Tag Archives: NCIS

Captain America: Civil War – Trailer 2 Breakdown

Well, sorta. This is not a total trailer breakdown, more like half a trailer breakdown.

Anyway, thanks to masterleiaofasgard, I saw the second Civil War trailer not too long ago. (She is sooo good at finding these things! 😉 ) It was… amazing! Spectacular! Superior!

Yeah, I am having fun with Spidey’s old titles of amazing, spectacular, and superior. Ultimate… I do not think the trailer rated that, thankfully.

Anyway, there were some things in this trailer which I thought were noteworthy. Below is a list of those things, which other, sharp-eyed fans have doubtless already noticed and taken the time to opine about them. Since I have not had time to surf the net for the observations of others, I snapped some shots of scenes from the trailer which I wanted to look at more closely. Unfortunately, the photos are grainy and blurry for the most part. I am sorry for that, readers, but it was the best this writer could accomplish with the limited tech knowledge stored up in this brain. I am no McGee of NCIS or Alec Hardison of Leverage, so this is the best you are going to get from this post, I am afraid.

With that disclaimer, we can get down to business. First up is this shot of Wanda bringing Vision to his knees:

Wanda vs. Vision 2

Pretty scary, huh? Wanda Maximoff is not an opponent any sane member of the Marvel Universe wants to enrage. That is a bad, bad idea under normal combat conditions. In this case, the plan is even worse.

After watching the trailer several times, I paused the video on this scene to get a better look at it. That is when I noticed that there is someone lying on the floor directly in front of Wanda’s feet. If you look at the bottom left corner of the photo, you should see him, too. Judging by what appears to be a quiver lying next to his bare left arm, I would say this person is none other than Hawkeye. It appears he has been knocked out, and my first thought was that Wanda might have done it to him. A friend of mine, however, is of the opinion that she is not responsible for his awkward nap, but is instead protecting him.

This would explain why Wanda is attacking Vision. If he popped into the room when Clint was telling Wanda it was time to go and zapped the archer, Wanda probably attacked Vision in retaliation. She considers Hawkeye a friend, in no small part due to the kindness he showed her when she was falling apart in Novi Grad. Watching him get hurt by Vision would not be fun for her. So after the initial, “What are you doing?!” moment, she would step in to protect her friend.

Another thing which adds credence to this theory is in the upper left corner of the photo. Though it is hard to see, you can just make out the Marvel Cinematic Universe’s trademark Avengers insignia. The only place where that A would be in such a visible position by the window is the Avengers’ new HQ; the old Stark facility they retrofitted and which Ant-Man so brazenly invaded.

The presence of that A indicates Wanda and Vision are fighting on their home turf. This fact is only reinforced by Wanda’s apparel; she is wearing a shirt, skirt, and boots, not her combat uniform. She is in a place where she feels relaxed and safe. This isn’t the airport or some other location; this is the Avengers’ base, her home. That means the Avengers do not divide into separate camps in a city somewhere. The break in their team occurs in their very own base!

Lastly, look at the Mind Stone on Vision’s forehead. Usually, that rock is yellow. In this shot, however, it is glowing red, along with the rest of Vision’s body as Wanda uses her powers on him. She is not just attacking him; she is attacking him through the Mind Stone.

In an interview that was released recently, Elizabeth Olsen said that the Vision’s and Wanda’s friendship is based in part on the fact that they both received their powers through the Mind Stone. While Olsen said there was no romance in the relationship, she did say they were friendly with each other. It appears they are friendly because of their shared experience with the Infinity Stone stuck to Vision’s head.

Also noteworthy about Vision’s position is the cracks in the floor beneath his feet. His knees have not hit the floor yet, but there is already a network of cracks in the concrete. I guess he was hovering and Wanda yanked him out of the air to the floor, causing those cracks. Vision is certainly heavy enough to have broken the floor that way, if he landed too hard. Since he is not in the habit of breaking stuff just for the fun of it, he did not create that damage of his own accord.

Next we have this shot of a circular area full of barred rooms:

Prison

A friend took note of these and suspects that the circular, underwater base we see rising out of (presumably) the Atlantic Ocean is the home of these cells. For cells these are. They are somewhat reminiscent of the cell where S.H.I.E.L.D. put Loki in the detention center aboard the Helicarrier – the one initially meant to contain the Hulk.

But these cells are much less roomy and comfortable than his was. This is a jail, no doubt. And considering that we see a shot of Tony – his arm in a sling and sporting a black eye – in the center of this room after this picture, it seems he is getting his first real look at what Ross ultimately wants for the Avengers. Registration leads to imprisonment and, sooner or later, death. Just ask the Jews rounded up in Nazi Germany and sent to the death camps – or the thousands of people the U.S.S.R. sent to the gulags. How did those monsters find all these people to condemn them to death?

Registration. That’s how they found them to round them up, send them to the death camps, and eventually kill them. And this is why Cap is so against registration for the Avengers.

I may be wrong, but there is some kind of placard at the bottom of the stairs that lead to each of these cells. I cannot help but wonder if these plaques are for names, marking which cells are set aside for which Avengers. Creepy, isn’t it?

I hope Tony is feeling the chill, too.

This photo here shows Cap chasing after Black Panther.

Chase

This is obviously an underground tunnel, but it is not a U.S. tunnel. And these vehicles, while they are probably of American manufacture, are not in America. Based on the blurry shot of the vehicle going down the tunnel adjacent Cap and Panther’s, a friend estimates this chase occurs in Europe. Or with cars owned by Europeans. It is hard to be sure because of the motion of this shot. But this chase is definitely going down in an underground tunnel, not a parking garage.

This photo is half a hoot and half terrifying.

Yikes!!

Tony is facing off against the Winter Soldier, and finding out that the man is as deadly as his rap sheet says he is.

This photo is interesting for several reasons, not least being Tony’s frightened expression. He is obviously unhurt at this juncture in the battle. Very obviously. The injured arm and black eye he has in other scenes during the trailer are conspicuously absent here. Wherever Tony is, he has not yet had a tumble on the tarmac with his anti-Registration teammates.

In fact, it seems he is at some diplomatic shindig. Perhaps the U.N. meeting at the building we see get blown up – apparently by Bucky Barnes?

This photo raises more questions than it answers. Since Tony is unhurt, we might assume that this scene is set prior to the civil war between the Avengers. This, in fact, might be what cements Tony’s decision to join Ross in promoting superhero registration.

This opens up a whole new set of possibilities. If Bucky didn’t attack the U.N. building – and his statement in the previous trailer that he “[doesn’t] do that anymore” implies he was framed for the attack – then this attack on Tony could also be a ploy. How HYDRA or Zemo would pull this off, I do not know. But this attack on Tony could very well be nothing more than an attack by a lookalike, a clone, or someone disguised as Bucky Barnes. This fight would certainly serve HYDRA’s purposes. Surviving an assassination attempt will doubtless firm Tony in his dislike of Barnes at the same time Cap is learning his old friend got out of the killing gig not long after Winter Soldier.

It could also mean that Bucky is fighting residual HYDRA control. HYDRA may have a codeword or some other program buried in his subconscious that reactivates his brainwashing, if only for short periods of time. Failing that devious “gotcha” plot twist, the only other explanations are that this is a fake attack, or that this is the battle where Tony earns his broken arm. That last, however, seems somewhat unlikely.

The next picture shows Cap in a rundown apartment kitchen.

Kitchen

There are newspapers plastered to the window on his left (our right), and a hole in one of the tiles over the kitchen counter. This place obviously has not been well-maintained by the owner(s) of the building, though it is clean enough to suggest the occupant of the place does not want to live in a complete rat-hole. But the person living here also does not want to be seen – hence the newspapers on the window.

Considering Cap says in this scene, “This doesn’t have to end in a fight,” I think this is Bucky Barnes’ hidey-hole. Hawkeye, while joining Team Cap and going on the run with them, probably left his farm to head straight for the base. I do not see him living in this kind of dump, and there is definitely no reason for Cap to tell him, “This doesn’t have to end in a fight…”

Wherever this place is, Cap finds Bucky here.

Unfortunately, this next picture is terrible.

Lab

Since it was frozen in mid-motion, this picture is very blurry. But from what we can see of it, Tony has just backhanded Cap across the room. Behind the two of them, you can see Bucky. It looks like he has a gun in his hands and has it raised. Or he is in the process of raising it. It is hard to tell for sure.

What we also see here is that the three are in some sort of underground complex. This is probably a HYDRA base and the location of the climatic final battle between the Registration and Anti-Registration Avengers.

The place looks like a lab – the Dr. Frankenstein type. This is most obvious because of the cylinder with the yellow glow on the right hand side of the shot. It is hard to see because of the watery blur from the camera’s motion, but by zooming in you can make out a person seated inside that cylinder. It is nearly impossible, however, to see whether this person is a man or a woman. Whoever it is, though, seems to have a stump where their right arm should be, as well as some sort of wire/tube coming from the top of the cylinder to attach to their body.

Particular features are impossible for me to gain here. But this scene got my mind whirling with possibilities. Is this a clone of Bucky Barnes? Is it the original Bucky Barnes, which would mean that the Winter Soldier we have seen since Cap 2 is a clone? Most pointedly – WHAT IS TONY DOING FIGHTING CAP WITH THIS HORROR SITTING RIGHT ACROSS FROM HIM?!?!? *Smack forehead and growls with irritation.*

We will only know when we see the film, naturally, but this scene is certainly something to look at closely.

Next picture we have here is this:

Claws!

I snapped this photo mostly to gawk at the length of Panther’s claws. Yikes!!! He could rip a man to shreds with those things! If you watch this scene a little more, you will see that when the chopper starts firing on the two, bullets literally bounce off of Panther’s suit. A vibranium outfit definitely has its perks.

Another thing to consider about this photo and the Bucky/Panther fight scene we glimpse is the location. This is not a U.S. city. The weathering is not consistent with most U.S. climes. This location is warmer than all but certain U.S. cities. My guess is this city is on the Mediterranean, while a friend has suggested it is in the Middle East. However, it could be anywhere. I am no expert on architecture, and these buildings could be in any of the places listed. Heck, I could be wrong and they might be fighting on a rooftop in the U.S.!

Wherever they are, these buildings seem to be along the same lines as Bucky’s apartment. Rundown, not well-maintained, non-descript apartment complexes which middle-class or upper class people would not get within sight of except on the freeway. The perfect place for the Winter Soldier to lie low and stay off the radar.

Until now, that is.

This next photo is of Natasha:

Black Widow

I am not sure, but I think this scene is from the airport tarmac in Germany. A friend suggests that it is a hospital. Either way, if you watch Widow closely during this clip, she seems to have tears welling in her eyes. I tried to photograph that part of the scene and failed, so if any readers can confirm that – not to mention the location of this shot – I would be most grateful.

Next is this photo of Team Cap charging at Team Iron:

Charge!

This shot I saved for the simple reason that I thought it was cool. On a recent study, though, I noticed something else: black smoke rising from somewhere behind Cap and his team. They were in a battle of some sort before facing off with Team Iron on the tarmac. Tony and his team might even have come in response to whatever conflict Cap and the others were involved in prior to this moment.

Also in this scene, we get a semi-clear look at Cap and his team. Wanda has changed into her combat gear here, and Ant-Man has also joined Team Cap by this point. I will be interested to see if he still has those shrink/grow disks in this film, or if he has upgraded to a shrink/grow gun, such as he had in Avengers Assemble’s second season. The gun would probably be more accurate and practical, but we will have to wait and see.

Here we also get to see Falcon spreading his wings and Hawkeye in his new gear. Later scenes show he has upgraded his main weapon again. Clint built all his bows in the comics, and if he does not maintain that practice in the Cinematic Universe, I would like to know where he gets his bows. Like in the scene where he is apparently out cold on the floor at the Avengers’ base, his suit has only one full arm, while the other is partly bare. His quiver is strapped to his back over his right shoulder (so how did it end up on the floor next to him at the base…?), and he has a glove on his left hand. Renner is left-handed, but in the comics Hawkeye was ambidextrous – either naturally or through training. This is an interesting costume upgrade all the same, though.

Sadly, this is not a great shot of Bucky. But it does not appear that he has any heavy artillery on him in this scene – unless it is strapped to his back and hidden by his hair at this moment. I cannot tell for sure. Cap’s gloves do not have fingers here, and this suit seems to be a melding of the one he had in Ultron and Winter Soldier. It appears a little old-school, but has some new touches to it.

These next two photos show the two factions drawing toward their clash at the airport.

Attack 1 Attack 2

Wanda, Falcon, and War Machine are hard to see, but if you look closely you will be able to make out Wanda and Rhodey. Falcon, unfortunately, manages to blend in well with the airport buildings in the second photo.

In these pictures, we see Wanda bending her knees and powering up to fire off some of her power. Rhodey’s trajectory suggests he is aiming straight for Falcon, who looks to be on a collision course with War Machine. Vision is aimed up toward Wanda. He and the Scarlet Witch are definitely going to tango here – and how!

On the ground, Cap is raising his shield to block a blast – or a fist – which Iron Man is preparing to deliver from above. Hawkeye, Ant-Man, and Bucky have all opened some distance between themselves and Cap, so their leader will have room to two-step with Tony. This puts Bucky on a direct path to tangle with T’Challa again, while Black Widow is apparently making a beeline for Hawkeye. Ant-Man is a good pace behind both Hawkeye and Bucky, who are neck and neck as they race toward their separate challengers. Who Scott Lang will be dancing with in the opening of this scene is hard to tell, but he will not be allowed to stand back and watch the others battle for long. That is for sure.

This next picture is taken simply for fun:

Really, dude?

This is the scene where Tony calls in our friendly neighborhood traitor to snatch Cap’s shield. Tony is already sporting his purple-black eye, but the real kicker is War Machine’s mask. As a friend of mine said, it looks like the War Machine armor is underwhelmed by Tony’s call to Spider-Man. What I do not understand about this clip is why Widow is standing behind Cap when Spidey hauls the shield off his arm and webs his hands together. Why did Cap let himself get surrounded?

These last shots show the camera focusing in on the Webslinger.

Spidey 1 Spidey 2 Spidey 3

I was not as enthused by the first sight we have had of the new Peter Parker as others are, but I was surprised to see that the lenses covering his eyes have focusing capabilities. This is new, and probably to help augment the emotion in Spider-Man’s voice. If Spidey has to shout “Whoa!” and show surprise, it will help if the lenses in his mask widen to show his shock, the way they do in the Ultimate Spider-Man cartoon series.

These are not the only scenes in the trailer to catch my attention, readers. But I think this post is more than long enough. These scenes were the ones which gave me the most to think about, and now that these speculations have been passed on to you, we can all sit back and wait for the movie to come out. But let’s try not to bite our nails bloody or grind our teeth to the gums, okay?

See you later, readers!

The Mithril Guardian

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Merry Christmas from JAG

Way back in the past I put up a post about my favorite TV intro songs and music. One of the shows that got top billing was Donald Bellisario’s JAG, a series that focused on Navy lawyers and was the predecessor of NCIS.  (Unfortunately, the video in that post which showed the introduction theme for JAG is no longer operable.)

One of the great things about the JAG series was that the season would include a Christmas episode, a tradition NCIS continues to this day.

A particular Christmas episode from season seven of JAG caught the attention of one of my friends. This was due to a sermon given by actor Bill Cobbs, who played a Navy chaplain in this episode. Here is that sermon from JAG’s “Answered Prayers”:

Chaplain Turner’s Christmas Eve Sermon

When God revealed himself to us, he did so through a family; which is why I speak to you tonight of Joseph… the forgotten man of the Christmas story. We know much about Mary and, of course, the Christ child. But the Bible makes few references to the life of Joseph. Therefore, he remains somewhat of a mystery, much as many of our own fathers do. But we do know that Joseph was a gentle father and a courageous man. He saved his family from Herod by taking them on a dangerous journey to Egypt. He taught his son his own trade, as fathers do even today. Joseph died before Jesus grew up to become a man and begin his ministry. Yet, Joseph still believed ‘blessed are those who believe that he will bind up the brokenhearted and free the captives.’ At best, a father is the solid foundation of a house, his support taken for granted. At other times, he may need shoring up himself. He may be tired, he may be impatient, he may be mired in his own problems, but always a father looks beyond the here and now. He keeps one eye trained on the next generation. Of necessity, he is a man filled with hope – Hope that a knowing God watches over the universe; hope that justice will prevail; hope that we will be reunited with our loved ones. As Saint Paul said, “Abide by these three: faith, hope, and love. The greatest of these is love.” So when we give thanks to the Father for our blessings, let us not forget Joseph, or our own fathers, that they may not be forgotten this Christmas. May God bless you and Merry Christmas.

 

Merry Christmas, readers.

The Mithril Guardian

A Sign of Affection

Those who have been following my blog for as long as I have had it know that, formerly, I would address my posts to certain characters.   I bring up my older posts because of the two videos included below.

Previously, when I reviewed movies and TV shows, I addressed the reviews to one ‘Very Special’ NCIS Agent, Anthony ‘Tony’ DiNozzo.  DiNozzo is a character in the television crime series NCIS, portrayed by actor Michael Weatherly.  These two videos below feature the character, as well as his teammates, being given a ‘tap’ of affection from their team leader, Special Agent Leroy Jethro Gibbs (Mark Harmon).  The videos are a great deal of fun – so enjoy them!

Have fun!

The Mithril Guardian

Some of the Best TV Themes Ever Heard

Almost everyone has a favorite TV series which they enjoy watching. Some have more than one. People pay a great deal of attention to the introductory theme music for their favorite shows. Having more preferred TV shows than I can count, I also have a fondness for their individual introductory themes. Today, I thought that I would list some of my favorite TV show ‘intros.’ The first such introduction music belongs to a show I watched faithfully while it was still being filmed, Stargate SG-1:

I know that some people do not care to have scenes flash by while the theme music is playing, especially when the scenes belong to a show they may never have seen before. But it drives me crazy to have nothing to look at while my favorite theme music is playing. At least, it does when I am listening to music on the computer. Other times I can listen to music without any such problems.

The second theme I wanted to bring up is from SG-1’s spinoff series, Stargate Atlantis:

Below I have also included a song performed by one of Atlantis’ lead actresses, Rachel Luttrell. In the video, Miss Luttrell is portraying one of the series’ lead characters – Teyla Emmagan – and is singing a song of good-bye for her character’s tribe’s wise woman. The ‘dead’ lady was the oldest woman of the tribe and Teyla’s mother figure.

The video I have selected is a ‘tribute’ video, a video put together by a fan of Rachel Luttrell’s character. As such, it includes footage of Teyla that is out of sync with the episode in which Miss Luttrell performed the song.   Originally trained as a singer by her father, Miss Luttrell performs the song to perfection. I lack words to express how the song and the music affect me. Perhaps by listening to it you, too, will feel the way I do when I hear it. The song is called “Beyond the Night.” My one regret is that the song is so short!!!

Another piece of television music I enjoy is this military theme for the series someone once dubbed “Just Another Goofy.” In reality, the show was a crime series centering on Navy lawyers, those officers who serve in the Judge Advocate General of the Navy, or JAG:

Before and after Stargate SG-1 and Stargate Atlantis, JAG was the go-to TV show. It has been off the air for a very long time now. One can hardly find the reruns for it playing anymore. I miss it.

Fortunately, the saga of JAG continues with its spinoff series NCIS. NCIS is a show revolving around the detectives for the U.S. Navy. These detectives hunt down criminals who kill or harm U.S. naval personnel, active or retired. The letters NCIS stand for Naval Criminal Investigative Services:

There are other videos tied to NCIS, but for now I will just put this one up. The others are funny scenes’ montages, so they can wait for another day.

A series I watched when I was small was only run intermittently. Its day had long ago come and gone, but that did not lessen the entertainment I got out of it one iota. Ladies and gentlemen, I give you the introduction to that “crack commando unit,” The A-Team!

This is an old show today. Another ‘old’ favorite TV theme from my youth was this music, which accompanied the introduction to MacGyver:

One series I remember well was wont to be rerun on February 29th – when that day came around, of course. That series was Quantum Leap:

Another that caught my attention, many moons ago now, was the Canadian crime series Due South:

My one regret about this introduction video is that it is not from the first or second season of the series, but from the third or fourth seasons of the show. Still, the music is correct. Nothing else matters except for that.

Also on the Canadian television series’ front, there is this newest gem that only recently came to my attention. Based on Sir Arthur Conan Doyle’s character Sherlock Holmes (as far as I can tell), this series is known as Murdoch’s Mysteries in Canada. Stateside, the series is called The Artful Detective:

Many a soul has been touched by some television series bearing the Star Trek brand. My first encounter with the story was, appropriately enough, the original series with William Shatner and the first Enterprise cast. But the theme for that series does not replay in my head with the same regularity as the theme for the sequel series Star Trek: Enterprise:

All right, now to the last music theme I have for this post.

The theme for my final pick is short. In my opinion it is far, far, too short. Much like the series this theme introduced, the song was a song of defiance. And for that defiance, perhaps, both the show and the song were canceled before they could spin their story into a long series. Here, therefore, is the theme for Firefly:

Until next time!

The Mithril Guardian