but his use of the term is normal and hardly material for an affront, unless he is addressing a room full of women. This he definitely did not do within the show. I would think any female Avenger would ignore this unimportant phrase and deal with the bigger issue – the fact that Red Hulk thought he was the team’s leader. Who died and made him king?

Another thing which irritated me in these shows was how Cap acquiesced to Hulk wearing the inhibitor collar. His unabashed appreciation of Red Hulk’s military analysis of situations was equally bothersome. Just because Ross was once a U.S. general with a modicum of talent, it does not make him a great guy. I found it irksome that the writers thought Cap should appreciate Red’s ability to tactically assess a base –especially since he showed that this skill did not stretch nearly far enough. Cap is better than that, people. Stop treating him like a cookie-cutter tin soldier. He is no such thing!

One of the things I did enjoy here is that Hulk got to stay on Earth, instead of being tossed off-world and ending up in a gladiatorial arena. Another beautiful touch to the “World War Hulk” episode was the hint of romance between Big Green and Black Widow. Though they have done it before, in this Hulk-centered episode, it had more than its usual impact for viewers.

The romance the writers have developed between Natasha and Hulk in Avengers Assemble is something I have come to like quite a bit. It fits the narrative and it gives me hope that, should the writers bring Mockingbird and/or Sharon Carter on the scene, they will be able to handle a Romance Reel with them and their guys as well as they have managed Natasha and the Hulk’s duet. It also lets me hope that when Cap and Tony meet Peggy Carter in season four, the writers will be able to portray that romance with the same adroit touch they have used for Natasha and Hulk.

The “Civil War” story arc was truly impressive. For one thing, it was really, really, REALLY nice not to have Tony and Cap trying to kill each other here. The pluses continued to mount when the Mighty Avengers were formed as the antagonistic team, with Princess Sparkle Fists (a.k.a. Captain Marvel) at the head of the group. My only regret is that the writers did not hand her off to the Hulk during the battle. At least he would have actually hit her.

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The moment when Hawkeye convinced Songbird to leave the Mighty Avengers for the Avengers was superb. I had hoped to see Songbird before season three’s conclusion as part of the Avengers or as the leader of the Thunderbolts. The writers surpassed my wildest dreams in this regard for her, and they outdid themselves on Hawkeye’s characterization in this moment. His general deportment throughout the “Civil War” conflict was perfect. I am really happy with the fact that they have stopped using him as the team pratfall in every episode. 😀

Ant-Man and Falcon fighting while flying was a great nod to the film franchise, as was Vision’s accidentally injuring Cap with Mjolnir. It was also highly satisfying to watch Little Miss Stretch pull one of Iron Man’s moves from Age of Ultron, hitting Hulk when he was not expecting it. Rookie though he is, even Inferno would have known better than to do that.

But the most surprising moment in the season finale came when Ultron hacked Tony’s suit and arc reactor, thereby taking control of both his mind and body. It was the biggest shock of the event. I did not see that coming, which was the entire point. The Marvel writers truly pulled a rabbit out of their hat when they did it. I only hope the team can purge Ultron from Tony’s system during season four’s “Secret Wars.” Otherwise, I am not going to be a happy camper.

To sum up, there are only a few things I have left to say, and they are about the next season of Avengers Assemble. Season three broke new ground for the team by bringing in new players such as Songbird and the Thunderbolts, along with Inferno, Vision, and Black Panther.

The additions of villains such as Yalena Belova, Kang the Conqueror, the U-Foes, Egghead, and others expanded Assemble’s villain cadre nicely. Not every season has to revolve around Ultron, Thanos, and Red Skull, after all. And the Avengers do not have to fight Dracula or MODOK every day, either. It is nice to see old enemies with new schemes fighting our heroes. They should get to fight some B, C, and D rated villains like Egghead every now and then. Save a city instead of the planet – piece of cake. Although I do miss watching the team as they tangle with Dr. Doom and Magneto. Doom has disappeared from Assemble and since Marvel is not interested in mixing mutants into its Avengers cartoons anymore, any chance to see how the team would slap down the Master of Magnetism has evaporated. Rats. I would have liked to view that.

The upgraded characterizations of our favorite heroes righted the problems I noted in posts about the first and second seasons of the show. They were overdue, but better late than never. These changes have made Assemble much stronger as a series than when it began. I hope that, when it comes time to replace Assemble, I will not have to lecture the writers again on the issues which I pointed out in those prior posts. I will not, however, be holding my breath on that hope.

With regard to the original seven Avengers on the team, I would like to ask the Marvel writers to keep up the good work. Leave the stereotypes in the trash, where they belong, and run the characters according to the tried and true formula which you know actually works.

Secondly, I would like to ask the writers to please, please drop Jane Foster/“Thorette” from the line-up for season four!! She will be a DISASTER, people! Do not shoot yourselves in the foot here!

Three, let Inferno grow and learn from the Avengers. And while I applaud the addition of Black Panther, Songbird, Vision, and soon the Wasp to the series, do not stop there. We want Mockingbird, Spectrum, War Machine, the Winter Soldier, Quicksilver, Scarlet Witch, the Fantastic Four, Daredevil, Iron Fist, Power Man, and many of the other heroes from the comics to at least get a mention in season four. If we are going to have more than the four seasons, then by all means, add them to the cast list. Just because they are not part of the films and live action TV shows, this should not prevent the writers from adding them to the cartoon series. And Scarlet Witch is, in fact, part of the film franchise. So why have she and Quicksilver been left out of Assemble?!?!? It makes no sense to leave the twins out, Marvel writers!

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Last but most important, I wish to remind the writers that we watch the Avengers because we like good stories with great characters, not because we are looking for a lecture on social justice or the latest cause celeb. If we want any of that junk, we will turn on the news or go to a tabloid stand. Since we are coming to you, it means we want to get away from those things for a little while.

Just tell us some good stories, okay? That is all any of us want out of fiction writers. Good stories, well told, with enduring characters. All right?

Avengers – ASSEMBLE!!!